Up in the Morning Early (1): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Up in the Morning Early
|f_tune_title=Up in the Morning Early (1)
|f_aka=Cauld Blaws the Wind Frae East to West, Up i' the Morning, Up in the Morning’s No for Me
|f_aka=Cauld Blaws the Wind Frae East to West, Cold and Raw, Up i' the Morning, Up in the Morning’s No for Me
|f_country=Scotland
|f_country=Scotland
|f_genre=Scottish
|f_genre=Scottish
Line 15: Line 15:
|f_page=pp. 8-9
|f_page=pp. 8-9
|f_theme_code_index=13b57L 1515
|f_theme_code_index=13b57L 1515
|f_score=1
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
}}
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<pre>
<section begin=X1 />
X:1
T:Up in the morning early
T:Cold and Raw
M:6/8
L:1/8
B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The
B:McFarlane Manuscript (c. 1741, No. 51, p. 100)
F:https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/up_in_the_morning_early.pdf
N:The Society of Antiquaries of Scotland
K:Amin
(E/4F/4^G/)|A>BA c>d(c/4d/4e/)|G{e}dG {e}dc/B/A/G/|A>BA (c/4d/4e/)d/c/B/c/|{B}A3 {cd}e2:|
|:G/4A/4B/)|c>dc/d/ Tc2G|{Bc}d>ed de/d/c/B/|c>de/f/ g>ag/f/|e3 {de}g2G|
c>dc Td2c|deg Ta2c'|e>dc dBG|A3 {cd}e2:|
|:(E/4F/4^G/)|A/G/A/B/c/A/ c/B/c/d/e/c/|d/c/B/^f/g/e/ {e}dc/B/A/G/|Aag e/=f/e/d/c/B/|A3 {cd}e2:|
|:G/>F/|E/C/C/E/c/d/ c/B/A/B/c/A/|dDd d/e/d/c/d/B/|cTGF Eg/f/e/d/|{cd}e3 {de}g2 (G/4A/4B/)|
cEC Td>cd|eT(g>^f/g/4) abc'|e/=f/e/d/e/c/ {Bc}dc/B/A/G/|A3 {cd}e2:|
|:(E/4F/4^G/)|AE/D/C/B,/ A,(c/d/e)|Gge {e}dc/B/A/G/|Aag e/f/e/d/c/B/|1 AE/D/C/B,/ A,2:|2 A3{cd}e2||
|:(G/4A/4B/)|c/G/E/G/c- cB/A/B/c/|dge e/d/c/B/A/G/|c/g/a/b/c'/a/ g/f/e/d/e/c/|e/g/c'/f/e/d/ c/e/G/c/ (B/4c/4d/)|
c/B/4A/4 G/4F/4E/4D/4 C/4(A/4B/4c/4) dDd|(e/4^G/4E/4b/4) T(^g>e/g/4) abc'|e=g/c'/e/d/c/ B/d/g/d/c/B/|A3 {cd}e2:|
|:(E/4F/4^G/)|A2A c>de|Gge {e}dc/B/A/G/|Aag e/f/e/d/c/B/|1 A(^gf/g/) a2:|2 A3 {cd}e2||
|:(G/4A/4B/)|cCc c/B/A/B/c/A/|dDd d/e/d/c/d/B/|cGF Eg/f/e/d/|(c/d/e3) (d/e/g2) (G/4A/4B/)|
cCc DdD|eET^g {^fg}abc'|1 ecA ED/C/B,/C/|A,(^g^f/g/) a2:|2 e/=f/e/d/e/c/ dc/B/A/G/|A3 e2||
<section end=X1 />
<section begin=abc />
X:1
X:1
%
T:Up in the Morning Early [1]
T:Up in the Morning Early
M:6/8
M:6/8
L:1/8
L:1/8
