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|f_annotation='''SMITH'S A GALLANT FIREMAN, THE.''' AKA and see "[[Carrick Reel]]/Carrack's Reel/[[Carrick's Rant]]," “[[More Luck to Us]],” “[[Riley's Favorite]].” Scottish, Air and Strathspey. D Major. Standard tuning (fiddle). AB (Kerr, Martin, Milne, Skinner): AAB (Skye): AABB (Davie): ABCD (Hardie). Bill Hardie (1986) remarks the title refers to the days when the village blacksmith would serve the populace not only by his trade, but would be called upon to extinguish fires in the event of an emergency. An earlier Scottish title is "[[Carrick's Rant]]." J. Scottt Skinner (1843-1927), the 19th/20th century "Strathspey King," declares his transcription to be from "J. Scott Skinner's Set" in his '''The Scottish Violinist''' (1900), while Bill Hardie (1986) styles it "After Charles Hardie's Set." Skinner subtitled the strathspey (which he called "an old air") "Wha wid eat wi' ither folk fan th[e]y hae meat at hame man" in his manuscript version, and directed it be played "Boldly."  
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Words to the melody were written by John Harrison of Forglen near Turriff (1814-1889) and presented to journalist and musician William Carnie of Aberdeen in 1862, who subsequently published them. Carnie himself tells of the incident in his '''Further Aberdeen Reminiscences''' (1904, p. 91-92):
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'''SMITH'S A GALLANT FIREMAN, THE.''' AKA and see "[[Carrick's Reel]]/Carrack's Reel/[[Carrick's Rant]]," “[[More Luck to Us]],” “[[Riley's Favorite]].” Scottish, Air and Strathspey. D Major. Standard tuning (fiddle). AB (Kerr, Martin, Milne, Skinner): AAB (Skye): ABCD (Hardie). Bill Hardie (1986) remarks the title refers to the days when the village blacksmith would serve the populace not only by his trade, but would be called upon to extinguish fires in the event of an emergency. An earlier Scottish title is "[[Carrick's Rant]]." J. Scottt Skinner (1843-1927), the 19th/20th century "Strathspey King," declares his transcription to be from "J. Scott Skinner's Set" in his '''The Scottish Violinist''' (1900), while Bill Hardie (1986) styles it "After Charles Hardie's Set." Skinner subtitled the strathspey (which he called "an old air") "Wha wid eat wi' ither folk fan th[e]y hae meat at hame man" in his manuscript version, and directed it be played "Boldly."  
<br>
<br>
Words to the melody were written by John Harrison of Forglen near Turriff (1814-1889) and presented to journalist and musician William Carnie of Aberdeen in 1862, who subsequently published them. They begin:
<blockquote>
<blockquote>
''Wha's the King o' oor toon end''<br>
[The song "Smith's a Gallant Fireman"]...is the work of John Harrison, born in Forglen, Banffshire, 1814,''  
''And sets the lads in awe man''<br>
''where he followed the plough till he was about out of his teens. Coming then to Aberdeen he obtained''  
''Wha has lasses nine or ten''<br>
''employment with George Maitland, local agent for Messrs. Blackie, publishers, Glasgow, and so acquitted''  
''When some hae nane ava men''<br>
''himself in their service that in time he held the important position of General Manager of their agencies''  
''Wha can mak us daftly dance''<br>
''throughout the United Kingdom. Calling one day upon Harrison in Edinburgh and getting upon things vocal,''  
''Till we be like tae fa' man''<br>
''he asked me if I knew an auld fiddle spring "The Smith's a Gallant Fireman"? Fine that: had danced to it''  
''Whene'er the music o' his pipe''<br>
''a hundred times in Highland barn and Lowland laft. Handing me a bit of manuscript he said--Would this thing''  
''Is heard in oot or ha' man.''<br>
''suit the music?  The "thing" was instanter sung and re-sung in a then (alas! "the then") clear telling''  
''Oh Rab's the man oor village smith''<br>
''voice--when the author, pleased with his brain-birth, exclaimed--"Man, Carnie, I never thocht it was so''  
''I winner that ye speer man''<br>
''good: tak' it and sing't to our friends in Aberdeen." He presented me with the copyright, and I have''  
''Whaur hae ye been a' yer days''<br>
''fulfilled his wish a thousand times.  Mr. Harrison died, a much respected gentleman, in Liverpool, 1889.''  
''That  that ye didna hear man.''<br>
''He's King o' War and Lord of love''<br>
''And Knight o' a oor Shire man''<br>
''At feast or fray by night or day''<br>
''The Smith's a gallant fireman.''<br>
</blockquote>
</blockquote>
A Northumbrian version is known under the title “[[Sir John Fenwick]]," while an Irish variant is called "[[More Luck to Us]]." 
Harrison's words begin:[[File:gallantfireman.jpg|550px|thumb|right|Blacksmiths for the Los Angeles Fire Department, c. 1900.]]
