Coolun (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Coolun (The) | |f_tune_title=Coolun (The) | ||
|f_aka=Cúilfhionn (An), Chuilfhionn (An), Cuilfion Le Atrugad (An), Cuilrionn (An), Coulin (The), Coolin (The), Cuilin, In this Calm Sheltered Villa, Had You Seen My Sweet Coolin, Oh! hush the soft sigh, Oh! the hours I have passed, Old Coolun (The), Though the | |f_aka=Cúilfhionn (An), Chuilfhionn (An), Cuilfion Le Atrugad (An), Cuilrionn (An), Coulin (The), Coolin (The), Cuilin, In this Calm Sheltered Villa, Had You Seen My Sweet Coolin, Oh! hush the soft sigh, Oh! the hours I have passed, Old Coolun (The), Though the last glimpse of Erin, Lady of the Desert (The) | ||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish | ||
Line 10: | Line 10: | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AABB | |f_structure=AABB | ||
|f_book_title= | |f_book_title=The Hibernian Muse; a Collection of Irish Airs including the Most Favourite Compositions of Carolan | ||
|f_collector= | |f_collector=Samuel Ann & Peter Thompson | ||
|f_year= | |f_year=1787 | ||
|f_page=No. | |f_page=No. 54, p. 33 | ||
|f_theme_code_index=1H1H1H 1H51 | |f_theme_code_index=1H1H1H 1H51 | ||
|f_player= | |f_pdf_score=[[File:The Coolun.pdf|200px|left|page=1| thumb|The Coolun]] | ||
| | |f_score=1 | ||
| | |f_player=Leo Rowsome | ||
| | |f_album=Coolin', Copperplate Reel | ||
|f_label=Winner 4259 (78 RPM) | |||
|f_recording_date=1925 | |||
|f_media={{FeaturedTunes |f_track= The Coolun.mp3 |f_artwork=Eugene_OCurry-Social_England_1904-p889-with-header.jpg |f_tune_name=The Coolun |f_played_by=Dulahan Ireland |f_notes=The distinguished philologist Eugene O'Curry believed that the air known as The Coolin was first given that name in the early 18th century by a Fr. Oliver O'Hanley. |f_source=[https://www.youtube.com/watch?v=ZYoJcKHcmdw Youtube] |f_pix=330 |f_picpix=150 |f_piclink=Coolun_(The) }} | |||
}} | }} | ||
{{featured}} | |||
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---- | ---- | ||
<section begin=abc /> | |||
< | X:1 | ||
T:Coulin | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
B:Samuel, Anne & Peter Thompson – The Hibernian Muse | |||
B:(London, 1787, No. 54, p. 33) | |||
N:”A Collection of the most Favorite Compositions of | |||
N:Carolan the Celebrated Irish Bard” | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
(de/f/)|g2 g>b {b}a(g/e/)|g2G2 GB/d/|(g>f) (g/a/b) (ag)|T(g2f2) g>f| | |||
e2 e>f {a}g(f/e/)|d2 B>dg>d|{f}e(d/c/) B2 TA2|G4:| | |||
|:d>c|B>AG>AB>c|d>^cd>e (de/f/)|(g>f) (ga/b/) (ag)|Tg2f2 g>f| | |||
e2e>f {a}g(f/e/)|d2 B>dg>d|{f}e(d/c/) BG TA2|G4:|] | |||
<section end=abc /> | |||
<section begin=X2 /> | |||
X:1 | X:1 | ||
T:Coolun | T:Coolun | ||
Line 30: | Line 63: | ||
L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
Q:"Slow" | |||
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 | B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 | ||
