Annotation:Maid Behind the Bar (2) (The): Difference between revisions
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'''MAID BEHIND THE BAR [2], THE''' (An Gearrchaile taobh thiar den Bheár). AKA and see "[[Bruisus (The)]]," "[[Clonmel Lassies]]," "[[Kiss the Maid Behind the Barn]]," "[[Kiss the Maid Behind the Barrel]]," "[[Maid Behind the Counter (The)]]." Irish, Reel. G Major. Standard tuning (fiddle). ABCD. Breathnach (1963) states that O'Neill's "[[Kiss the Maid Behind the Barrel]]" is a version of this tune, while Petrie (1905) prints five versions of the tune under the titles "[[Clonmell Lasses]]," "[[Bruisus (The)]]," "[[Kiss the Maid Behind the Barrel]]." The tune is best-known as "Kiss the Maid Behind the Barrel" today, although this title is often confused with the similar name "Maid Behind the Bar." | '''MAID BEHIND THE BAR [2], THE''' (An Gearrchaile taobh thiar den Bheár). AKA and see "[[Bruisus (The)]]," "[[Clonmel Lassies]]," "[[Kiss the Maid Behind the Barn]]," "[[Kiss the Maid Behind the Barrel]]," "[[Maid Behind the Counter (The)]]." Irish, Reel. G Major. Standard tuning (fiddle). ABCD. Breathnach (1963) states that O'Neill's "[[Kiss the Maid Behind the Barrel]]" is a version of this tune, while Petrie (1905) prints five versions of the tune under the titles "[[Clonmell Lasses]]," "[[Bruisus (The)]]," "[[Kiss the Maid Behind the Barrel]]." The tune is best-known as "Kiss the Maid Behind the Barrel" today, although this title is often confused with the similar name "Maid Behind the Bar." | ||
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''Source for notated version'': piper Tommy Reck/Tomas Riabhach (Ireland) [Breathnach]. | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - piper Tommy Reck/Tomas Riabhach (Ireland) [Breathnach]. | |||
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''Printed sources'': Breathnach ('''CRÉ I'''), 1963; No. 74, p. 34. Kennedy ('''Traditional Dance Music of Britain and Ireland: Reels and Rants'''), 1997; No. 117, p. 28 (as "Maid Behind the Counter"). O'Brien ('''Jerry O'Brien's Accordion Instructor'''). | <font color=red>''Printed sources''</font> : - Breathnach ('''CRÉ I'''), 1963; No. 74, p. 34. Kennedy ('''Traditional Dance Music of Britain and Ireland: Reels and Rants'''), 1997; No. 117, p. 28 (as "Maid Behind the Counter"). O'Brien ('''Jerry O'Brien's Accordion Instructor'''). | ||
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''Recorded sources'': <font color=teal>Gennet 5283 (78 RPM), Tom Ennis (1923).</font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Gennet 5283 (78 RPM), Tom Ennis (1923).</font> | ||
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See also listing at:<br> | See also listing at:<br> | ||
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/1050/]<br> | Alan Ng's Irishtune.info [http://www.irishtune.info/tune/1050/]<br> | ||
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Hear piper Tom Ennis's 1921 recording at the Internet Archive [http://ia600202.us.archive.org/18/items/TomEnnisTrimtheVelvet1921/Tom_Ennis__Trim_the_Velvet_1921.mp3]<br> | Hear piper Tom Ennis's 1921 recording at the Internet Archive [http://ia600202.us.archive.org/18/items/TomEnnisTrimtheVelvet1921/Tom_Ennis__Trim_the_Velvet_1921.mp3]<br> | ||
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Latest revision as of 04:32, 24 February 2020
X: 1 T: Kiss the Maid behind the Barrel (reel) % treoir<BB T:Maid Behind the Bar [2] B: "Treoir" M: 4/4 L: 1/8 Q: 340 R: reel F:http://www.capeirish.com/webabc K: G DG G2 AG G2 | DG G2 cAFA | DG G2 AGFA |1 defd AGFG :|2\ defd cAFA |] % dg g2 bg g2 | dg g2 bgaf | df f2 af f2 | defd cAFA | dg g2 bgaf | d^cde f3 g | a2 ge fdec | d2 eg fdcA |] % G2 dG eGdG | G2 dG cAFA | G2 dG G2 AB | cdfd cAFA | G2 dG G2 dG | G2 dB cAFA | B3 B ABcA | defd cAFA |] % g2 bg agab | g2 bg defa | g2 bg ag g2 | defd cAFA | g2 bg agab | g2 bg defg | afge fdec | d2 eg fdcA |] % (3Bcd BG (3ABc Af | G2 GB cAFA | (3Bcd BG ABcA | defd cAFA | B3 B ABcA | (3Bcd BG ABcA | defd cAFA |] % G2 (3Bcd G3 D | GdBd cAFA | G2 (3Bcd G3 A | defd cAFA | GdBd GdBd | G2 Bd cAFA | B3 B ABcA | defd cAGF | G4 |]
MAID BEHIND THE BAR [2], THE (An Gearrchaile taobh thiar den Bheár). AKA and see "Bruisus (The)," "Clonmel Lassies," "Kiss the Maid Behind the Barn," "Kiss the Maid Behind the Barrel," "Maid Behind the Counter (The)." Irish, Reel. G Major. Standard tuning (fiddle). ABCD. Breathnach (1963) states that O'Neill's "Kiss the Maid Behind the Barrel" is a version of this tune, while Petrie (1905) prints five versions of the tune under the titles "Clonmell Lasses," "Bruisus (The)," "Kiss the Maid Behind the Barrel." The tune is best-known as "Kiss the Maid Behind the Barrel" today, although this title is often confused with the similar name "Maid Behind the Bar."
Uilleann piper Patsy Touhey recorded the tune in 1904 (on a cylinder recording), and again in 1919. Uilleann piper Tom Ennis and others recorded the reel several times in the 78 RPM era. Ennis waxed it in 1921 (as part of medley called "Trim the Velvet--Reels"), and again, twice, in 1923. He recorded the same medley ("Trim the Velvet") again, but this time the label listed both tunes (showing the "Maid Behind the Bar" title), as did his other 1923 recording of medley, a duet with Sligo fiddler James Morrison. Ennis, maintains fiddler, researcher and collector Philippe Varlet, paired "Maid Behind the Bar" with the similar sounding "Trim the Velvet" and mixed the parts of the two tunes up as he played. Others do not hear the part switches.