London March (1): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=London March | |f_tune_title=London March (1) | ||
|f_aka=Lord Loudon's March | |f_aka=Berkshire March (The), Cameronian March (1), Favorite Scotch Hornpipe, Lord Loudon's March, March of the Third Regiment of Guards, | ||
|f_country=England | |f_country=England | ||
|f_genre=English | |f_genre=English | ||
Line 9: | Line 9: | ||
|f_accidental=2 sharps | |f_accidental=2 sharps | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AABB | |f_structure=AABA, AABB, | ||
|f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 4 | |f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 4 | ||
|f_collector=James Aird | |f_collector=James Aird | ||
Line 15: | Line 15: | ||
|f_page=No. 54, p. 21 | |f_page=No. 54, p. 21 | ||
|f_theme_code_index=3332 1565 | |f_theme_code_index=3332 1565 | ||
|f_score=1 | |||
}} | }} | ||
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---- | ---- | ||
< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:London March | T:London March [1] | ||
M:C | M:C | ||
L:1/8 | L:1/8 | ||
Line 33: | Line 51: | ||
F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E| | F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E| | ||
F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4|| | F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4|| | ||
</ | <section end=abc /> | ||
<section begin=X1 /> | |||
< | X:1 | ||
T:London March [1], The | |||
M:C | |||
L:1/8 | |||
R:March | |||
Q:”Maestoso” | |||
B:William Cahusac – The German Flute Preceptor (c. 1814, p. 23) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| | |||
B2 B>B B2TA2|G>B d>G Te2d2|e>gd>g c>fg>c’|b2Ta2 g4!fermata!:| | |||
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B TB2A2| | |||
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B B2AA!D.C!|| | |||
<section end=X1 /> | |||
<section begin=X4 /> | |||
X:37 | |||
C:Page 19 | |||
T:London March [1]. MBe.37, The | |||
A:England;Cumbria;Towcett | |||
B:Matthew Betham MS, Towcett Cumbria, 1815 | |||
Z:VMP - Hugh Taylor, 2012 | |||
T:Lord Lowden's March,aka. MBe.37 | |||
M:C | |||
L:1/8 | |||
Q:1/2=60 | |||
R: | |||
K:G | |||
B2 B>B B2 A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>gB>g|A>GA>B A2 A>A| | |||
B2 B>B B2 ~A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>fg>b| b2 a2 !fermata!g4"^Fine":| | |||
|:d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B ~B2 A2| | |||
d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B B2 A>A"^D.C.":| | |||
<section end=X4 /> | |||
<section begin=X7 /> | |||
X:1 | |||
T:London March [1] | |||
M:C | |||
L:1/8 | |||
R:March | |||
B:A. Robinson Jr. - ”Massachusetts collection of martial musick: containing a | |||
B:plain, easy and concise introduction to the grounds of martial musick” | |||
B:(Exeter, 1820, pp. 43-44) | |||
B: https://archive.org/details/massachusettscol00exet/page/64/mode/2up | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
V:1 | |||
B2 B>B B2A2|G>Bd>g e2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| | |||
B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>f g>c’|b2 a>g g4:| | |||
|:d>cB>c d>dc>B|A>Bc>A B2A2|G>G G>A B>B B>c|d>d c>B B2A2| | |||
d>c B>c d>d c>B|A>B c>A B2A2|G>G G>A B>B B>c|d>d c>B B2 A>A| | |||
B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>g B>g|A>G A>B A2 A>A| | |||
B2 B>B B2A2|G>Bd>g e2 d2|e>g d>g c>f g>c’|b2 a>g g4:| | |||
V:2 | |||
G2 G>G G2F2|G2B2c2B2|c2B2A2G2|F>EF>G F2 F>F| | |||
G2 G>G G2F2|G2B2c2B2|c2B2 A2 B>e|d2 c>B B4:| | |||
|:B>AG>A B>BA>G|F>GA>F G2F2|G>G G>F G>G G>A|B>B A>G G2F2| | |||
B>A G>A B>B A>G|F>G A>F G2F2|G>G G>F G>G G>A|B>B A>G G2 F>F| | |||
