Black and the Grey (1) (The): Difference between revisions

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|f_page=No. 28, p. 11.
|f_page=No. 28, p. 11.
|f_theme_code_index=31H1H1H 32H31
|f_theme_code_index=31H1H1H 32H31
|f_score=1
}}
}}
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<pre>
<section begin=X1 />
X:1
T:Black and the Grey [1]
L:1/8
M:6/8
Q:"Allegretto"
B:Robert Topliff – “Selection of the most popular melodies of the Tyne
B:and the Wear consisting of 24 original airs peculiar to the counties
B:of Durham and Northumberland, three of which are harmonized
B:with appropriate words, symphonies and accompaniments and
B:the remainder variously arranged for the piano forte” (c. 1812, p. 34)
F: http://www.farnearchive.com/show_images.asp?id=F0103402&image=1
Z:AK/Fiddler’s Companion
K:F
V:1
c|FAc f2c|fge f2c|AFc fcB|A3- F2A|
BGdg2d|ga^f g2d|BGd gdc|=B3- .G2_B|
AFc f2c|fge f2c|AFc fcB|A3 B2c|
dBd cAC|BGB AG^F|Gg^f gdc|=B3- .G2||
B|AFF cFF|fFF cFF|AFF fcB|A3- .F2A|
BGG dGG|gGG dGG|BGG gdc|(=B3- G2)_B|
AFF cFF|fFF cFF|AFc fcB|A3 B2c|
dBd cAc|BGB AG^F|Gg^f gdc|=B3 G2||
V:2 clef = bass
z|F,2A, C2B,|A,2G, F,2A,|C2B, A,2G,|F,3- F,,2^F,|
G,2B,D2C|B,2A, G,2B,|D2CB,2A,|G,3-.G,,2 E,|
F,2A,C2B,|A,2G, F,2A,|C2B, A,2G,|F,2_E, D,2C,|
B,,2F, A,,2^F,|G,,2G, D,2C|B,2A, G,2 ^F,|G,3-.G,,2||
z|F,A,C, F,A,C| F,A,C, F,A,C| F,A,C, F,A,C|F,F,,A,, C,F,^F,|
G,B,D G,B,D| G,B,D G,B,D| G,B,D G,B,D|G,G,,=B,, D,G,E,|
F,2F, A,,2C,|F,2A, C2A,|F,2A,, C,2E,|F,2_E, D,2C,|
B,,2F, A,,2^F,|G,,2G,D,2C|B,,2A,,G,,2F,|G,,3G,,,2||
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X:1
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T:Black and the Grey [1]
T:Black and the Grey [1]
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M:6/8
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cAA aed|(^c3 A2) =c|BGG dGG|gGG dBB|BGd gdc|
cAA aed|(^c3 A2) =c|BGG dGG|gGG dBB|BGd gdc|
B3 c2d|ece dBd|cAc BA^G|Aa^g aed|^c3 A2||
B3 c2d|ece dBd|cAc BA^G|Aa^g aed|^c3 A2||
</pre>
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Latest revision as of 19:03, 11 September 2024


Black and the Grey (1) (The)  Click on the tune title to see or modify Black and the Grey (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Black and the Grey (1) (The)
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 Theme code Index    31H1H1H 32H31
 Also known as    Black and the Brown (2) (The), John Patterson's Mare, John Patterson's Mare Goes Foremost, New Market Jig
 Composer/Core Source    
 Region    England
 Genre/Style    Northumbrian/Borders
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    ENGLAND(North East)
 Structure    AB
 Editor/Compiler    John Peacock
 Book/Manuscript title    Book:Peacock's Tunes
 Tune and/or Page number    No. 28, p. 11.
 Year of publication/Date of MS    c. 1805
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Black and the Grey [1] L:1/8 M:6/8 Q:"Allegretto" B:Robert Topliff – “Selection of the most popular melodies of the Tyne B:and the Wear consisting of 24 original airs peculiar to the counties B:of Durham and Northumberland, three of which are harmonized B:with appropriate words, symphonies and accompaniments and B:the remainder variously arranged for the piano forte” (c. 1812, p. 34) F: http://www.farnearchive.com/show_images.asp?id=F0103402&image=1 Z:AK/Fiddler’s Companion K:F V:1 c|FAc f2c|fge f2c|AFc fcB|A3- F2A| BGdg2d|ga^f g2d|BGd gdc|=B3- .G2_B| AFc f2c|fge f2c|AFc fcB|A3 B2c| dBd cAC|BGB AG^F|Gg^f gdc|=B3- .G2|| B|AFF cFF|fFF cFF|AFF fcB|A3- .F2A| BGG dGG|gGG dGG|BGG gdc|(=B3- G2)_B| AFF cFF|fFF cFF|AFc fcB|A3 B2c| dBd cAc|BGB AG^F|Gg^f gdc|=B3 G2|| V:2 clef = bass z|F,2A, C2B,|A,2G, F,2A,|C2B, A,2G,|F,3- F,,2^F,| G,2B,D2C|B,2A, G,2B,|D2CB,2A,|G,3-.G,,2 E,| F,2A,C2B,|A,2G, F,2A,|C2B, A,2G,|F,2_E, D,2C,| B,,2F, A,,2^F,|G,,2G, D,2C|B,2A, G,2 ^F,|G,3-.G,,2|| z|F,A,C, F,A,C| F,A,C, F,A,C| F,A,C, F,A,C|F,F,,A,, C,F,^F,| G,B,D G,B,D| G,B,D G,B,D| G,B,D G,B,D|G,G,,=B,, D,G,E,| F,2F, A,,2C,|F,2A, C2A,|F,2A,, C,2E,|F,2_E, D,2C,| B,,2F, A,,2^F,|G,,2G,D,2C|B,,2A,,G,,2F,|G,,3G,,,2||


X:1 T:Black and the Grey [1] M:6/8 L:1/8 R:Jig S:Bruce & Stokoe - Northumbrian Minstrelsy (1882) Z:AK/Fiddler's Companion K:G d|BGd g2d|gaf g2d|BGd adc|(B3 G2)B|cAe a2e|ab^g a2e| cAe aed|(^c3 A2) =c|BGd g2d|gaf g2d|BGd gdc|(B3 c2)d| ece dBd|cAc BA^G|Aa^g aed|(^c3 a2)||=c|BGG dGG| gGG dGG|BGG gdc|B3 G2B|cAA eAA|gAA eAA| cAA aed|(^c3 A2) =c|BGG dGG|gGG dBB|BGd gdc| B3 c2d|ece dBd|cAc BA^G|Aa^g aed|^c3 A2||