B:(Glasgow, 1797, No. 71, p. 29) | B:(Glasgow, 1797, No. 71, p. 29) | ||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K:G | K:G | ||
(de/f/)|g2 g>b ag/f/|g2 B2 (3GBd|g>f ga/b/ ag|(g2f2) g>f| | |||
e2 (ef/g/) {a}(gf/e/)|d2 B>dg>d|{f}ed/c/ B>G A2{GA}|G4:| | e2 (ef/g/) {a}(gf/e/)|d2 B>dg>d|{f}ed/c/ B>G A2{GA}|G4:| | ||
d>c|BAGA B>c|d^cd>e d>e/2f/4|g>f ga/b/ ag|(g2f2) g>f| | d>c|BAGA B>c|d^cd>e d>e/2f/4|g>f ga/b/ ag|(g2f2) g>f| | ||
e2 (ef/g/) {a}gf/e/|d2 B>dg>d|{f}ed/c/ B>G TA2 {GA}|G4|| | e2 (ef/g/) {a}gf/e/|d2 B>dg>d|{f}ed/c/ B>G TA2 {GA}|G4|| | ||
</ | <section end=X2 /> | ||
< | <section begin=X4 /> | ||
X:1 | X:1 | ||
T:Coolun | T:Coolun | ||
Line 52: | Line 86: | ||
|:A>G|~F>E(D>E)(FG)|A>^G ABcA|~d>c (de/f/) ed|(d2c2) d>c| | |:A>G|~F>E(D>E)(FG)|A>^G ABcA|~d>c (de/f/) ed|(d2c2) d>c| | ||
~B2 (B/c/d/c/) (e/d/)(c/B/)|A2 (FA)d>A|(c/B/)(A/G/) F2 E2|D4:|| | ~B2 (B/c/d/c/) (e/d/)(c/B/)|A2 (FA)d>A|(c/B/)(A/G/) F2 E2|D4:|| | ||
</ | <section end=X4 /> | ||
< | <section begin=X5 /> | ||
X:1 | |||
T:Coolun | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
Q:"Larghetto" | |||
N:"A Favorite Irish Air." | |||
B:Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 20) | |||
Z:AK/Fiddler's Companion | |||
K:D | |||
(A>B/2c/4)|d2d2 (e>c)|d2F2 (3DFA|d>c (d>e/2f/4) Te>d|(d2c2)(d>c)| | |||
B2 (Bc/d/) {e}(dc/B/)|A2 (FA) (dA)|{c}(BA/G/) (FD) TE2{DE}|{E}D4:| | |||
|:A>G|F>ED>EF>G|A>^GA>Bc>A|(d>c) (d>e/2f/4) (e>d)|(d2c2) d>c| | |||
B2 (Bc/d/) {e}(dc/B/)|A2 F(A)(dA)|{c}BA/G/ (FD) TE2{DE}|{E}D4:|] | |||
<section end=X5 /> | |||
<section begin=X6 /> | |||
X:1 | |||
T:Coolin, The. A Retreat. | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
S:The Buttery Manuscript (c. 1784-1820, No. 530) | |||
N:John Buttery (1784-1854) joined the 34th Regiment in Lincoln, | |||
N:Lincolnshire, England, in 1797 and served as a fifer until discharged in | |||
N:1814. His large ms. contains marches, duty calls, dance tunes and airs. | |||
N:EASMES identifies this as the Fife MS. and suggests a date of 1780, see | |||
N:https://www.cdss.org/elibrary/Easmes/Index.htm | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
AB/c/|ddfecd|F>AF/A/ d2cd|feddc2|(e/d/c/)d/ B2B2| | |||
c/d/B e/d/c/B/A2|GFAd A2|dc B(A/G/)F|E2D2:| | |||
|:A/(G/F/)|EDEFDA|=GABcA|dcdfed|d2 c4| | |||
(e/d/c/d/) BBc/d/|B e/d/c/B/|BAAd d2|cBAG F2|E2D2:|] | |||
<section end=X6 /> | |||
<section begin=X8 /> | |||
X:1 | |||
T:Coolin, or Lady of the Desert | |||
M:3/4 | |||
L:1/16 | |||
R:Air | |||
N:”Very ancient, author and date unknown. With | |||
N:variations by Lyons in the year 1702.” | |||
B:Bunting – Ancient Music of Ireland (1840, No. 119, pp. 88-89) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
.d3(e/f/)|.g2z2 [d4g4] (a2g2)|.f2 z2 (e2d2) (d3e/f/)|g2z2 [d4g4] (b/a/g3)|.f2z2 [.d4f4] {a}(g2f2)| | |||
{^df}(e8 =d)B|{^ce}d8 B4 B3d/e/|(g2d2).c2.B2 [F4A4]|[D8G8]||(d3e/f/)| | |||
g2z2 [d4g4] (b/a/g3)|.f2z2 (e2d2) (d/e/f3)|.g2 z2 [d4g4] (b/a/g3)|.f2z2f4 {f}(e2d2)| | |||
