Annotation:Flirt (The): Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
 
(2 intermediate revisions by 2 users not shown)
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
----------
----
{{TuneAnnotation
<p><font face="garamond, serif" size="4">
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Flirt_(The) >
'''FLIRT, THE'''. AKA and see "[[Amorous Goddess (1) (The)]]." English, Reel. England, Northumberland. D Major. Standard tuning (fiddle). AAB. As "[[Amorous Goddess]]" the melody was printed in John Johnson's '''Choice Collection of 200 Favourite Country Dances, vol. 4''' (London, 1748), in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756), and James Aird's '''Selection of Scotch, English, Irish and Foreign Airs, vol. 1''' (Glasgow, 1782). It also was entered (as "Amorous Goddess") in the 1795 music manuscript copybook of Mansfield, Connecticut, musician Luther Kingsley. William Vickers included another tune "[[Musette (The)]]" that has an alternate title "Amorous Goddess," but it is a different melody.  
|f_annotation='''FLIRT, THE'''. AKA and see "[[Amorous Goddess (2) (The)]]," "[[Wood Cutters (2)]]." English, Reel. England, Northumberland. D Major. Standard tuning (fiddle). AAB. As "[[Amorous Goddess (2) (The)]]" the melody was printed in John Johnson's '''Choice Collection of 200 Favourite Country Dances, vol. 4''' (London, 1748), in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756), and James Aird's '''Selection of Scotch, English, Irish and Foreign Airs, vol. 1''' (Glasgow, 1782). It also was entered (as "Amorous Goddess") in the 1795 music manuscript copybook of Mansfield, Connecticut, musician Luther Kingsley. William Vickers included another tune "[[Musette (The)]]" that has an alternate title "Amorous Goddess," but it is a different melody.  
<br>
|f_source_for_notated_version=William Vickers' 1770 music manuscript collection (Northumberland) [Seattle].  
<br>
|f_printed_sources=Seattle ('''Great Northern Tune Book/William Vickers'''), 1987, Part 3; No. 420.
</font></p>
|f_recorded_sources=
<p><font face="garamond, serif" size="4">
|f_see_also_listing=
''Source for notated version'': William Vickers' 1770 music manuscript collection (Northumberland) [Seattle].  
}}
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
''Printed sources'': Seattle ('''Great Northern/William Vickers'''), 1987, Part 3; No. 420.
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
''Recorded sources'': <font color=teal></font>
</font></p>
<br>
<br>
----
=='''Back to [[{{BASEPAGENAME}}]]'''==

Latest revision as of 00:27, 9 August 2024



Back to Flirt (The)


X:1 T:Flirt (The) M:C| L:1/8 R:Reel S:William Vickers' 1770 music manuscript collection (Northumberland) K:D f2 e/f/g faag|fedc dAAc|f2 e/f/g faag|fedc d2 z2:| |:f2 f/e/d eaac|dfed cAAc|aeec fBBd|c2B2A2eg:||



FLIRT, THE. AKA and see "Amorous Goddess (2) (The)," "Wood Cutters (2)." English, Reel. England, Northumberland. D Major. Standard tuning (fiddle). AAB. As "Amorous Goddess (2) (The)" the melody was printed in John Johnson's Choice Collection of 200 Favourite Country Dances, vol. 4 (London, 1748), in David Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances (London, 1756), and James Aird's Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (Glasgow, 1782). It also was entered (as "Amorous Goddess") in the 1795 music manuscript copybook of Mansfield, Connecticut, musician Luther Kingsley. William Vickers included another tune "Musette (The)" that has an alternate title "Amorous Goddess," but it is a different melody.


Additional notes
Source for notated version : - William Vickers' 1770 music manuscript collection (Northumberland) [Seattle].

Printed sources : - Seattle (Great Northern Tune Book/William Vickers), 1987, Part 3; No. 420.






Back to Flirt (The)

0.00
(0 votes)