Huntsman's Chorus: Difference between revisions

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|f_history=USA(New England)
|f_history=USA(New England)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Diamond School for the Violin
|f_book_title=Second Part of the Musician's Companion
|f_collector=Elias Howe,
|f_collector=Elias Howe
|f_year=1861
|f_year=1843
|f_page=p. 21
|f_page=p. 22
|f_theme_code_index=1H51H3H 5H5H3H2H
|f_theme_code_index=1H51H3H 5H5H3H2H
|f_score=1
}}
}}
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<pre>
<section begin=abc />
X:1
T:Huntsman’s Chorus
M:2/4
L:1/8
R:March
B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 22)
Z:AK/Fiddler’s Companion
K:D
V:1
A|d2 d/e/f/g/|a2 .f.f|.e.a.e.a|f/g/f/e/ dA|d2 d/e/f/g/|a2 .f.f|ed/e/ fe|d3:|
|:f2ff|d2dd|g2 gg|e2 ee|f2 ff|d2 dd|g2 gf|!fermata!e2z2|
f2 ff|g2gg|e2 ed/e/|f>ede|f2 ff|g2 ff|ed/e/ fe|d2 z2:|
|:AA/A/ AA/A/|AA/A/ AA/A/|d2 Af|d2 Af|a/g/e a/g/e|a/g/e a/g/e|d2 Af|d2 Af|
a/g/e a/g/e|a/g/e a/g/e|fd/f/ a2| fd/f/ !fermata!a2|fd/d/ dd/d/|dfd:|
|:A/A/|AF/F/ Fd/d/|dA/A/ Ad|dA/A/ e/d/c/B/|A2 z A/A/|AF/F/ Fd/d/|dA/A/ AB/c/|
dA/A/ AB/c/|d/c/d/f/ e/c/A/c/|d/c/d/f/ e/c/A/c/|dd/d/ dd/d/|dfd:|
V:2
z|F2 F/G/d/e/|f2 dd|cece|d/e/d/c/ AF|F2 F/G/d/e/|f2 dd|AF/G/ AA|F3:|
|:d2dd|B2BB|e2 ee|c2 cc|d2 dd|B2 BB|e2 ed|!fermata!c2 z2|
d2dd|e2 dd|c2 cB/c/|d>cBc|d2 dd|e2 dd|cB/c/ dG|F2 z2:|
|:z4|z4|A2FA|F2 Ad|f/e/c f/e/c|f/e/c  f/e/c|A2 Fd|A2 Fd|
f/e/c f/e/c|f/e/c f/e/c|dA/d/ f2|dA/d/ !fermata!f2|d[F/A/]F/ FF/F/|FAF:|
|:z|FD/D/ DA/A/|AF/F/ FA|AF/F/ c/B/A/G/|F2 zF/F/|FD/D/ DA/A/|AF/F/ FG/A/|
AF/F/ FG/A/|F/E/F/A/ G/E/F/A/|F/E/F/A/ G/A/F/A/|FF/F/ FF/F/|FAF:|
<section end=abc />
<section begin=X2 />
X:1
X:1
T:Hunter's Chorus, The
T:Hunter's Chorus, The
Line 39: Line 82:
{g}fd {g}fd|{g}fd {g}fd|ec/e/ g2|ec/e/ g2|ec/c/ cc/c/|c3 g/g/|
{g}fd {g}fd|{g}fd {g}fd|ec/e/ g2|ec/e/ g2|ec/c/ cc/c/|c3 g/g/|
