O Waly Waly: Difference between revisions
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|f_accidental=1 flat | |f_accidental=1 flat | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=One part | |f_structure=One part, AB | ||
|f_book_title=Orpheus Caledonius | |||
|f_collector=William Thomson | |||
|f_year=1725 | |||
|f_page=p. 34 | |||
|f_theme_code_index=351H 2H2H2H | |||
}} | }} | ||
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|image_alt=Traditional universal music | |||
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<font face="sans-serif" size="4"> | |||
<div class="noprint"> | |||
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) --> | |||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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---- | ---- | ||
< | <section begin=X1 /> | ||
X:1 | |||
T:Wale' Wale' up yon Bank | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
B:Thomson - Orpheus Caledonius (1725, p. 34) | |||
Z:AK/Fiddler's Companion | |||
K:F | |||
F|A B c2f2|g (a/b/) Tg3G|A B c2f2|g (f/e/) f3|| | |||
f|d c A3f|d c {cd}_e2 d c| d c Tc3A|B (A/G/) F3 f| | |||
d c A3f|d c G3 c/ _e/|d c (def) A| B (A/G/) F3|| | |||
<section end=X1 /> | |||
<section begin=X2 /> | |||
X:1 | |||
T:Waly Waly | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
Q:"Slow" | |||
B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 5) | |||
F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf | |||
N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent | |||
N:most of his life in London and Edinburgh. | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
V:1 | |||
GBc|d3 gab|Ta3 AB>c|d2 g2 {ab}Ta(gf)|g3::_fTed|c3 dTed| | |||
{de}_f3 gTe>d|(e/^f/g2) B Tc(B/A/)|G3 gTe>d|{c}B3 gTe>d| | |||
{B}A3 _fTe>d|((6efgfga) gB {e}c(B/A/)|G3:|] | |||
V:2 clef = bass | |||
z2|z2 G,F,G,B,A,G,|F,E,F,D,G,A,|B,G,E,B,,C,D,|G,,3::A,G,_F,|E,D,E,B,,C,B,,| | |||
A,,D,B,,G,,A,,B,,|C,A,,B,,E,C,D,|G,F,G,B,,C,D,|G,A,B,G,CG,| | |||
DD,,D,,A,,A,,B,,|CA,,B,, ECD|G,,3:|] | |||
<section end=X2 /> | |||
<section begin=abc /> | |||
X:1 | |||
T:Wally wally | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
B:James Oswald – Caledonian Pocket Companion Book 1 (1760, p. 5) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
D|FG A2d2|(ef/g/) {f}e2E2|FG A2d2|{f}e(d/^c/) {c}d3:| | |||
|:c|BA G3A|BA {AB}c3 (B/A/)|Bd A2f2|{a}g(f/e/) d3c| | |||
BA {G}F3d|BA {F}E3c|BA {Bc}d3F|G(F/E/) D3:|] | |||
<section end=abc /> | |||
<section begin=X3 /> | |||
X:1 | |||
T:Waly Waly | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
Q:"Slow" | |||
S:McGibbon – Scots Tunes, book III, p. 87 (1762) | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
D | FG A3d | e>f {f}e3E | F>GA2de2 | {f}e(d/c/) d2 :: =c | | |||
(B>A) G3A | (BA) =c3 (B/A/) |Bd A2g2 | {a}gT(f/e/) d3d | | |||
(BA) {G}F3 d |TBA E3=c | BA (B>^cd)F |{G}G(F/E/) D2 :|] | |||
<section end=X3 /> | |||
<section begin=X5 /> | |||
X:1 | X:1 | ||
T:Wally Wally | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 | |||
B:(Glasgow, 1797, No. 76) | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
D|F>G A2d2|(e/f/g/f/) {f}e3E|F>G A2d2|{f}ed/c/ {c}d3D| | |||
F>G A2d2|(e/f/)(g/f/) {f}e3E|F>G A2d2|{f}ed/c/ {c}d3:| | |||
|:=c|B>A {G}F3d|{B}AG/F/ E2 E=c|Bd A2f2|(a/f/e/f/) d3=c| | |||
B>A F3d|(B/A/G/F/) E3=c|Bd {B}A2 FD|(E/D/E/F/) D3:| | |||
<section end=X5 /> | |||
<section begin=X6 /> | |||
X:1 | |||
T:Waly, Waly | |||
M:3/4 | |||
L:1/8 | |||
R:”Scottish air.” | |||
Q:Very slow | |||
B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 102) | |||
Z:AK/Fiddler’s Companion | |||
K:F | |||
F|A>B c2f2|g>a g3G|A>B c2f2|{a}ge f3F| | |||
A>B c2f2|g>a g3G|AB c2f2|{a}ge f3|| | |||
_e|d>c B3c|dc _e2 dc|df c2a2|_b(a/g/) f2 zf| | |||
dc {B}A3f|{d}cA {A}G2_e|dB f2 zA|B(A/G/) F3|| | |||
<section end=X6 /> | |||
<section begin=X8 /> | |||
X:2 | |||
T:O Waly, Waly | T:O Waly, Waly | ||
M:3/4 | M:3/4 | ||
Line 26: | Line 139: | ||
d>c B3c | dc _e3 (d/c/) | df c2a | g>f f2zf | | d>c B3c | dc _e3 (d/c/) | df c2a | g>f f2zf | | ||
d>c A3f | cA G3_e | dc f3A | G>F F2 z || | d>c A3f | cA G3_e | dc f3A | G>F F2 z || | ||
</ | <section end=X8 /> | ||
---- | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
=[[ANNOTATION:{{PAGENAME}}| | <section begin=X1 /> | ||
<section end=X1 /> | |||
< | </font> | ||
<font face="sans-serif" size="4"> | |||
<div class="noprint"> | |||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
</div> | |||
</font> | |||
__NOTITLE__ |
Latest revision as of 04:33, 11 March 2024
X:1 T:Wale' Wale' up yon Bank M:3/4 L:1/8 R:Air B:Thomson - Orpheus Caledonius (1725, p. 34) Z:AK/Fiddler's Companion K:F F|A B c2f2|g (a/b/) Tg3G|A B c2f2|g (f/e/) f3|| f|d c A3f|d c {cd}_e2 d c| d c Tc3A|B (A/G/) F3 f| d c A3f|d c G3 c/ _e/|d c (def) A| B (A/G/) F3||
X:1
T:Waly Waly
M:3/4
L:1/8
R:Air
Q:"Slow"
B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 5)
F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf
N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent
N:most of his life in London and Edinburgh.
