Souters o' Selkirk (The): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Souters o' Selkirk (The)
|f_tune_title=Souters o' Selkirk (The)
|f_aka=Up Wi' the Souters, Suttors of Selkirk, Sulters of Selkerke, Butterfly (4) (The)
|f_aka=Up Wi' the Souters, Suttors of Selkirk, Sulters of Selkerke, Butterfly (4) (The), North Country Tune (A), North Cuntry Tune (A)
|f_country=Scotland
|f_country=England, Scotland
|f_genre=Scottish
|f_genre=Northumbrian/Borders, Scottish
|f_rhythm=Air/Lament/Listening Piece, Slip/Hop Jig
|f_rhythm=Air/Lament/Listening Piece, Slip/Hop Jig
|f_time_signature=9/8
|f_time_signature=9/8
|f_key=G
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_history=ENGLAND(North East)
|f_structure=AABB
|f_book_title=Aria di Camera
|f_collector=Daniel Wright
|f_year=1727
|f_page=No. 5
|f_theme_code_index=356 531H
|f_score=1
}}
}}
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: annotations]]=
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image_alt=Traditional universal music
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<pre>
<section begin=abc />
 
X:20
T:A North Cuntry [sic] tune
T:aka The Souters of Selkirk
M:6/4
L:1/4
S:Wright 1713
N:
N:barred as printed;bar 3 note 6 as printe
F:trillian.mit.edu/~jc/music/abc/mirror/http://www.goodbagpipes.com/wright.abc
Z:p
K:G
G | B<d g B/c/d/B/ g | dBG B/c/d/B/ g | B/c/d/B/ gg2A | B/c/d/B/ d B/c/d/B/ g |
dBG e>ce | eBdf2A :||Bee/f/g>fe | dBGBde/f/ | g>fef2A | Bde/f/g>fe |
dB/c/d/B/ e c/d/e/c/ | d B/c/d/B/f2A :||B/c/d/B/ dB/c/d/B/ g | dBG B/c/d/B/ d | B/c/d/B/ gf2A |
B/c/d/B/ dB/c/d/B/ g | d>Bde>ce | d>Bdf2A :||GgBg>Bg | cgBGgB | g>BgAfA |
GgBg>Bg | BfBAfA | f>Agf2A :||d2_e/d/e/d/ c/B/ g | dBG d2_e/d/ |
e/d/c/B/ g f2A | d2_e/d/ e/d/c/B/g | dBd ece | dBdf2A :||Bdgg e/f/g/e/ | gGgB>dg |
g e/f/g/e/f2A | Bdgg e/f/g/e/ | d B/c/d/B/ec/d/e/c/ | dB/c/d/B/f2A :||
<section end=abc />
<section begin=X2 />
X:1
X:1
%
T:Sulters of Sellkerke, The
T:Sulters of Sellkerke, The
M:3/4
M:3/4
L:1/8
L:1/8
B:publisher Daniel Wright’s “Aria di Camera” (London, 1727)
B:Daniel Wright – Aria di Camera (London, 1727, No. 5)
N:“being A Choice Collection of Scotch, Irish & Welsh Airs
N:”being A Choice Collection of Scotch, Irish & Welsh Airs
N:for the Violin and German Flute by the following masters
N:for the Violin and German Flute by the following masters
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick
N:Mr. Hugh Edwards of Carmarthen”
N:Mr. Hugh Edwards of Carmarthen”
F:https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:G
K:G
Bc d2e2|d2B2g2|edcBAG|Bc d2e2|d2B2g2|f4A2|
Bc d2 e2|d2B2g2|(ed)(cB)(AG)|Bc d2e2|d2B2g2|f4A2|
Bcd2e2|d2B2g2|edcBAG|c3d c/d/e|d2B2g2|f4A2||
Bc d2e2|d2B2g2|(ed)(cB)(AG)|c3d (c/d/e)|d2B2g2|f4 A2||
g2G2B2|g2f2e2|d2B2G2|g2G2B2|g2f2e2|f4 d/e/f|
g2G2B2|g2f2e2|d2B2G2|g2G2B2|g2f2e2|f4 (d/e/f)|
g2G2B2|g2f2e2|d2g2B2|c3d c/d/e|d2B2g2|f4A2||
g2G2B2|g2f2e2|d2g2B2|c3d (c/d/e)|d2B2g2| f4A2||
d2d4|d2B2ef|edcBAG|d6|d2B2 bc'|a4A2|
d2 d4|d2 B2 (ef)|(ed)(cB)(AG)|d6|d2B2 (bc') |a4 A2|
d6|d2B2bc'|a2 gfed|c3d c/d/e|d2B2b2|f4 A2||
d6|d2B2 (bc')|a2 (gfed)|c3d (c/d/e)|d2B2g2|f4 A2||
G2B2d2|g2f2e2|d2B2G2|G2B2d2|g2d2g2|f4 A2|
G2B2 d2|g2f2e2|d2B2G2|G2B2d2|g2d2g2|f4A2|
G2B2d2 g2f2e2|d2g2A2|c3d c/d/e|d2B2g2|f4 A2||
G2B2d2|g2f2e2|d2g2A2|c3d (c/d/e)|d2B2g2|f4 A2||
d2 dB dB|g2 gd gd|edcBAG|d2 dB dB|g2 gd gd|f4 A2|
d2 (dB) (dB)|g2 (gd) (gd)|(ed)(cB)(AG)|d2 (dB) (dB)|g2 (gd) (gd)|
d2 dB dB|g2 gd gd|e2 ec ec|f2 fd fd|fg a2 gf|g4 G2||
f4 A2|d2 (dB) (dB)|g2 (gd) (gd)|e2 (ec) (ec)|f2 (fd) (fd)|fg a2 (gf)|g4 G2||
dcBcdB|gfefge|dcBABG|dcBcdB|gfefge|f4 A2|
dcBcdB|gfefge|dcBABG|dcBcdB|gfefge|f2 A2|
dcBcdB|gfefge|c'bagfe|gfedcB|c2e2a2|f4 A2||
dcBcdB|gfefge|c'bagfe|gfedcB|c2e2a2|f4 A2||
g2 agfe|d2g2d2|edcBAG|g2 agfe|d2g2 bc'|f4 A2|
g2 (ag)(fe)|d2g2d2|(ed)(cB)(AG)|g2 (ag)(fe)|d2g2 (bc')|f4 A2|
g2 agfe|d2g2 bc'|a2 gfed|cBcde=f|d2g2f2|g4G2||
g2 (ag)(fe)|d2g2 (bc')|a2 (gf)(ed)|cBcde=f|d2 g2f2|g4 G2||
</pre>
<section end=X2 />
<pre>
<section begin=X3 />
X:2
X:2
%
T:Sulters of Sellkerke
T:Sulters of Sellkerke
M:3/4
M:3/4
Line 55: Line 99:
g2G2B2|g2f2e2|f4A2|g2G2B2|g2f2e2|
g2G2B2|g2f2e2|f4A2|g2G2B2|g2f2e2|
d2g2B2|c3d (c/d/e)|d2B2g2|e4 A2||
d2g2B2|c3d (c/d/e)|d2B2g2|e4 A2||
</pre>
<section end=X3 />
<pre>
<section begin=X4 />
X:1
T:Souters of Selkirk, The
M:3/4
L:1/8
R:Air
Q:"Slow"
B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 10)
F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf
N:Francis Barsanti  (1690-1775) was  an Italian flautist, oboist and composer who spent
N:most of his life in London and Edinburgh.
Z:AK/Fiddler’s Companion
K:G
V:1
G2|SBc d2 e2|Td2B2g2|(ed)(cB)(AG)|Bc d2 Je2|Td2{c}B2 g2|{a}f4A2|
Bc d2 e2|Td2 {c}B2g2|(ed)(cB)T(AB)|c3d Je2|Td2 {c}B2 g2|Tf4 A2:|
|:g2G2B2|g2Tf2e2|Td2 (cB)(AG)|g2G2 B2|g2 (ag)(fe)|Tf4 A2|
g2G2B2|g2 (ag)T(fe)|d2G2B2|c3d Je2|Td2B2 g2|{a}Tf4 A2S:|]
