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{{Abctune
{{Abctune
|f_tune_title=Bonny Jean of Aberdeen
|f_tune_title=Bonny Jean of Aberdeen
|f_aka=Bonny Jane, Bonny Jean
|f_country=Scotland
|f_country=Scotland
|f_genre=Scottish
|f_genre=Scottish
|f_rhythm=Air/Lament/Listening Piece
|f_rhythm=Air/Lament/Listening Piece
|f_time_signature=4/4
|f_time_signature=4/4
|f_key=G
|f_key=F
|f_accidental=1 sharp
|f_accidental=1 flat
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Scots Tunes Book 3
|f_book_title=Musick for Allan Ramsey's Collection of Scots Songs
|f_collector=William McGibbon,
|f_collector=Alexander Stuart
|f_year=1762
|f_year=c. 1724
|f_page=p. 71
|f_page=pp. 88-89
|f_theme_code_index=115L5L 1132
|f_theme_code_index=115L5L 1132
|f_score=1
}}
}}
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'''BONNY JEAN OF ABERDEEN'''. AKA - "Bonny Jane," "Bonny Jean of Aberdeen." Scottish, Reel. G Major. Standard tuning (fiddle). AABB. Popular in the 18th and early 19th century, but does not generally appear in collections later than that. There are six main text versions of the tune: '''The Cumming Manuscript''' (1723), Munro's '''Scots Tunes''' (1732, as a sonata and Munro's "masterpiece"), the '''McFarlane Manuscript''' (1740), a flute MS. of 1770, the '''McLean Collection''' (1772), the '''Little Manuscript''' (c. 1775). Johnson (1983) clearly traces the transmission of the tune through these manuscripts. Purser (1992) says of Munro's sonata: "(The piece) shows how a Scots song can, with a little rhythmic ingenuity and melodic gift, become as lovely a minuet or as lively a gavotte as any thoroughbred classic." A tune called "Bonney Jean" is in the '''Gillespie Manuscript'''' of 1768, and as "Bonny Jean" it appears in the music manuscript copybook of Henry Livingston, Jr.  Livingston purchased the estate of Locust Grove, Poughkeepsie, New York, in 1771 at the age of 23. In 1775 he was a Major in the 3rd New York Regiment, which participated in Montgomery's invasion of Canada in a failed attempt to wrest Quebec from British control. An important land-owner in the Hudson Valley, and a member of the powerful Livingston family, Henry was also a surveyor and real estate speculator, an illustrator and map-maker, and a Justice of the Peace for Dutchess County. He was also a poet and musician, and presumably a dancer, as he was elected a Manager for the New York Assembly's dancing season of 1774-1775, along with his 3rd cousin, John Jay, later U.S. Chief Justice of Governor of New York. Versions were published in America in Daniel Steele's '''New and Complete Preceptor for the German Flute''' (Albany, N.Y., 1815) and Philadelphia publisher John Aitken's edition of the '''Scots Musical Museum''' (1797).  
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
''Printed sources:'' Howe ('''1000 Jigs and Reels'''), c. 1867; p. 125. Johnson ('''Scottish Fiddle Music in the 18th Century'''), 1983; No. 65, pp. 170-179 (Munro's sonata version). Mattson & Walz ('''Old Fort Snelling'''), 1974; p. 51. McGibbon ('''Scots Tunes''', book III), 1762; p. 71. Thumoth ('''Twelve Scotch and Twelve Irish Airs with Variations'''). 1742; No. 9, pp. 38-39
