Biography:James Porteous: Difference between revisions
No edit summary |
m (Move page script moved page Tmp:James Porteous to Biography:James Porteous without leaving a redirect) |
||
| (6 intermediate revisions by 3 users not shown) | |||
| Line 11: | Line 11: | ||
=== Biographical notes === | === Biographical notes === | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
"The Musical Miller" of Annandale, as he was a farmer and miller of Knockhill Mill, Hoddam, with a reputation as a violinist and composer. He spent a year in Edinburgh where he received musical instruction from Nathaniel Gow, and he was friendly with Niel Gow (Sr.). See his compositions "[[South of the Grampians]]" and "[[Parish of Dalmailing]]," published in his '''Strathspeys, Reels, Jigs, Hornpipes''' , Edinburgh, about 1821. The volume was dedicated to Lady Jardine of Applegarth and contained his compositions, save one, which was composed by his son when aged 9. "Mysteriously, a second edition, published a year after the first, contains the same music but with an almost complete set of new titles, for which no explanation has so far been suggested. James Porteous made a speciality of writing silly, happy, little tunes about ghoulish subjects. He commemorated one Porteous who met a melodramatic end in | "The Musical Miller" of Annandale, as he was a farmer and miller of Knockhill Mill, Hoddam, with a reputation as a violinist and composer. He spent a year in Edinburgh where he received musical instruction from Nathaniel Gow, and he was friendly with Niel Gow (Sr.). See his compositions "[[South of the Grampians]]" and "[[Parish of Dalmailing]]," published in his '''Strathspeys, Reels, Jigs, Hornpipes''' , Edinburgh, about 1821, and "[[Miss Jane Johnston's Reel]]" and "[[Miss Dinwiddie's Reel]]" attributed to him in Cumbrian musician John Rook's manuscript collection. The volume was dedicated to Lady Jardine of Applegarth and contained his compositions, save one, which was composed by his son when aged 9. "Mysteriously, a second edition, published a year after the first, contains the same music but with an almost complete set of new titles, for which no explanation has so far been suggested. James Porteous made a speciality of writing silly, happy, little tunes about ghoulish subjects. He commemorated one Porteous who met a melodramatic end in “[[Old Spedlings Castle's Ghost's Dance]]” and also wrote the tune “[[Porteous Mob (The)]]” commemorating Captain John Porteous, who was the notoriously brutal commander of the Edinburgh Town Guard in 1736 and was lynched at the 'Porteous Riot' [http://www.thesundayclass.org.uk/OLD%20SPEDLING%20CASTLES%20GHOST.html]" | ||
<br> | <br> | ||
<br> | <br> | ||
He spent his last years in Thomas Street, Annan, where he died on July 17th, 1847, aged 85. "His great-grandfather was Dunty the Ghost of Spedling Tower, near Lockerbie" (?? ancestry site). | He spent his last years in Thomas Street, Annan, where he died on July 17th, 1847, aged 85. "His great-grandfather was Dunty the Ghost of Spedling Tower, near Lockerbie" (?? ancestry site). See also Charles Gore's pocket biography of Porteous in '''Box and Fiddle''' [https://boxandfiddlearchive.weebly.com/south-of-scotland.html]. | ||
<br> | <br> | ||
---- | ---- | ||
Latest revision as of 10:48, 21 January 2023
James Porteous
| |
|---|---|
| Given name: | James |
| Middle name: | |
| Family name: | Porteous |
| Place of birth: | Lammonbie, Applegarth, Dumfriesshire, Scotland |
| Place of death: | Annan, Dumfriesshire, Scotland |
| Year of birth: | 1762 |
| Year of death: | 1847 |
| Profile: | Composer, Musician |
| Source of information: | |
Biographical notes
"The Musical Miller" of Annandale, as he was a farmer and miller of Knockhill Mill, Hoddam, with a reputation as a violinist and composer. He spent a year in Edinburgh where he received musical instruction from Nathaniel Gow, and he was friendly with Niel Gow (Sr.). See his compositions "South of the Grampians" and "Parish of Dalmailing," published in his Strathspeys, Reels, Jigs, Hornpipes , Edinburgh, about 1821, and "Miss Jane Johnston's Reel" and "Miss Dinwiddie's Reel" attributed to him in Cumbrian musician John Rook's manuscript collection. The volume was dedicated to Lady Jardine of Applegarth and contained his compositions, save one, which was composed by his son when aged 9. "Mysteriously, a second edition, published a year after the first, contains the same music but with an almost complete set of new titles, for which no explanation has so far been suggested. James Porteous made a speciality of writing silly, happy, little tunes about ghoulish subjects. He commemorated one Porteous who met a melodramatic end in “Old Spedlings Castle's Ghost's Dance” and also wrote the tune “Porteous Mob (The)” commemorating Captain John Porteous, who was the notoriously brutal commander of the Edinburgh Town Guard in 1736 and was lynched at the 'Porteous Riot' [1]"
He spent his last years in Thomas Street, Annan, where he died on July 17th, 1847, aged 85. "His great-grandfather was Dunty the Ghost of Spedling Tower, near Lockerbie" (?? ancestry site). See also Charles Gore's pocket biography of Porteous in Box and Fiddle [2].