Chorus Jig (1): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Chorus Jig (1)
|f_tune_title=Chorus Jig (1)
|f_aka=Chorus Reel (The), Doon Reel (The), Ríl an Dúin, Gleann Eoghain, Celebrated Opera Reel (The)  
|f_aka=Chorus Reel, Doon Reel (3) (The), Ríl an Dúin, Gleann Eoghain, Celebrated Opera Reel (The)
|f_country=England, Scotland, Ireland, Canada, United States
|f_country=England, Scotland, Ireland, Canada, United States
|f_genre=Contra, Down-East/Maritime, English, Irish, Scottish
|f_genre=Contra, Down-East/Maritime, English, Irish, Scottish
Line 9: Line 9:
|f_accidental=2 sharps
|f_accidental=2 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABCCD
|f_history=USA(New England)
|f_book_title=1000 Jigs and Reels
|f_structure=ABCD, AABCCD
|f_collector=Elias Howe,
|f_book_title=First Part of the Musician's Companion
|f_year=c. 1867
|f_collector=Elias Howe
|f_page=p. 75
|f_year=1842
|f_page=p. 62
|f_theme_code_index=3155 3151H
|f_theme_code_index=3155 3151H
|f_score=1
|f_player=Mellie Dunham
|f_player=Mellie Dunham
|f_album=Chorus Jig
|f_album=Chorus Jig
Line 20: Line 22:
|f_recording_date=1926
|f_recording_date=1926
}}
}}
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<pre>
<section begin=abc />
X:1
T:Chorus Jigg [1]
M:2/4
L:1/8
R:Reel
S: Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, pp. 7-8)
Z:AK/Fiddler’s Companion
K:G
F/E/D/F/ A/B/A/G/|F/E/D/F/ AA/G/|F/E/D/F/ A/B/A/G/|F/c/B/A/ G2:|
|:d/B/c/A/ B/G/A/F/|A/d/c/B/ AA|d/B/c/A/ B/G/A/F/|G/c/B/A/ G2:|
|:fdfd|f/d/f/g/ a/b/a/g/|fdfd|c/d/e/f/ g2:|
|:d/B/c/A/ B/G/A/F/|A/d/c/B/ AA|d/B/c/A/ B/G/A/F/|G/c/B/A/ G2:|]
<section end=abc />
<section begin=X1 />
X: 10621
T: CHORUS JIG [1]
C:
%R: reel
B: Elias Howe "The Musician's Companion" Part 1 1842 p.62 #1
S: http://imslp.org/wiki/The_Musician's_Companion_(Howe,_Elias)
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/16
K: Dmix
% - - - - - - - - - - - - - - - - - - - - - - - - -
(AG) |\
F2(DF) (AB)(AG) | (FA)(DF) A2d2 | D2(DF) (AB)(AF) | (GF)(EF) G2(AG) |
F2(DF) (AB)(AG) | (FA)(DF) A2d2 | (DF)(DF) (AB)(AG) | (GF)(EF) G2 |]
Bc |\
