Mary Scott (2): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Mary Scott (2)
|f_tune_title=Mary Scott (2)
|f_aka=Mary Scott the Flower of Yarrow, Sir John Fenwick's the Flower Among Them All, When ye cold winter nights were frozen
|f_aka=Mary Scot, Mary Scott the Flower of Yarrow, Sir John Fenwick's the Flower Among Them All, When ye cold winter nights were frozen
|f_country=England, Scotland
|f_country=England, Scotland
|f_genre=Northumbrian/Borders, Scottish
|f_genre=Northumbrian/Borders, Scottish
Line 11: Line 11:
|f_history=ENGLAND(North East)
|f_history=ENGLAND(North East)
|f_structure=AA'BB, AABBCCDD
|f_structure=AA'BB, AABBCCDD
|f_book_title=Henry Atkinson's music manuscript
|f_collector=Henry Atkinson
|f_year=1694
|f_theme_code_index=113 556
|f_theme_code_index=113 556
|f_score=1
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
X: 1
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
T:Mary Scott,The...,aka. HA.030
|image=TUC-160x120.png
|image_alt=Traditional universal music
}}
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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----<section begin=X2 />
X:1
T:Mary Scott [2],The...,aka. HA.030
T:Sir John Fenwick,aka. HA.030
T:Sir John Fenwick,aka. HA.030
M:6/4
M:6/4
Line 42: Line 61:
g2G2B2 g2G2B2|g2G2B2 g2G2B2|\
g2G2B2 g2G2B2|g2G2B2 g2G2B2|\
c2 (dc)(BA) B3AG2|A4G2 e4d2|]
c2 (dc)(BA) B3AG2|A4G2 e4d2|]
</pre>
<section end=X2 />
<pre>
<section begin=X3 />
X:2
X:2
T:Mary Scott
T:Mary Scott [2]
C:anon.
C:anon.
O:Scotland
O:Scotland
Line 55: Line 74:
%Posted June 29th 2000 at abcusers by Jack Campin during a discussion
%Posted June 29th 2000 at abcusers by Jack Campin during a discussion
%about tune identification algorithms.
%about tune identification algorithms.
% Jack said:
%Jack said:
%"Here's a set of tunes that for a dead cert are genetically related.
%"Here's a set of tunes that for a dead cert are genetically related.
%Do any of the tune-matching algorithms suggested here detect that?"
%Do any of the tune-matching algorithms suggested here detect that?"
M:6/4
M:6/4
L:1/4
L:1/4
F:http://jc.tzo.net/~jc/music/abc/mirror/musicaviva.com/tunes/scotland/mary-scott.abc 2013-08-10 025030 UT
F:http://jc.tzo.net/~jc/music/abc/mirror/musicaviva.com/tunes/scotland/mary-scott.abc  
K:Amix
K:Amix
DEG "="A2[Bd]|"="A2[Bd] "="[F3/2A3/2]E/D|\
DEG "="A2[Bd]|"="A2[Bd] "="[F3/2A3/2]E/D|\
Line 67: Line 86:
"="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|"="[e3E3] "="e>de|"="fe"="d "="e>dc|
"="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|"="[e3E3] "="e>de|"="fe"="d "="e>dc|
"="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|GA/G/F/E/ FG/F/E/D/|EFA "="[B2d2]A|]
"="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|GA/G/F/E/ FG/F/E/D/|EFA "="[B2d2]A|]
</pre>
<section end=X3 />
 