ge/e/ ec'/c'/|c'g/g/ ge'/e'/|e'2 d'/c'/b/a/|g2 eg/g/|ge/e/ ec'/c'/|c'g/g/ ge'/e'/|
ge/e/ ec'/c'/|c'g/g/ ge'/e'/|e'2 d'/c'/b/a/|g2 eg/g/|ge/e/ ec'/c'/|c'g/g/ ge'/e'/|
e'2 d'/>c'/b/>d'/|c'/>b/c'/>^c'/ d'/>b'/g/>b/|c'/>b/c'/^c'/ d'/>b/g/>b/|c'c'/c'/ c'e'|c'3||
e'2 d'/>c'/b/>d'/|c'/>b/c'/>^c'/ d'/>b/g/>b/|c'/>b/c'/^c'/ d'/>b/g/>b/|c'c'/c'/ c'e'|c'3||
</pre>
<section end=X2 />
<pre>
<section begin=X3 />
X:1
X:1
T:Huntsman's Chorus, The
T:Huntsman's Chorus, The
M:2/4
M:2/4
L:1/8
L:1/8
N:"Allegro"
Q:"Allegro"
B:Köhler’s Violin Repository, Book 2, 1881-1885; p. 122
B:Köhler’s Violin Repository, Book 2, 1881-1885; p. 122
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:D
K:D
"Allegro"A|d2 (d/e/f/g/)|a2 .f.f|eaea|f/g/f/e/ dA|
A|d2 (d/e/f/g/)|a2 .f.f|eaea|f/g/f/e/ dA|d2 (d/e/f/g/)|a2 .f.f|eac'b|a3:||
d2 (d/e/f/g/)|a2 .f.f|eac'b|a3:||
A|[d2f2] [df][df]|[F2d2] [Fd][Fd]|[A2g2] [Ag][Ag]|[c2e2] [ce][ce]|[d2f2][df][df]|[FD2d2][Fd][Fd]|[A2g2][Ag][Ag]|[A3e3]A|
A|[d2f2] [df][df]|[F2d2] [Fd][Fd]|[A2g2] [Ag][Ag]|[c2e2] [ce][ce]|
f2ff|g2 ff|ee (f/e/)d/e/|f2 dA|f2 ff|(ag)ff|(f/e/)d/e/ fe|d3A|
[d2f2][df][df]|[FD2d2][Fd][Fd]|[A2g2][Ag][Ag]|[A3e3]A|
f2ff|g2 ff|ee (f/e/)d/e/|f2 dA|
f2 ff|(ag)ff|(f/e/)d/e/ fe|d3A|
AA/A/ AA/A/|AA/A/ AA/A/|d2 Af|d2 Af|
AA/A/ AA/A/|AA/A/ AA/A/|d2 Af|d2 Af|
(a/g/)e (a/g/)e|(a/g/e) (a/g/e)|d2 Af|d2Af|
(a/g/)e (a/g/)e|(a/g/e) (a/g/e)|d2 Af|d2Af|
Line 63: Line 103:
fd/f/ a2|fd/f/ a2|fd/d/ dd|d2 zA/A/|
fd/f/ a2|fd/f/ a2|fd/d/ dd|d2 zA/A/|
AF/F/ Fd/d/|dA/A/ Af/f/|fdfa|d'z d'z|[F4d4]||
AF/F/ Fd/d/|dA/A/ Af/f/|fdfa|d'z d'z|[F4d4]||
</pre>
<section end=X3 />
<pre>
<section begin=X4 />
X:26
T:Huntsmans Chorus. GHW.026
M:2/4
L:1/8
Q:1/4=100
B:George H.Watson,MS,Swanton Abbott,Norfolk,c1890
R:.Air
A:England; Norfolk
N:I have kept the notes separated as in
N:the MS. There is a pause  mark over the last minim.