d>Bc>A B>GA>F | (Ad)(cB) A2B>c | d>Bc>A B>GA>F | (Ac)(BA) G2B>c |
d>Bc>A B>GA>F | A>Bc>d e>fg>e | d>Bc>A B>GA>F | A>cB>A G2 |]
a>g |\
(fd)dd (fd)dd | (Ad)(fa) (ab)(ag) | (fd)dd (fd)dd | (Ad)(ef) g2(ag) |
(fd)dd (fd)dd | (Ad)(fa) (ab)(ag) | (df)ff (df)ff | (ed)(ef) g2 |]
[fB]>[ec] |\
d>Bc>A B>GF>G | (Ad)(^cd) A2B>c | d>Bc>A B>GF>G | (Ac)(BA) G2B>c |
d>Bc>A B>GF>G | (AB)(cd) (ef)(ge) | d>Bc>A B>GF>G | (Ac)(BA) G2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - -
<section end=X1 />
<section begin=X2 />
X:1
T:Chorus Jig [1]
M:2/4
L:1/8
R:Reel
B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 2, p. 98)
Z:AK/Fiddler’s Companion
K:G
F/D/D/F/ A/B/A/G/|F/D/D/F/ A{^c}d|F/D/D/F/ A/B/A/G/|1(3F/D/E/F/ GG:|2 F/D/E/F/ G||
|:(B/c/)|d/B/c/A/ B/G/F/G/|A/d/c/B/ A(B/c/)|d/B/c/A/ B/G/F/G/|A/c/B/A/ G:|
|:(e/g/)|f/d/A/d/ f/d/A/d/|f/e/f/g/ a(a/g/)|f/d/A/d/ f/d/A/d/|e/d/e/f/ g:|
|:(f/e/)|d/B/c/A/ B/G/F/G/|A/d/c/B/ A(B/c/)|d/B/c/A/ B/G/F/G/|1 A/c/B/A/ G(B/c/):|2 (A/c/).B/.A/ Gz||
<section end=X2 />
<section begin=X3 />
X:1
T:Chorus Jig [1]
M:2/4
L:1/8
B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 61)
Z:AK/Fiddler’s Companion
K:G
d/c/|B/G/G/B/ d/e/d/c/ |B/G/G/B/ d d/c/|B/G/G/B/ d/e/d/c/ |B/G/G/B/ c:|
|:d/e/4f/4|gfed|d/g/f/g/ d d/e/4f/4|g/e/f/d/ e/c/d/B/ |c/B/A/B/ c:|
|:a/b/4c'/4|b/g/g/b/ b/g/g/b/|b/g/g/b/ d’d/c'/|b/g/g/b/ b/g/g/b/|a/g/a/b/ c'|
b/a/|g/e/f/d/ e/c/d/B/|d/g/f/g/ d d/e/4f/4|g/e/f/d/ e/c/d/B/|c/B/A/B/ c:|]
<section end=X3 />
<section begin=X4 />
X:2
T:Chorus Jig [1]
M:2/4
L:1/8
R:Reel
S:Edison Cole (Freedom, N.H.)
K:G
A/G/|FD/F/ A/B/A/G/|(3F/G/A/ D/F/ Ad|DD/F/ A/B/A/F/|(3G/F/G E/F/ GA/G/|
FD/F/ A/B/A/G/|(3F/G/A/ D/F/ Ad|D/F/D/F/ A/B/ (3A/G/F/|G/F/E/F/ G:|
|:G/4A/4B/4c/4|d/>B/c/>A/ B/>G/F/>G/|A/>D/^c/>d/ A(3B/=c/^c/|d/>B/c/>A/ B/>G/F/>G/|(3A/>B/c/ (3B/>A/B/ GB/>c/|
d/>B/c/>A/ B/>G/F/>G/|A/>B/c/>d/ e/>f/g/>e/|d/>B/c/>A/ B/>G/F/>G/|(3A/>B/c/ (3B/>A/G:||
<section end=X4 />
<section begin=X7 />
X:3
T:Chorus Jig [1]
M:2/4
L:1/8
R:Reel
S:Ed Larkin, Chelsea, Vt. 1939
B:Post - Music in Rural New England 1870-1940 (2004, p. 92)
K:G
D>F|AA D/F/D/F/|AA D>F|AB/A/ G/F/E/F/|GA/G/ D/F/D/F/|
