Erie Hornpipe: Difference between revisions
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|:(3e/f/g/|a/f/d/A/ b/a/f/d/|A/B/A/F/ (G/F/)T(E/D/)|A,/D/B,/D/ A,/D/F/A/|A/B/A/F/ {F}E (3e/f/g/| | |:(3e/f/g/|a/f/d/A/ b/a/f/d/|A/B/A/F/ (G/F/)T(E/D/)|A,/D/B,/D/ A,/D/F/A/|A/B/A/F/ {F}E (3e/f/g/| | ||
a/f/d/A/ b/a/f/d/|A/B/A/F/ (G/F/)T(E/D/)|.D/(d/c/d/) F/A/E/A/|.D(b/a/f/) d:|] | a/f/d/A/ b/a/f/d/|A/B/A/F/ (G/F/)T(E/D/)|.D/(d/c/d/) F/A/E/A/|.D(b/a/f/) d:|] | ||
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Latest revision as of 21:35, 19 October 2019
X:1 T:Erie Hornpipe M:2/4 L:1/8 C:George Saunders R:Hornpipe N:”Allegro” B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 31, p.28) Z:AK/Fiddler’s Companion K:D A,/D/|F(F/A/) G/F/E/D/|F/A/A/B/ A(F/A/)|(A/F/)(d/F/) (G/F/)T(E/D/)|C/D/E/F/ E(D/E/)| F(F/A/) G/F/E/D/|F/A/A/B/ A(3e/f/g/|f/d/e/c/ d/c/B/A/|B/D/A/F/ D:| |:(3e/f/g/|a/f/d/A/ b/a/f/d/|A/B/A/F/ (G/F/)T(E/D/)|A,/D/B,/D/ A,/D/F/A/|A/B/A/F/ {F}E (3e/f/g/| a/f/d/A/ b/a/f/d/|A/B/A/F/ (G/F/)T(E/D/)|.D/(d/c/d/) F/A/E/A/|.D(b/a/f/) d:|]
X:2
T:Erie Hornpipe
M:2/4
L:1/8
R:Hornpipe
S:Ryan's Mammoth Collection (1883)
Z:AK/Fiddler's Companion
K:D
(A,/D/) | F(F/A/) G/F/E/D/ | F/A/A/B/ A(F/A/) | A/F/d/F/ G/F/E/D/ | C/D/E/F/ E(D/E/) |
F(F/A/) G/F/E/D/ | F/A/A/B/ A(3e/f/g/ | f/d/e/c/ d/c/B/A/ | B/d/A/F/ D :|
|: (3e/f/g/ | a/f/d/A/ b/a/f/d/ | A/B/A/F/ G/F/E/D/ | A,/D/B,/D/ A,/D/F/A/ | A/B/A/F/ E(3e/f/g/ |
a/f/d/A/ b/a/f/d/ | A/B/A/F/ G/F/E/D/ | .D/(d/c/d/) F/A/E/A/ | D/d/A/F/ D :||