Z:Village Music Project, Taz Tarry, 2000
K:G
[V:1]z2zA|d2 d/e/ f/g/|a2 f f|(ea) ea|f/g/f/e/ d A|d2 (d/e/) f/g/|a2f f|
[V:2]z2z A|F2 F/A/ d/e/|f2 d d |c2 c c|d/e/d/c/ d A|F2 F/A/ d/e/|f2 d d |
%
[V:1]e2 ^g3/4 g/4|a2 zA|d2 d/e/ f/g/|a2 f f|ea ea|fe d A|d2 d/e/ f/g/|
[V:2]c2 d3/4 d/4|a2 z A|F2 F/A/ d/e/|f2 d d |c2 c c|dc d A|F2 F/A/ d/e/|
%
[V:1]a2f f|e2 ^g3/4 g/4|a2 zA|f2 f f|d2 d d|g2 g g|e2 e e|f2 f f|
[V:2]f2 d d |c2 d3/4 d/4|c2 z A|A2 A A |B2 B B|B2 B B|c2 c A|A2 A A|
%
[V:1]d2 d d|g2 g g|e2 z A|f2 f f|g2 f f|e2f/e/ d/e/|f2 d A|f2 f f|g2 f f|
[V:2]B2 B B|B2 B B|c2 z c|A2 A A|B2 A d|c2 (d/c/) (B/c/)|dA F A|A2 A A|
%
[V:1](f/e/) (d/c/) f e|d2 z A|A A/ A/ A A/ A/|A A/ A/ A A/ A/|d2 A f|d2 A f|
[V:2]B2 A d|c2 c c|d2 z A|A A/ A/ A A/ A/|A A/ A/ A A/ A/|F2 F A|F2 F A|
%
[V:1](a/g/) e (a/g/) e|(a/g/) e (a/g/) e|d2 A f|d2 A f|\
(a/g/) e (a/g/) e|(a/g/) e (a/g/) e|
[V:2]E GE G|E G E G|F2 F A|F2 F A|E G E G|E G E G|
%
[V:1]f d/ f/ a2|f d/ f/ a2|1 f d/ d/ d f|e2 z:|2 f d/d/ d d/d/| d4||
[V:2]F d/ d/ c2|d d/ d/ c2|1 d d/ d/ d d|c2 z:|2 d F/F/ F F/F/|F4|]
<section end=X4 />
<section begin=X5 />
X:2
X:2
T:Huntsman's Chorus
T:Huntsman's Chorus
Line 74: Line 149:
|: f2 (3fff f2e2 | d2 B6 | g2 (3ggg g2f2 | e2c2B2A2 |  
|: f2 (3fff f2e2 | d2 B6 | g2 (3ggg g2f2 | e2c2B2A2 |  
d2A2 defg | a2 ab g2 ga | fede f2e2 | d2A2D2A2 :||
d2A2 defg | a2 ab g2 ga | fede f2e2 | d2A2D2A2 :||
</pre>
<section end=X5 />
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Latest revision as of 17:08, 10 September 2023


Huntsman's Chorus  Click on the tune title to see or modify Huntsman's Chorus's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Huntsman's Chorus
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 Theme code Index    1H51H3H 5H5H3H2H
 Also known as    
 Composer/Core Source    
 Region    England, United States
 Genre/Style    Contra, English, Military, Morris
 Meter/Rhythm    Country Dance, March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA(New England)
 Structure    AABB
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:Second Part of the Musician's Companion
 Tune and/or Page number    p. 22