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|image_alt=Traditional universal music
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<section begin=abc />
X:1
T:Bonny Jean
M:C
L:1/8
B:Alexander Stuart – “Musick for Allan Ramsay’s Collection part 4”
B:(Edinburgh, c. 1720, pp. 88-89)
F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3028
Z:AK/Fiddler’s Companion
K:F
V:1
AG|F2 (F/G/A) C3D|F3G A2 G>F|B3d cAGF|(G/A/B) G>F D2 A>G|
F2 (A/B/)c C3D|F2F2 f2 e>d|(cd)(cA) (GA)(Bc)|A2 G>F F2:|
|:cd|f2 (f/g/)a c3d|(fe)(fg) a2 fg|(a/g/f) (g/f/d) (f/d/c) (d/c/A)|G>AG>F D2 A>G|
F2 (F/G/A) C3D|F2F2 f2 e>d|cdcA GABc|A2 (G>F) F2:|
V:2 clef = bass
z2|F,2F,,2A,,2B,,2|F,2C,2F,,2C,2|D,2B,,2F,2C,2|G,2D,2G,,2 z2|
F,2F,,2A,,2B,,2|A,,2F,,2F,2 CB,|A,2F,2 [F,2B,2][D,2G,2]|C2C,2 F,2:|
|:z2|F,2F,,2A,,2B,,2}A,G,F,E, F,2 F,,2|F,A, B,B,, A,A,, F,F,,|C,2A,,2B,,2z2|
F,2F,,2A,,2B,,2|A,,2F,,2F,2C,2|A,,2F,2B,2G,2|C2C,2F,2:|
<section end=abc />
<section begin=X1 />
X:1
T:Bonny Jean
M:C
L:1/8
B:Daniel Wright – Aria di Camera (London, 1727, No. 32)
N:”being A Choice Collection of Scotch, Irish & Welsh Airs
N:for the Violin and German Flute by the following masters
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick
N:Mr. Hugh Edwards of Carmarthen”
F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf
Z:AK/Fiddler’s Companion
K:G
(GF)|G2 (G/A/B) D3E|(GF)(GA) B2 (AG)|c2 (c/d/e) dBAF|(AB)(AG) E2 BA|
G(GAB) D3E|G2G2 g2 (fe)|(ded)B (ABc)d|B2 (AG) G2||
(ba)|g2 (g/a/b) d3e|(gd)(ga) b2 ga|(ba)(gf) (df)(dB)|(AB)(AG) E2 (BA)|
G2 (G/A/B) D3E|G2G2 g2 (fe)|(dg)(dB) (cA)(dc)|B2G2G2||
<section end=X1 />
<section begin=X3 />
X:1
X:1
T:Bonny Jean
T:Bonny Jean
Line 26: Line 81:
L:1/8
L:1/8
R:Air
R:Air
N:"Allegro"
Q:"Allegro"
B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 9, pp. 38-39)
B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 9, pp. 38-39)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
Line 38: Line 93:
|:ba|gabg dgde|gfga baga|(b/a/g) ae (g/f/e/d/) gB|AB/c/ AG EcBA|
|:ba|gabg dgde|gfga baga|(b/a/g) ae (g/f/e/d/) gB|AB/c/ AG EcBA|
GABG DEGA|BGBd ggfe|degB cAdc|Bc TA>G G2:|]
GABG DEGA|BGBd ggfe|degB cAdc|Bc TA>G G2:|]
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<section end=X3 />
<pre>
<section begin=X6 />
X:1
T:Bonny Jean
T:Bonny Jean of Aberdeen
M:C
L:1/8
R:Air
Q:"Slow"
B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 11)
F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf
N:Francis Barsanti  (1690-1775) was  an Italian flautist, oboist and composer who spent
N:most of his life in London and Edinburgh.
Z:AK/Fiddler’s Companion
K:F
V:1
A>GF2 (F/G/A) C3D|FEFG A2 {G}F2|B3d (cA)T(GF)|G>ATG>F D2 TA>G|
F2 (F/G/A)C3 D|F2F2 f2 T(e>d)|{d}c2 T(BA) G>AB>c|{B}A2 T(G>F) F2:|
|:c>d|f2 (f/g/a) Tc3d|fefg a2 fg|(ag)Tfd (f>d)T(cA)|(BA)T(GF) D2 TA>G|
F2 (F/G/A) C3D|F2F2 Jf2 T(e>d)|{d}c2 T(BA) G>AB>c|{B}A2 T(GF) F2:|]
V:2 clef = bass
z2|F,G,A,F, E,C,C,B,|A,3E, F,F,,F,_E,|D,C,D,B,, A,,2zF,,|C,3A,, B,,2C,2|
D,E,F,D, E,C,CB,|A,B,A,G, F,2G,2|A,2B,2C2C,2|F,2C,2F,,2:|
|:z2|F,G,A,F, E,C,CB,|A,G,F,E, F,2 zC,|F,,G,,A,,B,, A,,2 zF,,|G,,3F,, B,,2C,2|