V:2 clef = bass
z2|SG,A, B,2C2|B,2G,2B,2|C4 D2|G,A, B,2C2|B,2 G,A,B,C|D6|
G,,A,, B,,2C,2|B,,2G,,2B,,2|C,4 D,2|E,3D, C,2|B,,2 G,,A,,B,,C,|D,6:|
|:G,4F,2|E,2D,2C,2|B,,6|E,4D,2|C,4^C,2|D,2D,,2C,2|
B,,4G,2|E,2C,4|C,2B,,2G,,2|E,3D,C,2|B,,2 G,,A,,B,,C,|D,6S:|]
<section end=X4 />
<section begin=X5 />
X:3
X:3
%
T:Sulters of Selkerke
T:Sulters of Selkerke
M:3/4
M:3/4
Line 72: Line 139:
|:g2G2B2|g2f2e2|d2B2G2|g2G2B2|{ef}g2Tf2e2|Tf4A2|
|:g2G2B2|g2f2e2|d2B2G2|g2G2B2|{ef}g2Tf2e2|Tf4A2|
g2G2B2|g2f2e2|d2g2B2|c3d (c/d/)e|d2G2g2|Tf4 A2:|]
g2G2B2|g2f2e2|d2g2B2|c3d (c/d/)e|d2G2g2|Tf4 A2:|]
</pre>
<section end=X5 />
<pre>
<section begin=X6 />
X:1
X:1
%
T:Souters of Selkirk, The
T:Souters of Selkirk, The
M:3/4
M:3/4
Line 90: Line 156:
|:G2 (Bcd)B|g2 (efge)|d2 (BcdB)|G2 (BcdB)|g2 (efge)|Tf4A2|
|:G2 (Bcd)B|g2 (efge)|d2 (BcdB)|G2 (BcdB)|g2 (efge)|Tf4A2|
G2B2d2|g2 (ag)(fe)|(dc)(BA)(BG)|c2e2a2|d2 (fgaf)|g4 G2:|
G2B2d2|g2 (ag)(fe)|(dc)(BA)(BG)|c2e2a2|d2 (fgaf)|g4 G2:|
|:g2 (ag)(fe)|d2g2d2|(ed)(cB)(AG)|g2 (ag)(fe)|d2g2 (b>c’)|
|:g2 (ag)(fe)|d2g2d2|(ed)(cB)(AG)|g2 (ag)(fe)|d2g2 (b>c')|
{b}a4A2|g2 (ag)(ge)|d2 (ef) g2|(ec)(dB)(AG)|(cBc).d.e.f|
{b}a4A2|g2 (ag)(ge)|d2 (ef) g2|(ec)(dB)(AG)|(cBc).d.e.f|
d3 g f2|{f}g4 G2::d2 (d<B)(d<B)|g2 (g<d)(g<d)|(ed)(cB)(AG)|
d3 g f2|{f}g4 G2::d2 (d<B)(d<B)|g2 (g<d)(g<d)|(ed)(cB)(AG)|
Line 111: Line 177:
c>de dBg Tf2A::gGB g(a/g/f/e/) dBG|gdB gdB|a(f/g/a/f/)|
c>de dBg Tf2A::gGB g(a/g/f/e/) dBG|gdB gdB|a(f/g/a/f/)|
g(e/f/g/e/) d(B/c/d/B/) G(B/c/d/B/)|cec dBg Tf2 A:|]
g(e/f/g/e/) d(B/c/d/B/) G(B/c/d/B/)|cec dBg Tf2 A:|]
</pre>
<section end=X6 />
<pre>
<section begin=X8 />
X:4
X:4
%
T:Suttors of Selkirk
T:Suttors of Selkirk
M:3/4
M:3/4
Line 128: Line 193:
g2G2B2 | g2 agfe |{e}f4 A2 | g2G2B2 |  
g2G2B2 | g2 agfe |{e}f4 A2 | g2G2B2 |  
g2 agfe | d2g2B2 | c3de2 | d2B2g2 |{g}Tf4A2 :|]
g2 agfe | d2g2B2 | c3de2 | d2B2g2 |{g}Tf4A2 :|]
</pre>
<section end=X8 />
<pre>
<section begin=X9 />
X:1
T:Souters of Selkirk, The
M:9/8
L:1/8
B: https://digital.nls.uk/special-collections-of-printed-music/archive/87709345
B: Neil Stewart – Select Collection of Scots, English, Irish and Foreign Airs, Jiggs &
B:Marches, vol. 1 (Edinburgh, 1784, No. 63, p. 29)
Z:AK/Fiddler’s Companion
K:G
(B/c/d)d (e/f/g)e (dB)G|(B/c/d)d (e/f/g)e Tf2A|(B/c/d)d (e/f/g)e (dB)G|c>de dBg Tf2A:|
|:gGB g(a/g/f/e/) dBG|gdB gdB a(f/g/a/f/)| g(e/f/g/e/) d(B/c/d/B/) G(B/c/d/B/)|cec dBg Tf2A:|
 
