Black Joke (1) (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Black Joke (1) (The) | |f_tune_title=Black Joke (1) (The) | ||
|f_aka=Black Joker, Black Jack (1), Black Jock (1), Black Joak (The), But the House and Ben the House, Darling Nedeen, Irish Dragoon, Irish Oak, Paddy McShane, Sublime Was the Warning, Sprig of Shillelah (1), Sprig of Shillelagh, When the Bright Spark of Freedom, Coal-Black Joak, | |f_aka=Bare-Footed Quaker (The), Black Joker, Black Jack (1), Black Jake, Black Jock (1), Black Joak (The), But the House and Ben the House, Darling Nedeen, Irish Dragoon, Irish Oak, Paddy McShane, Sublime Was the Warning, Sprig of Shillelah (1), Sprig of Shillelagh (1) (A), When the Bright Spark of Freedom, Coal-Black Joak, Scottish Lovers (The) | ||
|f_country=England, Scotland, Ireland | |f_country=England, Scotland, Ireland | ||
|f_genre=English, Irish, Morris, Northumbrian/Borders, Scottish, Shetland/Orkney, Welsh | |f_genre=English, Irish, Morris, Northumbrian/Borders, Scottish, Shetland/Orkney, Welsh | ||
Line 10: | Line 10: | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AABB | |f_structure=AABB | ||
|f_book_title=Lancashire | |f_book_title=Third Book of the most celebrated jiggs Lancashire Hornpipes | ||
|f_collector=John Walsh | |f_collector=John Walsh | ||
|f_year= | |f_year=1731 | ||
|f_page=No. 11 | |||
|f_theme_code_index=5L122 3222 | |f_theme_code_index=5L122 3222 | ||
|f_player=John Kirkpatrick | |f_pdf_score=[[File:The Black Joke.pdf|thumb|left|200px|page=1|The Black Joke]] | ||
|f_score=1 | |||
|f_player=John Kirkpatrick | |||
|f_album=Plain Capers | |f_album=Plain Capers | ||
|f_label=Topic TSCD458 | |f_label=Topic TSCD458 | ||
|f_recording_date=1976 | |f_recording_date=1976 | ||
|f_media={{FeaturedTunes |f_track=The Black Joke.mp3 |f_artwork=Tavernscene.jpg |f_tune_name=The Black Joke |f_played_by=Chris Dawson 11 |f_notes=Hogarth, The Rakes Progress, Plate 3, "The Tavern Scene", c. 1735 |f_source=[https://soundcloud.com/chris-dawson-6/the-black-joke Soundcloud] |f_pix=220 |f_picpix=80 |f_piclink=Black_Joke_(1)_(The) }} | |||
}} | }} | ||
{{featured}} | |||
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<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) --> | |||
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---- | ---- | ||
< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:Coal-Black Joak | T:Coal-Black Joak | ||
Line 35: | Line 53: | ||
B2c d2d|efg d2B|c2a B2g|ABc AGF| | B2c d2d|efg d2B|c2a B2g|ABc AGF| | ||
B2B BAG|A2A AGF|G2F E2D|DEF G2:| | B2B BAG|A2A AGF|G2F E2D|DEF G2:| | ||
</ | <section end=abc /> | ||
< | <section begin=X2 /> | ||
X: | X:11 | ||
T:Black Joak | T:Black Joak | ||
A:England;London | |||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
K:G | Q:3/8=100 | ||
D| | S:J.Walsh,Third Book of the most celebrated jiggs,etc 1731 | ||