<section begin=abc />
<pre>
X:1
T:Mary Scot [2]
M:3/4
L:1/8
B:Alexander Stuart – “Musick for Allan Ramsay’s Collection of Scots
B:Songs, part 3” (Edinburgh, c. 1724, pp. 72-73)
F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3012
Z:AK/Fiddler’s Companion
K:D
V:1
D3 EFG|A4 GF|A2B2d2|F4 ED|E2F2A2|B4 de|f2 gfed|B4 A2|
D3 EFG|A4 B2|A2B2d2|F4 ED|G2 (AG)(FE)|F2 (GF)(ED)|E2F2A2|B4 A2:|
|:d2D2F2|d3efe|dedBGd|F4 ED|e2E2e2|e4 de|f2 gfed|B3 ABc|
d2A2B2|d3 efe|(de)(Bd)(AB)|F3 E D2|G2 AGFE|F2 GFED|E2F2G2|B4 A2:|
V:2 clef = bass
D,2A,,2D,,2|F,2D,2D,,2|D,2G,2F,2|D,2A,,2D,,2|A,,2D,2F,2|G,2F,,2 F,E,|D,2E,2F,2|G,2G,,2D,2|
D,4D,,2|D,2F,2G,2|F,2G,2F,2|D,2A,,2D,,2|E,4A,2|D,4 F,2|A,2D,2F,2|G,2G,,2D,2:|
|:D,4 D,,2|F,2D,2A,,2|F,2G,2F,2|D,2A,,2D,,2|E,6|E,E,,G,,B,, E,2|D,2A,2A,,2|G,2D,2G,,2|
F,2D,2G,2|D,D,,F,,A,,D,C,|B,,2G,,2D,2|D,2A,,2D,,2|E,2 F,E,D,C,|D,2 E,D,C,B,,|A,,2 D,2F,2|G,2G,,2D,2:|
<section end=abc />
<section begin=X4 />
X:3
X:3
T:Mary Scot [2]
T:Mary Scot [2]
M:3/4
M:3/4
L:1/8
L:1/8
N:"Slow"
R:Air
Q:"Slow"
B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 4, pp. 8-9)
Z:AK/Fiddler's Companion
K:G
G2 (G3A) Bc|d4e2|(d2e2)g2|{c}TB3A G2|A2B2d2
Te4 ga|b2a2g2|{f}Te4 {ef}g2|G3A Bc|d4e2|
{d}d2e2g2|{c}TB3AG2|c2 dcBA|(BcdBAG)|A2B2d2|e4d2:|
|:g2G2B2|g2G2d2|e>f g2 (fe)|dcBA G2|a2A2B2|a2A2B2|
b2 c'bag|{f}Te4 d2|g2G2B2|g2G2d2|e>f g2 fe|
dcBA G2|c2 dcBA|(BcdBAG)|(F<A) (G<B) cd|{f}Te4 d2:|
|:G2|(G3A) (G/A/B/c/)|{e}d4e2|(3ded (3efe (3efg|B>d (B/c/B/A/) G2|
A2 ABcd|{f2}Te4 (ga)|b2 (3c'ba (3bag|e4 {f}(3efg|{A}(G3A) (Bc)|
{e}d4e2|dD eE {ef}g2|{c}B3A G2|(c/d/c/d/) ecBA|(3BAG (3dcB (3ABG|
(3AGF (3BAG cd|{f}Te4d2::(3gfg (3DGB (3gfg|(3gfg (3DGB (3gfg|
(3gba (3gfe (3dec|{c}TB3A G2|(3DFA (3agf (3efd|(3DFA (3agf (3efd|b2 (3c'ba (3bag|
{f}Te4 d2|(gfga)ba|(gfgedc)|B(dgedc){c}B3A G2|(cAecBA)|D(GdBAG)|(FGABcd)|{f}Te4{fg}d2:|]
<section end=X4 />
<section begin=X5 />
X:4
T:Mary Scot [2]
M:3/4
L:1/8
Q:"Slow"
S:McGibbon - Scots Tunes, book II, p. 60 (c. 1746)
S:McGibbon - Scots Tunes, book II, p. 60 (c. 1746)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
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TF3E (FE/D/) | GBAGT(FE) | (FAdF)T(ED) | (E2F2)A2 | TB4A2 :||: (dcd)DFA |  
TF3E (FE/D/) | GBAGT(FE) | (FAdF)T(ED) | (E2F2)A2 | TB4A2 :||: (dcd)DFA |  
dcdefe | d>edBAG | TF3E (FE/D/) | (GA/B/) AGTFE | (F/D/F/A/) dFTED | (E2F2)(A>d) | TB4A2 :|  
dcdefe | d>edBAG | TF3E (FE/D/) | (GA/B/) AGTFE | (F/D/F/A/) dFTED | (E2F2)(A>d) | TB4A2 :|  
</pre>
<section end=X5 />
 
