Annotation:Molly MacAlpin: Difference between revisions
No edit summary |
No edit summary |
||
| (11 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
---------- | |||
---- | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Molly_MacAlpin > | |||
'''MOLLY MACALPIN''' (Mailí Nic Ailpín). AKA and see "[[Hawk's Hornpipe]]," "[[Hawke's Hornpipe]]," "[[Moll Halfpenny]]/[[Moll Ha'penny]]," "[[Paul Ha'Penny]]," "[[Poll Ha'Penny]]." Irish, Lament or Set Dance. Grattan Flood (1906) attested that "Molly MacAlpin" was the air that became known later in Scotland as "[[Gilderoy (1)]]" (it should be noted that Donal O'Sullivan has said that nothing in Flood's account of the tune in his '''History of Irish Music''' is trustworthy). It was written after 1601, the year that five members of the MacAlpin (also called Halpin or Halfpenny) family were outlawed, leaving one of the ladies to mourn. O'Neill (1913) credits the composition of the melody to Laurence O'Connellan, an Irish harper born at Cloonmahon, County Sligo, in the mid-17th century, the younger brother of another famous harper, Thomas O'Connellan (c. 1640/1645–1698), however, most believe it was Thomas who composed the tune. After Thomas's death Laurence traveled to Scotland popularizing several of his dead brother's compositions. "Molly MacAlpin," along with Connellan's "[[Molly St. George]]" and "[[ | |f_annotation='''MOLLY MACALPIN''' ("Mailí Nic Ailpín" or "Maire Ni Mic Alpin"). AKA - "Mollie McAlpin." AKA and see "[[Hawk's Hornpipe]]," "[[Hawke's Hornpipe]]," "[[Moll Halfpenny]]/[[Moll Ha'penny]]," "[[Paul Ha'Penny]]," "[[Poll Ha'Penny]]." Irish, Air (4/4 time), Lament or Set Dance. A Minor. Standard tuning (fiddle). AB. Grattan Flood (1906) attested that "Molly MacAlpin" was the air that became known later in Scotland as "[[Gilderoy (1)]]" (it should be noted that Donal O'Sullivan has said that nothing in Flood's account of the tune in his '''History of Irish Music''' is trustworthy). It was written after 1601, the year that five members of the MacAlpin (also called Halpin or Halfpenny) family were outlawed, leaving one of the ladies to mourn. O'Neill (1913) credits the composition of the melody to Laurence O'Connellan, an Irish harper born at Cloonmahon, County Sligo, in the mid-17th century, the younger brother of another famous harper, Thomas O'Connellan (c. 1640/1645–1698), however, most believe it was Thomas who composed the tune. After Thomas's death Laurence traveled to Scotland popularizing several of his dead brother's compositions. "Molly MacAlpin," along with Connellan's "[[Molly St. George]]" and "[[Eileen Aroon (1)]]" (by Cearbhall O'Dalaigh), comprise the three earliest Irish harp tunes with extant lyrics. | ||
<br> | <br> | ||
<br> | <br> | ||
It was printed in 1719 by Thomas D'Urfey, who got it from an Irish actor, Thomas Dogget, about the year 1700. Irishman Matthew Conconnon selected it as the ninth air his version of '''The Jovial Crew''' in 1731. Thomas Moore wrote lyrics entitled "[[Remember the Glories of Brian the Brave]]," published in Bunting's collection of 1807. See also the related air "[[Mollie McAlpin]]" (O'Neill, 1903, No. 103) and "[[O'Carolan's Farewell to Music]]" (O'Neill, 1903, No. 700). | It was printed in London in 1719 by Thomas D'Urfey, who got it from an Irish actor, Thomas Dogget, about the year 1700. Irishman Matthew Conconnon selected it as the ninth air his version of '''The Jovial Crew''' in 1731. Thomas Moore wrote lyrics entitled "[[Remember the Glories of Brian the Brave]]," published in Bunting's collection of 1807. See the North County Kerry version of the tune called "[[Boodie Man (The)]]," a Wrenboy march. See also the related air "[[Mollie McAlpin]]" (O'Neill, 1903, No. 103) and "[[O'Carolan's Farewell to Music]]" (O'Neill, 1903, No. 700). | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Bunting ('''General Collection of the Ancient Music of Ireland'''), 1796; No. 44, p. 24. P.M. Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 36, p. 18. Haverty ('''One Hundred Irish Airs vol. 2'''), 1858; No. 176, p. 80. James Manson ('''Hamilton's Universal Tune Book vol. 1'''), 1844; pp. 74-75. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 193, p. 34. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
'' | }} | ||
'' | |||
'' | |||
- | |||
Latest revision as of 14:36, 18 May 2023
X:1 T:Molly Macalpin M:C L:1/8 R:Air B:Bunting - General Collection of the Ancient Music of Ireland (1796, No. 44, p. 24) Z:AK/Fiddler's Companion K:Amin B2|c2 A2 ~A2 G>A|d>c A>G G2 c>d|(e2 de) ~dc A>A|A6 de| f2 gf e2 fe|dc(de g3)a|(gede) (dcA>A)|A4 z2B2| c2A2 G>A|d>c A>G G2 c>d|(e2 de) ~dcA>A|A6 de| f2 gf e2 fe|dc (de/g/ a3)a|(gede) {e}dc A>A|A6||ef| (ge)(ga) g3a|gede ga ge/d/|agab ageg|a4 z2 ag| f2 gf [c2e2] fe|dcde [A3a3]a|(gede) ~dcA>A|A6||
MOLLY MACALPIN ("Mailí Nic Ailpín" or "Maire Ni Mic Alpin"). AKA - "Mollie McAlpin." AKA and see "Hawk's Hornpipe," "Hawke's Hornpipe," "Moll Halfpenny/Moll Ha'penny," "Paul Ha'Penny," "Poll Ha'Penny." Irish, Air (4/4 time), Lament or Set Dance. A Minor. Standard tuning (fiddle). AB. Grattan Flood (1906) attested that "Molly MacAlpin" was the air that became known later in Scotland as "Gilderoy (1)" (it should be noted that Donal O'Sullivan has said that nothing in Flood's account of the tune in his History of Irish Music is trustworthy). It was written after 1601, the year that five members of the MacAlpin (also called Halpin or Halfpenny) family were outlawed, leaving one of the ladies to mourn. O'Neill (1913) credits the composition of the melody to Laurence O'Connellan, an Irish harper born at Cloonmahon, County Sligo, in the mid-17th century, the younger brother of another famous harper, Thomas O'Connellan (c. 1640/1645–1698), however, most believe it was Thomas who composed the tune. After Thomas's death Laurence traveled to Scotland popularizing several of his dead brother's compositions. "Molly MacAlpin," along with Connellan's "Molly St. George" and "Eileen Aroon (1)" (by Cearbhall O'Dalaigh), comprise the three earliest Irish harp tunes with extant lyrics.
It was printed in London in 1719 by Thomas D'Urfey, who got it from an Irish actor, Thomas Dogget, about the year 1700. Irishman Matthew Conconnon selected it as the ninth air his version of The Jovial Crew in 1731. Thomas Moore wrote lyrics entitled "Remember the Glories of Brian the Brave," published in Bunting's collection of 1807. See the North County Kerry version of the tune called "Boodie Man (The)," a Wrenboy march. See also the related air "Mollie McAlpin" (O'Neill, 1903, No. 103) and "O'Carolan's Farewell to Music" (O'Neill, 1903, No. 700).
