Annotation:Raking Paudheen Rue: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Raking_Paudheen_Rue > | |||
'''RAKING PAUDHEEN RUE.''' AKA and see "[[Raking Red-Haired Pat]]," "[[Bold and Undaunted Fox]]," "[[McKenna's Dream]]." Irish, Air (2/4 time). G Minor ('A' part) & G Major ('B' part). Standard tuning (fiddle). AAB. O’Neill felt “[[Farmer Hayes]]” was a cognate tune and that it must have had a common origin with the “Raking Paudheen” air. P.W. Joyce (1909) thought the melody of "Greenfields of America" was related to a group of song airs popular in Munster in the mid-18th century, that include "[[Grand Conversation of Napoleon (The)]]," "[[John Doe]]," and "[[McKenna's Dream]]." Francis O'Neill adds several others familiar to him from his time in South Munster (mid-19th century), naming "[[Farmer Hayes]]," "[[Raking Paudheen Rue]]," "[[Bold and Undaunted Fox]]," and "[[Raking Red-haired Pat]]." | |f_annotation='''RAKING PAUDHEEN RUE.''' AKA and see "[[Raking Red-Haired Pat]]," "[[Bold and Undaunted Fox]]," "[[McKenna's Dream]]." Irish, Air (2/4 time). G Minor ('A' part) & G Major ('B' part). Standard tuning (fiddle). AAB. O’Neill felt “[[Farmer Hayes]]” was a cognate tune and that it must have had a common origin with the “Raking Paudheen” air. P.W. Joyce (1909) thought the melody of "Greenfields of America" was related to a group of song airs popular in Munster in the mid-18th century, that include "[[Grand Conversation of Napoleon (The)]]," "[[John Doe]]," and "[[McKenna's Dream]]." Francis O'Neill adds several others familiar to him from his time in South Munster (mid-19th century), naming "[[Farmer Hayes]]," "[[Raking Paudheen Rue]]," "[[Bold and Undaunted Fox]]," and "[[Raking Red-haired Pat]]." | ||
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''himself, is entitled to honourable mention." | ''himself, is entitled to honourable mention." | ||
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|f_source_for_notated_version=“Big” John Ryan, originally from Tramore, County Waterford, once champion “stone-thrower” and an amateur on several musical instruments [O’Neill]. | |||
|f_printed_sources=O’Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 15, p. 3. O'Neill ('''O’Neill’s Irish Music'''), 1915; No. 29, p. 23. | |||
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}} | |||
Latest revision as of 03:22, 29 March 2023
X:1 T:Raking Paudheen Rue T:Raking Red Haired Pat M:2/4 L:1/8 R:Air Q:"Tenderly" S:O’Neill – Music of Ireland (1903), No. 15 Z:AK/Fiddler’s Companion K:Gmin d/c/|B>B A{B/A/}G|A<d c>A|G>G A<B|c>A F>G/2A/2| B>B A{B/A/}G|A<d (3cAG|A>A G>G|G3:| D|G>A B<c|d>=e f<d|g>f e<c|d>B G>D| G>A B<c|d>=e f<d|g>f e<c|d2 (3d=e^f| g>f =e<g|f>e d<c|B>G A>B|c>A F>G/2A/2| B>B A{B/A/}G|A<d (3cAG|A>A G>G|G3||
RAKING PAUDHEEN RUE. AKA and see "Raking Red-Haired Pat," "Bold and Undaunted Fox," "McKenna's Dream." Irish, Air (2/4 time). G Minor ('A' part) & G Major ('B' part). Standard tuning (fiddle). AAB. O’Neill felt “Farmer Hayes” was a cognate tune and that it must have had a common origin with the “Raking Paudheen” air. P.W. Joyce (1909) thought the melody of "Greenfields of America" was related to a group of song airs popular in Munster in the mid-18th century, that include "Grand Conversation of Napoleon (The)," "John Doe," and "McKenna's Dream." Francis O'Neill adds several others familiar to him from his time in South Munster (mid-19th century), naming "Farmer Hayes," "Raking Paudheen Rue," "Bold and Undaunted Fox," and "Raking Red-haired Pat."
At least one 19th century performer took as his persona the name of the old ballad. Patrick Joseph McCall wrote of a "County Clare tinker" named James Kearney in his paper "In the Shadow of St. Patrick's" (1893) who lived in Walker's Alley, a district near St. Patrick's cathedral, Dublin:
[Kearney] settled there about fifty years since. Halliday Sparling, in his Irish Minstrelsy, says that he wrote many of the songs sung by Carey and other music-hall favourites, and that he died about twelve years ago. This first statement is not a fact, and though I rob a local celebrity of his laurels, I must in justice state that Kearney never wrote a line in his life, for he was hopelessly illiterate. I have a collection of about fifty songs bearing his name as author, but these were all purchased by him from others--...the usual price for each song being a half-a-sovereign. But at least, as a wit and inimitable mimic, "The Raking Paudheen Rue," as Kearney called himself, is entitled to honourable mention."