N:”Slow”
Q:"Slow"
S:McGibbon – Scots Tunes, Book 1 (c. 1746)
S:McGibbon – Scots Tunes, Book 1 (c. 1746)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:Gmin
K:Gmin
"Slow"(D/4=E/4^F/)|G>AG B>c (B/4c/4d/)|FcF {d}c(B/A/)(G/^F/)|G>AG (B/4c/4d/) c/>B/A/B/|TG3 {B/c/}d2:|
(D/4=E/4^F/)|G>AG B>c (B/4c/4d/)|FcF {d}c(B/A/)(G/^F/)|G>AG (B/4c/4d/) c/>B/A/B/|TG3 {B/c/}d2:|
|: (F/4G/4A/) | B>cB/c/ TB>AB/F/ | c>d(c c)(d/c/)T(B/A/) | B>cd/e/ f>gf/e/ | Td3 {f/e/}f2F |  
|: (F/4G/4A/) | B>cB/c/ TB>AB/F/ | c>d(c c)(d/c/)T(B/A/) | B>cd/e/ f>gf/e/ | Td3 {f/e/}f2F |  
B>cB {d}Tc2B|(cd)f g2b | d>cB c(B/A/)(G/^F/) |TG3 {B/c/}d2 :|
B>cB {d}Tc2B|(cd)f g2b | d>cB c(B/A/)(G/^F/) |TG3 {B/c/}d2 :|
|: (3D/=E/^F/) | (G/^F/G/)A/B/G/ (B/A/)(B/c/d/)B/ | (c/B/)A/(=e/f/)d/ {d}c(B/A/)(G/^F/) | G(g/f/)(e/d/) (e/d/)(c/B/)(A/B/) |TG3 {B/c/}d2 :|
|: (3D/=E/^F/) | (G/^F/G/)A/B/G/ (B/A/)(B/c/d/)B/ | (c/B/)A/(=e/f/)d/ {d}c(B/A/)(G/^F/) | G(g/f/)(e/d/) (e/d/)(c/B/)(A/B/) |TG3 {B/c/}d2 :|
|: (F/E/) | D/B/F/B/d/c/ B/A/G/A/B/G/ | (c/4d/4c/4d/4 e/)d/e/d/ c/d/c/B/c/A/ |B(FE) TD(f/e/)(d/c/) | Td3 {d/e/}f2 (F/4G/4A/ |  
|: (F/E/) | D/B/F/B/d/c/ B/A/G/A/B/G/ | (c/4d/4c/4d/4 e/)d/e/d/ c/d/c/B/c/A/ |B(FE) TD(f/e/)(d/c/) | Td3 {d/e/}f2 (F/4G/4A/) |  
BFd/e/ {d}Tc2B |c (c/4B/4c/4d/4) (e/4d/4e/4g/4) g>ab|(d/f/b/)d/T(c/B/) (A/B/4c/4)|TG3 {B/c/}d2 :|
BFd/e/ {d}Tc2B |c (c/4B/4c/4d/4) (e/4d/4e/4g/4) g>ab|(d/f/b/)d/T(c/B/) (A/B/4c/4)|TG3 {B/c/}d2 :|
|:(D/4=E/^4F/)|G(e/c/)T(B/A/) G/>A/B/>c/ (B/c/4d/4)|F/c/(d/c/)(f/d/) {d}c(B/A/G/^F/)|G (g/4a/4/b) ag (^f/g/)(d/c/)(B/A/) |TG3 {B/c/}d2 :|
|:(D/4=E/^4F/)|G(e/c/)T(B/A/) G/>A/B/>c/ (B/c/4d/4)|F/c/(d/c/)(f/d/) {d}c(B/A/G/^F/)|G (g/4a/4/b) ag (^f/g/)(d/c/)(B/A/) |TG3 {B/c/}d2 :|
|:(F/4G/4A/)|B/F/D/F/(B B)A/G/A/B/|(c/d/e/f/)(e/d/) {d}c(B/A/)(G/F/)|B/(f/g/)(a/b/)g/ (g/b/)(a/g/)(f/e/) | Td3 {d/e/}f2F |  
|:(F/4G/4A/)|B/F/D/F/(B B)A/G/A/B/|(c/d/e/f/)(e/d/) {d}c(B/A/)(G/F/)|B/(f/g/)(a/b/)g/ (g/b/)(a/g/)(f/e/) | Td3 {d/e/}f2F |  
B/f/(g/f/)(e/d/) {d}Tc2B|c (c/4d/4c4d/4) (e/4f/4e/4/f/4) g>a(b/4a/4b)|d>c (B/4/c/4d/) c/B/ c/>B/ (A/4B/4c/) B/A/|TG3 {B/c/}d2:|
B/f/(g/f/)(e/d/) {d}Tc2B|c (c/4d/4c4d/4) (e/4f/4e/4/f/4) g>a(b/4a/4b)|d>c (B/4/c/4d/) c/B/ c/>B/ (A/4B/4c/) B/A/|TG3 {B/c/}d2:|