A/B/A/G/ F/D/F/G/|Ad D>F|AB/A/ G/F/E/F/|G A/B/4c/4 d/B/c/A/|
B/G/F/G/ A/d/c/d/|AB/c/ d/B/c/A/|B/G/F/G/ A/c/B/A/|GB/c/ d/B/c/A/|
B/G/F/G/ A/B/c/d/|e/f/g/e/ d/B/c/A/|B/G/F/G/ A/c/B/A/|G2||
<section end=X7 />
<section begin=X11 />
X:1
X:1
T:Chorus Jig [1]
T:Chorus Jig [1]
M:C|
M:C|
L:1/8
L:1/8
N:From an August 1, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum.  Martin, a WWI veteran, had a repertory that
N:consisted of “Down East”, Acadian, Irish, American and French-Canadian tunes.
N:Martin called the tune "Coleman's Reel" identifying "Mike Coleman", Irish, as the
N:source for the tune, also linking him to the Henry Ford contests as winner
N: of the “$10,000” fiddle as a prize.
D: https://bmac.libs.uga.edu/index.php/Detail/objects/331630
F:UGA Brown Media Archives: identifier artrosen_00180 (Track 9 -22:17 of the tape)
Z:Transcribed by Andrew Kuntz
K:D
P:A
ag|ffdf a2ag|ffdf a2 d2|defg afag|(f/g/f) ef {ga}g2ag|
ffdf a2ag|ffdf a2 d2|defg abag|(f/g/f) ef J.gz||
P:B
K:G
Bc|dB (c/B/A) B(GFG)|A(dcd) AABc|dB (c/B/A) B(GFG)|Ac (B/4c/4B/A) GABc|
dBcA B(GFG)|A(Bcd) ef (g/f/g)|dBcA B(GFG)|AcBA .G2||
K:D
P:C
{ab}ag|:fded fded|fdfg abag|fded fded|cdef {ga}g2ag|
fded fded|fdfg abag|fded fded|1cdef .[dg]zag:|2 cdef .[dg]||
P:B'
K:G
Bc|dB (c/B/A) B(GFG)|A(dcd) AABc|dB (c/B/A) B(GFG)|.[DA]z[DB]A GABc|
dB (c/B/A) BGF-G|ABcd ef{a}ge|dB-cc BGFG|AcBA G2||
<section end=X11 />
<section begin=X14 />
X:1
T:Chorus Jig [1]
M:2/4
L:1/16
R:Reel
R:Reel
K:D
K:D
AG|F2DF AB AG|FA DF A2d2|D3F AB AF|GF EF G2:|
AG|F2DF ABAG|FADF A2d2|D3F ABAF|GFEF G2:|
K:G
K:G
||Bc|dB cA BG FG|Ad ^cd A2b=c|dB cA BG FG|Ac BA G2Bc|
||Bc|dBcA BGFG|Ad ^cd A2B=c|dBcA BGFG|AcBA G2Bc|
dB cA BG FG|AB cd ef ge|dB cA BG FG|Ac BA G2||
dBcA BGFG|ABcd efge|dBcA BGFG|AcBA G2||
K:D
K:D
|:ag|fd dd fd dd|fd fg ab ag|fd dd fd dd|=cd ef g2:|
|:ag|fddd fddd|fdfg abag|fddd fddd|=cdef g2:|
K:G
K:G
||Bc|dB cA BG FG|Ad ^cd A2 B=c|dB cA BG FG|Ac BA G2Bc|
||Bc|dBcA BGFG|Ad ^cd A2 B=c|dBcA BGFG|AcBA G2Bc|
d2 (3cdc BG FG|AB cd ef ge|dB cA BG FG|Ac BA G2|]
d2 (3cdc BGFG|ABcd efge|dBcA BGFG|AcBA G2|]
 
