Annotation:Quodling’s Delight: Difference between revisions
No edit summary |
No edit summary |
||
| (8 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
---------- | |||
---- | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Quodling's_Deligh > | |||
'''QUODLING'S DELIGHT.''' AKA and see "[[Goddesses (1)]]," "[[Oak and Ash | |f_annotation='''QUODLING'S DELIGHT.''' AKA and see "[[Goddesses (1)]]," "[[Oak and Ash]]," "[[I Would I were in My Own Country]]." English, Air and Country Dance Tune (4/4 time). A Minor. Standard tuning (fiddle). AABB. The air appears in the '''Fitzwilliam Virginal Book''' (c. 1615, set by Giles Farnaby), Sir John Hawkin's transcriptions, and John Playford's '''Dancing Master''' of 1651 (where it appears as "Goddesses"). Walker, in '''History of Music in England''' (1924), says the “Quodling” title appeared first, set to this “jovial Elizabethan dance-melody,” and that “Goddesses” appeared in the 17th century, followed by an 18th century permutation of the tune into the well-known “The Oak and the Ash.” Researcher Graham Christian<ref>Graham Christian, '''A Playford Assembly''', 2015, p. 39.</ref> explains that ''quodling'' was a version of ''codling'', meaning an unripe apple, "but was also a jocular term for a young law student, still full of 'quids' and 'quods'". | ||
< | |f_source_for_notated_version= | ||
|f_printed_sources=Chappell ('''Popular Music of the Olden Time, vol. 1'''), 1859; p. 276. | |||
</ | |f_recorded_sources= | ||
|f_see_also_listing= | |||
'' | }} | ||
'' | |||
Latest revision as of 16:26, 21 August 2023
X:1 T:Quodling’s Delight M:C| L:1/8 S:Chappell – Popular Music of the Olden Times (1859) Z:AK/Fiddler’s Companion K:Amin |:A2A2 c2BA|B2B2d2 cB|A2A2 c2BA|^G3E e4:| |:g2e2c3e|d2B2G3d|c2A2^G3B|A2A2 A4:|
QUODLING'S DELIGHT. AKA and see "Goddesses (1)," "Oak and Ash," "I Would I were in My Own Country." English, Air and Country Dance Tune (4/4 time). A Minor. Standard tuning (fiddle). AABB. The air appears in the Fitzwilliam Virginal Book (c. 1615, set by Giles Farnaby), Sir John Hawkin's transcriptions, and John Playford's Dancing Master of 1651 (where it appears as "Goddesses"). Walker, in History of Music in England (1924), says the “Quodling” title appeared first, set to this “jovial Elizabethan dance-melody,” and that “Goddesses” appeared in the 17th century, followed by an 18th century permutation of the tune into the well-known “The Oak and the Ash.” Researcher Graham Christian[1] explains that quodling was a version of codling, meaning an unripe apple, "but was also a jocular term for a young law student, still full of 'quids' and 'quods'".
- ↑ Graham Christian, A Playford Assembly, 2015, p. 39.