G2 G>G G2F2|G2B2c2B2|c>e B>d E>G D>G|D>B D>B D2 F>F| | |||
G2 G>G G2F2|G2B2c2B2|c2B2 A>c B>e|d2 c>B B4:| | |||
V:3 clef=bass | |||
G,,2 G,,>G,, G,,2D,2|G,2G,2G,2G,2|G,2G,2D,2G,,2|D,2D,2 D,,2D,,2| | |||
G,,2 G,,>G,, G,,2D,2|G,2G,,2G,2G,,2|G,2G,,2D,2 B,,>C,| D,2D,,2 G,,4:| | |||
|:G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, E,>G, D,2D,,2| | |||
G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, F,>G, D,2D,,2| | |||
G,2 G,>G, D,2 D,,2|G,,2G,2G,,2G,2|G,,8|D,,8| | |||
G,,2 G,,>G,, D,2D,,2|G,,2G,2G,,2G,2|C,2G,,2D,2G,>C,|D,2D,,2D,,4:| | |||
<section end=X7 /> | |||
<section begin=X10 /> | |||
X: 1 | X: 1 | ||
T:London March. JGi.114 | T:London March [1]. JGi.114 | ||
M:C | M:C | ||
L:1/8 | L:1/8 | ||
Line 52: | Line 136: | ||
ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG| | ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG| | ||
DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:| | DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:| | ||
</ | <section end=X10 /> | ||
<section begin=X11 /> | |||
< | X:1 | ||
X: 1 | T:London March [1] | ||
T:London March,The. TJD.54 | M:C | ||
L:1/8 | |||
R:March | |||
B:Edward Riley – “Riley Flute Melodies vol. 2” (New York, 1817, No. 348, p. 65) | |||
F: https://archive.org/details/flutemelodies0000rile/page/94/mode/2up | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| | |||
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>fg>c’|b2Ta2g4!fine!|| | |||
d>c B>c d>d c>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>d c>B B2A2| | |||
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d2 c>B {B}A4!D.C.!|| | |||
<section end=X11 /> | |||
<section begin=X13 /> | |||
X:1 | |||
T:London March [1], The. TJD.54 | |||
M:C | M:C | ||
L:1/8 | L:1/8 | ||
Line 70: | Line 168: | ||
|:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|! | |:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|! | ||
d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|] | d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|] | ||
</ | <section end=X13 /> | ||
<section begin=X16 /> | |||
< | |||
X: 1 | X: 1 | ||
T:London March,The. JMT.020 | T:London March [1], The. JMT.020 | ||
M:C | M:C | ||
L:1/8 | L:1/8 | ||
Line 91: | Line 188: | ||
DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :| | DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :| | ||
W:Try repeating the first bar. | W:Try repeating the first bar. | ||
</ | <section end=X16 /> | ||
<section begin=X19 /> | |||
< | X:1 | ||
X: 1 | T:London March [1] | ||
T:London March.TLY.015 | M:4/4 | ||
L:1/8 | |||
B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 89) | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>d/F/>d/|E>DE>F E2 E>E| | |||
F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>c/d/>g/|f2 e2 d4!fermata!:| | |||
|:A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2| | |||
A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2!D.C.!:| | |||
<section end=X19 /> | |||
<section begin=X22 /> | |||
X:1 | |||
T:London March [1].TLY.015 | |||
M:4/4 | M:4/4 | ||
L:1/8 | L:1/8 | ||
Line 114: | Line 223: | ||
dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|! | dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|! | ||
|:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|! | |:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|! | ||
F2 F>F F2 E2|DFAd B2A2| | F2 F>F F2 E2|DFAd B2A2|BdAd ((3Bcd) ((3efg)|f2~e2d4:| | ||
BdAd ((3Bcd) ((3efg)|f2~e2d4:| | <section end=X22 /> | ||
</ | <section begin=X25 /> | ||
X:1 | |||
[ | T:London March [1], The | ||
M:C| | |||
<!-- | L:1/8 | ||