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<blockquote>
</div>
''Wha's the King o' oor toon end''<br />
</font></p>
''And sets the lads in awe man''<br />
<div class="noprint">
''Wha has lasses nine or ten''<br />
== Additional notes ==
''When some hae nane ava men''<br />
<p><font face="Century Gothic" size="2">
''Wha can mak us daftly dance''<br />
<font color=red>''Source for notated version''</font>: -
''Till we be like tae fa' man''<br />
<br>
''Whene'er the music o' his pipe''<br />
<br>
''Is heard in oot or ha' man.''<br />
</font></p>
''Oh Rab's the man oor village smith''<br />
<p><font face="Century Gothic" size="2">
''I winner that ye speer man''<br />
<font color=red>''Printed sources''</font> : - John Anderson ('''Second Collection of New Highland Strathspey Reels'''), 1791. Hardie ('''Caledonian Companion'''), 1986; p. 15. Kerr ('''Merry Melodies, vol. 1'''), c. 1880; Set 3, No. 1, p. 4. MacDonald (The Skye Collection), 1887; p. 44. Martin ('''Traditional Scottish Fiddling'''). 2002; p. 126. Milne ('''Middleton’s Selection of Strathspeys, Reels &c. for the Violin'''), 1870; p. 9. Skinner ('''The Scottish Violinist, with variation'''), p. 16.  
''Whaur hae ye been a' yer days''<br />
<br>
''That  that ye didna hear man.''<br />
<br>
''He's King o' War and Lord of love''<br />
</font></p>
''And Knight o' a oor Shire man''<br />
<p><font face="Century Gothic" size="2">
''At feast or fray by night or day''<br />
<font color=red>''Recorded sources'': </font> <font color=teal> - Rounder 7001, Joe Cormier - "Scottish Violin Music from Cape Breton Island" (1974). “The Caledonian Companion” (1975). </font>
''The Smith's a gallant fireman.''<br />
<br>
</blockquote>
<br>
A Northumbrian version is known under the title “[[Sir John Fenwick]]," while an Irish variants are called "[[More Luck to Us]]" and "[[Mary Queen of Scots (2)]]."
</font></p>
|f_printed_sources=John Anderson ('''Second Collection of New Highland Strathspey Reels'''), 1791. John Anderson ('''Anderson's Pocket Companion of the most approved Highland Strathspeys etc.'''), Perth, 1795. J. Davie & Co. ('''Davie's Caledonian Repository'''), Aberdeen, 1829-30; p. 5.  Hardie ('''Caledonian Companion'''), 1986; p. 15. Kerr ('''Merry Melodies, vol. 1'''), c. 1880; Set 3, No. 1, p. 4. Joseph Lowe ('''Lowe's Collection of Reels, Strathspeys and Jigs, book 6'''), 1844-45; p. 10.  MacDonald (The Skye Collection), 1887; p. 44. Martin ('''Traditional Scottish Fiddling'''). 2002; p. 126. Milne ('''Middleton’s Selection of Strathspeys, Reels &c. for the Violin'''), 1870; p. 9. J. Murray Neil ('''The Scots Fiddle, vol. 1'''), 1999; pp. 44-45. William Ross ('''Ross’s Collection of Pipe Music Book 10'''), 1885, No. 364, p. 12.  Skinner ('''The Scottish Violinist, with variation'''), 1900; p. 16.
<p><font face="Century Gothic" size="2">
|f_recorded_sources=Rounder 7001, Joe Cormier - "Scottish Violin Music from Cape Breton Island" (1974). “The Caledonian Companion” (1975).
See also listing at:<br>
|f_see_also_listing=Alan Snyder's Cape Breton Fiddle Recordings Index: [http://www.cbfiddle.com/rx/tune/t1977.html]<br />
Alan Snyder's Cape Breton Fiddle Recordings Index: [http://www.cbfiddle.com/rx/tune/t1977.html]<br>
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/s12.htm#Smiagaf1]<br />
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/s12.htm#Smiagaf1]<br>
See J. Scott Skinner's handwritten manuscript of the tune for his '''Harp and Claymore''' collection (1904) at the University of Aberdeen's Skinner site [https://www.abdn.ac.uk/scottskinner/display.php?ID=JSS0106]<br />
See J. Scott Skinner's handwritten manuscript of the tune for his '''Harp and Claymore''' collection (1904) at the University of Aberdeen's Skinner site [https://www.abdn.ac.uk/scottskinner/display.php?ID=JSS0106]<br>
Hear Harrison's song sung a capella by Aberdeenshire singer Willie Mathieson (1879-1958) at Tobar an Dualcais [http://kistoriches.co.uk/en/play/4421;jsessionid=0A5C2E3D6DC65F307749CBDC055B24C2] [http://kistoriches.co.uk/en/fullrecord/4421/1]<br />
Hear Harrison's song sung a capella by Aberdeenshire singer Willie Mathieson (1879-1958) at Tobar an Dualcais [http://kistoriches.co.uk/en/play/4421;jsessionid=0A5C2E3D6DC65F307749CBDC055B24C2] [http://kistoriches.co.uk/en/fullrecord/4421/1]<br>
Hear a 1955 whistle/piano field recording of the tune by Lucy and Ned Steward at Tobar an Dualchais [http://www.tobarandualchais.co.uk/en/play/29133;jsessionid=2BB1F2B1001F1726861B106D4942C89E][http://www.tobarandualchais.co.uk/en/fullrecord/29133/-1;jsessionid=B63E758B4737FE0DB669C9AD2C89304C]<br />
</font></p>
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Smith's_a_Gallant_Fireman_(The) >
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Latest revision as of 01:40, 11 April 2023



