Annotation:Western Hornpipe: Difference between revisions

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{{TuneAnnotation
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Western_Hornpipe >
'''WESTERN HORNPIPE, THE.''' AKA and see “[[Athlone Hornpipe (The)]],” "[[Bobby Gardiner's]]," "[[McIntyre's]]," “[[Mountain Stream (1)]],” "[[Paddy Killoran's]]," "[[Tara Brooch (The)]]," "[[Paddy O'Brien's Hornpipe (1)]]," "[[Six O'Clock]]."  Irish, Hornpipe. C Major. Standard tuning (fiddle). AABB. Although the tune is usually played in the key of ‘C’ (esp. by fiddlers, c.f. Michael Coleman’s recording), it is occasionally heard in ‘D’. It is set in that key in Breathnach’s '''Ceol Rinnce na hÉireann, vol. 3''', No. 217, from the playing of fiddler Séamus Thompson, although it is said that he played it in the key of ‘C’ on the source recording, and that it was erroneously transcribed in ‘D’. County Sligo born fiddler Michael Coleman recorded the melody on a 78 RPM in New York, in a medley as the second tune paired with “[[Stage Hornpipe (1) (The)]].”
|f_annotation='''WESTERN HORNPIPE, THE.''' AKA and see “[[Athlone Hornpipe (The)]],” "[[Bobby Gardiner's]]," "[[McIntyre's]]," “[[Mountain Stream (1)]],” "[[Paddy Killoran's]]," "[[Tara Brooch]]," "[[Paddy O'Brien's Hornpipe (1)]]," "[[Six O'Clock]]."  Irish, Hornpipe. C Major. Standard tuning (fiddle). AABB. Although the tune is usually played in the key of ‘C’ (esp. by fiddlers, c.f. Michael Coleman’s recording), it is occasionally heard in ‘D’. It is set in that key in Breathnach’s '''Ceol Rinnce na hÉireann, vol. 3''', No. 217, from the playing of fiddler Séamus Thompson, although it is said that he played it in the key of ‘C’ on the source recording, and that it was erroneously transcribed in ‘D’. County Sligo born fiddler Michael Coleman (1891-1945) recorded the melody on a 78 RPM in New York, in a medley as the second tune paired with “[[Stage Hornpipe (1)]].”  
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|f_source_for_notated_version=New York fiddler Michael Coleman (1891-1945, originally from County Sligo, Ireland) [DeMarco & Krassen, Miller & Perron].
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|f_printed_sources=DeMarco & Krassen ('''A Trip to Sligo'''), 1978; pp. 34, 48, 62. '''Fiddler Magazine''', Winter 2005/06, vol. 12, No. 4; p. 49. Miller & Perron ('''Irish Traditional Fiddle Music, vol. 3'''), 1977; No. 16. Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 124. Mulvihill ('''1st Collection'''), 1986; No. 21, p. 94.  
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|f_recorded_sources=Bellbridge Records, Bobby Casey – “Casey in the Cowhouse” (1992. Originally recorded 1959). IRC Records, Michael Coleman. Shanachie 34014, James Kelly, Paddy O’Brien & Daithi Sproule – “Traditional Music of Ireland” (1995).
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|f_see_also_listing=Alan Snyder’s Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t163.html]<br>
''Source for notated version'': New York fiddler Michael Coleman (1891-1945, originally from County Sligo, Ireland) [DeMarco & Krassen, Miller & Perron].  
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''Printed sources'': DeMarco & Krassen ('''A Trip to Sligo'''), 1978; pp. 34, 48, 62. '''Fiddler Magazine''', Winter 2005/06, vol. 12, No. 4; p. 49. Miller & Perron ('''Irish Traditional Fiddle Music, vol. 3'''), 1977; No. 16. Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 124. Mulvihill ('''1st Collection'''), 1986; No. 21, p. 94.  
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<p><font face="garamond, serif" size="4">
''Recorded sources'': <font color=teal>Bellbridge Records, Bobby Casey – “Casey in the Cowhouse” (1992. Originally recorded 1959). IRC Records, Michael Coleman. Shanachie 34014, James Kelly, Paddy O’Brien & Daithi Sproule – “Traditional Music of Ireland” (1995).</font>
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See also listings at:<br>
Alan Snyder’s Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t163.html]<br>
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/w06.htm#Wesho2]<br>  
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/w06.htm#Wesho2]<br>  
Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/2050/]<br>
Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/2050/]<br>
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Latest revision as of 21:18, 17 December 2021




X:1 T:Western Hornpipe Z:lesl M:C| L:1/8 K:D ag|:fdBd ABF2|fdBd ABFA|B~G3 D~G3|1(3Bcd ce d2ag:|2(3Bcd ce d|| |:fag|ffdf abaf|g2eg bbag|ffdf bagf|edcB A2ag| fAdf a2af|ggeg b2ag|fAdf gece|d2dc d:||



WESTERN HORNPIPE, THE. AKA and see “Athlone Hornpipe (The),” "Bobby Gardiner's," "McIntyre's," “Mountain Stream (1),” "Paddy Killoran's," "Tara Brooch," "Paddy O'Brien's Hornpipe (1)," "Six O'Clock." Irish, Hornpipe. C Major. Standard tuning (fiddle). AABB. Although the tune is usually played in the key of ‘C’ (esp. by fiddlers, c.f. Michael Coleman’s recording), it is occasionally heard in ‘D’. It is set in that key in Breathnach’s Ceol Rinnce na hÉireann, vol. 3, No. 217, from the playing of fiddler Séamus Thompson, although it is said that he played it in the key of ‘C’ on the source recording, and that it was erroneously transcribed in ‘D’. County Sligo born fiddler Michael Coleman (1891-1945) recorded the melody on a 78 RPM in New York, in a medley as the second tune paired with “Stage Hornpipe (1).”


Additional notes
Source for notated version : - New York fiddler Michael Coleman (1891-1945, originally from County Sligo, Ireland) [DeMarco & Krassen, Miller & Perron].

Printed sources : - DeMarco & Krassen (A Trip to Sligo), 1978; pp. 34, 48, 62. Fiddler Magazine, Winter 2005/06, vol. 12, No. 4; p. 49. Miller & Perron (Irish Traditional Fiddle Music, vol. 3), 1977; No. 16. Miller & Perron (Irish Traditional Fiddle Music), 2nd Edition, 2006; p. 124. Mulvihill (1st Collection), 1986; No. 21, p. 94.

Recorded sources : - Bellbridge Records, Bobby Casey – “Casey in the Cowhouse” (1992. Originally recorded 1959). IRC Records, Michael Coleman. Shanachie 34014, James Kelly, Paddy O’Brien & Daithi Sproule – “Traditional Music of Ireland” (1995).

See also listing at :
Alan Snyder’s Cape Breton Fiddle Recording Index [1]
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [2]
Alan Ng’s Irishtune.info [3]



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