<section end=X14 />
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<section begin=X1 />
 
<section end=X1 />
[[{{TALKPAGENAME}}|Descriptive information]]
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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__NOTITLE__

Latest revision as of 02:11, 10 January 2024


Chorus Jig (1)  Click on the tune title to see or modify Chorus Jig (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Chorus Jig (1)
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 Theme code Index    3155 3151H
 Also known as    Chorus Reel, Doon Reel (3) (The), Ríl an Dúin, Gleann Eoghain, Celebrated Opera Reel (The)
 Composer/Core Source    
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Contra, Down-East/Maritime, English, Irish, Scottish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA(New England)
 Structure    ABCD, AABCCD
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:First Part of the Musician's Companion
 Tune and/or Page number    p. 62
 Year of publication/Date of MS    1842
 Artist    Biography:Mellie Dunham
 Title of recording    Chorus Jig
 Record label/Catalogue nr.    Victor 40121 (78 RPM)
 Year recorded    1926
 Media    
 Score   (1)   


Chorus Jig (1): Annotations

X:1 T:Chorus Jigg [1] M:2/4 L:1/8 R:Reel S: Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, pp. 7-8) Z:AK/Fiddler’s Companion K:G F/E/D/F/ A/B/A/G/|F/E/D/F/ AA/G/|F/E/D/F/ A/B/A/G/|F/c/B/A/ G2:| |:d/B/c/A/ B/G/A/F/|A/d/c/B/ AA|d/B/c/A/ B/G/A/F/|G/c/B/A/ G2:| |:fdfd|f/d/f/g/ a/b/a/g/|fdfd|c/d/e/f/ g2:| |:d/B/c/A/ B/G/A/F/|A/d/c/B/ AA|d/B/c/A/ B/G/A/F/|G/c/B/A/ G2:|]


X: 10621 T: CHORUS JIG [1] C: %R: reel B: Elias Howe "The Musician's Companion" Part 1 1842 p.62 #1 S: http://imslp.org/wiki/The_Musician's_Companion_(Howe,_Elias) Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Dmix % - - - - - - - - - - - - - - - - - - - - - - - - - (AG) |\ F2(DF) (AB)(AG) | (FA)(DF) A2d2 | D2(DF) (AB)(AF) | (GF)(EF) G2(AG) | F2(DF) (AB)(AG) | (FA)(DF) A2d2 | (DF)(DF) (AB)(AG) | (GF)(EF) G2 |] Bc |\ d>Bc>A B>GA>F | (Ad)(cB) A2B>c | d>Bc>A B>GA>F | (Ac)(BA) G2B>c | d>Bc>A B>GA>F | A>Bc>d e>fg>e | d>Bc>A B>GA>F | A>cB>A G2 |] a>g |\ (fd)dd (fd)dd | (Ad)(fa) (ab)(ag) | (fd)dd (fd)dd | (Ad)(ef) g2(ag) | (fd)dd (fd)dd | (Ad)(fa) (ab)(ag) | (df)ff (df)ff | (ed)(ef) g2 |] [fB]>[ec] |\ d>Bc>A B>GF>G | (Ad)(^cd) A2B>c | d>Bc>A B>GF>G | (Ac)(BA) G2B>c | d>Bc>A B>GF>G | (AB)(cd) (ef)(ge) | d>Bc>A B>GF>G | (Ac)(BA) G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - -


X:1 T:Chorus Jig [1] M:2/4 L:1/8 R:Reel B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 2, p. 98) Z:AK/Fiddler’s Companion K:G F/D/D/F/ A/B/A/G/|F/D/D/F/ A{^c}d|F/D/D/F/ A/B/A/G/|1(3F/D/E/F/ GG:|2 F/D/E/F/ G|| |:(B/c/)|d/B/c/A/ B/G/F/G/|A/d/c/B/ A(B/c/)|d/B/c/A/ B/G/F/G/|A/c/B/A/ G:| |:(e/g/)|f/d/A/d/ f/d/A/d/|f/e/f/g/ a(a/g/)|f/d/A/d/ f/d/A/d/|e/d/e/f/ g:| |:(f/e/)|d/B/c/A/ B/G/F/G/|A/d/c/B/ A(B/c/)|d/B/c/A/ B/G/F/G/|1 A/c/B/A/ G(B/c/):|2 (A/c/).B/.A/ Gz||


X:1 T:Chorus Jig [1] M:2/4 L:1/8 B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 61) Z:AK/Fiddler’s Companion K:G d/c/|B/G/G/B/ d/e/d/c/ |B/G/G/B/ d d/c/|B/G/G/B/ d/e/d/c/ |B/G/G/B/ c:| |:d/e/4f/4|gfed|d/g/f/g/ d d/e/4f/4|g/e/f/d/ e/c/d/B/ |c/B/A/B/ c:| |:a/b/4c'/4|b/g/g/b/ b/g/g/b/|b/g/g/b/ d’d/c'/|b/g/g/b/ b/g/g/b/|a/g/a/b/ c'| b/a/|g/e/f/d/ e/c/d/B/|d/g/f/g/ d d/e/4f/4|g/e/f/d/ e/c/d/B/|c/B/A/B/ c:|]