<section end=X9 />
<section begin=X10 />
X:5
X:5
%
T:Souters of Selkirk
T:Souters of Selkirk
L:1/8
L:1/8
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B/c/dg f2A|B2G B2G|gdB cB/c/d/e/|dBg f2A:|
B/c/dg f2A|B2G B2G|gdB cB/c/d/e/|dBg f2A:|
|:d3e3|dBG d2G|ABd e2A|d3 e3|dBG c2e|dBg f2A:|
|:d3e3|dBG d2G|ABd e2A|d3 e3|dBG c2e|dBg f2A:|
</pre>
<section end=X10 />
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<section begin=X11 />
 
X:1
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: annotations]]=
T:Souters o’ Selkirk, The
 
M:9/8
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
L:1/8
R:Quickstep
B:John McLachlan - Piper’s Assistant (1854, No. 57, pp. 32-33)
Z:AK/Fiddler’s Companion
K:Amix
efe eca ecA|efe eca g2B|efe eca ecA|def eca g2B:|
|:aAc agf ecA|aAc af/g/a/f/ g2B|aAc agf e>cA|def eca g2B:|
|:cea cea ecA|cea cea g2B|cea cea ecA|def eca g2B:|
|: aga cea ecA|aAa Tfec g2B|aga cea ecA|def eca g2B:|]
<section end=X11 />
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__NOTITLE__

Latest revision as of 17:12, 12 March 2024


Souters o' Selkirk (The)  Click on the tune title to see or modify Souters o' Selkirk (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Souters o' Selkirk (The)
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 Theme code Index    356 531H
 Also known as    Up Wi' the Souters, Suttors of Selkirk, Sulters of Selkerke, Butterfly (4) (The), North Country Tune (A), North Cuntry Tune (A)
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Slip/Hop Jig
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    9/8
 History    ENGLAND(North East)
 Structure    AABB
 Editor/Compiler    Daniel Wright
 Book/Manuscript title    Book:Aria di Camera
 Tune and/or Page number    No. 5
 Year of publication/Date of MS    1727
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Souters o' Selkirk (The): Annotations

X:20 T:A North Cuntry [sic] tune T:aka The Souters of Selkirk M:6/4 L:1/4 S:Wright 1713 N: N:barred as printed;bar 3 note 6 as printe F:trillian.mit.edu/~jc/music/abc/mirror/http://www.goodbagpipes.com/wright.abc Z:p K:G G | B<d g B/c/d/B/ g | dBG B/c/d/B/ g | B/c/d/B/ gg2A | B/c/d/B/ d B/c/d/B/ g | dBG e>ce | eBdf2A :||Bee/f/g>fe | dBGBde/f/ | g>fef2A | Bde/f/g>fe | dB/c/d/B/ e c/d/e/c/ | d B/c/d/B/f2A :||B/c/d/B/ dB/c/d/B/ g | dBG B/c/d/B/ d | B/c/d/B/ gf2A | B/c/d/B/ dB/c/d/B/ g | d>Bde>ce | d>Bdf2A :||GgBg>Bg | cgBGgB | g>BgAfA | GgBg>Bg | BfBAfA | f>Agf2A :||d2_e/d/e/d/ c/B/ g | dBG d2_e/d/ | e/d/c/B/ g f2A | d2_e/d/ e/d/c/B/g | dBd ece | dBdf2A :||Bdgg e/f/g/e/ | gGgB>dg | g e/f/g/e/f2A | Bdgg e/f/g/e/ | d B/c/d/B/ec/d/e/c/ | dB/c/d/B/f2A :||