e2z2 {^d}e4 {e}=d2B2|d2z2 {^c}d4 .B3(d/e/)|(g2d2).c2.B2 [F4A4]|[D8G8]|| | |||
G3(A/B/)|.d2z2{^c}d4 (e/d/B3)|.d2z2 {^c}d4 (d/e/f3)|.g2z2 g4 (a3>g/)| | |||
.f2z2f4 (g3>f/)|{^df}e8 =d2B2| | |||
{^ce}d8 B4 (B3d/e/)|(g2d2).c2.B2 TA3G|[D8G8] (G3A/B/)|.d2z2.e4 {e}(d3>B/)|.d2z2{c}(B/A/G3) .G4| | |||
.g2z2 (g3a/b/) (a2g2)|.f2z2f4 {f}(e2d2)|e2z2 [c4e4].d2.B2|(d3>B/) .G4 (.B2.d2)|(e2d2).c2.B2 (A3>G/)|[D8G8]|| | |||
P:2"Var. 1st. A little quicker" | |||
d/e/4f/4|{a}g/f/g/a/g/a/|{g}f/e/d/e/f/d/|{a}g/f/g/b/a/g/|{g}f/e/f/a/g/f/| | |||
{f}e/d/e/g/e/g/|{e}d/B/A/B/d/e/|g/d/e/B/A/G/|.G-[B2G2]:| | |||
|:(G/A/4B/4)|{e}(d/B/d/e/d/e/)|{e}(d/B/d/e/d/G/)|{a}(g/f/g/b/g/b/)| | |||
{g}(f/e/f/a/g/f/)|{f}(e/d/e/g/e/g/)|{e}(d/B/A/B/d/e/)|(g/d/e/B/A/G/)|G!fermata![B2G2]:| | |||
L:1/16 | |||
P:3 "Var. 2nd. Slow and Plaintive" | |||
D4|G7(G F2>E/)|F7 F/ TE3>D/|G4 (G/A/B3) TA3>G/|.F2 z2 {F}TE3>D/ .B,2z2| | |||
.E2 z2 T(D3>B,/) A,2 z2|(D3>B,/) G,4 (B,3>D/)|{^D}E2z2 (D/<B,2) T(A,3>G,/)|G,8|| | |||
(G,3A,/B,/)|(.D4.E4) {E}(D3>B,/)|[B,2D2]z2 [B,4D4] z2| | |||
G4 (A2B2) (A2G2)|F2z2 F2{F}(E3>D/) .B,2z2|E2z2 .E2 {E}(D3>B,/) .A,2z2| | |||
.D2z2 .D2(E/D/B,/A,/) (B,2D2)|.E2 z2 (D/<B,3) T(A,3>G,/)|G,8|| | |||
P:4 "Var. 3rd. Quick and Lively" | |||
M:3/8 | |||
L:1/8 | |||
D/E/4F/4|G/F/G/A/G/A/|F/G/F/E/F/A/|G/A/G/F/G/E/|F/G/F/E/F/D/| | |||
E/F/E/D/E/B,/|D/B,/A,/B,/D/E/|G/D/E/B,/A,/G,/|G,2:| | |||
|:(G,/A,/4B,/4)|D/B,/D/E/D/E/|D/B,/D/E/D/G,/|G/F/G/B/A/G/| | |||
F/G/F/E/D/B,/|{F}E/D/E/F/E/F/|D/B,/A,/B,/D/E/|G/D/E/B,/A,/G,/|G,2:| | |||
P:5 "Slower" | |||
D2|G4 z(B|A4) z(c|B4) z(B|A4) z(F|E4) {E}(D>B,)| | |||
(D2 E)(DB,D)|(ED)(CB,) T(A,>G,)|G,4||(G,/A,/B,)|{^C}D6|{^C}D6| | |||
L:1/16 | |||
.G2z2 (G/A/B3) (A2G2)|\ | |||
L:1/8 | |||
.Fz F2 {E}(D>>B,)|.Ez E2 {D}(C>>A,)|.Dz [B,2D2] (G>F)|(EDCB,) T(A,>>G,)|!fermata!G,4|| | |||
<section end=X8 /> | |||
<section begin=X9 /> | |||
X:1 | X:1 | ||
T:Coolun | T:Coolun | ||
Line 59: | Line 174: | ||
L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
Q:"Andante" | |||
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 48, p. 24) | B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 48, p. 24) | ||
H:Irish-born Clinton was a flute teacher for the Royal Academy, London | H:Irish-born Clinton was a flute teacher for the Royal Academy, London | ||
Line 68: | Line 183: | ||
|:(d>c)|(BA).G>.A.B.c|.d>.^c.d.e.f.d|.g>.f (g>a/2b/4 ag)|(g2f) z (g>f)| | |:(d>c)|(BA).G>.A.B.c|.d>.^c.d.e.f.d|.g>.f (g>a/2b/4 ag)|(g2f) z (g>f)| | ||
e2- e(f/g/{a}gf/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) (B>A) !fermata!A2 {GBA}|G4:|] | e2- e(f/g/{a}gf/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) (B>A) !fermata!A2 {GBA}|G4:|] | ||
</ | <section end=X9 /> | ||
< | <section begin=X10 /> | ||
X:1 | |||
T:Coolun | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
Q:”Andante” | |||
B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 1, No. 1) | |||
B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs | |||