Z:Pete Stewart, 2004 <www.hornpipemusic.co.uk> with vmp revisions | |||
K:G | |||
D|D2GG2G|A2A A>GA|B>cB B>AG|A>BA A>GF|G3E2D|D.EFG2|| | |||
</ | B|B2d d>ed|e>fgd2B|B2d d>ed|e>fgd2B|c>ca B>Bg| | ||
< | A>BA A>GA|B>cB B>AG|A>BA A>GF|G3E2D|D>EFG3|] | ||
<section end=X2 /> | |||
<section begin=X2.1 /> | |||
X:12 | |||
T:Black Joak [1] | |||
M:6/8 | |||
L:1/8 | |||
S:Walsh 1731 | |||
Z:Pete Stewart 2004 | |||
Z:ps | |||
K:G | |||
D | D2GG2G | A2A A>GA | B>cB B>AG | A>BA A>GF | G3E2D | D.EFG2 || | |||
B | B2d d>ed | e>fgd2B | B2d d>ed | e>fgd2B | c>ca B>Bg | | |||
A>BA A>GA | B>cB B>AG | A>BA A>GF | G3E2D | D>EFG3 || | |||
<section end=X2.1 /> | |||
<section begin=X3 /> | |||
X:2 | X:2 | ||
T:Black Joak [1] | T:Black Joak [1] | ||
Line 61: | Line 94: | ||
B3cd2 d3ed2|e3fg2 f3ed2|c4g2 b4g2|A3BA2 A2G2A2| | B3cd2 d3ed2|e3fg2 f3ed2|c4g2 b4g2|A3BA2 A2G2A2| | ||
B3cB2 B2A2G2|A3BA2 A2G2F2|G6 E6|D3E F2 G6:|| | B3cB2 B2A2G2|A3BA2 A2G2F2|G6 E6|D3E F2 G6:|| | ||
</ | <section end=X3 /> | ||
< | <section begin=X4 /> | ||
X:1 | X:1 | ||
T:Black Joak [1] | T:Black Joak [1] | ||
Line 76: | Line 109: | ||
B3c d2 d3ed2|e3f g2 f3ed2|c4g2 B4g2|A3B A2 A2G2A2| | B3c d2 d3ed2|e3f g2 f3ed2|c4g2 B4g2|A3B A2 A2G2A2| | ||
B3c B2 B2A2G2|A3BA2 A2G2F2|G6E6|D3E F2G6|| | B3c B2 B2A2G2|A3BA2 A2G2F2|G6E6|D3E F2G6|| | ||
</ | <section end=X4 /> | ||
< | <section begin=X6 /> | ||
X:1 | X:1 | ||
T:Burlesque on Black Joak | T:Burlesque on Black Joak | ||
M:3/4 | M:3/4 | ||
L:1/8 | L:1/8 | ||
Q:"Slow" | |||
B:Oswald - Caledonian Pocket Companion, Book 7 (1760, pp. 18-19) | B:Oswald - Caledonian Pocket Companion, Book 7 (1760, pp. 18-19) | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
Line 103: | Line 136: | ||
(3dgb (3agf (3efg|(3dBg (3ecg (3dBG|(3ceg (3ceg (3ceg|(3Bdg (3Bdg (3Bdg| | (3dgb (3agf (3efg|(3dBg (3ecg (3dBG|(3ceg (3ceg (3ceg|(3Bdg (3Bdg (3Bdg| | ||
A3B (A/B/d)|TA2G2E2|g2g2 (3bag|e2e2 (3ged|d2e2 (g>a)|g4:| | A3B (A/B/d)|TA2G2E2|g2g2 (3bag|e2e2 (3ged|d2e2 (g>a)|g4:| | ||
"Gig" | P:"Gig" | ||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
"Brisk" | "Brisk"D|D2G (GF)G|(AB)A (AG)A|BcB BAG|ABA AGE| | ||
D|D2G (GF)G|(AB)A (AG)A|BcB BAG|ABA AGE| | |||
G3TE2D|DEG G2:|d|Bcd ded|efg d2c|Bcd ded| | G3TE2D|DEG G2:|d|Bcd ded|efg d2c|Bcd ded| | ||
efg dcB|c2a B2g|ABA AGA|BcB BAG|ABA AGE| | efg dcB|c2a B2g|ABA AGA|BcB BAG|ABA AGE| | ||
Line 118: | Line 150: | ||
B(G/A/B/c/) dBB|gee dBB|c(a/g/)a B(g/f/)g|ABG AFD| | B(G/A/B/c/) dBB|gee dBB|c(a/g/)a B(g/f/)g|ABG AFD| | ||
b3 (a/g/f/e/d/c/)|BGB AFD|(G/A/B/c/)d TE2D|DE G G2:|] | b3 (a/g/f/e/d/c/)|BGB AFD|(G/A/B/c/)d TE2D|DE G G2:|] | ||
</ | <section end=X6 /> | ||
< | <section begin=X7 /> | ||
X:183 | X:183 | ||
T:Black Joke | T:Black Joke | ||
Line 133: | Line 165: | ||
c4g2 B4g2|A3BA2 A2G2A2|B3cB2 B2A2G2| | c4g2 B4g2|A3BA2 A2G2A2|B3cB2 B2A2G2| | ||
A3BA2 A2G2F2|G6 E6|D3E F2 G6:|| | A3BA2 A2G2F2|G6 E6|D3E F2 G6:|| | ||