<section begin=X6 />
<pre>
X:1
 
T:Mary Scott [2]
</pre>
M:3/4
----
L:1/8
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
R:Air
 
Q:"Slow"
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B:James Oswald – Caledonian Pocket Companion Book 1 (1760, p. 4)
Z:AK/Fiddler’s Companion
K:D
D3 EFG|A4B2|(A2B2)d2|TF3E D2|E2F2A2|
B4 d<e|f2 {a}gf{f}ed|TB4A2|D3 EFG|A2 (BA)(GF)|
(A2B2)d2|TF3E D2|G2 (AG)(FE)|F2 (GF)(ED)|E2F2A2|
TB4A2::d2D2F2|d2 {g}ed{d}cB|(A2B2)d2|TF4 (ED)|
E2 e2 (e/f/g)|Te4 (de)|f2 (gf)(ed)|B4 Tf>e|d3 DFA|
dAeAfA|d2 (cB)(AG)|TF3E D2|G2 (B/A/G) (G/F/E)|
(FAd)FED|(E2F2)A2|TB4A2::D4 TF>E|D4-(D/4E/4F/4G/4A/4B/4c/4)|
d3 (c/4B<<A) B>G|TF3E D2|E4 (D/E/F)|E4 (d>e)|f(e/f/) (gf)(ed)|
B2 (dB)(AF)|(EDE)FAd|TB4 A2::(dcd)DFA|(dcd)efe|
d(e/d/) B(d/B/) A(B/A/)|TF4 (ED)|e3 EFG|(e^de)f=de|f(e/f/) afed|
f(e/f/) afed|TB4A2|(d2e2)f2|e2 (fe)(dB)|(A2B2)d2|
TF4 d>e|f2 (gf)(ed)|B2 (dB)(AF)|(E2F2)A2|TB4 A2:|]
<section end=X6 />
<section begin=X8 />
X:5
T:Planxty Scott
M:6/8
L:1/8
R:Air
N:A version of "Mary Scott [2]."
Q:"Moderate"
S:O'Neill - Music of Ireland (1903), No. 684
Z:AK/Fiddler's Companion
K:D
D>EF/G/ A2B|ABd F>ED|EFA B2 d/e/|fg/f/e/d/ B2d|
D>EF/G/ A2B|ABd F>ED|GA/G/F/E/ FG/F/E/D/|EE/F/G/A/ B2c|
d/f/e/d/c/e/ d2 c/B/|B/A/G/A/B/c/ A2 B/c/|dFd FdF|{F}EDD D2z||
dDF de/d/c/B/|A>Bd FED|eEe/f/ e2 d/e/|fg/f/e/d/ B2 (3A/B/c/|
dAd d/c/d/e/f/e/|d/e/d/B/A/G/ F>ED|G/A/BG F/G/AF|E/F/GE F>ED|
FAA A>FD|GBB B>cd|AF/A/F GE/G/E|{G}FDD D2z||
<section end=X8 />
<section begin=X9 />
X:1
T:Mary Scott [2]
M:3/4
L:1/8
R:Air
Q:”Largo Lamentoso”
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 219)
Z:AK/Fiddler’s Companion
K:G
G3 (ABc)|d4e2|d2e2g2|{c}T(B3A)G2|(A2B2) d2|
{f}e4 g>a|b2 c’bag|{f}e4 {de}g2|G3 (AB)c|d4 e2|
d2e2g2|{c}B3A G2|c2 (dcBA)|B2 (cBAG)|(A2B2d2)|
{f}!fermata!e3 (f/g/) d2::g2G2B2|g2 agfe|d2e2g2|{c}B3AG2|
a2A2 (a>b)|a4 (ga)|b2 (c’bag)|{f}e4 (de/f/)|g2d2g2|
{a}g>f(gaba)|gagedc|{c}B3AG2|c2 (dcB)A|B2 c(BAG)|(A2B2d2)|{f}e3 f/g/ d2:|
<section end=X9 />
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<section begin=X1 />
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__NOTITLE__

