Annotation:Rashes (1) (The): Difference between revisions
No edit summary |
No edit summary |
||
| (6 intermediate revisions by 3 users not shown) | |||
| Line 1: | Line 1: | ||
== | __NOABC__ | ||
<div class="noprint"> | |||
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | |||
</div> | |||
---- | ---- | ||
<p><font face=" | {{#lst:{{PAGENAME}}|abc}} | ||
---- | |||
<div style="page-break-before:always"></div> | |||
<p><font face="Century Gothic" size="3"> | |||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | |||
<br> | <br> | ||
'''RASHES, THE.''' AKA - "The Rushes." AKA and see "[[Playing Amang the Rashes]]," "[[Parcel of Rogues (1)]]," "[[Such a Parcel of Rogues in a Nation]]," "[[Wee German Lairdie]]," "[[Wha the Deil hae We Gotten for a King?]]" "[[Boyne Water (1)]]," "[[Cavalcade of the Boyne]]," "[[When the King came o'er the water]]." Scottish, Air (4/4 time). E Minor. Standard tuning (fiddle). AB. "The Rashes" was first printed by cellist-composer James Oswald in the middle of the 18th century (dates vary). Robin Williamson notes that it is traditionally connected with Eskdale in northern England and is one of the tunes to which "The Braes of Yarrow" was sung. He remarks: "It seems to have been the version sung to Sir Walter Scott by the venerable Tibbie Shiel from whom he got a great many ballads for his '''Minstrelsy of the Scottish Border'''." The tune was entered into the 1788 music manuscript book of flute player Ensign Thomas Molyneaux (6th Regt.) of Shelburne, Nova Scotia, and the large 1840 music manuscript collection of Waverton, Cumbria, multi-instrumentalist John Rook. | |||
<br> | <br> | ||
<br> | |||
</div> | |||
</font></p> | </font></p> | ||
<p><font face=" | <div class="noprint"> | ||
''Source for notated version'': | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
<p><font face="Century Gothic" size="3"> | |||
<font color=red>''Source for notated version''</font>: - | |||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Printed sources'': Gatherer (''' | <font color=red>''Printed sources''</font> : - Gatherer ('''Gatherer's Musical Museum'''), 1987; p. 26. | ||
Oswald ('''Caledonian Pocket Companion, vol. 5'''), 1760; p. 26. | |||
Graham & Wood ('''Popular Songs of Scotland'''), 1887; pp. 76–77 (as "When the King Comes Owre the Water"). | |||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Flying Fish FF358, Robin Williamson - "Legacy of the Scottish Harpers, vol. 1."</font> | ||
</font></p> | </font></p> | ||
<br> | <br> | ||
---- | ---- | ||
== | <p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | ||
</div> | |||
__NOEDITSECTION__ | |||
__NOTITLE__ | |||
Latest revision as of 15:46, 2 December 2019
X:1 T:Rashes [1], The M:C L:1/8 R:Air B:Oswald – Caledonian Pocket Companion, Book V (1760, p. 26) Z:AK/Fiddler’s Companion K:Dmin d3c d2f2|{d}c2A2 F2 (GA)|B2 AG d2 (cA)|{A}G4 {F}D4:| |:F2f2 f3g|(fg)(fd) c3f|d2g2g2 ab|{a}g4 {e}d4| (cd)(fg) {fg}a3g|ag(fd) f2F2|(GF)(GA) (fd)(cA)|TG4 {F}D4:| |:(dc)df (dcd)f|cdcA c(AGF)|GFGA f(dcA)|}A|G4 {F}D4:| F2f2 fagf|bagf c3f|dcdf gdba|{a}g4 {e}d4| (cd)(fg) Ta2 gf|g2 (fd) f2 (dc)|d2 (cA) fdcA|{A}G4 {F}D4:|
RASHES, THE. AKA - "The Rushes." AKA and see "Playing Amang the Rashes," "Parcel of Rogues (1)," "Such a Parcel of Rogues in a Nation," "Wee German Lairdie," "Wha the Deil hae We Gotten for a King?" "Boyne Water (1)," "Cavalcade of the Boyne," "When the King came o'er the water." Scottish, Air (4/4 time). E Minor. Standard tuning (fiddle). AB. "The Rashes" was first printed by cellist-composer James Oswald in the middle of the 18th century (dates vary). Robin Williamson notes that it is traditionally connected with Eskdale in northern England and is one of the tunes to which "The Braes of Yarrow" was sung. He remarks: "It seems to have been the version sung to Sir Walter Scott by the venerable Tibbie Shiel from whom he got a great many ballads for his Minstrelsy of the Scottish Border." The tune was entered into the 1788 music manuscript book of flute player Ensign Thomas Molyneaux (6th Regt.) of Shelburne, Nova Scotia, and the large 1840 music manuscript collection of Waverton, Cumbria, multi-instrumentalist John Rook.