N:”Brisk”
"Brisk"D | G>AG Bcd | F>GF cBA | G>AG dcA | TG3d2 :|
D | G>AG Bcd | F>GF cBA | G>AG dcA | TG3d2 :|
|: F | B>cB B2B | c>dc c2c | B>cd/e/ fge | Td3 f2F |  
|: F | B>cB B2B | c>dc c2c | B>cd/e/ fge | Td3 f2F |  
B>cB Tc2B | cdf g2b | dcB cBA | TG3d2 :|]
B>cB Tc2B | cdf g2b | dcB cBA | TG3d2 :|]
</pre>
<section end=abc />
<pre>
<section begin=X2 />
X:1
X:1
%
T:Up in the Morning Early [1]
T:Up in the Morning Early
M:6/4
M:6/4
L:1/8
L:1/8
R:Air  
R:Air  
N:”Lively”
Q:"Lively"
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 116, p. 44)
B:(Glasgow, 1797, No. 116, p. 44)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:Bmin
K:Bmin
"Lively"F2|B4c2d4e2|f3^g a2A4A2|B3c (de) f3e (dc)|B6 f4 F2|
F2|B4c2d4e2|f3^g a2A4A2|B3c (de) f3e (dc)|B6 f4 F2|
B4c2 d4e2|f3^g a2 A4A2|(B3c) (de) (f3 e dc)|B6 f6||
B4c2 d4e2|f3^g a2 A4A2|(B3c) (de) (f3 e dc)|B6 f6||
d3e d2 d4d2|e3f e2 e6|e3g a2b3ag2|f6 a4d2|
d3e d2 d4d2|e3f e2 e6|e3g a2b3ag2|f6 a4d2|
d3e d2 d4 d2|e3f a2 b4 ag|f3e d2 c3B^A2|B6 f4||
d3e d2 d4 d2|e3f a2 b4 ag|f3e d2 c3B^A2|B6 f4||
</pre>
<section end=X2 />
<pre>
<section begin=X3 />
X:1
X:1
%
T:Up in the Morning Early [1]
T:Up in the Morning Early
M:6/8
M:6/8
L:1/8
L:1/8
Line 74: Line 111:
|: F/2G/2A)|B>cB B2B|c>dc c2c|~d>ef gfe|(d3f2)F|
|: F/2G/2A)|B>cB B2B|c>dc c2c|~d>ef gfe|(d3f2)F|
B>cB ~c2B|cdf gfe| d>cB A>G^F|(G3 d2) :|
B>cB ~c2B|cdf gfe| d>cB A>G^F|(G3 d2) :|
</pre>
<section end=X3 />
<pre>
<section begin=X4 />
X:1
X:1
%
T:Up in the Morning Early [1]
T:Up in the Morning Early
M:6/8
M:6/8
L:1/8
L:1/8
R:Jig
R:Jig
Q:"Andante"
N:”Bowing and fingering arranged by W.B. Laybourn”
N:”Bowing and fingering arranged by W.B. Laybourn”
B:Köhlers’ Violin Repository, Book 3 (1885, p. 193)
B:Köhlers’ Violin Repository, Book 3 (1885, p. 193)
Z:AK/Fiddler’s Companion=
Z:AK/Fiddler’s Companion=
K:Gmin
K:Gmin
"Andante"(D/4=E/4^F/)|G>AG (B>c B/4c/4d/)|FcF (d/c/B/A/G/^F/)|G>AG (B/c/4d/4c/B/A/B/)|
(D/4=E/4^F/)|G>AG (B>c B/4c/4d/)|FcF (d/c/B/A/G/^F/)|G>AG (B/c/4d/4c/B/A/B/)|
{A}(G2 B/c/) d2:||(F/4G/4A/)|(B>cB/c/) (B>AB/F)|c>dc c(d/c/B/A/)|
{A}(G2 B/c/) d2:||(F/4G/4A/)|(B>cB/c/) (B>AB/F)|c>dc c(d/c/B/A/)|
(G2 B/c/)d2::(D/4=E/4^F/)|(G/^F/)G/A/B/G/ (B/A/)B/c/d/B/|