</ | <section end=X7 /> | ||
< | <section begin=X8 /> | ||
X:3 | X:3 | ||
T:Black Jock [1] | T:Black Jock [1] | ||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
S:Aird, vol. II (1785) | S:Aird, Selection of Scotch, English, Irish and Foreign Airs, vol. II (1785) | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K:G | K:G | ||
D | D2G GFG | ABA AGA | BcB AGF | ABA AGE | G3 E2D | DEF G2 : | D | D2G GFG | ABA AGA | BcB AGF | ABA AGE | | ||
|| c | B2c ded | ece d2c | BGB def | gfe dcB | c2a B2g | | G3 E2D | DEF G2 :|| c | B2c ded | ece d2c | | ||
ABA ABA | Bdg dBG | AGA BGE | G3 E2 D | DEF G2 || | BGB def | gfe dcB | c2a B2g | ABA ABA | | ||
</ | Bdg dBG | AGA BGE | G3 E2 D | DEF G2 || | ||
< | <section end=X8 /> | ||
<section begin=X10 /> | |||
X:1 | |||
T:Black Joke [1], The | |||
M:6/8 | |||
L:1/8 | |||
R:Air | |||
B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No. 102, p. 65) | |||
N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard” | |||
Z:AK/Fiddler’s Companion | |||
K:A | |||
TFEF A2A|B2B TB2A|c2c cBA|BcB BAG| | |||
A3 TF2E|EFA A3::cde efe|f2d Te2d| | |||
cde efe|f2d e2 d/c/|d2d ced|cBc {d}cBA| | |||
cde d2c|BAB BAF|A3 TF2E|EFA A3:|] | |||
<section end=X10 /> | |||
<section begin=X10a /> | |||
X: 1 | |||
T:Black Joack [1]. JBut.326 | |||
B:John Buttrey MS, poss. Lincolnshire, early 19thC | |||
S:https://buttreymilitarysocialtunes1800.wordpress.com/ | |||
Z:vmp.Mike Hicken 2019 www.village-music-project.org.uk | |||
C: 'A Quick Step' | |||
M:6/8 | |||
L:1/8 | |||
Q:1/4=120 | |||
K:G | |||
D|D2G GFG|ABA AGA|BcB AGF|ABA AGE| | |||
G3 E2D|DEF G2:||:c|B2c ded|ece d2c| | |||
BGB def|gfe dcB|c2a B2g|ABA AGA| | |||
Bdg dBG|AGA BGE|G3 E2D|DEF G2:|] | |||
<section end=X10a /> | |||
<section begin=X11 /> | |||
X:1 | X:1 | ||
T:Black Jock [1] | T:Black Jock [1] | ||
Line 163: | Line 227: | ||
(cA)c (ec)e|(fd)f {f}e2c|ddd ccc|Bdc B2A| | (cA)c (ec)e|(fd)f {f}e2c|ddd ccc|Bdc B2A| | ||
(Ac)e (ed)c|(Bd)c {c}BAG|~A>Bc ~F>GA|EFG A2|| | (Ac)e (ed)c|(Bd)c {c}BAG|~A>Bc ~F>GA|EFG A2|| | ||
</ | <section end=X11 /> | ||
< | <section begin=X12 /> | ||
X:1 | |||
T:Black Joke [1] | |||
M:6/8 | |||
L:1/8 | |||
R:Jig | |||
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 183) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
G|DEG GFG|ABA AGA|BcB BAG|AcB AGF| | |||
G3 E2D|DEF G2::c|BGB d2d|ege d2c| | |||
BGB def|gfe dcB|c2g B2g|ABA AGA| | |||
BcB BAG|AcB AGF|FGB EFG|DEF G2:|] | |||
<section end=X12 /> | |||
<section begin=X16 /> | |||
X:6 | |||
T:Fanny the Fair. Roose.0006 | |||
B:J.Roose MS, Manchester, 1850 | |||
Z:Village Music Project 2019 Eric Conrad | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=120 | |||
N:NB1) Missing dot in MS. Added here. | |||
K:A | |||
|: a3 ecA | f3 e2a | efe edc | BcA GFE | | |||
a3 ecA | f3 e2a | gfe gaf | eee "_NB1"e3 :| | |||
|: e3 ecA | def ecA | G2A B2c | BcA GFE | | |||