Latest revision as of 18:33, 20 April 2024


Mary Scott (2)  Click on the tune title to see or modify Mary Scott (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Mary Scott (2)
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 Theme code Index    113 556
 Also known as    Mary Scot, Mary Scott the Flower of Yarrow, Sir John Fenwick's the Flower Among Them All, When ye cold winter nights were frozen
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Minuet
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    3/4
 History    ENGLAND(North East)
 Structure    AA'BB, AABBCCDD
 Editor/Compiler    Henry Atkinson
 Book/Manuscript title    Book:Henry Atkinson's music manuscript
 Tune and/or Page number    
 Year of publication/Date of MS    1694
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Mary Scott (2): Annotations

X:1 T:Mary Scott [2],The...,aka. HA.030 T:Sir John Fenwick,aka. HA.030 M:6/4 L:1/8 Q:3/4=55 S:Henry Atkinson's original MS,Hartburn,N'umberland,1694. O:England A:Hartburn,Northumberland N:aka Sir John Fenwick's The Flower Among Them All..CGP H:1/8 Z:vmp.Chris Partington.Jan.2004 F:http://www.village-music-project.org.uk/abc/atkinson.abc K:C "_No Key or Time Sigs"G4B2 d4g2|d4g2 B3AG2|\ A4B2 e4g2|e4d2 e4g2|! G4B2 d4g2|"^cr"d4g2 B3AG2|\ c2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||! g6 g6|g6 B3AG2|A4c2 e4ga|b4a2 e4g2|! G4B2 (dB)(dB)(dB)|d6 B3AG2|\ c2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||! g2G2B2 g2G2B2|g2G2B2 g2G2B2|\ g2A2B2 g2A2B2 |g2A2B2 e4d2|! g2G2B2 g2G2B2|g2G2B2 g2G2B2|\ c2 (dc)(BA) B3AG2|A4G2 e4d2|]


X:2 T:Mary Scott [2] C:anon. O:Scotland S:Agnes Hume's music book, 1704, Adv.MS.5.2.17 N:for some sort of lute N:original written on a six-line staff! Z:Jack Campin 1998-2000 F:http://abc.musicaviva.com/tunes/scotland/mary-scott.abc %Posted June 29th 2000 at abcusers by Jack Campin during a discussion %about tune identification algorithms. %Jack said: %"Here's a set of tunes that for a dead cert are genetically related. %Do any of the tune-matching algorithms suggested here detect that?" M:6/4 L:1/4 F:http://jc.tzo.net/~jc/music/abc/mirror/musicaviva.com/tunes/scotland/mary-scott.abc K:Amix DEG "="A2[Bd]|"="A2[Bd] "="[F3/2A3/2]E/D|\ EFA "="[B2d2][Ac]|"="[B2d2]A "="[B2d2]A| DEG "="A2[Bd]|"="A2[Bd] "="[F3/2A3/2]E/D|GA/G/F/E/ FG/F/E/D/|EFA "="[B2d2]A|| "="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|"="[e3E3] "="e>de|"="fe"="d "="e>dc| "="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|GA/G/F/E/ FG/F/E/D/|EFA "="[B2d2]A|]