X:1 T:Smiths are Gallant Firemen M:C L:1/8 R:Reel B:Davie's Caledonian Repository (Aberdeen, 1829-30, p. 5) Z:AK/Fiddler’s Companion K:D D3F A/A/A AB|ABdA GFED|E3F B/B/B Bf|gfed {c}B2 Bd| D3F A/A/A AB|ABdA GFED|GABG FGAF|EFGA B2 BA:| |:d3f d/d/d dA|BAdA GFED|e3f e/e/e ef|gfed {c}B2 Be| d3f d/d/d dA|BAdA GFED|GBGB FAFA|EFGA B2 Bd:||



SMITH'S A GALLANT FIREMAN, THE. AKA and see "Carrick Reel/Carrack's Reel/Carrick's Rant," “More Luck to Us,” “Riley's Favorite.” Scottish, Air and Strathspey. D Major. Standard tuning (fiddle). AB (Kerr, Martin, Milne, Skinner): AAB (Skye): AABB (Davie): ABCD (Hardie). Bill Hardie (1986) remarks the title refers to the days when the village blacksmith would serve the populace not only by his trade, but would be called upon to extinguish fires in the event of an emergency. An earlier Scottish title is "Carrick's Rant." J. Scottt Skinner (1843-1927), the 19th/20th century "Strathspey King," declares his transcription to be from "J. Scott Skinner's Set" in his The Scottish Violinist (1900), while Bill Hardie (1986) styles it "After Charles Hardie's Set." Skinner subtitled the strathspey (which he called "an old air") "Wha wid eat wi' ither folk fan th[e]y hae meat at hame man" in his manuscript version, and directed it be played "Boldly."