Z:AK/Fiddler’s Companion
K:G
V:1
GBc|d3 gab|Ta3 AB>c|d2 g2 {ab}Ta(gf)|g3::_fTed|c3 dTed|
{de}_f3 gTe>d|(e/^f/g2) B Tc(B/A/)|G3 gTe>d|{c}B3 gTe>d|
{B}A3 _fTe>d|((6efgfga) gB {e}c(B/A/)|G3:|]
V:2 clef = bass
z2|z2 G,F,G,B,A,G,|F,E,F,D,G,A,|B,G,E,B,,C,D,|G,,3::A,G,_F,|E,D,E,B,,C,B,,|
A,,D,B,,G,,A,,B,,|C,A,,B,,E,C,D,|G,F,G,B,,C,D,|G,A,B,G,CG,|
DD,,D,,A,,A,,B,,|CA,,B,, ECD|G,,3:|]
X:1
T:Wally wally
M:3/4
L:1/8
R:Air
B:James Oswald – Caledonian Pocket Companion Book 1 (1760, p. 5)
Z:AK/Fiddler’s Companion
K:G
D|FG A2d2|(ef/g/) {f}e2E2|FG A2d2|{f}e(d/^c/) {c}d3:|
|:c|BA G3A|BA {AB}c3 (B/A/)|Bd A2f2|{a}g(f/e/) d3c|
BA {G}F3d|BA {F}E3c|BA {Bc}d3F|G(F/E/) D3:|]
X:1
T:Waly Waly
M:3/4
L:1/8
R:Air
Q:"Slow"
S:McGibbon – Scots Tunes, book III, p. 87 (1762)
Z:AK/Fiddler’s Companion
K:D
D | FG A3d | e>f {f}e3E | F>GA2de2 | {f}e(d/c/) d2 :: =c |
(B>A) G3A | (BA) =c3 (B/A/) |Bd A2g2 | {a}gT(f/e/) d3d |
(BA) {G}F3 d |TBA E3=c | BA (B>^cd)F |{G}G(F/E/) D2 :|]
X:1
T:Wally Wally
M:3/4
L:1/8
R:Air
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 76)
Z:AK/Fiddler’s Companion
K:D
D|F>G A2d2|(e/f/g/f/) {f}e3E|F>G A2d2|{f}ed/c/ {c}d3D|
F>G A2d2|(e/f/)(g/f/) {f}e3E|F>G A2d2|{f}ed/c/ {c}d3:|
|:=c|B>A {G}F3d|{B}AG/F/ E2 E=c|Bd A2f2|(a/f/e/f/) d3=c|
B>A F3d|(B/A/G/F/) E3=c|Bd {B}A2 FD|(E/D/E/F/) D3:|
X:1
T:Waly, Waly
M:3/4
L:1/8
R:”Scottish air.”
Q:Very slow
B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 102)
Z:AK/Fiddler’s Companion
K:F
F|A>B c2f2|g>a g3G|A>B c2f2|{a}ge f3F|
A>B c2f2|g>a g3G|AB c2f2|{a}ge f3||
_e|d>c B3c|dc _e2 dc|df c2a2|_b(a/g/) f2 zf|
dc {B}A3f|{d}cA {A}G2_e|dB f2 zA|B(A/G/) F3||
X:2
T:O Waly, Waly
M:3/4
L:1/8
R:Air
S:Howe - 1000 Jigs and Reels (c. 1867)
Z:AK/Fiddler's Companion
K:F
F | A>B c2f2 | g>a g3G | A>B c2g2 | a>g f3F |
A>B c2f2 | g>a g3G | A>Bc2g2 | a>g f2z_e |
d>c B3c | dc _e3 (d/c/) | df c2a | g>f f2zf |
d>c A3f | cA G3_e | dc f3A | G>F F2 z ||