Annotation:Nottingham Swing: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Nottingham_Swing > | |||
'''NOTTINGHAM SWING.''' AKA - "[[Hilly-Go Filly-Go All the Way]]," "[[Cumberland Reel]]," "[[King of the Cannibal Islands]]." English, Jig. D Major. Standard tuning (fiddle). AAB. The | |f_annotation='''NOTTINGHAM SWING.''' AKA - "[[Hilly-Go Filly-Go All the Way]]," "[[Cumberland Reel]]," "[[King of the Cannibal Islands]], "[[Phillebelula All the Way]]," "[[Vulcan's Cave]]." English, Jig (6/8 time). D Major. Standard tuning (fiddle). AAB. There is an English ceilidh dance called the Nottingham Swing, from northern England, adapted from notes by Miss Silvia Thursfield, who collected it in the 1930's. The dance was first published by Sibyl Clark in her book '''Seven Midland Dances''' (1955). In her introduction she notes: | ||
<blockquote> | |||
''The "Nottingham Swing" started the hunt for local dances in Northants. It was an argument between dancers from Benefield, Oundle'' ''and Titchmarsh as the "right way to do it" that made me and the local dancers realize that there was still a very live tradition'' ''of country dancing in Northants. The version included here is from Mr. Donald Spendlove, and is, he says, the "way it has always'' ''been done," at least in Titchmarch, in his lifetime!'' | |||
</blockquote> | |||
As is typical with popular dances, various tunes would be played as the accompaniment to the steps, and, through association the tune often began to be called by the name of the dance. See the alternate titles for more on the tune, which dates to the early 19th century. "[[Phillibelulah all the Way]]" is also a tune that was used to accompany the dance. | |||
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See also the duple time adaptation of the tune as "[[Thady the Toiler]]" in the [[biography:Stephen Grier|Stephen Grier]] c. 1883 music manuscript collection. See also note for "[[annotation:Vulcan's Cave|Vulcan's Cave]]" for more information. | |||
|f_source_for_notated_version= | |||
|f_printed_sources=Kennedy ('''Fiddlers Tune Book, vol. 1'''), 1951; No. 86, p. 42 (appears as "Hilly-Go, Filly-Go All the Way"). Raven ('''English Country Dance Tunes'''), 1984; p. 107. | |||
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|f_see_also_listing= | |||
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Latest revision as of 04:25, 9 September 2024
X:1 T:Nottingham Swing T:Cumberland Reel T:King of the Cannibal Islands L:1/8 M:6/8 K:D A|f2e d2c|d2B A2F|GFG EFG|F2G A2A| B2G d2B|A2F d2d|cde ABc|d3D2:| e|f2f f2e|f2f f2e|f2f g2f|e2e e2c| d2d d2c|d2d d2c|d2B e2d|c2B ABc| ded cBA|B2c d2A|ded cBA|B2c d2f| e2e e2e|e2e efg|a2A ABc|d3D2||
NOTTINGHAM SWING. AKA - "Hilly-Go Filly-Go All the Way," "Cumberland Reel," "King of the Cannibal Islands, "Phillebelula All the Way," "Vulcan's Cave." English, Jig (6/8 time). D Major. Standard tuning (fiddle). AAB. There is an English ceilidh dance called the Nottingham Swing, from northern England, adapted from notes by Miss Silvia Thursfield, who collected it in the 1930's. The dance was first published by Sibyl Clark in her book Seven Midland Dances (1955). In her introduction she notes:
The "Nottingham Swing" started the hunt for local dances in Northants. It was an argument between dancers from Benefield, Oundle and Titchmarsh as the "right way to do it" that made me and the local dancers realize that there was still a very live tradition of country dancing in Northants. The version included here is from Mr. Donald Spendlove, and is, he says, the "way it has always been done," at least in Titchmarch, in his lifetime!
As is typical with popular dances, various tunes would be played as the accompaniment to the steps, and, through association the tune often began to be called by the name of the dance. See the alternate titles for more on the tune, which dates to the early 19th century. "Phillibelulah all the Way" is also a tune that was used to accompany the dance.
See also the duple time adaptation of the tune as "Thady the Toiler" in the Stephen Grier c. 1883 music manuscript collection. See also note for "Vulcan's Cave" for more information.