R:March | |||
B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 44) | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
(DE)|F2 FF F2E2|D/E/F/G/ A/B/c/d/ {c}B2A2|BdAd GdFd|EDEF EGFE| | |||
F2 FF F2E2|DFAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:| | |||
|:a2|a>gfg a2 gf|e>fgf f2 {gf}e2|DDDE FFFG|AAGF F2E2| | |||
a>gfg a2 gf|e>fgf f2e2|ddde fffg|aagf f2e2| | |||
f2 f>f f2e2|BdAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|] | |||
<section end=X25 /> | |||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | |||
<section begin=X1 /> | |||
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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</font> | |||
__NOTITLE__ |
Latest revision as of 02:06, 7 May 2024
X:1 T:London March [1] M:C L:1/8 R:March B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 54, p. 21) Z:AK/Fiddler’s Companion K:D F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E| F2F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>cd>g|f2 e>d d4:|| a>gf>g a>ag>f|e>fg>e f2e2|d>dd>e f>ff>g|a>ag>f f2e2| A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2 F>E| F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E| F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4||
X:1
T:London March [1], The
M:C
L:1/8
R:March
Q:”Maestoso”
B:William Cahusac – The German Flute Preceptor (c. 1814, p. 23)
Z:AK/Fiddler’s Companion
K:G
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A|
B2 B>B B2TA2|G>B d>G Te2d2|e>gd>g c>fg>c’|b2Ta2 g4!fermata!:|
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B TB2A2|
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B B2AA!D.C!||
X:37
C:Page 19
T:London March [1]. MBe.37, The
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
T:Lord Lowden's March,aka. MBe.37
M:C
L:1/8
Q:1/2=60
R:
K:G
B2 B>B B2 A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>gB>g|A>GA>B A2 A>A|
B2 B>B B2 ~A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>fg>b| b2 a2 !fermata!g4"^Fine":|
|:d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B ~B2 A2|
d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B B2 A>A"^D.C.":|
X:1
T:London March [1]
M:C
L:1/8
R:March
B:A. Robinson Jr. - ”Massachusetts collection of martial musick: containing a
B:plain, easy and concise introduction to the grounds of martial musick”
B:(Exeter, 1820, pp. 43-44)
B: https://archive.org/details/massachusettscol00exet/page/64/mode/2up
Z:AK/Fiddler’s Companion
K:G
V:1
B2 B>B B2A2|G>Bd>g e2d2|e>gd>g c>gB>g|A>GA>B A2 A>A|
B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>f g>c’|b2 a>g g4:|
|:d>cB>c d>dc>B|A>Bc>A B2A2|G>G G>A B>B B>c|d>d c>B B2A2|
d>c B>c d>d c>B|A>B c>A B2A2|G>G G>A B>B B>c|d>d c>B B2 A>A|
B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>g B>g|A>G A>B A2 A>A|
B2 B>B B2A2|G>Bd>g e2 d2|e>g d>g c>f g>c’|b2 a>g g4:|
V:2
G2 G>G G2F2|G2B2c2B2|c2B2A2G2|F>EF>G F2 F>F|
G2 G>G G2F2|G2B2c2B2|c2B2 A2 B>e|d2 c>B B4:|
|:B>AG>A B>BA>G|F>GA>F G2F2|G>G G>F G>G G>A|B>B A>G G2F2|
B>A G>A B>B A>G|F>G A>F G2F2|G>G G>F G>G G>A|B>B A>G G2 F>F|
G2 G>G G2F2|G2B2c2B2|c>e B>d E>G D>G|D>B D>B D2 F>F|
G2 G>G G2F2|G2B2c2B2|c2B2 A>c B>e|d2 c>B B4:|
V:3 clef=bass
G,,2 G,,>G,, G,,2D,2|G,2G,2G,2G,2|G,2G,2D,2G,,2|D,2D,2 D,,2D,,2|
G,,2 G,,>G,, G,,2D,2|G,2G,,2G,2G,,2|G,2G,,2D,2 B,,>C,| D,2D,,2 G,,4:|
|:G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, E,>G, D,2D,,2|
G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, F,>G, D,2D,,2|
G,2 G,>G, D,2 D,,2|G,,2G,2G,,2G,2|G,,8|D,,8|
G,,2 G,,>G,, D,2D,,2|G,,2G,2G,,2G,2|C,2G,,2D,2G,>C,|D,2D,,2D,,4:|
X: 1
T:London March [1]. JGi.114
M:C
L:1/8
Q:1/4=130
S:Joshua Gibbons MS,1823,Tealby,Lincs.