e3 ecA | def egb | ecA dBG | AAA A3 :| | |||
<section end=X16 /> | |||
<section begin=X19 /> | |||
X:1 | X:1 | ||
T:Black Joke [1] | T:Black Joke [1] | ||
Line 177: | Line 270: | ||
|:A|d2d edc|fdf fed|cde efg|agf edc|dfa agf| | |:A|d2d edc|fdf fed|cde efg|agf edc|dfa agf| | ||
edc B2A|[A2f2][Af] edc|Bdc BAG|Ace ecA|BEG A2:| | edc B2A|[A2f2][Af] edc|Bdc BAG|Ace ecA|BEG A2:| | ||
</ | <section end=X19/> | ||
< | <section begin=X22 /> | ||
X:3 | X:3 | ||
T:Black Jock [1], with Variations | T:Black Jock [1], with Variations | ||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
B: | B:Köhlers' Violin Repository, Part Third (1881-1885, p. 207) | ||
N:AEae tuning | N:AEae tuning | ||
N:notation to be played fingered as if in regular tuning | N:notation to be played fingered as if in regular tuning | ||
Line 201: | Line 294: | ||
Dgb cea|BAB (B2{c/B/}A)|f2-a eca|Bdc BAF|=GBc EFG|DEF =G2|| | Dgb cea|BAB (B2{c/B/}A)|f2-a eca|Bdc BAF|=GBc EFG|DEF =G2|| | ||
=GGG GG,G|BBB (B2{c/B/}A)|ccc c=Gc|BBB BAE|A(c/B/)A (E2{F/E/}D)|DEF =G2|| | =GGG GG,G|BBB (B2{c/B/}A)|ccc c=Gc|BBB BAE|A(c/B/)A (E2{F/E/}D)|DEF =G2|| | ||
</ | <section end=X22 /> | ||
<section end=abc /> | |||
---- | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
= | <section begin=X1 /> | ||
<section end=X1 /> | |||
<div class="noprint"> | |||
{{font|text={{#formredlink:target=Annotation:{{PAGENAMEE}}|form=TuneAnnotation|link text={{PAGENAME}}: Annotation}}|font=sans-serif|size=18px}} | |||
</div> | |||
__NOTITLE__ |
Latest revision as of 18:34, 11 October 2023
X:1 T:Coal-Black Joak M:6/8 L:1/8 S:The Beggar's Wedding: A new Opera, as it is acted at S:the Theatre in Dublin with Great Applause: and at the S:Theatre in the Hay-market (1729). K:G D|D2D G2G|A2A A2A|B2 B BAG|A2A AGF| G3 E2D|DEF G2::d|B2c d2d|efg d2c| B2c d2d|efg d2B|c2a B2g|ABc AGF| B2B BAG|A2A AGF|G2F E2D|DEF G2:|
X:11
T:Black Joak
A:England;London
M:6/8
L:1/8
Q:3/8=100
S:J.Walsh,Third Book of the most celebrated jiggs,etc 1731
Z:Pete Stewart, 2004 <www.hornpipemusic.co.uk> with vmp revisions
K:G
D|D2GG2G|A2A A>GA|B>cB B>AG|A>BA A>GF|G3E2D|D.EFG2||
B|B2d d>ed|e>fgd2B|B2d d>ed|e>fgd2B|c>ca B>Bg|
A>BA A>GA|B>cB B>AG|A>BA A>GF|G3E2D|D>EFG3|]
X:12
T:Black Joak [1]
M:6/8
L:1/8
S:Walsh 1731
Z:Pete Stewart 2004
Z:ps
K:G
D | D2GG2G | A2A A>GA | B>cB B>AG | A>BA A>GF | G3E2D | D.EFG2 ||
B | B2d d>ed | e>fgd2B | B2d d>ed | e>fgd2B | c>ca B>Bg |
A>BA A>GA | B>cB B>AG | A>BA A>GF | G3E2D | D>EFG3 ||
X:2
T:Black Joak [1]
M:6/4
L:1/8
R:Country Dance
B: Wright's Compleat Collection of celebrated country Dances (1740, p. 15)
Z:AK/Fiddler's Companion
K:D
D3E F2 G4G2|A3B A2 A2G2A2|B3cB2 B2A2G2|A3BA2 A2G2F2|
G6 E6|D3EF2 G6::B4c2 d4d2|e3fe2 d4c2|
B3cd2 d3ed2|e3fg2 f3ed2|c4g2 b4g2|A3BA2 A2G2A2|
B3cB2 B2A2G2|A3BA2 A2G2F2|G6 E6|D3E F2 G6:||
X:1
T:Black Joak [1]
M:6/4
L:1/8
N:”Longways for as many as will.”
