Annotation:Western Gem: Difference between revisions

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{{TuneAnnotation
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Western_Gem >
'''WESTERN GEM REEL.''' AKA and see "[[Chicoutimi Reel (2)]]." American, Reel or Hornpipe. A Major (‘A’ part) & E Major (‘B’ part) . Standard tuning (fiddle). AABB. The second strain was used by Prince Edward Island fiddler Sidney Baglole for his “[[Sidney Baglole's Reel]].” The first strain is shared with several nineteenth century reels, including "[[New York Reel]]," "[[St. Botolph's Hornpipe]]" and "[[Witch of the Wave]]," from '''Ryan's Mammoth Collection''' (1883), jestrain appears often, under various names, in the nineteenth-century tunebook tradition. "[[Buckley's Fancy]]," O'Neill's Music of Ireland, #1211; "[[Comely Jane Downing]]," O'Neill's Music of Ireland, #1461; "[[Lakeside Road (The)]]," O'Neill's Music of Ireland, #1699.The Hollow Rock String Band, having learned this tune from Henry Reed, noticed its similarity to "Witch of the Wave Reel" and began calling it that.  
|f_annotation='''WESTERN GEM REEL.''' AKA and see "[[Chicoutimi Reel (2)]]," "[[Hill Lilly]]," "[[New York Reel (1)]]," "[[St. Botolph Hornpipe]]." American, Reel or Hornpipe. A Major (‘A’ part) & E Major (‘B’ part) . Standard tuning (fiddle). AABB. "Western Gem Reel" was printed in William Bradbury Ryan's '''Ryan's Mammoth Collection''' (1883).  Ryan was an employee of the Elias Howe music publishing company in Boston, which had published Elias Howe's '''Musician's Omnibus Nos. 6 & 7''' a year or two earlier;  in Howe's volume the exact same tune appears as "[[Hill Lilly]]." The second strain was used by Prince Edward Island fiddler Sidney Baglole for his “[[Sidney Baglole's Reel]].” The first strain is shared with several nineteenth century reels, according to folklorist Alan Jabbour, including "[[New York Reel (1)]]," "[[St. Botolph Hornpipe]]" and "[[Witch of the Wave]]," and, more distantly, "[[Buckley's Fancy]]," from '''Ryan's Mammoth Collection''' (1883). Similarly, Francis O'Neill printed distanced first-strain cognates in his '''Music of Ireland''' (1903) as "[[Comely Jane Downing]]" and "[[Lakeside Road (The)]]." Jabbour collected an untitled tune from Glen Lyn, Virginia, fiddler Henry Reed (1884-1968), with a similar first strain (see Amercian Memory [https://www.loc.gov/item/afcreed000104/]).
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|f_printed_sources=Cole ('''1000 Fiddle Tunes'''), 1940; p. 49. '''Ryan’s Mammoth Collection''', 1883; p. 77.
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''Source for notated version'':
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''Printed sources'': Cole ('''1000 Fiddle Tunes'''), 1940; p. 49. '''Ryan’s Mammoth Collection''', 1883; p. 77.
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 03:56, 16 September 2021



Back to Western Gem


X:1 T:Western Gem M:2/4 L:1/8 R:Reel or Hornpipe S:Ryan’s Mammoth Collection (1883) Z:AK/Fiddler’s Companion K:A (3E/F/G/ | A/c/B/A/ A/c/e/c/ | d/e/f/g/ a/f/e/c/ | .A(c/B/) A/c/e/c/ | B/c/B/A/ G/E/F/G/ | .A(c/B/) A/c/e/c/ | d/e/f/g/ (3a/4g/4a/4(e/c/) | f/e/d/f/ e/c/A/c/ | B/A/G/B/ A :| K:E |: G/A/ | (c/B/).B/.B/ .Bc/d/ | e/d/e/f/ .g(f/g/) | a/g/f/a/ g/f/e/g/ | f/e/d/c/ B/A/G/A/ | (c/B/).B/.B/ .Bc/d/ | e/d/e/f/ .g(f/g/) | a/g/f/a/ g/f/e/g/ | f/e/d/f/ e :|]



WESTERN GEM REEL. AKA and see "Chicoutimi Reel (2)," "Hill Lilly," "New York Reel (1)," "St. Botolph Hornpipe." American, Reel or Hornpipe. A Major (‘A’ part) & E Major (‘B’ part) . Standard tuning (fiddle). AABB. "Western Gem Reel" was printed in William Bradbury Ryan's Ryan's Mammoth Collection (1883). Ryan was an employee of the Elias Howe music publishing company in Boston, which had published Elias Howe's Musician's Omnibus Nos. 6 & 7 a year or two earlier; in Howe's volume the exact same tune appears as "Hill Lilly." The second strain was used by Prince Edward Island fiddler Sidney Baglole for his “Sidney Baglole's Reel.” The first strain is shared with several nineteenth century reels, according to folklorist Alan Jabbour, including "New York Reel (1)," "St. Botolph Hornpipe" and "Witch of the Wave," and, more distantly, "Buckley's Fancy," from Ryan's Mammoth Collection (1883). Similarly, Francis O'Neill printed distanced first-strain cognates in his Music of Ireland (1903) as "Comely Jane Downing" and "Lakeside Road (The)." Jabbour collected an untitled tune from Glen Lyn, Virginia, fiddler Henry Reed (1884-1968), with a similar first strain (see Amercian Memory [1]).


Additional notes



Printed sources : - Cole (1000 Fiddle Tunes), 1940; p. 49. Ryan’s Mammoth Collection, 1883; p. 77.






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