(G2 B/c/)d2::(D/4=E/4^F/)|(G/^F/)G/A/B/G/ (B/A/)B/c/d/B/|
Line 96: Line 133:
(d/f/)b/d/c/B/ (A/c/F/B/A/B/4c/4)|(.BA/4G/4 F/E/D/C/ B,/4B/4A/4G/4) cCc|
(d/f/)b/d/c/B/ (A/c/F/B/A/B/4c/4)|(.BA/4G/4 F/E/D/C/ B,/4B/4A/4G/4) cCc|
d/^F/D/g/f/(=e/4f/4)(g>a{ga}b)|(d/f/b/d/c/B/) (A/c/f/c/B/A/)|(G2 B/c/)d2:|
d/^F/D/g/f/(=e/4f/4)(g>a{ga}b)|(d/f/b/d/c/B/) (A/c/f/c/B/A/)|(G2 B/c/)d2:|
|:D/4=E/4^F/|.G2.G B>cd|Ffd (3d/c/B/A/G/^F/)|Ggf (d/>e/d/c/B/A/|(GB/c/)d2:|
|:D/4=E/4^F/|.G2.G B>cd|Ffd ((3d/c/B/A/G/^F/)|Ggf (d/>e/d/c/B/A/)|(GB/c/)d2:|
|:(F/4G/4A/)|BB,B- B/(A/G/A/B/G/)|cCc- c/(d/c/B/c/A/)|B(FE) D(f/e/d/c/)|
|:(F/4G/4A/)|BB,B- B/(A/G/A/B/G/)|cC(c c/)(d/c/B/c/A/)|B(FE) D(f/e/d/c/)|
(d^c/d/) f2F|BB,B cCc|dD^f (g>a g/4a/4b/)|(d/>c/B/c/4d/4c/>B/) (c/>B/A/B/4c/4/B/>A/)|(G2 B/c/) d2"Fine"||
(d^c/d/) f2F|BB,B cCc|dD^f (g>a g/4a/4b/)|(d/>c/B/c/4d/4c/>B/) (c/>B/A/B/4c/4/B/>A/)|(G2 B/c/) d2"Fine"||
</pre>
<section end=X4 />
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Latest revision as of 03:50, 9 October 2023


Up in the Morning Early (1)  Click on the tune title to see or modify Up in the Morning Early (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Up in the Morning Early (1)
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 Theme code Index    13b57L 1515
 Also known as    Cauld Blaws the Wind Frae East to West, Cold and Raw, Up i' the Morning, Up in the Morning’s No for Me
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Jig/Quadrille
 Key/Tonic of    G
 Accidental    2 flats
 Mode    Aeolian (minor)
 Time signature    6/8
 History    
 Structure    AABB
 Editor/Compiler    William McGibbon
 Book/Manuscript title    Book:Scots Tunes Book 1
 Tune and/or Page number    pp. 8-9
 Year of publication/Date of MS    1746
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Up in the Morning Early (1): Annotations