B:John Walsh – Complete Country Dancing-Master, Volume the Fourth
B: (London, 1740, No. 57)
Z:AK/Fiddler’s Companion
K:G
D3EF2 G4G2|A3BA2G2A2|B3cB2 B2A2G2|A3B A2 A2G2F2|
G6E6|D3E F2G6||(B4c2) d4d2|e3fe2 d4c2|
B3c d2 d3ed2|e3f g2 f3ed2|c4g2 B4g2|A3B A2 A2G2A2|
B3c B2 B2A2G2|A3BA2 A2G2F2|G6E6|D3E F2G6||
X:1
T:Burlesque on Black Joak
M:3/4
L:1/8
Q:"Slow"
B:Oswald - Caledonian Pocket Companion, Book 7 (1760, pp. 18-19)
Z:AK/Fiddler's Companion
K:G
D2|(D2E2)G2|G3A G2|A4 (A/B/c)|{B}A4G2|c4 (c/d/e)|
{e}d2 (cB) g2|(ed)(cB)(AG)|{F}TE4 D2|(D2E2) (G>A)|G4:|
|:d2|{c}B4c2|d3e d2|(e>g)(f>a) {a}g(f/e/)|{e}d4c2|
{c}B4 c2|{e}d2 (cB) d2|e3f (e/f/g)|{e}d2 (cB)(AG)|
c2c3e|(d<B)B2 (3gdB|A3B (A/B/d)|{B}A2G2E2|G4 (B/A/G)|
TE4 (G/E/D)|D2E2 (G>A)|G6::D2|(DG) B2B2|TB4 (3dBG|
A2 (3gfe (3dcB|{B}A4G2|c3d (c/d/e)|(dB)(ge)(dB)|A3 g (e/d/B)|
{B}A2G2E2|(GB)(Ac)(Bd)|E4 (G/E/D)|(D2E2) (G>A)|G4:|
|:A2|B2 (GA)(Bc)|{e}d2 (cB) d2|e3f (e/f/g)|{e}d4 c2|
(BA)(GA)(Bc)|{e}d2{c}B2d2|(eg)(fa)(gb)|{e}d2 (cB) (AG)|
c2 (3agf (3edc|B2 (3gfe (3dcB|(Ac)(Bg)(dB)|A3G E2|
(GA)(Bc)(de)|TE4D2|D2E2 (G>A)|G4::GA|B2B2 (3dBG|c2c2 (3ecA|
Bg (3ceg (3Bdg|{B}A4G2|e2e2 (3ceg|d2d2 (3Bdg|(3ecA (3fdB (3gdB|
{B}A3G E2|G2G2 (3B/A/G/|E2E2 (3GED|D2E2 (G>A)|G4::Bc|d2d2 (3GBd|
e2e2 (3Gce|(3gbg (3faf (3ege|{e}d4 B>c|(3dBG (3GBd (3dBG|(3ecG (3Gce (3gec|
(3dgb (3agf (3efg|(3dBg (3ecg (3dBG|(3ceg (3ceg (3ceg|(3Bdg (3Bdg (3Bdg|
A3B (A/B/d)|TA2G2E2|g2g2 (3bag|e2e2 (3ged|d2e2 (g>a)|g4:|
P:"Gig"
M:6/8
L:1/8
"Brisk"D|D2G (GF)G|(AB)A (AG)A|BcB BAG|ABA AGE|
G3TE2D|DEG G2:|d|Bcd ded|efg d2c|Bcd ded|
efg dcB|c2a B2g|ABA AGA|BcB BAG|ABA AGE|
G3TE2D|DEF G2::D|DGB DGB|dBG A2G|
gec dBg|ABG AFD|GBd TE2G|DEF G2:|
|:A|B(G/A/B/c/) dBd|(e/f/g)e d2c|B(G/A/B/c/) dBd|ece d(B/c/d/B/)|
e(c/e/)g f(d/f/)a|(g/f/e/d/c/B/) A2G|e2g d(B/d/)g|A>BA AGE|
G(Bc)d TE2D|DEG G2::d|dgg daa|dbb dc'c'|dd'd' d'c'b|
abg afd|(g/a/b)g Te2d|deg g2::d|BGG dBB|gee Td2c|
B(G/A/B/c/) dBB|gee dBB|c(a/g/)a B(g/f/)g|ABG AFD|
b3 (a/g/f/e/d/c/)|BGB AFD|(G/A/B/c/)d TE2D|DE G G2:|]
X:183
T:Black Joke
M:6/4
L:1/8
B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 2 (London, 1765)