N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork | |||
Z:AK/Fiddler’s Companion | |||
K:Eb | |||
Bc/d/|e2 e>g g/f/e/d/|e>B G2 EG/B/|e2 ef/g/ f>e|e2d2 e>d|c3 d/e/ f/e/d/c/| | |||
B>AG Be>B|d/c/B/A/ G2 TF2| E4||B>A|G<FEFG=A|B>=ABcd B| | |||
e>d ef/g/ f>e|e2d2 e>d|c3 d/e/ f/e/d/c/|B>AG Be>B|d/c/B/A/ G2TF2|E4|| | |||
<section end=X10 /> | |||
<section begin=X12 /> | |||
X:1 | |||
T:Coolin, The; or, Lady of the Desert | |||
M:3/4 | |||
L:1/16 | |||
R:Air | |||
N:”Bunting’s arrangement.” | |||
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 101, p. 45) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
d3(e/f/)|g2z2g4 (a2g2)|.f2z2 (e2d2) (d3e/f/)|g2z2g4 (b/a/g3)|.f2z2 [A4f4] {a}(g2f2)| | |||
{^df}(e8 =d2)B2|{^ce}d8 B3d/e/|(g2d2).c2.B2 [F4A4]|[B,8G8]|| | |||
(d3e/f/)|g2 z2 [d4g4] (b/a/g3)|.f2 z2 (e2d2) (d/e/f3)|.g2z2[d4g4] (b/a/g3)|f2z2f4 {f}(e2d2)| | |||
Ez2 {^d}e4{e}=d2B2|d2 z2 {^c}d4 B3(d/e/)|(g2d2).c2.B2 [F4A4]|[B,8G8]|| | |||
G3(A/B/)|.d2z2 {^c}d4 (e/d/B3)|.d2z2 {^c}d4 (d/e/f3)|.g2z2g4 (a5g/)|.f2z2f4 (g5f/)| | |||
{^df}e8 =d2B2|{^ce}d8 (B3d/e/)|(g2d2).c2.B2 TA3G|[B,8G8] (G3A/B/)| | |||
.d2z2.e4 {e}(d5B/)|.d2 z2 {c}(B/A/G3) .G2|g2z2 (g3a/b/) (a2g2)|.f2z2f4 {f}(e2d2)| | |||
e2z2 [c4e4] .d2.B2|(d5B/) .G4 (.B2.d2)|(e2d2).c2.B2 (A5G/)|[B,8G8]|] | |||
<section end=X12 /> | |||
<section begin=X13 /> | |||
X:1 | |||
T:Coolin, The | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
Q:"Andante" | |||
N:”Robinson’s Arrangement” | |||
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 180, p. 81) | |||
Z:AK/Fiddler’s Companion | |||
K:Eb | |||
(Bc/d/)|[G2e2][B2e2] (f>d)|e2G2 (3EGB|(e>d) (ef/g/) (f>e)|e2 {fe}d2 e>d| | |||
c2 (3cde {f}(ed/c/)|B2 (GB) (eB)|(cB/A/) (GE) T(F>E)|E4|| | |||
(B>A)|(G>FE>F) (G>=A)|(B>=AB>c) (d>B)|(e>d) ef/g/ f>e|(e2d2) (e>d)| | |||
c2 (3cde (f/e/d/c/)|[G2B2] (GB) (eB)|(d/c/B/A/) (GE) T(F>E)|E4|| | |||
<section end=X13 /> | |||
<section begin=X15 /> | |||
X:1 | |||
T:Coulin (The Old) | |||
N:Similar Stanford/Petrie No. 599 | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
N:Obtained by Goodman from the music manuscript collection of John Edward Pigot (1822-1871). | |||
B:James Goodman music manuscript collection, Book 2, p. 89 (mid-19th century) | |||
B:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=92&z=128.2454%2C2901.9144%2C8098.3776%2C3101.8519Z:AK/Fiddler’s Companion | |||
K:Ddor | |||
(3ABc|d2 dcde|f2A2 de|fagfed|cB A2 (3ABc|d2 dcde| | |||
f2A2F2|G2 GABG|!fermata!A4||D/E/F/G/|A2 AG F2|c>BA/G/ F2| | |||
GFGB AG|FE D2 D/E/F/G/|A2 fe de/c/d/e/|f2A2 d/c/A/G/|F2 DF ED|D4|| | |||
<section end=X15 /> | |||
<section begin=X18 /> | |||
X:3 | X:3 | ||
T:Old Coolin, The | T:Old Coolin, The | ||
Line 75: | Line 256: | ||
L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
Q:"Moderato" | |||
S:Stanford/ | S:Stanford/Petrie (1905), No. 599 | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K:D | K:D | ||
Line 85: | Line 266: | ||