X:1 T:Up in the morning early T:Cold and Raw M:6/8 L:1/8 B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The B:McFarlane Manuscript (c. 1741, No. 51, p. 100) F:https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/up_in_the_morning_early.pdf N:The Society of Antiquaries of Scotland K:Amin (E/4F/4^G/)|A>BA c>d(c/4d/4e/)|G{e}dG {e}dc/B/A/G/|A>BA (c/4d/4e/)d/c/B/c/|{B}A3 {cd}e2:| |:G/4A/4B/)|c>dc/d/ Tc2G|{Bc}d>ed de/d/c/B/|c>de/f/ g>ag/f/|e3 {de}g2G| c>dc Td2c|deg Ta2c'|e>dc dBG|A3 {cd}e2:| |:(E/4F/4^G/)|A/G/A/B/c/A/ c/B/c/d/e/c/|d/c/B/^f/g/e/ {e}dc/B/A/G/|Aag e/=f/e/d/c/B/|A3 {cd}e2:| |:G/>F/|E/C/C/E/c/d/ c/B/A/B/c/A/|dDd d/e/d/c/d/B/|cTGF Eg/f/e/d/|{cd}e3 {de}g2 (G/4A/4B/)| cEC Td>cd|eT(g>^f/g/4) abc'|e/=f/e/d/e/c/ {Bc}dc/B/A/G/|A3 {cd}e2:| |:(E/4F/4^G/)|AE/D/C/B,/ A,(c/d/e)|Gge {e}dc/B/A/G/|Aag e/f/e/d/c/B/|1 AE/D/C/B,/ A,2:|2 A3{cd}e2|| |:(G/4A/4B/)|c/G/E/G/c- cB/A/B/c/|dge e/d/c/B/A/G/|c/g/a/b/c'/a/ g/f/e/d/e/c/|e/g/c'/f/e/d/ c/e/G/c/ (B/4c/4d/)| c/B/4A/4 G/4F/4E/4D/4 C/4(A/4B/4c/4) dDd|(e/4^G/4E/4b/4) T(^g>e/g/4) abc'|e=g/c'/e/d/c/ B/d/g/d/c/B/|A3 {cd}e2:| |:(E/4F/4^G/)|A2A c>de|Gge {e}dc/B/A/G/|Aag e/f/e/d/c/B/|1 A(^gf/g/) a2:|2 A3 {cd}e2|| |:(G/4A/4B/)|cCc c/B/A/B/c/A/|dDd d/e/d/c/d/B/|cGF Eg/f/e/d/|(c/d/e3) (d/e/g2) (G/4A/4B/)| cCc DdD|eET^g {^fg}abc'|1 ecA ED/C/B,/C/|A,(^g^f/g/) a2:|2 e/=f/e/d/e/c/ dc/B/A/G/|A3 e2||


X:1 T:Up in the Morning Early [1] M:6/8 L:1/8 Q:"Slow" S:McGibbon – Scots Tunes, Book 1 (c. 1746) Z:AK/Fiddler’s Companion K:Gmin (D/4=E/4^F/)|G>AG B>c (B/4c/4d/)|FcF {d}c(B/A/)(G/^F/)|G>AG (B/4c/4d/) c/>B/A/B/|TG3 {B/c/}d2:| |: (F/4G/4A/) | B>cB/c/ TB>AB/F/ | c>d(c c)(d/c/)T(B/A/) | B>cd/e/ f>gf/e/ | Td3 {f/e/}f2F | B>cB {d}Tc2B|(cd)f g2b | d>cB c(B/A/)(G/^F/) |TG3 {B/c/}d2 :| |: (3D/=E/^F/) | (G/^F/G/)A/B/G/ (B/A/)(B/c/d/)B/ | (c/B/)A/(=e/f/)d/ {d}c(B/A/)(G/^F/) | G(g/f/)(e/d/) (e/d/)(c/B/)(A/B/) |TG3 {B/c/}d2 :| |: (F/E/) | D/B/F/B/d/c/ B/A/G/A/B/G/ | (c/4d/4c/4d/4 e/)d/e/d/ c/d/c/B/c/A/ |B(FE) TD(f/e/)(d/c/) | Td3 {d/e/}f2 (F/4G/4A/) | BFd/e/ {d}Tc2B |c (c/4B/4c/4d/4) (e/4d/4e/4g/4) g>ab|(d/f/b/)d/T(c/B/) (A/B/4c/4)|TG3 {B/c/}d2 :| |:(D/4=E/^4F/)|G(e/c/)T(B/A/) G/>A/B/>c/ (B/c/4d/4)|F/c/(d/c/)(f/d/) {d}c(B/A/G/^F/)|G (g/4a/4/b) ag (^f/g/)(d/c/)(B/A/) |TG3 {B/c/}d2 :| |:(F/4G/4A/)|B/F/D/F/(B B)A/G/A/B/|(c/d/e/f/)(e/d/) {d}c(B/A/)(G/F/)|B/(f/g/)(a/b/)g/ (g/b/)(a/g/)(f/e/) | Td3 {d/e/}f2F | B/f/(g/f/)(e/d/) {d}Tc2B|c (c/4d/4c4d/4) (e/4f/4e/4/f/4) g>a(b/4a/4b)|d>c (B/4/c/4d/) c/B/ c/>B/ (A/4B/4c/) B/A/|TG3 {B/c/}d2:| "Brisk"D | G>AG Bcd | F>GF cBA | G>AG dcA | TG3d2 :| |: F | B>cB B2B | c>dc c2c | B>cd/e/ fge | Td3 f2F | B>cB Tc2B | cdf g2b | dcB cBA | TG3d2 :|]