Z:Transcribed and edited by Fynn Titford-Mock, 2007
Z:abc's:AK/Fiddler's Companion
K:G
D3EF2 G4G2|A3BA2 A2G2A2|B3cB2 B2A2G2|
A3BA2 A2G2F2|G6 E6|D3E F2 G6||B4c2 d4d2|
e3fe2 d4c2|B3cd2 d3ed2|e3fg2 f3ed2|
c4g2 B4g2|A3BA2 A2G2A2|B3cB2 B2A2G2|
A3BA2 A2G2F2|G6 E6|D3E F2 G6:||
X:3
T:Black Jock [1]
M:6/8
L:1/8
S:Aird, Selection of Scotch, English, Irish and Foreign Airs, vol. II (1785)
Z:AK/Fiddler's Companion
K:G
D | D2G GFG | ABA AGA | BcB AGF | ABA AGE |
G3 E2D | DEF G2 :|| c | B2c ded | ece d2c |
BGB def | gfe dcB | c2a B2g | ABA ABA |
Bdg dBG | AGA BGE | G3 E2 D | DEF G2 ||
X:1
T:Black Joke [1], The
M:6/8
L:1/8
R:Air
B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No. 102, p. 65)
N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:A
TFEF A2A|B2B TB2A|c2c cBA|BcB BAG|
A3 TF2E|EFA A3::cde efe|f2d Te2d|
cde efe|f2d e2 d/c/|d2d ced|cBc {d}cBA|
cde d2c|BAB BAF|A3 TF2E|EFA A3:|]
X: 1
T:Black Joack [1]. JBut.326
B:John Buttrey MS, poss. Lincolnshire, early 19thC
S:https://buttreymilitarysocialtunes1800.wordpress.com/
Z:vmp.Mike Hicken 2019 www.village-music-project.org.uk
C: 'A Quick Step'
M:6/8
L:1/8
Q:1/4=120
K:G
D|D2G GFG|ABA AGA|BcB AGF|ABA AGE|
G3 E2D|DEF G2:||:c|B2c ded|ece d2c|
BGB def|gfe dcB|c2a B2g|ABA AGA|
Bdg dBG|AGA BGE|G3 E2D|DEF G2:|]
X:1
T:Black Jock [1]
M:6/8
L:1/8
R:Jig
S:Gow - 4th Repository (1817)
Z:AK/Fiddler's Companion
K:A
E|E2A AGA|BcB BAB|c>dc cBA|BcB BAF|A3 F2E|
EFA A2 E/D/|(CE)A AGA|(Bd)c BAG|(Ac)e edc|
Bdc {c}BAG|~A>Bc ~F>GA|EFG A2||
d|(c2d e2)e|fdf {f}e2d|c2d e>fe|f>ga edc|
d2b c2a|BcB {c}BAB|~c>dc cBA|B>cB BAF|
A3 ~F2E|EFA A2d|(cA)c (ec)e|(fd)f e2d|
(cA)c (ec)e|(fd)f {f}e2c|ddd ccc|Bdc B2A|
(Ac)e (ed)c|(Bd)c {c}BAG|~A>Bc ~F>GA|EFG A2||
X:1
T:Black Joke [1]
M:6/8
L:1/8
R:Jig
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 183)
Z:AK/Fiddler’s Companion
K:G
G|DEG GFG|ABA AGA|BcB BAG|AcB AGF|
G3 E2D|DEF G2::c|BGB d2d|ege d2c|
BGB def|gfe dcB|c2g B2g|ABA AGA|
BcB BAG|AcB AGF|FGB EFG|DEF G2:|]
X:6
T:Fanny the Fair. Roose.0006
B:J.Roose MS, Manchester, 1850
Z:Village Music Project 2019 Eric Conrad
M:6/8
L:1/8
Q:3/8=120
N:NB1) Missing dot in MS. Added here.