D,E,F,D, E,G,CB,|A,B,A,G, F,2G,2|A,2B,2C2C,2|F,2C,2F,,2:|]
<section end=X6 />
<section begin=X9 />
X:2
X:2
T:Bonny Jean of Aberdeen
T:Bonny Jean of Aberdeen
Line 45: Line 125:
L:1/8
L:1/8
R:Air
R:Air
N:"Slow"
Q:"Slow"
S:McGibbon - Scots Tunes, book III, p. 71  (1762)
S:McGibbon - Scots Tunes, book III, p. 71  (1762)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:G
K:G
BA | G2 (G/A/B) D3E | (GF)(GA) B2 !trill!(AG) |c3e (dB)!trill!(AG) | A>BAG E2 (BA) |  
BA | G2 (G/A/B) D3E | (GF)(GA) B2 !trill!(AG) |c3e (dB)!trill!(AG) | A>BAG E2 (BA) |  
G2 (Bc/d/) D3E | G2G2g2 !trill!(fe) | d>edB (AB)(cd) | B2 !trill!(A>G) G2 :: (d/e/f) |  
G2 (Bc/d/) D3E | G2G2g2 !trill!(fe) | d>edB (AB)(cd) | B2 !trill!(A>G) G2 :|
g2 (g/a/b) d3e | (gf)(ga) b2(ga) | (b/a/g) (a/g/e) gedB | A>B!trill!AG E2 (BA) |  
|:(d/e/f) | g2 (g/a/b) d3e | (gf)(ga) b2(ga) | (b/a/g) (a/g/e) gedB | A>B!trill!AG E2 (BA) |  
G2 (B/c/d)D3E | G2G2g2!trill!(fe) | d>edB (AB)(cd) | {c}B2 !trill!(A>G)G2 :||
G2 (B/c/d)D3E | G2G2g2!trill!(fe) | d>edB (AB)(cd) | {c}B2 !trill!(A>G)G2 :||
</pre>
<section end=X9 />
<pre>
<section begin=X12 />
X:3
X:3
T:Bonny Jean
T:Bonny Jean
Line 66: Line 146:
|:ef|gfed B2 ge|dBAG d2 ef|gfed BdBG|AGAB E2 BA|
|:ef|gfed B2 ge|dBAG d2 ef|gfed BdBG|AGAB E2 BA|
G2 (3GAB E2 EF|G2G2 g3d|efde dcBA|GBEF E2:||
G2 (3GAB E2 EF|G2G2 g3d|efde dcBA|GBEF E2:||
</pre>
<section end=X12 />
<pre>
<section begin=X15 />
X:1
T:Bonny Jean
M:C
L:1/16
R:Air
Q:"Andante"
S:John Rook music manuscript collection (1840, p. 42)
N:Rook was a multi-instrumentalist from Waverton, near Wigton, Cumbria
Z:AK/Fiddler’s Companion
K:G
B3A|G4 GAB2 D6E2|G4 G2A2 B4 A2G2|c6e2 dB3 A2G2|A3BA2G2 E4 B3A|
G4 GAB2 D6E2|G4G4 g4 f3e|d3ed2B2 A2B2c2d2|B4 A3G G4||
(def2)|g4 gab2 d6e2|g2f2g2a2 b4 g2a2|b2a2g2e2 d2e2g2B2|c2B2A2G2 E4 B3A|
G4 GAB2 D6e2|G4G4 {G}!fermata!g4 {gfagba} f3e|(d2e2d2)cB A3Bc2d2|B4 A3G G4||
<section end=X15 />
<section begin=X18 />
X:1
T:Bonnie Jean
M:C
L:1/8
Q:"Slow"
O:”Scottish air”
B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 96)
Z:AK/Fiddler’s Companion
K:G
T(B>A)|G2 (GA>B) D3E|G>FG>A {GA}B2 (A>G)|c3 e (d>B)T(A>G)|
A>BAG E2 T(B>A)|G2 (B^c/d/) D3E|G2 (A>B) g2 T(f>e)|
d>edB (AB)(cd)|{c}B2 (A>G) G2::de/f/|g2 (ga/b/) d3e|
g>fga {ga}b2 g>a|(ba)(gf) d>egB|A>BAG E2 TB>A|
G2 (B^c/d/) D3E|G2 (A>B) g2 (fe)|d>gB>g (AB)(cd)|{c}B2 A>G G2:|]
<section end=X18 />
<section begin=X21 />
X:4
X:4
T:Bonny Jean of Aberdeen
T:Bonny Jean of Aberdeen
Line 80: Line 192:
|:de/f/ | g2 g(a/b/) d3e | g>fga {g/a/}b2 g>a | (ba)(ge) d>egB | A>BAG E2 B>A |  
|:de/f/ | g2 g(a/b/) d3e | g>fga {g/a/}b2 g>a | (ba)(ge) d>egB | A>BAG E2 B>A |  
G2 (B^c/d/) D3E | G2 A>B g2 (fe) | d>gB>g (AB)(cd) | {c}B2 A>G G2 :|  
G2 (B^c/d/) D3E | G2 A>B g2 (fe) | d>gB>g (AB)(cd) | {c}B2 A>G G2 :|  
</pre>
<section end=X21 />
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'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
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Engraver Valerio M. Pelliccioni
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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__NOTITLE__

