Carolan's Welcome: Difference between revisions
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|| "F"ag eg a2 | "C"ge de g2 | ed cd ec | "G"d2 B2 G2 \ | || "F"ag eg a2 | "C"ge de g2 | ed cd ec | "G"d2 B2 G2 \ | ||
| "Am"c3 B A2 | "Dm"d3 c B2 | "Em"ce E2 G2 | "Am"A4 |] | | "Am"c3 B A2 | "Dm"d3 c B2 | "Em"ce E2 G2 | "Am"A4 |] | ||
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2f2a2|b6|b/b/agab2|a/a/fefa2|f/f/edefd|e2c2A2|d3cB2|e3dc2| | 2f2a2|b6|b/b/agab2|a/a/fefa2|f/f/edefd|e2c2A2|d3cB2|e3dc2| | ||
1dfF2A2|B6:|2dfedcd|(B6|B2)z2z2| | 1dfF2A2|B6:|2dfedcd|(B6|B2)z2z2| | ||
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Latest revision as of 05:34, 15 November 2019
X:1 T: O'Carolan's Welcome R: waltz Z: John Chambers <jc@ ecf-guest.mit.edu > http://eddie.mit.edu/~jc/music/ B: Ossian p.119 #171 (unnamed) N: The chords are highly variable. N: The G# in bar 24 is often played natural. M: 3/4 L: 1/8 K: Am cB \ | "Am"A2 cd e2 | A2 cd e2 | "Dm"de dc BA | "Em"G/A/B G2 E2 \ | "Am"c3 B A2 | "Dm"d3 c B2 | "Em"ce E2 G2 | "Am"A4 cB || | "Am"A2 cd e2 | A2 cd e2 | "Dm"de dc BA | "Em"G/A/B G2 E2 \ | "C"g3 f e2 | "F"a3 g ed | "Em"ce dc Bc | "Am"A4 || || e2 \ | "Am"e2 ab c'2 | e2 ab c'2 | "G7"c'b ag ab | "C"c'2 e2 e2 \ | "Dm"f2 af ed | "C"e2 ge dc | "E7"d2 e2 ^g2 | "Am"Ha6 || || "F"ag eg a2 | "C"ge de g2 | ed cd ec | "G"d2 B2 G2 \ | "Am"c3 B A2 | "Dm"d3 c B2 | "Em"ce E2 G2 | "Am"A4 |]
X:2
T:O'Carolan's Welcome
M:3/4
L:1/8
Z:Transcribed by Tomas Embréus
K:BMin
|:"part A"dc|B2d>ef2|B2d>ef2|e>fedcB|d2A2A2|d3cB2|e3dc2|dfF2A2|B4:|
|:"part B"dc|B2d>ef2|B2d>ef2|e>fedcB|c2A2A2|a3gf2|b3afe|dfedcd|B4z2:|
|:"part C"f2b>c'd'2|f2b>c'd'2|d'<d'c'babc'|d'2f2f2|g2b/b/gfe|e2g/g/fed|e
2f2a2|b6|b/b/agab2|a/a/fefa2|f/f/edefd|e2c2A2|d3cB2|e3dc2|
1dfF2A2|B6:|2dfedcd|(B6|B2)z2z2|