d2 dcde | f2 A2 AB | AG F2 TG2 | A4 || FG | A2A2 GF |=c2 BAG>F | | d2 dcde | f2 A2 AB | AG F2 TG2 | A4 || FG | A2A2 GF |=c2 BAG>F | | ||
GF GB AG | F2D2 FG | A2f2 ef | de f2 AG | F2DF E>D | D4 || | GF GB AG | F2D2 FG | A2f2 ef | de f2 AG | F2DF E>D | D4 || | ||
</ | <section end=X18 /> | ||
< | <section begin=X21 /> | ||
X:2 | X:2 | ||
T:Coolin, The | T:Coolin, The | ||
Line 92: | Line 273: | ||
L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
Q:"With great expression" | |||
S:Joyce - Old Irish Folk Music and Songs (1909) | S:Joyce - Old Irish Folk Music and Songs (1909) | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
Line 99: | Line 280: | ||
d2 cA {A}G>F | F4 || AG | FGAcdf | c2A2 cd | f>g a2 g>f | | d2 cA {A}G>F | F4 || AG | FGAcdf | c2A2 cd | f>g a2 g>f | | ||
f4 f>e | dcfdcA | c2A2 cf | d2 cA {A}G>F | F4 || | f4 f>e | dcfdcA | c2A2 cf | d2 cA {A}G>F | F4 || | ||
</ | <section end=X21 /> | ||
---- | <section begin=X25 /> | ||
X:1 | |||
T:Cúilfionn, An | |||
<!-- | T:Coolun, The | ||
M:3/4 | |||
L:1/8 | |||
Q:"With Soul" | |||
B:Batt Scanlon - "The Violin Made Easy and Attractive" (San Francisco, 1923, p. 36) | |||
Z:AK/Fiddler's Companion | |||
K:D | |||
u(AB/c/)|"1"d2-d2 "2"(e>c)|(d2F2) (DF/A/)|"1"(d>"1"c) "1"(d"2"e/"3"f/) "2".e2"1".d2|"1"d2-.c2 (dc)|(B2 (3B)"3"c-d ("4"e/d/)(c/B/)| | |||
A2 (FA) "1"(d>"0"A)|(c/B/).A/.G/ (F2 D>F)|E2-"2"{D}"2"!fermata!D2::(A>G)|(F>E) (D>E) (F>^G)|(A>^G) (A>B) (cA)| | |||
"1"(d>"1"c) ("1"d"2"e/"3"f/) "2"e1d|"1"d2-c2 (dc)|B2- (3B(cd) ("4"e/d/)(c/B/)|A2 (FA) "1"(d>"0"A)|(c/B/).A/.G/ (F2 D>F)|E2-"2"{D}"2"!fermata!D2:|] | |||
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__NOTITLE__ |
Latest revision as of 19:01, 27 October 2023
X:1 T:Coulin M:3/4 L:1/8 R:Air B:Samuel, Anne & Peter Thompson – The Hibernian Muse B:(London, 1787, No. 54, p. 33) N:”A Collection of the most Favorite Compositions of N:Carolan the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:G (de/f/)|g2 g>b {b}a(g/e/)|g2G2 GB/d/|(g>f) (g/a/b) (ag)|T(g2f2) g>f| e2 e>f {a}g(f/e/)|d2 B>dg>d|{f}e(d/c/) B2 TA2|G4:| |:d>c|B>AG>AB>c|d>^cd>e (de/f/)|(g>f) (ga/b/) (ag)|Tg2f2 g>f| e2e>f {a}g(f/e/)|d2 B>dg>d|{f}e(d/c/) BG TA2|G4:|]
X:1
T:Coolun
M:3/4
L:1/8
R:Air
Q:"Slow"
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 71, p. 29)
Z:AK/Fiddler’s Companion
K:G
(de/f/)|g2 g>b ag/f/|g2 B2 (3GBd|g>f ga/b/ ag|(g2f2) g>f|
e2 (ef/g/) {a}(gf/e/)|d2 B>dg>d|{f}ed/c/ B>G A2{GA}|G4:|
d>c|BAGA B>c|d^cd>e d>e/2f/4|g>f ga/b/ ag|(g2f2) g>f|
e2 (ef/g/) {a}gf/e/|d2 B>dg>d|{f}ed/c/ B>G TA2 {GA}|G4||
X:1
T:Coolun
M:3/4
L:1/8
R:Air
S:Gow - 2nd Repository (1802)
Z:AK/Fiddler's Companion
K:D
(3ABc|d2 ~d>f (f/e/)d/c/|~d2 A2 (3DFA|d2 (de/f/) {f}e>d|(d2c)z ~d>c|
~(B2 B)c/d/ (e/d/)(c/B/)|A2 (FA)(d>A)|(c/B/)A/G/ F2 E2|D4:|
|:A>G|~F>E(D>E)(FG)|A>^G ABcA|~d>c (de/f/) ed|(d2c2) d>c|
~B2 (B/c/d/c/) (e/d/)(c/B/)|A2 (FA)d>A|(c/B/)(A/G/) F2 E2|D4:||
X:1
T:Coolun
M:3/4
L:1/8
R:Air
Q:"Larghetto"
N:"A Favorite Irish Air."
B:Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 20)
Z:AK/Fiddler's Companion
K:D
(A>B/2c/4)|d2d2 (e>c)|d2F2 (3DFA|d>c (d>e/2f/4) Te>d|(d2c2)(d>c)|
B2 (Bc/d/) {e}(dc/B/)|A2 (FA) (dA)|{c}(BA/G/) (FD) TE2{DE}|{E}D4:|
|:A>G|F>ED>EF>G|A>^GA>Bc>A|(d>c) (d>e/2f/4) (e>d)|(d2c2) d>c|
B2 (Bc/d/) {e}(dc/B/)|A2 F(A)(dA)|{c}BA/G/ (FD) TE2{DE}|{E}D4:|]
X:1
T:Coolin, The. A Retreat.
M:3/4
L:1/8
R:Air
S:The Buttery Manuscript (c. 1784-1820, No. 530)
N:John Buttery (1784-1854) joined the 34th Regiment in Lincoln,
N:Lincolnshire, England, in 1797 and served as a fifer until discharged in
N:1814. His large ms. contains marches, duty calls, dance tunes and airs.
N:EASMES identifies this as the Fife MS. and suggests a date of 1780, see
N:https://www.cdss.org/elibrary/Easmes/Index.htm
Z:AK/Fiddler’s Companion
K:D
AB/c/|ddfecd|F>AF/A/ d2cd|feddc2|(e/d/c/)d/ B2B2|
c/d/B e/d/c/B/A2|GFAd A2|dc B(A/G/)F|E2D2:|
|:A/(G/F/)|EDEFDA|=GABcA|dcdfed|d2 c4|
(e/d/c/d/) BBc/d/|B e/d/c/B/|BAAd d2|cBAG F2|E2D2:|]
X:1
T:Coolin, or Lady of the Desert
M:3/4
L:1/16
R:Air
N:”Very ancient, author and date unknown. With
N:variations by Lyons in the year 1702.”
B:Bunting – Ancient Music of Ireland (1840, No. 119, pp. 88-89)
Z:AK/Fiddler’s Companion
K:G
.d3(e/f/)|.g2z2 [d4g4] (a2g2)|.f2 z2 (e2d2) (d3e/f/)|g2z2 [d4g4] (b/a/g3)|.f2z2 [.d4f4] {a}(g2f2)|
{^df}(e8 =d)B|{^ce}d8 B4 B3d/e/|(g2d2).c2.B2 [F4A4]|[D8G8]||(d3e/f/)|
g2z2 [d4g4] (b/a/g3)|.f2z2 (e2d2) (d/e/f3)|.g2 z2 [d4g4] (b/a/g3)|.f2z2f4 {f}(e2d2)|
e2z2 {^d}e4 {e}=d2B2|d2z2 {^c}d4 .B3(d/e/)|(g2d2).c2.B2 [F4A4]|[D8G8]||
G3(A/B/)|.d2z2{^c}d4 (e/d/B3)|.d2z2 {^c}d4 (d/e/f3)|.g2z2 g4 (a3>g/)|
.f2z2f4 (g3>f/)|{^df}e8 =d2B2|
{^ce}d8 B4 (B3d/e/)|(g2d2).c2.B2 TA3G|[D8G8] (G3A/B/)|.d2z2.e4 {e}(d3>B/)|.d2z2{c}(B/A/G3) .G4|
.g2z2 (g3a/b/) (a2g2)|.f2z2f4 {f}(e2d2)|e2z2 [c4e4].d2.B2|(d3>B/) .G4 (.B2.d2)|(e2d2).c2.B2 (A3>G/)|[D8G8]||
P:2"Var. 1st. A little quicker"
d/e/4f/4|{a}g/f/g/a/g/a/|{g}f/e/d/e/f/d/|{a}g/f/g/b/a/g/|{g}f/e/f/a/g/f/|
{f}e/d/e/g/e/g/|{e}d/B/A/B/d/e/|g/d/e/B/A/G/|.G-[B2G2]:|
|:(G/A/4B/4)|{e}(d/B/d/e/d/e/)|{e}(d/B/d/e/d/G/)|{a}(g/f/g/b/g/b/)|
