Banks of Claudy (1) (The): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Banks of Claudy (The)
|f_tune_title=Banks of Claudy (1) (The)
|f_aka=Banks of the Claudy (The), Bruach an Chladaigh, Cailín Donn (An), Plain of Boccarough, Portaferry Boys (The), Roving Galway Boy
|f_aka=Banks of the Claudy (The), Bruach an Chladaigh, Cailín Donn (An), Plain of Boccarough, Roving Galway Boy, Portaferry Boys,
|f_country=Ireland
|f_country=Ireland
|f_genre=Irish
|f_genre=Irish
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|f_theme_code_index=1H1H1H1 337b2H
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X:1
X:1
T:Banks of Claudy, The
T:Banks of Claudy [1], The
M:4/4
L:1/8
R:Air
B:Finnegan/Curtin Manuscript  (Sliabh Luachra, Co. Cork, mid-19th century, No. 13, p. 6)
B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript
N:The ms. predates the introduction of quadrille-based polkas and slides that
N:now characterize the music of Sliabh Luachra region, thought to have been
N:introduced in the latter 19th century.
S:Breandán Breathnach (1912-85) obtained the ms. from  E. Finnegan, who had it
S:from D. Curtin of Stagmount, Rockchapel, Co Cork.
Z:AK/Fiddler’s Companion
K:D
(fe)|d2c2d2 DE|{E}F2G2A2 dc|A2 GF D2D2|D4 D2 FG|
A2d2d2e2|{e}f2g2e2 fe|d2 A cdef|d4 d2 FG|
A2d2d2 de|{e}f2g2e2 fe|d2 cA cdef|d4 d2 fe|
d2c2d2 DE|{E}F2G2A2 dc|A2 GF D2D2|D4 D2||
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X:1
T:Banks of Claudy [1], The
M:C
M:C
L:1/8
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S:O'Neill - Music of Ireland (1903), No. 430
S:O'Neill - Music of Ireland (1903), No. 430
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
N:"Slow with feeling"
Q:"Slow with feeling"
K:Dm
K:Dm
fe|d3 {e/d/}c d2 DE|~F2 FA c2 ed|A2 GF/E/ D2D2|D6 FG|AB/A/ GA d2e2|
fe|d3 {e/d/}c d2 DE|~F2 FA c2 ed|A2 GF/E/ D2D2|D6 FG|
f3d e2 dc|A2 B/A/G A2^c2|d6 FG|AB/A/ GA d2e2|f3d f{g/f/}e d{e/d/}c|
AB/A/ GA d2e2|f3d e2 dc|A2 B/A/G A2^c2|d6 FG|
A2G2 Ad ^ce|d6 fe|d3 {e/d/}c d2 DE|~F2 FA c2 dc|A2 GF/E/ D2D2|D6||
AB/A/ GA d2e2|f3d f{g/f/}e d{e/d/}c|A2G2 Ad ^ce|d6 fe|
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d3 {e/d/}c d2 DE|~F2 FA c2 dc|A2 GF/E/ D2D2|D6||
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BANKS OF (THE) CLAUDY, THE (Bruach an Chladaigh). AKA and see "[[Cailín Donn (An)]]," "Plain of Boccarough," "The Portaferry Boys," "Roving Galway Boy." Irish, Air (2/4 or 4/4 time). F Major (O'Sullivan/Bunting): D Dorian (O'Neill, Stanford/Petrie): D Major (Stanford/Petrie). Standard tuning. One part (O'Neill, Stanford/Petrie): AABBC (O'Sullivan/Bunting). Claudy is a village on the right bank of a small stream called the Faughan, which rises in the Sperrin mountains and flows into the River Foyle just before it enters Lough Foyle in County Londonderry. O'Sullivan (1983) notes that old collections record tune was a once popular Irish ballad, known throughout the island and beyond, for, according to A.L. Lloyd, the song has turned up "in Sussex and Scotland, Virginia, USA, and Victoria, Australia, practically word-for-word the same and we have to presume that these versions have probably come from, and been more or less fixed by, some printed original on a broadside or in a popular songster." O'Neill (1913) classifies the melody in a group with "Willy Reilly" et al (see note for "Willy Reilly [2]"). O'Neill relates hearing a memorable rendition by a Chicago piper named John K. Beatty, a native of County Meath who was a genial man and a good musician, though with an inflated opinion of his own abilities ("execution he had-too much of it-but neither time nor rhythm"):
<br>
<blockquote>An American lady, of wealth and social distinction, proud of her Irish
ancestry, once appealed to us for aid in getting out a suitable programme.
The best Irish talent obtainable was engaged. But how about Mr. Beatty?
It was contended that he could play The Banks of the Claudy with trills
and variations in acceptable style, yet no one could guarantee that he
would confine himself within limits. In any event he was the typical
bard in appearance. His confident air and florid face, adorned with a
heavy white mustache, and a head crowned with an abundance of long
white hair, would naturally appeal to an Irish audience, so his name was
placed on the programme, well towards the end, to minimize the effect
of his possible disregard of instructions.]
When his time came to execute The Banks of Claudy he met all ex-
pectations-and much more. Intoxicated by the applause, all was for-
gotten but the mad desire to get more of it, so he broke loose with
rhapsodical jigs and reels, his head on high, nostrils distended like a
race-horse on the home stretch, while both feet pounded the platform
in unison. He evidently 'had it in' for the regulators, for he clouted the
keys unmercifully, regardless of concord or effect, and when he quit,
from sheer exhaustion, it is safe to say that no such deafening laughter
and handclapping ever greeted an Irish piper before or since.</blockquote> ('''Irish Folk Music''', pg. 26)
<br>
For an American derivative version, see G.B. Grayson's "Where are You Going, Alice."
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''Sources for notated versions:'' the Irish collector Edward Bunting noted the melody from the harper Charles Byrne, probably at the end of the 18th century [Bunting].
<br>
<br>
''Printed sources:'' O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 430, pg. 75. O'Sullivan/Bunting, 1983; No. 43, pgs. 67-68. Stanford/Petrie ('''Complete Collection'''), 1905; Nos. 422 & 423, pg. 107.
 
