Annotation:Clach na Cudain (1): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Clach_na_Cudain_(1) > | |||
|f_annotation='''CLACH NA CUDDIN/CUDAIN {Clachnacudainn} [1]''' (Cross of Inverness). AKA - "[[Rocking Stone of Inverness (The)]]." AKA and see "[[Cross of Inverness]]." Scottish, Strathspey (whole time). D Major. Standard tuning (fiddle). AAB (Athole, Honeyman, Hunter, Skinner): AABB' (Kerr, Martin). MacDonald notes that the Clach na Cudain translates as "The Key stone of Inverness," sometimes called 'the rocking stone of Inverness', referring to a foundation stone in the town of Inverness, located near the famous cross. See also the reel "[[Clach na Cudain (2)]]." | |||
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|f_printed_sources=Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 9. | |||
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'''CLACH NA CUDDIN/CUDAIN {Clachnacudainn} [1]''' (Cross of Inverness). AKA - "[[Rocking Stone of Inverness (The)]]." AKA and see "[[Cross of Inverness]]." Scottish, Strathspey (whole time). D Major. Standard tuning (fiddle). AAB (Athole, Honeyman, Hunter, Skinner): AABB' (Kerr, Martin). MacDonald notes that the Clach na Cudain translates as "The Key stone of Inverness," sometimes called 'the rocking stone of Inverness', referring to a foundation stone in the town of Inverness, located near the famous cross. See also the reel "[[Clach na Cudain (2)]]." | |||
Hunter ('''The Fiddle Music of Scotland'''), 1988; No. 94. | Hunter ('''The Fiddle Music of Scotland'''), 1988; No. 94. | ||
Kerr ('''Merry Melodies, vol. 2'''), No. 151, p. 18. | Kerr ('''Merry Melodies, vol. 2'''), No. 151, p. 18. | ||
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Martin ('''Ceol na Fidhle, vol. 3'''), 1988; p. 28. | Martin ('''Ceol na Fidhle, vol. 3'''), 1988; p. 28. | ||
Skinner ('''The Scottish Violinist'''); p. 6 (with variations). Stewart-Robertson ('''The Athole Collection'''), 1884; p. 95. | Skinner ('''The Scottish Violinist'''); p. 6 (with variations). Stewart-Robertson ('''The Athole Collection'''), 1884; p. 95. | ||
|f_recorded_sources=Rounder 82161-7032-2, Bill Lamey - "From Cape Breton to Boston and Back: Classic House Sessions of Traditional Cape Breton Music 1956-1977" (2000). Rounder 7059, Alex Francis MacKay with Gordon MacLean - "Gaelic in the Bow" (2005). | |||
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Latest revision as of 01:38, 29 August 2021
X:1 T:Clachnacuddin [1] M:C L:1/8 R:Strathspey B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 8) Z:AK/Fiddler’s Companion K:D A,|:D<D{DE}F>E (D2 D)A,|D<D(F>D) (A>D)F<d|D<D{DE}F>E (D2 D)(E/F/)|G<A,(F>A,) (E>A,)C<E:| (d>f)(A>f) (d/e/f/g/)- a>f|d>fA<a f>df>a|(d>f)(A>f) (d/e/f/g/)- (a>f)| d>fA<a|B<gA<f g<eA<d|G>A,(F>A,) (E<A,)C<E:|"Last"[A,8D8]|]
CLACH NA CUDDIN/CUDAIN {Clachnacudainn} [1] (Cross of Inverness). AKA - "Rocking Stone of Inverness (The)." AKA and see "Cross of Inverness." Scottish, Strathspey (whole time). D Major. Standard tuning (fiddle). AAB (Athole, Honeyman, Hunter, Skinner): AABB' (Kerr, Martin). MacDonald notes that the Clach na Cudain translates as "The Key stone of Inverness," sometimes called 'the rocking stone of Inverness', referring to a foundation stone in the town of Inverness, located near the famous cross. See also the reel "Clach na Cudain (2)."
