Johnny Blow the Candle Out: Difference between revisions
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|f_time_signature=2/4 | |f_time_signature=2/4 | ||
|f_key=A | |f_key=A | ||
|f_accidental= | |f_accidental=1 sharp | ||
|f_mode= | |f_mode=Dorian | ||
|f_history=USA(Mid Atlantic) | |||
|f_structure=AABB | |f_structure=AABB | ||
|f_book_title=George W. Allen music manuscript collection | |f_book_title=George W. Allen music manuscript collection | ||
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|f_theme_code_index=13b51 7bL247bL | |f_theme_code_index=13b51 7bL247bL | ||
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T:Johnny Blow the Candle Out | T:Johnny Blow the Candle Out | ||
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L:1/8 | L:1/8 | ||
R:Hornpipe | R:Hornpipe | ||
C:George W. Allen | |||
S:George W. Allen – Clogs, Hornpipes, Reels & Jigs (No. 14) | |||
S:From a handmade music manuscript book, date unknown (late 19th cent.) | S:From a handmade music manuscript book, date unknown (late 19th cent.) | ||
S: [https://archive.org/stream/ClogsHornpipesReelsJigs/MUMSS-00089#page/n0/mode/2up]. | S:[https://archive.org/stream/ClogsHornpipesReelsJigs/MUMSS-00089#page/n0/mode/2up]. | ||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
N:First strain written with no accidentals, but sounds better with sharp 'f' notes | |||
N:in both strains. | |||
K:Amin | K:Amin | ||
a|A/>B/c/>d/ e/>c/A|G/>A/B/>c/ d/>B/G/>B/|A/>B/c/>d/ e/>f/g/>a/|g/>e/d/>B/ Aa| | a|A/>B/c/>d/ e/>c/A|G/>A/B/>c/ d/>B/G/>B/|A/>B/c/>d/ e/>f/g/>a/|g/>e/d/>B/ Aa| | ||
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|:a/>b/|a/>g/e/>g/ a a/>^f/|{a}g/>^f/g/>a/ b/>g/e/>g/|a/>g/e/>g/ aa/>^f/|g/>e/d/>B/ Aa/>b/| | |:a/>b/|a/>g/e/>g/ a a/>^f/|{a}g/>^f/g/>a/ b/>g/e/>g/|a/>g/e/>g/ aa/>^f/|g/>e/d/>B/ Aa/>b/| | ||
a/>g/e/>g/ aa/>^f/|{a}g/>f/g/>a/ b/>g/e/>g/|b/>g/a/>^f/ g/>d/B/>d/|e/>g/d/>B/ A!D.C.!:| | a/>g/e/>g/ aa/>^f/|{a}g/>f/g/>a/ b/>g/e/>g/|b/>g/a/>^f/ g/>d/B/>d/|e/>g/d/>B/ A!D.C.!:| | ||
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Latest revision as of 22:59, 12 June 2019
X:1 T:Johnny Blow the Candle Out M:2/4 L:1/8 R:Hornpipe C:George W. Allen S:George W. Allen – Clogs, Hornpipes, Reels & Jigs (No. 14) S:From a handmade music manuscript book, date unknown (late 19th cent.) S:[1]. Z:AK/Fiddler’s Companion N:First strain written with no accidentals, but sounds better with sharp 'f' notes N:in both strains. K:Amin a|A/>B/c/>d/ e/>c/A|G/>A/B/>c/ d/>B/G/>B/|A/>B/c/>d/ e/>f/g/>a/|g/>e/d/>B/ Aa| A/>B/c/>d/ e/>c/A|G/>A/B/>e/ d/>B/G/>B/|A/>B/c/>d/ e/>f/g/>a/|g/>e/d/>B/ A:| |:a/>b/|a/>g/e/>g/ a a/>^f/|{a}g/>^f/g/>a/ b/>g/e/>g/|a/>g/e/>g/ aa/>^f/|g/>e/d/>B/ Aa/>b/| a/>g/e/>g/ aa/>^f/|{a}g/>f/g/>a/ b/>g/e/>g/|b/>g/a/>^f/ g/>d/B/>d/|e/>g/d/>B/ A!D.C.!:|