Annotation:Father Fielding's Favorite: Difference between revisions
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{{TuneAnnotation | |||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Father_Fielding's_Favorite > | |||
|f_annotation='''FATHER FIELDING'S FAVORITE''' (Roga an {t-}Atar Fielding/Fitceallaig). AKA and see "[[Ella Rosenberg]]," "[[I'll Tell My Mammy]]," "[[Italian Monfrina]]," "[[John Byrne's]]," "[[Katie's Donkey]]," "[[Pander Dance]]," "[[Pandian Air (1)]]," "[[Soldier's Joy (Jig)]]." Irish, Double Jig (6/8 time). G Major. Standard tuning (fiddle). AABB (Harker/Rafferty, O'Neill): AA'BB' (Connolly & Martin). Named in honor of Fr. James K. Fielding of Kilkenny, a friend of compiler Captain Francis O'Neill's in Chicago, who, like O'Neill, played the flute and was interested in preserving traditional Irish music. Fielding was also a Gaelic League activist and believed in 'Ireland for the Irish.' The original title of the tune was "Ella Rosenberg," found in Mooney's '''History of Ireland'''--this title is the name of a melodrama in two acts by James Kenney, written in 1807 and produced at the Theatre Royal on London's Drury Lane. O'Neill (1910) says that Fielding was so taken by the tune, and promoted it so enthusiastically, that it became known as "Father Fielding's Favorite." O'Neill says: "His Reverence induced the good sisters of the parish to teach it to their most promising music pupils, while he cheerfully accompanied them on the flute." The title "[[Katie's Donkey]]" comes from flute player Mike Rafferty, who identified it as an old Ballinakill (County Galway) tune, but who couldn't find a title for it and so named it after a woman who owned a donkey near Loughrea (Harker, 2005). Fiddler Seán Maguire (accompanied by pianist Eileen Lane) recorded the melody on a 78 RPM in the late 1950's. | |||
'''FATHER FIELDING'S FAVORITE''' (Roga an {t-}Atar Fielding/Fitceallaig). AKA and see "[[Ella Rosenberg]]," "[[I'll Tell My Mammy]]," "[[John Byrne's]]," "[[Katie's Donkey]]." Irish, Double Jig. G Major. Standard tuning (fiddle). AABB (Harker/Rafferty, O'Neill): AA'BB' (Connolly & Martin). Named in honor of Fr. James K. Fielding of Kilkenny, a friend of compiler Captain Francis O'Neill's in Chicago, who, like O'Neill, played the flute and was interested in preserving traditional Irish music. Fielding was also a Gaelic League activist and believed in 'Ireland for the Irish.' The original title of the tune was "Ella Rosenberg," found in Mooney's History of Ireland-this title is the name of a melodrama in two acts by James Kenney, written in 1807 and produced at the Theatre Royal on London's Drury Lane. O'Neill (1910) says that Fielding was so taken by the tune, and promoted it so enthusiastically, that it became known as "Father Fielding's Favorite." O'Neill says: "His Reverence induced the good sisters of the parish to teach it to their most promising music pupils, while he cheerfully accompanied them on the flute." The title "[[Katie's Donkey]]" comes from flute player Mike Rafferty, who identified it as an old Ballinakill (County Galway) tune, but who couldn't find a title for it and so named it after a woman who owned a donkey near Loughrea (Harker, 2005). Fiddler Seán Maguire (accompanied by pianist Eileen Lane) recorded the melody on a 78 RPM in the late 1950's. | |f_source_for_notated_version=New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. | ||
|f_printed_sources=Connolly & Martin ('''Forget Me Not'''), 2002; pp. 32-33. Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 221, p. 68 (appears as "Katie's Donkey"). O'Neill (Krassen), 1976; p. 52. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1004, p. 187. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 219, p. 50. | |||
|f_recorded_sources=Larraga MMR112000, Mike & Mary Rafferty - "The Road from Ballinakill" (2001). | |||
|f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/f02.htm#Fatfifa]<br> | |||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/f02.htm#Fatfifa]<br> | |||
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/3050/]<br> | Alan Ng's Irishtune.info [http://www.irishtune.info/tune/3050/]<br> | ||
}} | |||
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Latest revision as of 17:42, 11 May 2024
X:1 T:John Byrne's T:Father Fielding's Favorite M:6/8 L:1/8 R:Jig S:James Byrne and Roisin McRory Z:Transcribed by Larry Sanger K:G GFG BcA|BGF GBc|dBG cAF|GDC B,CD|GFG BcA| BGG fed|cAG FGA|1 BGF G2D:|2 BGF GBd|| gfg afd|cBc dBG|g2b afd|cBc def|gdg fdf| ece gfe|ded BcA|1 BGF GBd:|BFGG2D||
FATHER FIELDING'S FAVORITE (Roga an {t-}Atar Fielding/Fitceallaig). AKA and see "Ella Rosenberg," "I'll Tell My Mammy," "Italian Monfrina," "John Byrne's," "Katie's Donkey," "Pander Dance," "Pandian Air (1)," "Soldier's Joy (Jig)." Irish, Double Jig (6/8 time). G Major. Standard tuning (fiddle). AABB (Harker/Rafferty, O'Neill): AA'BB' (Connolly & Martin). Named in honor of Fr. James K. Fielding of Kilkenny, a friend of compiler Captain Francis O'Neill's in Chicago, who, like O'Neill, played the flute and was interested in preserving traditional Irish music. Fielding was also a Gaelic League activist and believed in 'Ireland for the Irish.' The original title of the tune was "Ella Rosenberg," found in Mooney's History of Ireland--this title is the name of a melodrama in two acts by James Kenney, written in 1807 and produced at the Theatre Royal on London's Drury Lane. O'Neill (1910) says that Fielding was so taken by the tune, and promoted it so enthusiastically, that it became known as "Father Fielding's Favorite." O'Neill says: "His Reverence induced the good sisters of the parish to teach it to their most promising music pupils, while he cheerfully accompanied them on the flute." The title "Katie's Donkey" comes from flute player Mike Rafferty, who identified it as an old Ballinakill (County Galway) tune, but who couldn't find a title for it and so named it after a woman who owned a donkey near Loughrea (Harker, 2005). Fiddler Seán Maguire (accompanied by pianist Eileen Lane) recorded the melody on a 78 RPM in the late 1950's.