Words to the melody were written by John Harrison of Forglen near Turriff (1814-1889) and presented to journalist and musician William Carnie of Aberdeen in 1862, who subsequently published them. Carnie himself tells of the incident in his Further Aberdeen Reminiscences (1904, p. 91-92):

[The song "Smith's a Gallant Fireman"]...is the work of John Harrison, born in Forglen, Banffshire, 1814, where he followed the plough till he was about out of his teens. Coming then to Aberdeen he obtained employment with George Maitland, local agent for Messrs. Blackie, publishers, Glasgow, and so acquitted himself in their service that in time he held the important position of General Manager of their agencies throughout the United Kingdom. Calling one day upon Harrison in Edinburgh and getting upon things vocal, he asked me if I knew an auld fiddle spring "The Smith's a Gallant Fireman"? Fine that: had danced to it a hundred times in Highland barn and Lowland laft. Handing me a bit of manuscript he said--Would this thing suit the music? The "thing" was instanter sung and re-sung in a then (alas! "the then") clear telling voice--when the author, pleased with his brain-birth, exclaimed--"Man, Carnie, I never thocht it was so good: tak' it and sing't to our friends in Aberdeen." He presented me with the copyright, and I have fulfilled his wish a thousand times. Mr. Harrison died, a much respected gentleman, in Liverpool, 1889.

Harrison's words begin:
Blacksmiths for the Los Angeles Fire Department, c. 1900.

Wha's the King o' oor toon end
And sets the lads in awe man
Wha has lasses nine or ten
When some hae nane ava men
Wha can mak us daftly dance
Till we be like tae fa' man
Whene'er the music o' his pipe
Is heard in oot or ha' man.
Oh Rab's the man oor village smith
I winner that ye speer man
Whaur hae ye been a' yer days
That that ye didna hear man.
He's King o' War and Lord of love
And Knight o' a oor Shire man
At feast or fray by night or day
The Smith's a gallant fireman.

A Northumbrian version is known under the title “Sir John Fenwick," while an Irish variants are called "More Luck to Us" and "Mary Queen of Scots (2)."


Additional notes



Printed sources : - John Anderson (Second Collection of New Highland Strathspey Reels), 1791. John Anderson (Anderson's Pocket Companion of the most approved Highland Strathspeys etc.), Perth, 1795. J. Davie & Co. (Davie's Caledonian Repository), Aberdeen, 1829-30; p. 5. Hardie (Caledonian Companion), 1986; p. 15. Kerr (Merry Melodies, vol. 1), c. 1880; Set 3, No. 1, p. 4. Joseph Lowe (Lowe's Collection of Reels, Strathspeys and Jigs, book 6), 1844-45; p. 10. MacDonald (The Skye Collection), 1887; p. 44. Martin (Traditional Scottish Fiddling). 2002; p. 126. Milne (Middleton’s Selection of Strathspeys, Reels &c. for the Violin), 1870; p. 9. J. Murray Neil (The Scots Fiddle, vol. 1), 1999; pp. 44-45. William Ross (Ross’s Collection of Pipe Music Book 10), 1885, No. 364, p. 12. Skinner (The Scottish Violinist, with variation), 1900; p. 16.

Recorded sources : - Rounder 7001, Joe Cormier - "Scottish Violin Music from Cape Breton Island" (1974). “The Caledonian Companion” (1975).

See also listing at :
Alan Snyder's Cape Breton Fiddle Recordings Index: [1]
Jane Keefer's Folk Music Index: An Index to Recorded Sources [2]
See J. Scott Skinner's handwritten manuscript of the tune for his Harp and Claymore collection (1904) at the University of Aberdeen's Skinner site [3]
Hear Harrison's song sung a capella by Aberdeenshire singer Willie Mathieson (1879-1958) at Tobar an Dualcais [4] [5]
Hear a 1955 whistle/piano field recording of the tune by Lucy and Ned Steward at Tobar an Dualchais [6][7]



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