X:1 T:Mary Scot [2] M:3/4 L:1/8 B:Alexander Stuart – “Musick for Allan Ramsay’s Collection of Scots B:Songs, part 3” (Edinburgh, c. 1724, pp. 72-73) F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3012 Z:AK/Fiddler’s Companion K:D V:1 D3 EFG|A4 GF|A2B2d2|F4 ED|E2F2A2|B4 de|f2 gfed|B4 A2| D3 EFG|A4 B2|A2B2d2|F4 ED|G2 (AG)(FE)|F2 (GF)(ED)|E2F2A2|B4 A2:| |:d2D2F2|d3efe|dedBGd|F4 ED|e2E2e2|e4 de|f2 gfed|B3 ABc| d2A2B2|d3 efe|(de)(Bd)(AB)|F3 E D2|G2 AGFE|F2 GFED|E2F2G2|B4 A2:| V:2 clef = bass D,2A,,2D,,2|F,2D,2D,,2|D,2G,2F,2|D,2A,,2D,,2|A,,2D,2F,2|G,2F,,2 F,E,|D,2E,2F,2|G,2G,,2D,2| D,4D,,2|D,2F,2G,2|F,2G,2F,2|D,2A,,2D,,2|E,4A,2|D,4 F,2|A,2D,2F,2|G,2G,,2D,2:| |:D,4 D,,2|F,2D,2A,,2|F,2G,2F,2|D,2A,,2D,,2|E,6|E,E,,G,,B,, E,2|D,2A,2A,,2|G,2D,2G,,2| F,2D,2G,2|D,D,,F,,A,,D,C,|B,,2G,,2D,2|D,2A,,2D,,2|E,2 F,E,D,C,|D,2 E,D,C,B,,|A,,2 D,2F,2|G,2G,,2D,2:|


X:3 T:Mary Scot [2] M:3/4 L:1/8 R:Air Q:"Slow" B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 4, pp. 8-9) Z:AK/Fiddler's Companion K:G G2 (G3A) Bc|d4e2|(d2e2)g2|{c}TB3A G2|A2B2d2 Te4 ga|b2a2g2|{f}Te4 {ef}g2|G3A Bc|d4e2| {d}d2e2g2|{c}TB3AG2|c2 dcBA|(BcdBAG)|A2B2d2|e4d2:| |:g2G2B2|g2G2d2|e>f g2 (fe)|dcBA G2|a2A2B2|a2A2B2| b2 c'bag|{f}Te4 d2|g2G2B2|g2G2d2|e>f g2 fe| dcBA G2|c2 dcBA|(BcdBAG)|(F<A) (G<B) cd|{f}Te4 d2:| |:G2|(G3A) (G/A/B/c/)|{e}d4e2|(3ded (3efe (3efg|B>d (B/c/B/A/) G2| A2 ABcd|{f2}Te4 (ga)|b2 (3c'ba (3bag|e4 {f}(3efg|{A}(G3A) (Bc)| {e}d4e2|dD eE {ef}g2|{c}B3A G2|(c/d/c/d/) ecBA|(3BAG (3dcB (3ABG| (3AGF (3BAG cd|{f}Te4d2::(3gfg (3DGB (3gfg|(3gfg (3DGB (3gfg| (3gba (3gfe (3dec|{c}TB3A G2|(3DFA (3agf (3efd|(3DFA (3agf (3efd|b2 (3c'ba (3bag| {f}Te4 d2|(gfga)ba|(gfgedc)|B(dgedc){c}B3A G2|(cAecBA)|D(GdBAG)|(FGABcd)|{f}Te4{fg}d2:|]


X:4 T:Mary Scot [2] M:3/4 L:1/8 Q:"Slow" S:McGibbon - Scots Tunes, book II, p. 60 (c. 1746) Z:AK/Fiddler's Companion K:D D3 EFG | A4B2 | (A2B2)d2 | TF3ED2 | (E2F2)A2 | B4 (de) | f2 (gf)(ed) | TB4d2 | D3EF>G | A4B2 | A2B2d2 |TF3ED2 | G2 (AG)T(FE) | F2 (GF)T(ED) | (E2F2)A2 | TB4A2 :: d2D2F2 | d2 (ed)(cB) | A2B2d2 | TF3ED2 | e2E2(ef) | f2 (gf)(ed) | TB4 (A/B/c) | d2A2d2 | (dcd)(ef)e | d>edBAG | TF3ED2 | G>AGFGE | F>GFEFD | (E2F2)A2 | TB4A2 :: D3 EFG | A4B2 | A2 (BcdA) | (FA)(GFTED) | (E2F2)A2 | B4 de | T(f>e/2f/4 g)fed | B3(B/c/ d/B/c/ed/) | D2 DEFG | A4B2 | A2 BcdA | TF3E (FE/D/) | GBAGT(FE) | (FAdF)T(ED) | (E2F2)A2 | TB4A2 :||: (dcd)DFA | dcdefe | d>edBAG | TF3E (FE/D/) | (GA/B/) AGTFE | (F/D/F/A/) dFTED | (E2F2)(A>d) | TB4A2 :|


