Annotation:Mignonette (1) (La): Difference between revisions
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'''MIGNONETTE [1], LA.''' AKA - "Mignonette Francoise (La)." AKA and see "[[Royal Albert (1)]]," "[[Sicilian Dance (1) (The)]]." French, English; Country Dance Tune (6/8 time). F Major. Standard tuning (fiddle). AABBCCDD. An imported French contradance melody, found in Alexander McGlashan's c. 1780 '''Collection of Scots Measures,''' Neil Stewart's '''Select Collection of Scots English Irish and Foreign Airs Jiggs & Marches''' (1788, as "La Mignonne"), and Thomas Wilson's '''A Companion to the Ball Room''' (1816, as "La Mignonnette (Old French)"). However, the first printing appears in Giovanni Andrea Gallini's '''New Collection of Forty-Four Cotillons''' (London, 1770). It was printed in Paris in M. Boûin's '''Contredanses; description des figures, plan des figures''' (1780) as "La Mignonnette. Contredanse Nouvelle Française." | |||
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In addition to the "Old French" version of "La Mignonette" | <br> | ||
In addition to the "Old French" version of "La Mignonette" in Wilson's '''Companion to the Ball Room''' (1816), another version pf the tune is included under the title "<incipit title="load:sicilian" width=850 link="https://tunearch.org/wiki/Sicilian Dance (1) (The)">Sicilian Dance (1) (The)</incipit>." The 'Sicialian' tune was apparently a revival of the earlier tune (with new dance figures), with another tune attached. Wilson notes: | |||
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''This popular and pretended new dance for 1816 called the Sicillian dance was La Mignonette Cottillion'' | ''This popular and pretended new dance for 1816 called the Sicillian dance was La Mignonette Cottillion'' | ||
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''from "The Happy Clown" published about 100 years ago.'' | ''from "The Happy Clown" published about 100 years ago.'' | ||
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''Source for notated version'': | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - | |||
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''Printed sources'': McGlashan ('''Collection of Scots Measures'''), c. 1780; p. 18. | <font color=red>''Printed sources''</font> : - McGlashan ('''Collection of Scots Measures'''), c. 1780; p. 18. | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Latest revision as of 02:21, 20 August 2019
X:1 T:La Mignonette [1] M:6/8 L:1/8 B:McGlashan - Collection of Scots Measures (c. 1780) Z:AK/Fiddler's Companion K:F F|A2 A AGF|c2c c2f|c2a c2B|A3 G2F| A2A AGF|c2c c2f|edc =Bcd|c3 c2:| |:c|g2c b2a|g2f d2f|g2c b2a|g2f e2c| def gab|cde fga|cBA BAG|F3 F2:| |:A|A3 G3|F2F F2c|c3 B3|A2A A2f| f2e e2d|d2c c2B|ABc cBA|G3 G2:| |:c|_e2 e ecA|B2B B2d|f2f fd=B|c2c c2g| b2a g2f|b2a g2f|dba gfe|f2f f2:|]
MIGNONETTE [1], LA. AKA - "Mignonette Francoise (La)." AKA and see "Royal Albert (1)," "Sicilian Dance (1) (The)." French, English; Country Dance Tune (6/8 time). F Major. Standard tuning (fiddle). AABBCCDD. An imported French contradance melody, found in Alexander McGlashan's c. 1780 Collection of Scots Measures, Neil Stewart's Select Collection of Scots English Irish and Foreign Airs Jiggs & Marches (1788, as "La Mignonne"), and Thomas Wilson's A Companion to the Ball Room (1816, as "La Mignonnette (Old French)"). However, the first printing appears in Giovanni Andrea Gallini's New Collection of Forty-Four Cotillons (London, 1770). It was printed in Paris in M. Boûin's Contredanses; description des figures, plan des figures (1780) as "La Mignonnette. Contredanse Nouvelle Française."
In addition to the "Old French" version of "La Mignonette" in Wilson's Companion to the Ball Room (1816), another version pf the tune is included under the title "<incipit title="load:sicilian" width=850 link="https://tunearch.org/wiki/Sicilian Dance (1) (The)">Sicilian Dance (1) (The)</incipit>." The 'Sicialian' tune was apparently a revival of the earlier tune (with new dance figures), with another tune attached. Wilson notes:
This popular and pretended new dance for 1816 called the Sicillian dance was La Mignonette Cottillion published about the year 1770 and only altered by putting two bars of "Kammells Rondo" at the conclusion of both strains, and to go still further the first strain is copied almost note for note from "The Happy Clown" published about 100 years ago.
X:1 M:6/8 L:1/8 K:G G>AG BAG|d2d d2c|Bdg d2c|B2A G2D|