X:1 T:Sulters of Sellkerke, The M:3/4 L:1/8 B:Daniel Wright – Aria di Camera (London, 1727, No. 5) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F:https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:G Bc d2 e2|d2B2g2|(ed)(cB)(AG)|Bc d2e2|d2B2g2|f4A2| Bc d2e2|d2B2g2|(ed)(cB)(AG)|c3d (c/d/e)|d2B2g2|f4 A2|| g2G2B2|g2f2e2|d2B2G2|g2G2B2|g2f2e2|f4 (d/e/f)| g2G2B2|g2f2e2|d2g2B2|c3d (c/d/e)|d2B2g2| f4A2|| d2 d4|d2 B2 (ef)|(ed)(cB)(AG)|d6|d2B2 (bc') |a4 A2| d6|d2B2 (bc')|a2 (gfed)|c3d (c/d/e)|d2B2g2|f4 A2|| G2B2 d2|g2f2e2|d2B2G2|G2B2d2|g2d2g2|f4A2| G2B2d2|g2f2e2|d2g2A2|c3d (c/d/e)|d2B2g2|f4 A2|| d2 (dB) (dB)|g2 (gd) (gd)|(ed)(cB)(AG)|d2 (dB) (dB)|g2 (gd) (gd)| f4 A2|d2 (dB) (dB)|g2 (gd) (gd)|e2 (ec) (ec)|f2 (fd) (fd)|fg a2 (gf)|g4 G2|| dcBcdB|gfefge|dcBABG|dcBcdB|gfefge|f2 A2| dcBcdB|gfefge|c'bagfe|gfedcB|c2e2a2|f4 A2|| g2 (ag)(fe)|d2g2d2|(ed)(cB)(AG)|g2 (ag)(fe)|d2g2 (bc')|f4 A2| g2 (ag)(fe)|d2g2 (bc')|a2 (gf)(ed)|cBcde=f|d2 g2f2|g4 G2||


X:2 T:Sulters of Sellkerke M:3/4 L:1/8 R:Country Dance B:Wright's Compleat Collection of Celebrated Country Dances (1740, p. 44) Z:AK/Fiddler's Companion K:G Bc d2e2|d2B2G2|(ed)(cB)(AG)|Bc d2e2| d2B2g2|e4A2|Ac d2e2|d2B2g2|(ed)(cB)(AG)|c3cd2| d2B2g2|e4 A2||g2G2B2|g2f2e2|d2B2G2| g2G2B2|g2f2e2|f4A2|g2G2B2|g2f2e2| d2g2B2|c3d (c/d/e)|d2B2g2|e4 A2||


X:1 T:Souters of Selkirk, The M:3/4 L:1/8 R:Air Q:"Slow" B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 10) F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:G V:1 G2|SBc d2 e2|Td2B2g2|(ed)(cB)(AG)|Bc d2 Je2|Td2{c}B2 g2|{a}f4A2| Bc d2 e2|Td2 {c}B2g2|(ed)(cB)T(AB)|c3d Je2|Td2 {c}B2 g2|Tf4 A2:| |:g2G2B2|g2Tf2e2|Td2 (cB)(AG)|g2G2 B2|g2 (ag)(fe)|Tf4 A2| g2G2B2|g2 (ag)T(fe)|d2G2B2|c3d Je2|Td2B2 g2|{a}Tf4 A2S:|] V:2 clef = bass z2|SG,A, B,2C2|B,2G,2B,2|C4 D2|G,A, B,2C2|B,2 G,A,B,C|D6| G,,A,, B,,2C,2|B,,2G,,2B,,2|C,4 D,2|E,3D, C,2|B,,2 G,,A,,B,,C,|D,6:| |:G,4F,2|E,2D,2C,2|B,,6|E,4D,2|C,4^C,2|D,2D,,2C,2| B,,4G,2|E,2C,4|C,2B,,2G,,2|E,3D,C,2|B,,2 G,,A,,B,,C,|D,6S:|]


X:3 T:Sulters of Selkerke M:3/4 L:1/8 R:Country Dance B:John Walsh - Caledonian Country Dances (c. 1745, p. 96) N:Published in several volumes and different editions, 1731-c. 1745) Z:AK/Fiddler's Companion K:G Bc d2e2|d2B2g2|(ed)(cB)(AG)|Bc d2 e2| d2B2g2|Tf4A2|Bcd2e2|d2B2g2| (ed)(cB)(AG)|c3de2|d2B2g2|Tf4 A2:| |:g2G2B2|g2f2e2|d2B2G2|g2G2B2|{ef}g2Tf2e2|Tf4A2| g2G2B2|g2f2e2|d2g2B2|c3d (c/d/)e|d2G2g2|Tf4 A2:|]


