Annotation:Waves of Torey (1) (The): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Waves_of_Torey_(1)_(The) > | |||
'''WAVES OF TOREY [1], THE.''' Irish, Long Dance (2/4 time). E Dorian. Standard tuning (fiddle). AABB. This tune belongs to the "[[Hillside (1) (The)]]" group of tunes | |f_annotation='''WAVES OF TOREY [1], THE.''' AKA - "Waves of Tory." Irish, Long Dance (2/4 time). E Dorian. Standard tuning (fiddle). AABB. This tune belongs to the "[[Hillside (1) (The)]]" group of tunes--for more on this tune family see Bayard's (1944) note for "[[Annotation:Red Brick House in Georgia Town]]." The melody appeared under the generic title "Scotch Lilt" in the large mid-19th century music manuscript collection of County Cork cleric and uilleann piper Canon [[biography:James Goodman]]. | ||
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The Waves of Torey is the name of a ceili dance with a distinctive duck/diving and rising figure like a series of waves on the ocean. Many tunes have been played as an accompaniment to the dance. | The Waves of Torey is the name of a ceili dance with a distinctive duck/diving and rising figure like a series of waves on the ocean. Many tunes have been played as an accompaniment to the dance. Reg Hall (in '''A Few Tunes of Good Music''', 2016, p. 194) notes that the dance swept through London Gaelic League brances in 1906; "'The Waves of Tory' and some succeeding dances were invented in Ireland using country-dance figures wedded to the steps and style of the 'London' figure dances" (referring to the four- and eight-hand reels, St. Patrick's Day and the Rinnce Fáda). | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Roche ('''Collection of Traditional Irish Music, vol. 2'''), 1912; No. 292, p. 37. Batt Scanlon ('''The Violin Made Easy and Attractive'''), San Francisco, 1923; p. 34 (as "Tune for the Waves of Torey"). | |||
|f_recorded_sources=Tradition 2118, Jim MacLeod & His Band "Scottish Dances: Jigs, Waltzes and Reels" (1979). | |||
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Latest revision as of 01:54, 28 October 2023
X:1 T:Scotch Lilt M:2/4 L:1/8 R:Country Dance Tune N:Used by Roche as "Waves of Torey [1]." S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 70. Mid-19th century, County Cork Z:AK/Fiddler’s Companion K:Amix g/f/|eA Ag/f/|e/d/e/f/ gf/e/|dG BA/G/|Bd dg/f/| eA Ag/f/|e/d/e/f/ gf/e/|dG BA/G/|A2 A:| |:g/f/|ea ag/f/|e/d/e/f/ g2|gd dc/d/|gd d2| ea ag/f/|e/d/e/f/ gf/e/|dG BA/G/|A2 A:|]
WAVES OF TOREY [1], THE. AKA - "Waves of Tory." Irish, Long Dance (2/4 time). E Dorian. Standard tuning (fiddle). AABB. This tune belongs to the "Hillside (1) (The)" group of tunes--for more on this tune family see Bayard's (1944) note for "Annotation:Red Brick House in Georgia Town." The melody appeared under the generic title "Scotch Lilt" in the large mid-19th century music manuscript collection of County Cork cleric and uilleann piper Canon biography:James Goodman.
The Waves of Torey is the name of a ceili dance with a distinctive duck/diving and rising figure like a series of waves on the ocean. Many tunes have been played as an accompaniment to the dance. Reg Hall (in A Few Tunes of Good Music, 2016, p. 194) notes that the dance swept through London Gaelic League brances in 1906; "'The Waves of Tory' and some succeeding dances were invented in Ireland using country-dance figures wedded to the steps and style of the 'London' figure dances" (referring to the four- and eight-hand reels, St. Patrick's Day and the Rinnce Fáda).