Latest revision as of 17:14, 21 April 2024


Bonny Jean of Aberdeen  Click on the tune title to see or modify Bonny Jean of Aberdeen's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bonny Jean of Aberdeen
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 Theme code Index    115L5L 1132
 Also known as    Bonny Jane, Bonny Jean
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    F
 Accidental    1 flat
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABB
 Editor/Compiler    Alexander Stuart
 Book/Manuscript title    Book:Musick for Allan Ramsey's Collection of Scots Songs
 Tune and/or Page number    pp. 88-89
 Year of publication/Date of MS    c. 1724
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Bonny Jean of Aberdeen: Annotations

X:1 T:Bonny Jean M:C L:1/8 B:Alexander Stuart – “Musick for Allan Ramsay’s Collection part 4” B:(Edinburgh, c. 1720, pp. 88-89) F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3028 Z:AK/Fiddler’s Companion K:F V:1 AG|F2 (F/G/A) C3D|F3G A2 G>F|B3d cAGF|(G/A/B) G>F D2 A>G| F2 (A/B/)c C3D|F2F2 f2 e>d|(cd)(cA) (GA)(Bc)|A2 G>F F2:| |:cd|f2 (f/g/)a c3d|(fe)(fg) a2 fg|(a/g/f) (g/f/d) (f/d/c) (d/c/A)|G>AG>F D2 A>G| F2 (F/G/A) C3D|F2F2 f2 e>d|cdcA GABc|A2 (G>F) F2:| V:2 clef = bass z2|F,2F,,2A,,2B,,2|F,2C,2F,,2C,2|D,2B,,2F,2C,2|G,2D,2G,,2 z2| F,2F,,2A,,2B,,2|A,,2F,,2F,2 CB,|A,2F,2 [F,2B,2][D,2G,2]|C2C,2 F,2:| |:z2|F,2F,,2A,,2B,,2}A,G,F,E, F,2 F,,2|F,A, B,B,, A,A,, F,F,,|C,2A,,2B,,2z2| F,2F,,2A,,2B,,2|A,,2F,,2F,2C,2|A,,2F,2B,2G,2|C2C,2F,2:|


X:1 T:Bonny Jean M:C L:1/8 B:Daniel Wright – Aria di Camera (London, 1727, No. 32) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:G (GF)|G2 (G/A/B) D3E|(GF)(GA) B2 (AG)|c2 (c/d/e) dBAF|(AB)(AG) E2 BA| G(GAB) D3E|G2G2 g2 (fe)|(ded)B (ABc)d|B2 (AG) G2|| (ba)|g2 (g/a/b) d3e|(gd)(ga) b2 ga|(ba)(gf) (df)(dB)|(AB)(AG) E2 (BA)| G2 (G/A/B) D3E|G2G2 g2 (fe)|(dg)(dB) (cA)(dc)|B2G2G2||


X:1 T:Bonny Jean M:C| L:1/8 R:Air Q:"Allegro" B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 9, pp. 38-39) Z:AK/Fiddler's Companion K:G BA|G2 (GA/B/) D3E|G3A B2 AG|{d}c3e dBTAG|ABAG E2 BA| G2 (G/A/B) D3E|G2B2g2 fe|Td2 cB ABcd|B2 TA>G G2:| |:ba|g2 (g/a/b) d3e|g3a b3a|bage gedB|ABAG E2 BA| G2 (G/A/B) D3E|G2 B2 g2 fe|d2 cB ABcd|B2 AG G2:| |:BA|GABG DEGA|GFGA BABG|cBce BdgB|ABAG DcBA| GABG DEGA|BGBd ggfe|degB cAdc|B2 A>G G2:| |:ba|gabg dgde|gfga baga|(b/a/g) ae (g/f/e/d/) gB|AB/c/ AG EcBA| GABG DEGA|BGBd ggfe|degB cAdc|Bc TA>G G2:|]


X:1 T:Bonny Jean T:Bonny Jean of Aberdeen M:C L:1/8 R:Air Q:"Slow" B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 11) F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:F V:1 A>GF2 (F/G/A) C3D|FEFG A2 {G}F2|B3d (cA)T(GF)|G>ATG>F D2 TA>G| F2 (F/G/A)C3 D|F2F2 f2 T(e>d)|{d}c2 T(BA) G>AB>c|{B}A2 T(G>F) F2:| |:c>d|f2 (f/g/a) Tc3d|fefg a2 fg|(ag)Tfd (f>d)T(cA)|(BA)T(GF) D2 TA>G| F2 (F/G/A) C3D|F2F2 Jf2 T(e>d)|{d}c2 T(BA) G>AB>c|{B}A2 T(GF) F2:|] V:2 clef = bass z2|F,G,A,F, E,C,C,B,|A,3E, F,F,,F,_E,|D,C,D,B,, A,,2zF,,|C,3A,, B,,2C,2| D,E,F,D, E,C,CB,|A,B,A,G, F,2G,2|A,2B,2C2C,2|F,2C,2F,,2:| |:z2|F,G,A,F, E,C,CB,|A,G,F,E, F,2 zC,|F,,G,,A,,B,, A,,2 zF,,|G,,3F,, B,,2C,2| D,E,F,D, E,G,CB,|A,B,A,G, F,2G,2|A,2B,2C2C,2|F,2C,2F,,2:|]