R:march
O:Tealby,Lincolnshire
Z:VMP/R.Greig, 2009
K:C
E2E>EE2D2|CE GcA2G2|AcGc FAEA|DCDE DFED|
E2E>EE2D2|CEGcA2G2|AcGc EGcd|e2d2c4:|
|:g>fed ggfe|defee2d2|c>dc>d e>fe>f|ggfee2d2|
g>fe>f ggfe|defee2d2|c>dc>d e>fe>f|
ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG|
DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:|
X:1
T:London March [1]
M:C
L:1/8
R:March
B:Edward Riley – “Riley Flute Melodies vol. 2” (New York, 1817, No. 348, p. 65)
F: https://archive.org/details/flutemelodies0000rile/page/94/mode/2up
Z:AK/Fiddler’s Companion
K:G
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A|
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>fg>c’|b2Ta2g4!fine!||
d>c B>c d>d c>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>d c>B B2A2|
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d2 c>B {B}A4!D.C.!||
X:1
T:London March [1], The. TJD.54
M:C
L:1/8
Q:1/4=140
S:T.J.Dixon MS2, Lincolnshire, early 19thC
R:march
N:Repeat mark added at end
A:Lincolnshire, Holton le Moor
Z:vmp.R.Greig2010
K:G
B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|A2A>A A>cB>A|!
B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|b2a2g4:|!
|:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|!
d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|]
X: 1
T:London March [1], The. JMT.020
M:C
L:1/8
Q:1/4=140
S:J.Moore,Tyneside,1841.(14a)
R:.March
O:England
A:Northumbria
N:Irregular (bar missed out in the B music?
Z:vmp.John Adam
K:D
|:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 |!
F2 FF F2 E2 | DFAdB2 A2 | Bd Ad FA dg | f2 e2 d2 :||:!
(3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 |!
df Ad B2 A2 | Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 |!
DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :|
W:Try repeating the first bar.
X:1
T:London March [1]
M:4/4
L:1/8
B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 89)
Z:AK/Fiddler’s Companion
K:D
F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>d/F/>d/|E>DE>F E2 E>E|
F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>c/d/>g/|f2 e2 d4!fermata!:|
|:A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2|
A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2!D.C.!:|
X:1
T:London March [1].TLY.015
M:4/4
L:1/8
Q:1/2=90
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.March
O:England.
A:Lancashire.
N:I have removed the D>E from the end of the A strain to the
N:beginning.CGP.
H:1860.
Z:vmp.Taz Tarry.
K:D
"*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|!
F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2|\
BdAd Gc ((3efg)|f2~e2d2:|!
|:f>g|a>gf>g g>agf|e>fg>g f2 e2|\
dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|!
|:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!
F2 F>F F2 E2|DFAd B2A2|BdAd ((3Bcd) ((3efg)|f2~e2d4:|
X:1
T:London March [1], The
M:C|
L:1/8
R:March
B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 44)
Z:AK/Fiddler’s Companion
K:D
(DE)|F2 FF F2E2|D/E/F/G/ A/B/c/d/ {c}B2A2|BdAd GdFd|EDEF EGFE|
F2 FF F2E2|DFAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|
|:a2|a>gfg a2 gf|e>fgf f2 {gf}e2|DDDE FFFG|AAGF F2E2|
a>gfg a2 gf|e>fgf f2e2|ddde fffg|aagf f2e2|
f2 f>f f2e2|BdAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|]