{g}(f/e/f/a/g/f/)|{f}(e/d/e/g/e/g/)|{e}(d/B/A/B/d/e/)|(g/d/e/B/A/G/)|G!fermata![B2G2]:|
L:1/16
P:3 "Var. 2nd. Slow and Plaintive"
D4|G7(G F2>E/)|F7 F/ TE3>D/|G4 (G/A/B3) TA3>G/|.F2 z2 {F}TE3>D/ .B,2z2|
.E2 z2 T(D3>B,/) A,2 z2|(D3>B,/) G,4 (B,3>D/)|{^D}E2z2 (D/<B,2) T(A,3>G,/)|G,8||
(G,3A,/B,/)|(.D4.E4) {E}(D3>B,/)|[B,2D2]z2 [B,4D4] z2|
G4 (A2B2) (A2G2)|F2z2 F2{F}(E3>D/) .B,2z2|E2z2 .E2 {E}(D3>B,/) .A,2z2|
.D2z2 .D2(E/D/B,/A,/) (B,2D2)|.E2 z2 (D/<B,3) T(A,3>G,/)|G,8||
P:4 "Var. 3rd. Quick and Lively"
M:3/8
L:1/8
D/E/4F/4|G/F/G/A/G/A/|F/G/F/E/F/A/|G/A/G/F/G/E/|F/G/F/E/F/D/|
E/F/E/D/E/B,/|D/B,/A,/B,/D/E/|G/D/E/B,/A,/G,/|G,2:|
|:(G,/A,/4B,/4)|D/B,/D/E/D/E/|D/B,/D/E/D/G,/|G/F/G/B/A/G/|
F/G/F/E/D/B,/|{F}E/D/E/F/E/F/|D/B,/A,/B,/D/E/|G/D/E/B,/A,/G,/|G,2:|
P:5 "Slower"
D2|G4 z(B|A4) z(c|B4) z(B|A4) z(F|E4) {E}(D>B,)|
(D2 E)(DB,D)|(ED)(CB,) T(A,>G,)|G,4||(G,/A,/B,)|{^C}D6|{^C}D6|
L:1/16
.G2z2 (G/A/B3) (A2G2)|\
L:1/8
.Fz F2 {E}(D>>B,)|.Ez E2 {D}(C>>A,)|.Dz [B,2D2] (G>F)|(EDCB,) T(A,>>G,)|!fermata!G,4||
X:1
T:Coolun
M:3/4
L:1/8
R:Air
Q:"Andante"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 48, p. 24)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:G
d2|.g2 (g>b) {b}(a>f)|(g>d B)z (3GBd|(g>f ga/b/ a>).g|
(g2f)z (g>f)|e2-e(f/g/ a/g/f/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) B>G T!fermata!A2 {GBA}|G4:|
|:(d>c)|(BA).G>.A.B.c|.d>.^c.d.e.f.d|.g>.f (g>a/2b/4 ag)|(g2f) z (g>f)|
e2- e(f/g/{a}gf/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) (B>A) !fermata!A2 {GBA}|G4:|]
X:1
T:Coolun
M:3/4
L:1/8
R:Air
Q:”Andante”
B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 1, No. 1)
B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs
N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork
Z:AK/Fiddler’s Companion
K:Eb
Bc/d/|e2 e>g g/f/e/d/|e>B G2 EG/B/|e2 ef/g/ f>e|e2d2 e>d|c3 d/e/ f/e/d/c/|
B>AG Be>B|d/c/B/A/ G2 TF2| E4||B>A|G<FEFG=A|B>=ABcd B|
e>d ef/g/ f>e|e2d2 e>d|c3 d/e/ f/e/d/c/|B>AG Be>B|d/c/B/A/ G2TF2|E4||
X:1
T:Coolin, The; or, Lady of the Desert
M:3/4
L:1/16
R:Air
N:”Bunting’s arrangement.”