X:1 T:Souters of Selkirk, The M:3/4 L:1/8 R:Air Q:"Slow" B:James Oswald – Caledonian Pocket Companion, vol. 1 (1760, p. 34) Z:AK/Fiddler’s Companion K:G (Bc) d2e2|d2B2g2|(ed)(cB)(AG)|(Bc)d2e2|{e}d2B2 (g>a)|{g}Tf4 A2| (B2c2)d2|g2 (ag)(fe)|d2 (cB)(AG)|c3d (c/d/e)|{e}d2B2 (g>a)|{g}Tf4A2:| |:g2G2B2|Tg3f e2|{e}d2 (cB)(AG)|g2G2B2|g2 (ag)(fe)|Tf4 A2| g2G2B2|g2 (ag)(fe)|d2g2B2|(cBcd)ec|d2B2 (g>a)|Tf4 A2:| |:G2 (Bcd)B|g2 (efge)|d2 (BcdB)|G2 (BcdB)|g2 (efge)|Tf4A2| G2B2d2|g2 (ag)(fe)|(dc)(BA)(BG)|c2e2a2|d2 (fgaf)|g4 G2:| |:g2 (ag)(fe)|d2g2d2|(ed)(cB)(AG)|g2 (ag)(fe)|d2g2 (b>c')| {b}a4A2|g2 (ag)(ge)|d2 (ef) g2|(ec)(dB)(AG)|(cBc).d.e.f| d3 g f2|{f}g4 G2::d2 (d<B)(d<B)|g2 (g<d)(g<d)|(ed)(cB)(AG)| d2 (d<B)(d<B)|g2 (g<e)(g<e)|Tf4A2|d2 (d<B)(d<B)|g2 (g<d)(g<d)| e2 (e<c)(e<c)|f2 (f<d)(f<d)|(fga)fdf|{f}g4 G2:||:g2d2e2| {c}TB4e2|d>edBAB|(G2A2)B2|(gfg)abc’|Ta4 (gf)| (gf)(gf)(ed)|(ed)(ed)(cB)|(ed)(cB)(AG)|c2e2c2|d2 (fg)(af)|g4 G2:| |:(d<B) B4|(d<B) A4|(d<B)G4|(d<B)(d<B) d2|(g<d)(g<d) g2| (fg)a2A2|(d<B)B4|(d<B)A4|(d<B)G4|(e<c)(e<c)e2 d2g2f2| {f}g4 G2::(G2a2)b2|G3A (G/A/B)|(E2F2)G2|g2G2B2| G2 b2 (ag)|(fg)a2A2|g4f2|e3 gde|(B2c2)d2| (e2f2)g2|a2 dgfa|G4G2:||(3B/c/d/ (.d.d.d.d)|Gg e2| (dB)(cA) G2|(3Bcd (.d.d.d.d)|g3a (g/a/b)|{b}a4 A2|(3Bcd (.d.d.d.d)| Gg e2 (dc)|BcBA G2|(3cde (3.e.e.e.e)|d2 (fg)(af)|{f}g4 G2:| |:(bgdB) G2|B2e4|(ded)BAB|(GBd)g b2|G2 b2 (ag)|(fg)a2 A2| (bgdB) G2|g2 (efg)e|(c’bag)(fe)|(agfe)(dc)|(Bdg)BAf|{f}g4 G2:| M:9/8 L:1/8 |:"Brisk"(B/c/d)d (e/f/)ge (dB)G|(B/c/)d (e/f/)ge Tf2A|(B/c/)dd (e/f/)ge (dB)G| c>de dBg Tf2A::gGB g(a/g/f/e/) dBG|gdB gdB|a(f/g/a/f/)| g(e/f/g/e/) d(B/c/d/B/) G(B/c/d/B/)|cec dBg Tf2 A:|]


X:4 T:Suttors of Selkirk M:3/4 L:1/8 R:Air Q:"Brisk" S:McGibbon – Scots Tunes, book III, p. 79 (1762) Z:AK/Fiddler’s Companion K:G G2 | (Bcd2)e2 | d2B2g2 | (ed)cBAG | (Bcd2)e2 | d2B2g2 | {g}Tf4A2 | (Bcd2)e2 | d2B2g2 | edcBAG | c3de2 | d2B2g2 |{g}Tf4A2 :||: g2G2B2 | g2f2e2 | d2 cBAG | g2G2B2 | g2 agfe |{e}f4 A2 | g2G2B2 | g2 agfe | d2g2B2 | c3de2 | d2B2g2 |{g}Tf4A2 :|]


