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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Reidy_Johnson's_(1) >
'''REIDY JOHNSON’S [1].''' AKA and see "[[Lawson’s Favorite]],” “[[Patsy Campbell]]." Irish, Reel. The second of two tunes in a medley recorded by Sligo/New York fiddler Michael Coleman for the Shannon/Metro label. The name honors his source, Mrs. Reidy Johnson, a melodeon player (see note for "[[Reidy Johnson's (2)]]."  
|f_annotation='''REIDY JOHNSON’S [1].''' AKA and see "[[Farewell to Leitrim]]," "[[Lawson's Favorite]],” “[[Patsy Campbell]],," "[[Take Her Out and Air Her (2)]]." Irish, Reel. The second of two tunes in a medley recorded by Sligo/New York fiddler Michael Coleman for the Shannon/Metro label (following "[[Hand Me Down the Tackle]]"). The name honors his source, Mrs. Redie Johnston, a melodeon player (see note for "[[Reidy Johnson's (2)]]"). Francis O'Neill printed the tune in 1903 as "[[Lawson's Favorite]]."
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|f_recorded_sources=Metro 142 (78 RPM), Michael Coleman (1921).
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''Printed sources'':
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''Recorded sources'': <font color=teal>Metro 142 (78 RPM), Michael Coleman (1921).</font>
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Latest revision as of 21:31, 16 November 2021




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REIDY JOHNSON’S [1]. AKA and see "Farewell to Leitrim," "Lawson's Favorite,” “Patsy Campbell,," "Take Her Out and Air Her (2)." Irish, Reel. The second of two tunes in a medley recorded by Sligo/New York fiddler Michael Coleman for the Shannon/Metro label (following "Hand Me Down the Tackle"). The name honors his source, Mrs. Redie Johnston, a melodeon player (see note for "Reidy Johnson's (2)"). Francis O'Neill printed the tune in 1903 as "Lawson's Favorite."


Additional notes





Recorded sources : - Metro 142 (78 RPM), Michael Coleman (1921).




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