 
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Latest revision as of 21:51, 3 August 2022


Banks of Claudy (1) (The)  Click on the tune title to see or modify Banks of Claudy (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Banks of Claudy (1) (The)
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 Theme code Index    1H1H1H1 337b2H
 Also known as    Banks of the Claudy (The), Bruach an Chladaigh, Cailín Donn (An), Plain of Boccarough, Roving Galway Boy, Portaferry Boys
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    D
 Accidental    1 flat
 Mode    Aeolian (minor)
 Time signature    4/4
 History    
 Structure    One part
 Editor/Compiler    Francis O'Neill
 Book/Manuscript title    Book:Music of Ireland: 1850 Melodies
 Tune and/or Page number    No. 430, p. 75.
 Year of publication/Date of MS    1903
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



Banks of Claudy (1) (The): Annotations

X:1 T:Banks of Claudy [1], The M:4/4 L:1/8 R:Air B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 13, p. 6) B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript N:The ms. predates the introduction of quadrille-based polkas and slides that N:now characterize the music of Sliabh Luachra region, thought to have been N:introduced in the latter 19th century. S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it S:from D. Curtin of Stagmount, Rockchapel, Co Cork. Z:AK/Fiddler’s Companion K:D (fe)|d2c2d2 DE|{E}F2G2A2 dc|A2 GF D2D2|D4 D2 FG| A2d2d2e2|{e}f2g2e2 fe|d2 A cdef|d4 d2 FG| A2d2d2 de|{e}f2g2e2 fe|d2 cA cdef|d4 d2 fe| d2c2d2 DE|{E}F2G2A2 dc|A2 GF D2D2|D4 D2||


X:1 T:Banks of Claudy [1], The M:C L:1/8 R:Air S:O'Neill - Music of Ireland (1903), No. 430 Z:AK/Fiddler's Companion Q:"Slow with feeling" K:Dm fe|d3 {e/d/}c d2 DE|~F2 FA c2 ed|A2 GF/E/ D2D2|D6 FG| AB/A/ GA d2e2|f3d e2 dc|A2 B/A/G A2^c2|d6 FG| AB/A/ GA d2e2|f3d f{g/f/}e d{e/d/}c|A2G2 Ad ^ce|d6 fe| d3 {e/d/}c d2 DE|~F2 FA c2 dc|A2 GF/E/ D2D2|D6||


Banks of Claudy (1) (The): Annotations

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