Annotation:Paddy Stack's Fancy Jig: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Paddy_Stack's_Fancy_Jig > | |||
'''PADDY STACK’S FANCY JIG.''' AKA - "Paddy Stack's Favorite." AKA and see “[[ | |f_annotation='''PADDY STACK’S FANCY JIG.''' AKA - "Paddy Stack's Favorite." AKA and see “[[Lyons' Favourite]],” “[[Maurice Carmody's Favourite]],” “[[Morrison's Jig (1)]],” “[[Stick across the Hob (The)]].” Irish, Jig. G Major. Standard tuning (fiddle). AABC. O’Neill (1922) remarks: “This fine jig, remarkable for originality of composition, and the technique essential to giving it adequate expression, is a masterpiece of execution at the hands of the amiable Patrick Stack who obligingly scored it on paper, after charming us with it on his fiddle - Coming from Jerry Breen the much admired blind fiddler of North Kerry, it was preserved in the Rice-Walsh manuscript and is now recorded for print for the first time.” | ||
|f_source_for_notated_version=the Rice-Walsh manuscript, a collection of music from the repertoire of Jeremiah Breen, a blind fiddler from North Kerry, notated by his student [O’Neill]. | |||
|f_printed_sources= O’Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 142. | |||
|f_recorded_sources=Talcon Records KG240, Paddy Cronin – “The House in the Glen” (197?. As "Paddy Stack's Favorite") | |||
|f_see_also_listing= | |||
}} | |||
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Latest revision as of 01:33, 26 August 2022
X:1 T:Paddy Stack's Fancy Jig M:6/8 L:1/8 S:Rice-Walsh manuscript Z:Paul Kinder K:G TE3 BEB|EBE AFD|TE3 BEB|edB AFD| E3 BEB|EBE AFD|EBE BEB|edB AFD:| eee fee|aee fee|efe fef|a2 g fed| eee fee|bee fee|e/2f/2ge fde|dcB AFD|| eee fee|bee fee|bee fef|a2 f def| gba/2g/2 fag/2f/2|egf/2e/2 def/2g/2|egf/2e/2 d2 A|BAG FED||
PADDY STACK’S FANCY JIG. AKA - "Paddy Stack's Favorite." AKA and see “Lyons' Favourite,” “Maurice Carmody's Favourite,” “Morrison's Jig (1),” “Stick across the Hob (The).” Irish, Jig. G Major. Standard tuning (fiddle). AABC. O’Neill (1922) remarks: “This fine jig, remarkable for originality of composition, and the technique essential to giving it adequate expression, is a masterpiece of execution at the hands of the amiable Patrick Stack who obligingly scored it on paper, after charming us with it on his fiddle - Coming from Jerry Breen the much admired blind fiddler of North Kerry, it was preserved in the Rice-Walsh manuscript and is now recorded for print for the first time.”