X:2 T:Bonny Jean of Aberdeen M:C L:1/8 R:Air Q:"Slow" S:McGibbon - Scots Tunes, book III, p. 71 (1762) Z:AK/Fiddler's Companion K:G BA | G2 (G/A/B) D3E | (GF)(GA) B2 !trill!(AG) |c3e (dB)!trill!(AG) | A>BAG E2 (BA) | G2 (Bc/d/) D3E | G2G2g2 !trill!(fe) | d>edB (AB)(cd) | B2 !trill!(A>G) G2 :| |:(d/e/f) | g2 (g/a/b) d3e | (gf)(ga) b2(ga) | (b/a/g) (a/g/e) gedB | A>B!trill!AG E2 (BA) | G2 (B/c/d)D3E | G2G2g2!trill!(fe) | d>edB (AB)(cd) | {c}B2 !trill!(A>G)G2 :||


X:3 T:Bonny Jean M:C L:1/8 R:Air S:Steele - New and Complete Preceptor for the German Flute (Albany, NY, 1815) K:G BA|G2 (3GAB E2 EF|G2 GA B2 AG|BAGB dBAF|AGAB E2 BA| G2 (3GAB E2 EF|G2G2 g3d|egde dBAG|ABEF G2:| |:ef|gfed B2 ge|dBAG d2 ef|gfed BdBG|AGAB E2 BA| G2 (3GAB E2 EF|G2G2 g3d|efde dcBA|GBEF E2:||


X:1 T:Bonny Jean M:C L:1/16 R:Air Q:"Andante" S:John Rook music manuscript collection (1840, p. 42) N:Rook was a multi-instrumentalist from Waverton, near Wigton, Cumbria Z:AK/Fiddler’s Companion K:G B3A|G4 GAB2 D6E2|G4 G2A2 B4 A2G2|c6e2 dB3 A2G2|A3BA2G2 E4 B3A| G4 GAB2 D6E2|G4G4 g4 f3e|d3ed2B2 A2B2c2d2|B4 A3G G4|| (def2)|g4 gab2 d6e2|g2f2g2a2 b4 g2a2|b2a2g2e2 d2e2g2B2|c2B2A2G2 E4 B3A| G4 GAB2 D6e2|G4G4 {G}!fermata!g4 {gfagba} f3e|(d2e2d2)cB A3Bc2d2|B4 A3G G4||


X:1 T:Bonnie Jean M:C L:1/8 Q:"Slow" O:”Scottish air” B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 96) Z:AK/Fiddler’s Companion K:G T(B>A)|G2 (GA>B) D3E|G>FG>A {GA}B2 (A>G)|c3 e (d>B)T(A>G)| A>BAG E2 T(B>A)|G2 (B^c/d/) D3E|G2 (A>B) g2 T(f>e)| d>edB (AB)(cd)|{c}B2 (A>G) G2::de/f/|g2 (ga/b/) d3e| g>fga {ga}b2 g>a|(ba)(gf) d>egB|A>BAG E2 TB>A| G2 (B^c/d/) D3E|G2 (A>B) g2 (fe)|d>gB>g (AB)(cd)|{c}B2 A>G G2:|]


X:4 T:Bonny Jean of Aberdeen M:4/4 L:1/8 R:Air S:Howe - 1000 Jigs and Reels (c. 1867) Z:AK/Fiddler's Companion K:G (B>A) | G2 (GA/B/) D3E | G>FG>A {G/A/}B2 (A>G) | c3e d>BA>G | A>BAG E2 B>A | G2 (B^c/d/) D3E | G2 A>B g2 f>e | d>edB (cB)(cd) | B2 A>G G2 :| |:de/f/ | g2 g(a/b/) d3e | g>fga {g/a/}b2 g>a | (ba)(ge) d>egB | A>BAG E2 B>A | G2 (B^c/d/) D3E | G2 A>B g2 (fe) | d>gB>g (AB)(cd) | {c}B2 A>G G2 :|


Bonny Jean of Aberdeen: Annotations

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