 Year of publication/Date of MS    1843
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Huntsman’s Chorus M:2/4 L:1/8 R:March B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 22) Z:AK/Fiddler’s Companion K:D V:1 A|d2 d/e/f/g/|a2 .f.f|.e.a.e.a|f/g/f/e/ dA|d2 d/e/f/g/|a2 .f.f|ed/e/ fe|d3:| |:f2ff|d2dd|g2 gg|e2 ee|f2 ff|d2 dd|g2 gf|!fermata!e2z2| f2 ff|g2gg|e2 ed/e/|f>ede|f2 ff|g2 ff|ed/e/ fe|d2 z2:| |:AA/A/ AA/A/|AA/A/ AA/A/|d2 Af|d2 Af|a/g/e a/g/e|a/g/e a/g/e|d2 Af|d2 Af| a/g/e a/g/e|a/g/e a/g/e|fd/f/ a2| fd/f/ !fermata!a2|fd/d/ dd/d/|dfd:| |:A/A/|AF/F/ Fd/d/|dA/A/ Ad|dA/A/ e/d/c/B/|A2 z A/A/|AF/F/ Fd/d/|dA/A/ AB/c/| dA/A/ AB/c/|d/c/d/f/ e/c/A/c/|d/c/d/f/ e/c/A/c/|dd/d/ dd/d/|dfd:| V:2 z|F2 F/G/d/e/|f2 dd|cece|d/e/d/c/ AF|F2 F/G/d/e/|f2 dd|AF/G/ AA|F3:| |:d2dd|B2BB|e2 ee|c2 cc|d2 dd|B2 BB|e2 ed|!fermata!c2 z2| d2dd|e2 dd|c2 cB/c/|d>cBc|d2 dd|e2 dd|cB/c/ dG|F2 z2:| |:z4|z4|A2FA|F2 Ad|f/e/c f/e/c|f/e/c f/e/c|A2 Fd|A2 Fd| f/e/c f/e/c|f/e/c f/e/c|dA/d/ f2|dA/d/ !fermata!f2|d[F/A/]F/ FF/F/|FAF:| |:z|FD/D/ DA/A/|AF/F/ FA|AF/F/ c/B/A/G/|F2 zF/F/|FD/D/ DA/A/|AF/F/ FG/A/| AF/F/ FG/A/|F/E/F/A/ G/E/F/A/|F/E/F/A/ G/A/F/A/|FF/F/ FF/F/|FAF:|


X:1 T:Hunter's Chorus, The M:2/4 L:1/8 N:From the Opera of “Der Freyschutz” C:Weber B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 99) Z:AK/Fiddler’s Companion K:C G|c2 c/d/e/f/|g2ee|dgdg|e/f/e/d/ cG|c2 c/d/e/f/|g2 ee|dc/d/ ed|c3|| G|c2 c/d/e/f/|g2 ee|dgdg|e/f/e/d/ cG|c2 c/d/e/f/|g2 ee|dgba|g2 zG| c2 c/d/e/f/|g2 ee|dgdg|e/f/e/d/ cG|c2 c/d/e/f/|g2 ee|dgba|g2 zd| e2 ee|c2 cc|f2ff|d2 dd|e2 ee|c2 cc|f2 ff|d2 zG| e2 ee|f2 ee|d2 e/d/c/d/|e2 cc|f2 ee|dc/d/ ed|c2 zG/G/| GG/G/ GG/G/|GG/G/ GG/G/|c2 Ge|c2 Ge|{g}fd {g}fd|{g}fd {g}fd|c2 Ge|c2 Ge| {g}fd {g}fd|{g}fd {g}fd|ec/e/ g2|ec/e/ g2|ec/c/ ce|!fermata!d4| c2 Ge|c2 Ge|{g}fd {g}fd|{g}fd {g}fd|c2 Ge|c2 Ge| {g}fd {g}fd|{g}fd {g}fd|ec/e/ g2|ec/e/ g2|ec/c/ cc/c/|c3 g/g/| ge/e/ ec'/c'/|c'g/g/ ge'/e'/|e'2 d'/c'/b/a/|g2 eg/g/|ge/e/ ec'/c'/|c'g/g/ ge'/e'/| e'2 d'/>c'/b/>d'/|c'/>b/c'/>^c'/ d'/>b/g/>b/|c'/>b/c'/^c'/ d'/>b/g/>b/|c'c'/c'/ c'e'|c'3||