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 101, p. 45)
Z:AK/Fiddler’s Companion
K:G
d3(e/f/)|g2z2g4 (a2g2)|.f2z2 (e2d2) (d3e/f/)|g2z2g4 (b/a/g3)|.f2z2 [A4f4] {a}(g2f2)|
{^df}(e8 =d2)B2|{^ce}d8 B3d/e/|(g2d2).c2.B2 [F4A4]|[B,8G8]||
(d3e/f/)|g2 z2 [d4g4] (b/a/g3)|.f2 z2 (e2d2) (d/e/f3)|.g2z2[d4g4] (b/a/g3)|f2z2f4 {f}(e2d2)|
Ez2 {^d}e4{e}=d2B2|d2 z2 {^c}d4 B3(d/e/)|(g2d2).c2.B2 [F4A4]|[B,8G8]||
G3(A/B/)|.d2z2 {^c}d4 (e/d/B3)|.d2z2 {^c}d4 (d/e/f3)|.g2z2g4 (a5g/)|.f2z2f4 (g5f/)|
{^df}e8 =d2B2|{^ce}d8 (B3d/e/)|(g2d2).c2.B2 TA3G|[B,8G8] (G3A/B/)|
.d2z2.e4 {e}(d5B/)|.d2 z2 {c}(B/A/G3) .G2|g2z2 (g3a/b/) (a2g2)|.f2z2f4 {f}(e2d2)|
e2z2 [c4e4] .d2.B2|(d5B/) .G4 (.B2.d2)|(e2d2).c2.B2 (A5G/)|[B,8G8]|]
X:1
T:Coolin, The
M:3/4
L:1/8
R:Air
Q:"Andante"
N:”Robinson’s Arrangement”
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 180, p. 81)
Z:AK/Fiddler’s Companion
K:Eb
(Bc/d/)|[G2e2][B2e2] (f>d)|e2G2 (3EGB|(e>d) (ef/g/) (f>e)|e2 {fe}d2 e>d|
c2 (3cde {f}(ed/c/)|B2 (GB) (eB)|(cB/A/) (GE) T(F>E)|E4||
(B>A)|(G>FE>F) (G>=A)|(B>=AB>c) (d>B)|(e>d) ef/g/ f>e|(e2d2) (e>d)|
c2 (3cde (f/e/d/c/)|[G2B2] (GB) (eB)|(d/c/B/A/) (GE) T(F>E)|E4||
X:1
T:Coulin (The Old)
N:Similar Stanford/Petrie No. 599
M:3/4
L:1/8
R:Air
N:Obtained by Goodman from the music manuscript collection of John Edward Pigot (1822-1871).
B:James Goodman music manuscript collection, Book 2, p. 89 (mid-19th century)
B:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=92&z=128.2454%2C2901.9144%2C8098.3776%2C3101.8519Z:AK/Fiddler’s Companion
K:Ddor
(3ABc|d2 dcde|f2A2 de|fagfed|cB A2 (3ABc|d2 dcde|
f2A2F2|G2 GABG|!fermata!A4||D/E/F/G/|A2 AG F2|c>BA/G/ F2|
GFGB AG|FE D2 D/E/F/G/|A2 fe de/c/d/e/|f2A2 d/c/A/G/|F2 DF ED|D4||
X:3
T:Old Coolin, The
M:3/4
L:1/8
R:Air
Q:"Moderato"
S:Stanford/Petrie (1905), No. 599
Z:AK/Fiddler's Companion
K:D
AB/c/ | d2 dcde | f2A2A2 | f2 gfed | {d}c2 A2 AB/c/ | d2 dcde |
f2A2 AB | AG F2 TG2 | A4 || FG | A2A2 GF | =c2 BAGF |
GF GB AG | F2D2 FG | A2f2 ef | de f2 AG | F2 DF E>D |
D4 || AB/c/ | d2 dcde | f2A2A2 | f2 gfed | {d}c2A2 AB/c/ |
d2 dcde | f2 A2 AB | AG F2 TG2 | A4 || FG | A2A2 GF |=c2 BAG>F |
GF GB AG | F2D2 FG | A2f2 ef | de f2 AG | F2DF E>D | D4 ||
X:2
T:Coolin, The
M:3/4
L:1/8
R:Air
Q:"With great expression"
S:Joyce - Old Irish Folk Music and Songs (1909)
Z:AK/Fiddler's Companion
K:F
c>d | f>g a2 g>f | f2 A2 c>d | f>g a2 g>f | f4 fe | dcfdcA | c2F2 Ac |
d2 cA {A}G>F | F4 || AG | FGAcdf | c2A2 cd | f>g a2 g>f |
f4 f>e | dcfdcA | c2A2 cf | d2 cA {A}G>F | F4 ||
X:1
T:Cúilfionn, An
T:Coolun, The
M:3/4
L:1/8
Q:"With Soul"
B:Batt Scanlon - "The Violin Made Easy and Attractive" (San Francisco, 1923, p. 36)
Z:AK/Fiddler's Companion
K:D
u(AB/c/)|"1"d2-d2 "2"(e>c)|(d2F2) (DF/A/)|"1"(d>"1"c) "1"(d"2"e/"3"f/) "2".e2"1".d2|"1"d2-.c2 (dc)|(B2 (3B)"3"c-d ("4"e/d/)(c/B/)|
A2 (FA) "1"(d>"0"A)|(c/B/).A/.G/ (F2 D>F)|E2-"2"{D}"2"!fermata!D2::(A>G)|(F>E) (D>E) (F>^G)|(A>^G) (A>B) (cA)|
"1"(d>"1"c) ("1"d"2"e/"3"f/) "2"e1d|"1"d2-c2 (dc)|B2- (3B(cd) ("4"e/d/)(c/B/)|A2 (FA) "1"(d>"0"A)|(c/B/).A/.G/ (F2 D>F)|E2-"2"{D}"2"!fermata!D2:|]