X:2 T:Chorus Jig [1] M:2/4 L:1/8 R:Reel S:Edison Cole (Freedom, N.H.) K:G A/G/|FD/F/ A/B/A/G/|(3F/G/A/ D/F/ Ad|DD/F/ A/B/A/F/|(3G/F/G E/F/ GA/G/| FD/F/ A/B/A/G/|(3F/G/A/ D/F/ Ad|D/F/D/F/ A/B/ (3A/G/F/|G/F/E/F/ G:| |:G/4A/4B/4c/4|d/>B/c/>A/ B/>G/F/>G/|A/>D/^c/>d/ A(3B/=c/^c/|d/>B/c/>A/ B/>G/F/>G/|(3A/>B/c/ (3B/>A/B/ GB/>c/| d/>B/c/>A/ B/>G/F/>G/|A/>B/c/>d/ e/>f/g/>e/|d/>B/c/>A/ B/>G/F/>G/|(3A/>B/c/ (3B/>A/G:||


X:3 T:Chorus Jig [1] M:2/4 L:1/8 R:Reel S:Ed Larkin, Chelsea, Vt. 1939 B:Post - Music in Rural New England 1870-1940 (2004, p. 92) K:G D>F|AA D/F/D/F/|AA D>F|AB/A/ G/F/E/F/|GA/G/ D/F/D/F/| A/B/A/G/ F/D/F/G/|Ad D>F|AB/A/ G/F/E/F/|G A/B/4c/4 d/B/c/A/| B/G/F/G/ A/d/c/d/|AB/c/ d/B/c/A/|B/G/F/G/ A/c/B/A/|GB/c/ d/B/c/A/| B/G/F/G/ A/B/c/d/|e/f/g/e/ d/B/c/A/|B/G/F/G/ A/c/B/A/|G2||


X:1 T:Chorus Jig [1] M:C| L:1/8 N:From an August 1, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that N:consisted of “Down East”, Acadian, Irish, American and French-Canadian tunes. N:Martin called the tune "Coleman's Reel" identifying "Mike Coleman", Irish, as the N:source for the tune, also linking him to the Henry Ford contests as winner N: of the “$10,000” fiddle as a prize. D: https://bmac.libs.uga.edu/index.php/Detail/objects/331630 F:UGA Brown Media Archives: identifier artrosen_00180 (Track 9 -22:17 of the tape) Z:Transcribed by Andrew Kuntz K:D P:A ag|ffdf a2ag|ffdf a2 d2|defg afag|(f/g/f) ef {ga}g2ag| ffdf a2ag|ffdf a2 d2|defg abag|(f/g/f) ef J.gz|| P:B K:G Bc|dB (c/B/A) B(GFG)|A(dcd) AABc|dB (c/B/A) B(GFG)|Ac (B/4c/4B/A) GABc| dBcA B(GFG)|A(Bcd) ef (g/f/g)|dBcA B(GFG)|AcBA .G2|| K:D P:C {ab}ag|:fded fded|fdfg abag|fded fded|cdef {ga}g2ag| fded fded|fdfg abag|fded fded|1cdef .[dg]zag:|2 cdef .[dg]|| P:B' K:G Bc|dB (c/B/A) B(GFG)|A(dcd) AABc|dB (c/B/A) B(GFG)|.[DA]z[DB]A GABc| dB (c/B/A) BGF-G|ABcd ef{a}ge|dB-cc BGFG|AcBA G2||


X:1 T:Chorus Jig [1] M:2/4 L:1/16 R:Reel K:D AG|F2DF ABAG|FADF A2d2|D3F ABAF|GFEF G2:| K:G ||Bc|dBcA BGFG|Ad ^cd A2B=c|dBcA BGFG|AcBA G2Bc| dBcA BGFG|ABcd efge|dBcA BGFG|AcBA G2|| K:D |:ag|fddd fddd|fdfg abag|fddd fddd|=cdef g2:| K:G ||Bc|dBcA BGFG|Ad ^cd A2 B=c|dBcA BGFG|AcBA G2Bc| d2 (3cdc BGFG|ABcd efge|dBcA BGFG|AcBA G2|]


Chorus Jig (1): Annotations

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