X:1 T:Huntsman's Chorus, The M:2/4 L:1/8 Q:"Allegro" B:Köhler’s Violin Repository, Book 2, 1881-1885; p. 122 Z:AK/Fiddler's Companion K:D A|d2 (d/e/f/g/)|a2 .f.f|eaea|f/g/f/e/ dA|d2 (d/e/f/g/)|a2 .f.f|eac'b|a3:|| A|[d2f2] [df][df]|[F2d2] [Fd][Fd]|[A2g2] [Ag][Ag]|[c2e2] [ce][ce]|[d2f2][df][df]|[FD2d2][Fd][Fd]|[A2g2][Ag][Ag]|[A3e3]A| f2ff|g2 ff|ee (f/e/)d/e/|f2 dA|f2 ff|(ag)ff|(f/e/)d/e/ fe|d3A| AA/A/ AA/A/|AA/A/ AA/A/|d2 Af|d2 Af| (a/g/)e (a/g/)e|(a/g/e) (a/g/e)|d2 Af|d2Af| (a/g/)e (a/g/e)|(a/g/e) (a/g/e)|fd/f/ a2|fd/f/ a2| fd/d/d df|e4|d2 Af|d2 Af|(a/g/)e (a/g/)e|(a/g/)e (a/g/)e| d2 Af|d2 Af|(a/g/)e (a/g/)e|(a/g/)e (a/g/)e| fd/f/ a2|fd/f/ a2|fd/d/ dd|d2 zA/A/| AF/F/ Fd/d/|dA/A/ Af/f/|fdfa|d'z d'z|[F4d4]||


X:26 T:Huntsmans Chorus. GHW.026 M:2/4 L:1/8 Q:1/4=100 B:George H.Watson,MS,Swanton Abbott,Norfolk,c1890 R:.Air A:England; Norfolk N:I have kept the notes separated as in N:the MS. There is a pause mark over the last minim. Z:Village Music Project, Taz Tarry, 2000 K:G [V:1]z2zA|d2 d/e/ f/g/|a2 f f|(ea) ea|f/g/f/e/ d A|d2 (d/e/) f/g/|a2f f| [V:2]z2z A|F2 F/A/ d/e/|f2 d d |c2 c c|d/e/d/c/ d A|F2 F/A/ d/e/|f2 d d | % [V:1]e2 ^g3/4 g/4|a2 zA|d2 d/e/ f/g/|a2 f f|ea ea|fe d A|d2 d/e/ f/g/| [V:2]c2 d3/4 d/4|a2 z A|F2 F/A/ d/e/|f2 d d |c2 c c|dc d A|F2 F/A/ d/e/| % [V:1]a2f f|e2 ^g3/4 g/4|a2 zA|f2 f f|d2 d d|g2 g g|e2 e e|f2 f f| [V:2]f2 d d |c2 d3/4 d/4|c2 z A|A2 A A |B2 B B|B2 B B|c2 c A|A2 A A| % [V:1]d2 d d|g2 g g|e2 z A|f2 f f|g2 f f|e2f/e/ d/e/|f2 d A|f2 f f|g2 f f| [V:2]B2 B B|B2 B B|c2 z c|A2 A A|B2 A d|c2 (d/c/) (B/c/)|dA F A|A2 A A| % [V:1](f/e/) (d/c/) f e|d2 z A|A A/ A/ A A/ A/|A A/ A/ A A/ A/|d2 A f|d2 A f| [V:2]B2 A d|c2 c c|d2 z A|A A/ A/ A A/ A/|A A/ A/ A A/ A/|F2 F A|F2 F A| % [V:1](a/g/) e (a/g/) e|(a/g/) e (a/g/) e|d2 A f|d2 A f|\ (a/g/) e (a/g/) e|(a/g/) e (a/g/) e| [V:2]E GE G|E G E G|F2 F A|F2 F A|E G E G|E G E G| % [V:1]f d/ f/ a2|f d/ f/ a2|1 f d/ d/ d f|e2 z:|2 f d/d/ d d/d/| d4|| [V:2]F d/ d/ c2|d d/ d/ c2|1 d d/ d/ d d|c2 z:|2 d F/F/ F F/F/|F4|]


X:2 T:Huntsman's Chorus M:4/4 L:1/8 K:D A2 |: d2A2 defg | a2 ag f2 ef | e2a2e2a2 | fgfe d2A2 | d2A2 defg | a2 ab g2 ga | fede f2e2 | d2A2D2A2 :| |: f2 (3fff f2e2 | d2 B6 | g2 (3ggg g2f2 | e2c2B2A2 | d2A2 defg | a2 ab g2 ga | fede f2e2 | d2A2D2A2 :||