K:A
|: a3 ecA | f3 e2a | efe edc | BcA GFE |
a3 ecA | f3 e2a | gfe gaf | eee "_NB1"e3 :|
|: e3 ecA | def ecA | G2A B2c | BcA GFE |
e3 ecA | def egb | ecA dBG | AAA A3 :|
X:1
T:Black Joke [1]
M:6/8
L:1/8
R:Jig
B:O'Flannagan - The Hibernia Collection (Boston, 1860, p. 18)
Z:AK/Fiddler's Companion
K:A
G/F/|E2A AGA|BcB B2A|Ace ecA|Edc cA G/F/|
E2A AGA|BcB B2A|Ace ecA|BEG A2:|
|:A|d2d edc|fdf fed|cde efg|agf edc|dfa agf|
edc B2A|[A2f2][Af] edc|Bdc BAG|Ace ecA|BEG A2:|
X:3
T:Black Jock [1], with Variations
M:6/8
L:1/8
B:Köhlers' Violin Repository, Part Third (1881-1885, p. 207)
N:AEae tuning
N:notation to be played fingered as if in regular tuning
N:”Arranged by W.B. Laybourn”
Z:AK/Fiddler’s Companion
K:A
D|(D2=G) G>FG|.B2.B {B/c/}B>AB|.c2.c c>BA|.B2.B BAF|=G3 (E2{F/E/}D)|
D>EF =G2||d|(c2 {d/c/B/c/}d) .e2.e|fdf {e/f/}.e2.d|(c2 {d/c/B/c/}d) .e2.e|f>ga {e/f/}.e2.c|
.B2.b .c2.c|B>cB B>AB|c>dc c>BA|B>cB BAE|=G3 (E2{F/E/}D)|D>EF =G3||D|
=G,2 (G G)FG|BAB (B2{c/B/}A)|=G,>df edc|Bdc BAE|=G3 (E2{F/E/}D)|D>EF =G2||d|
cAc edc|d2e-fed|cAc edc|agf edc|dcd (d/e/)fe|edc (B2{c/B/}A)|
cea edc|Bdc BAE|=G3 (E2{F/E/}D)|DEF =G2||D|=G,2G-GFG|A,2B (B2{c/B/}A)|
=G,2e-edc|Bdc BAE|=G3 EdB|DEF =G2||e|=G,2c-edc|d2e-fed|
=G,2c-edc|agf edc|db-d ca-c|BcB {B/c/}B>AB|ced cBA|Bdc BAE|
AcA EAE|D=gf g2||cAc A/B/cA|BAB (B2{c/B/}A)|cde agf|edc BAE|=G3 (E2{F/E/}D)|
DEF =G2||d|(c2{d/c/B/c/}d) edc|fed edc|cde efe|(f/e/f/g/a) edc|
Dgb cea|BAB (B2{c/B/}A)|f2-a eca|Bdc BAF|=GBc EFG|DEF =G2||
=GGG GG,G|BBB (B2{c/B/}A)|ccc c=Gc|BBB BAE|A(c/B/)A (E2{F/E/}D)|DEF =G2||