X:1 T:Up in the Morning Early [1] M:6/4 L:1/8 R:Air Q:"Lively" B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 B:(Glasgow, 1797, No. 116, p. 44) Z:AK/Fiddler’s Companion K:Bmin F2|B4c2d4e2|f3^g a2A4A2|B3c (de) f3e (dc)|B6 f4 F2| B4c2 d4e2|f3^g a2 A4A2|(B3c) (de) (f3 e dc)|B6 f6|| d3e d2 d4d2|e3f e2 e6|e3g a2b3ag2|f6 a4d2| d3e d2 d4 d2|e3f a2 b4 ag|f3e d2 c3B^A2|B6 f4||


X:1 T:Up in the Morning Early [1] M:6/8 L:1/8 R:Air S:Gow – 3rd Repository (1806) Z:AK/Fiddler’s Companion K:Gmin D|G2A B2c|~d>=ef F2F|G>AG d>cB/A/|G3 d2D| G2A B2c|~d>=ef F2F| G>AG d>cB/A/|(G3 d2) :| |: F/2G/2A)|B>cB B2B|c>dc c2c|~d>ef gfe|(d3f2)F| B>cB ~c2B|cdf gfe| d>cB A>G^F|(G3 d2) :|


X:1 T:Up in the Morning Early [1] M:6/8 L:1/8 R:Jig Q:"Andante" N:”Bowing and fingering arranged by W.B. Laybourn” B:Köhlers’ Violin Repository, Book 3 (1885, p. 193) Z:AK/Fiddler’s Companion= K:Gmin (D/4=E/4^F/)|G>AG (B>c B/4c/4d/)|FcF (d/c/B/A/G/^F/)|G>AG (B/c/4d/4c/B/A/B/)| {A}(G2 B/c/) d2:||(F/4G/4A/)|(B>cB/c/) (B>AB/F)|c>dc c(d/c/B/A/)| (G2 B/c/)d2::(D/4=E/4^F/)|(G/^F/)G/A/B/G/ (B/A/)B/c/d/B/| (c/B/A/)=e/f/d/ (d/c/)B/A/G/^F/|Ggf (d/>e/d/c/B/A/)|(G2 B/c/)d2:| |:(F/E/)|(D/B/)B,/D/B/c/ (B/A/)G/A/B/G/|cC(c c/)(d/c/B/c/A/)|B(F{GF}E) D(f/e/d/c/)| (d^c/d/)f2 (F/4G/4A/)|B(DB,) (c>{dc}B)c|dg^f {=ef}(g>a{ga}b)| (d/e/d/c/d/B/) (A/B/4c/B/A/G/^F/)|(G2 B/c/)d2||D/4=E/4^F/|G(D/C/B,/)A,/ G, (B/>c/ B/c/d/)|Ffd (d/c/B/A/G/^F/)|(Ggf (d/>e/d/c/B/A/)|G(D/C/B,/)A,/ G,2:| |:(F/4G/4A/)|B/A/G/A/B- B(A/G/A/B/)|cfd (d/c/B/A/G/F/)|(B/f/g/a/b/g/) (f/e/d/c/d/B/)| (d/f/)b/d/c/B/ (A/c/F/B/A/B/4c/4)|(.BA/4G/4 F/E/D/C/ B,/4B/4A/4G/4) cCc| d/^F/D/g/f/(=e/4f/4)(g>a{ga}b)|(d/f/b/d/c/B/) (A/c/f/c/B/A/)|(G2 B/c/)d2:| |:D/4=E/4^F/|.G2.G B>cd|Ffd ((3d/c/B/A/G/^F/)|Ggf (d/>e/d/c/B/A/)|(GB/c/)d2:| |:(F/4G/4A/)|BB,B- B/(A/G/A/B/G/)|cC(c c/)(d/c/B/c/A/)|B(FE) D(f/e/d/c/)| (d^c/d/) f2F|BB,B cCc|dD^f (g>a g/4a/4b/)|(d/>c/B/c/4d/4c/>B/) (c/>B/A/B/4c/4/B/>A/)|(G2 B/c/) d2"Fine"||


Up in the Morning Early (1): Annotations

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