X:1 T:Souters of Selkirk, The M:9/8 L:1/8 B: https://digital.nls.uk/special-collections-of-printed-music/archive/87709345 B: Neil Stewart – Select Collection of Scots, English, Irish and Foreign Airs, Jiggs & B:Marches, vol. 1 (Edinburgh, 1784, No. 63, p. 29) Z:AK/Fiddler’s Companion K:G (B/c/d)d (e/f/g)e (dB)G|(B/c/d)d (e/f/g)e Tf2A|(B/c/d)d (e/f/g)e (dB)G|c>de dBg Tf2A:| |:gGB g(a/g/f/e/) dBG|gdB gdB a(f/g/a/f/)| g(e/f/g/e/) d(B/c/d/B/) G(B/c/d/B/)|cec dBg Tf2A:|


X:5 T:Souters of Selkirk L:1/8 M:3/4 Q:"Slow" S:Peacock’s Tunes (c. 1805) Z:AK/Fiddler’s Companion K:G B>c d2e2|d2B2g2|edcBAG|B>C d2e2|d2B2g2|f4 A2| G2B2d2|g2 ecge|d2 cBAA|cBcdec|D2B2g2|f4 A2:| |:g2 GB/c/ dB|g2 efge|edcBAG|g2 GB/c/ dB|g2 efge| f4 A2|g2 GB/c/ dB|g2 efge|edcBAG|cBcdec|d2B2g2|f4 A2:| |:(3dcB e>e e2|(3dcB g>g g2|(3dcB (3cBA (3BAG|(3dcB e>e e2| (3dcB geGg|f4 A2|(3dcB e>e e2|(3dcB (3edc (3gfe| (3dcB (3cBA (3BAG|cBcdec|d2B2g2|f4 A2:| |:g2 dBdB|g2 ecge|dBcABG|g2 dBdB|g2 ecge|f4A2|g2 dBdB| g2 (3efg (3cde|dgdBAG|cBcdec|d2B2g2|f4 A2:| L:1/8 M:6/8 B/c/dd e/f/ge|dBG B/c/dd|e/f/ge f2A|B/c/dd e/f/ge|dBG c/B/c/d/e/c/| dBg f2A:||:GB/c/d/B/ dBg|dBg GB/c/d/B/|dBg f2A|GB/c/d/B/ dBg| d/c/B/A/G c/B/c/d/e/c/|dBg f2A:||:g/f/e/d/B g/f/e/d/B|g/f/e/d/G g/f/e/d/B| g/f/e/d/B g/f/e/d/A|g/f/e/d/B g/f/e/d/B|e/d/c/B/A/G/ c/B/c/d/e/c/|dBg f2A:| |:GgB gBg|BgB GgB|gBg AgA|ggB gBg| BgB cec|dBg f2A::d/B/d/B/e d/B/d/B/g|d/B/d/B/G d/B/d/B/e| d/B/d/B/g f2A|d/B/d/B/e d/B/d/B/g|dBG c/B/c/d/e/c/|dBg f2A:| |:gGB d/B/d/B/d/B/|d/B/d/B/d/B gAc|d/B/d/B/d/B/ c/A/c/A/c/A/|gGB g/f/e/f/g/e/| d/c/B/c/d/B/ c/B/c/d/e/c/|dBg f2A::d2B d2B|d/c/B/A/G d2B| d2B e/d/c/B/A|d2B d2B|d/c/B/A/G c/d/e/f/g/e/|dBg f2A:| |:G/a/B/c/d/B/ g/f/e/d/c/B/|dBg G/A/B/c/d/B/|g/f/e/d/c/B/ eAe|G/A/B/c/d/B/ g/f/e/f/g/e/| dgB c/B/c/d/e/c/|dBg f2A::B2G B2G|dBg B2G| B/c/dg f2A|B2G B2G|gdB cB/c/d/e/|dBg f2A:| |:d3e3|dBG d2G|ABd e2A|d3 e3|dBG c2e|dBg f2A:|


X:1 T:Souters o’ Selkirk, The M:9/8 L:1/8 R:Quickstep B:John McLachlan - Piper’s Assistant (1854, No. 57, pp. 32-33) Z:AK/Fiddler’s Companion K:Amix efe eca ecA|efe eca g2B|efe eca ecA|def eca g2B:| |:aAc agf ecA|aAc af/g/a/f/ g2B|aAc agf e>cA|def eca g2B:| |:cea cea ecA|cea cea g2B|cea cea ecA|def eca g2B:| |: aga cea ecA|aAa Tfec g2B|aga cea ecA|def eca g2B:|]


Souters o' Selkirk (The): Annotations

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