Annotation:Reel des Gagnon: Difference between revisions
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{{TuneAnnotation | |||
|f_annotation='''REEL DES GAGNON.''' AKA - "Air Adrien Saint-Hilaire," "[[Faux ton (Le)]]." French-Canadian, Reel. C Lydian. Standard tuning (fiddle). AABB. The fourth of the scale is sharp, placing this tune in the Lydian mode. The tune is sourced to musician Adrien St-Hilaire, according to the liner notes on Claude Méthé's 1997 collection of recordings by Aimé Gagnon, although it was popularized through the playing of Gagnon. St-Hilaire was a relative of Gagnon's. Méthé also calls the tune "[[Faux ton (Le)]] or 'off-key', Gagnon's name for the somewhat dissonant-sounding melody. | |||
|f_source_for_notated_version=an old family recording of Aimé Gagnon (1921-1997, Saint-Louis de Lotbinière, Québec) [Remon & Bouchard]. | |||
|f_printed_sources=Remon & Bouchard ('''25 Crooked Tunes, vol. 2: Québec Fiddle Tunes'''), 1997; No. 11. Remon & Bouchard ('''Airs Tordes/Crooked Tunes'''), 2011; No. 27, p. 58. | |||
|f_recorded_sources="Aimé Gagnon, Violoneux d'Origine" (1997). Les Têtes de violon - “Le Talencourt.” | |||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Reel_des_Gagnon > | |||
}} | |||
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'''REEL DES GAGNON.''' French-Canadian, Reel. C | |||
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Latest revision as of 23:30, 19 February 2023
X:1 T:Air Adrien Saint-Hilaire T:Reel des Gagnon N:From the playing of fiddler Aimé Gagnon (1921-1997, Saint-Louis de Lotbinière) M:C| L:1/8 Q:"Fast" R:Reel N:Play each part three times. D:"Aimé Gagnon, Violoneux d'Origine" (1997) Z:Andrew Kuntz K:C GcGc Bcde|^fagg eccc|GcGc Bd-dd|"*"BGAB c2c2:| |::e^fgg fgaf| efge ^fedf|e^fgg fgaf|gage c2c2:| P:Substitution "*"GABc c2 ec||
REEL DES GAGNON. AKA - "Air Adrien Saint-Hilaire," "Faux ton (Le)." French-Canadian, Reel. C Lydian. Standard tuning (fiddle). AABB. The fourth of the scale is sharp, placing this tune in the Lydian mode. The tune is sourced to musician Adrien St-Hilaire, according to the liner notes on Claude Méthé's 1997 collection of recordings by Aimé Gagnon, although it was popularized through the playing of Gagnon. St-Hilaire was a relative of Gagnon's. Méthé also calls the tune "Faux ton (Le) or 'off-key', Gagnon's name for the somewhat dissonant-sounding melody.