X:1 T:Mary Scott [2] M:3/4 L:1/8 R:Air Q:"Slow" B:James Oswald – Caledonian Pocket Companion Book 1 (1760, p. 4) Z:AK/Fiddler’s Companion K:D D3 EFG|A4B2|(A2B2)d2|TF3E D2|E2F2A2| B4 d<e|f2 {a}gf{f}ed|TB4A2|D3 EFG|A2 (BA)(GF)| (A2B2)d2|TF3E D2|G2 (AG)(FE)|F2 (GF)(ED)|E2F2A2| TB4A2::d2D2F2|d2 {g}ed{d}cB|(A2B2)d2|TF4 (ED)| E2 e2 (e/f/g)|Te4 (de)|f2 (gf)(ed)|B4 Tf>e|d3 DFA| dAeAfA|d2 (cB)(AG)|TF3E D2|G2 (B/A/G) (G/F/E)| (FAd)FED|(E2F2)A2|TB4A2::D4 TF>E|D4-(D/4E/4F/4G/4A/4B/4c/4)| d3 (c/4B<<A) B>G|TF3E D2|E4 (D/E/F)|E4 (d>e)|f(e/f/) (gf)(ed)| B2 (dB)(AF)|(EDE)FAd|TB4 A2::(dcd)DFA|(dcd)efe| d(e/d/) B(d/B/) A(B/A/)|TF4 (ED)|e3 EFG|(e^de)f=de|f(e/f/) afed| f(e/f/) afed|TB4A2|(d2e2)f2|e2 (fe)(dB)|(A2B2)d2| TF4 d>e|f2 (gf)(ed)|B2 (dB)(AF)|(E2F2)A2|TB4 A2:|]


X:5 T:Planxty Scott M:6/8 L:1/8 R:Air N:A version of "Mary Scott [2]." Q:"Moderate" S:O'Neill - Music of Ireland (1903), No. 684 Z:AK/Fiddler's Companion K:D D>EF/G/ A2B|ABd F>ED|EFA B2 d/e/|fg/f/e/d/ B2d| D>EF/G/ A2B|ABd F>ED|GA/G/F/E/ FG/F/E/D/|EE/F/G/A/ B2c| d/f/e/d/c/e/ d2 c/B/|B/A/G/A/B/c/ A2 B/c/|dFd FdF|{F}EDD D2z|| dDF de/d/c/B/|A>Bd FED|eEe/f/ e2 d/e/|fg/f/e/d/ B2 (3A/B/c/| dAd d/c/d/e/f/e/|d/e/d/B/A/G/ F>ED|G/A/BG F/G/AF|E/F/GE F>ED| FAA A>FD|GBB B>cd|AF/A/F GE/G/E|{G}FDD D2z||


X:1 T:Mary Scott [2] M:3/4 L:1/8 R:Air Q:”Largo Lamentoso” S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 219) Z:AK/Fiddler’s Companion K:G G3 (ABc)|d4e2|d2e2g2|{c}T(B3A)G2|(A2B2) d2| {f}e4 g>a|b2 c’bag|{f}e4 {de}g2|G3 (AB)c|d4 e2| d2e2g2|{c}B3A G2|c2 (dcBA)|B2 (cBAG)|(A2B2d2)| {f}!fermata!e3 (f/g/) d2::g2G2B2|g2 agfe|d2e2g2|{c}B3AG2| a2A2 (a>b)|a4 (ga)|b2 (c’bag)|{f}e4 (de/f/)|g2d2g2| {a}g>f(gaba)|gagedc|{c}B3AG2|c2 (dcB)A|B2 c(BAG)|(A2B2d2)|{f}e3 f/g/ d2:|


Mary Scott (2): Annotations

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