Salamanca (1): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Salamanca (1) | |f_tune_title=Salamanca (1) | ||
|f_aka=Salamanca Reel (1) | |f_aka=Boyle's Reel, Coronation Reel, Dublin Lasses (5), Maigue's Tide, Salamanca Reel (1), Salamanco, Salamander, Tartan Plaid (The), Wild Salamanca (The) | ||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish | ||
Line 15: | Line 15: | ||
|f_page=No. 89 | |f_page=No. 89 | ||
|f_theme_code_index=5353 573H7 | |f_theme_code_index=5353 573H7 | ||
|f_pdf_score=[[File:Salamanca.pdf|thumb|left|200px|page=1]] | |||
|f_score=1 | |||
|f_player=Frank Lee's Tara Ceilidh Band | |||
|f_album=The Salamanca Reel | |||
|f_label=Regal Zonophone MR 1106 (78 RPM) | |||
|f_recording_date=1933 | |||
|f_media={{FeaturedTunes |f_track=Reel - The Salamanca.mp3 |f_artwork=The battle of Salamanca.jpg |f_tune_name= Salamanca |f_played_by=Fionnlagh Ballantine |f_notes= Wellington at the Battle of Salamanca - July 1812 |f_source=[https://soundcloud.com/trad-tune-collection/reel-the-salamanca Soundcloud] |f_pix=220 |f_picpix=80 |f_piclink=Salamanca_(1) }} | |||
}} | }} | ||
{{featured}} | |||
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---- | ---- | ||
< | <section begin=abc /> | ||
X:1 | X:1 | ||
% | T:Salamanca Reel [1] | ||
M:2/4 | |||
L:1/8 | |||
R:Reel and Hornpipe | |||
B:R.M. Levey – First Collection of the Dance Music of Ireland (1858, No. 54, p. 22) | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
d/>B/|A/D/ (3F/E/D/ A/D/ (3F/E/D/| A/d/c/d/ f/e/d/c/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|(B/e/)e/d/ (c/e/)e/g/| | |||
f/B/ (3d/c/B/ b/B/ (3d/c/B/|f/e/d/c/ d/b/a/g/|f/(g/e/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):| | |||
|:(f/g/)|a/(f/d/)(f/ b/)(g/e/)(g/|f/)(g/e/)(c/ d/)(c/B/)(A/|B/)(d/c/)(e/ d/)(f/e/)(g/|f/)(a/^g/)b/ a(3A/B/c/| | |||
d/(e/f/)(g/ a/)(f/b/)(g/|f/)(e/d/)(c/ d/)(b/a/)(g/|f/)(e/d/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):|] | |||
<section end=abc /> | |||
<section begin=X1 /> | |||
X:1 | |||
T:Salamanca Reel [1] | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
B:James Goodman music manuscript collection (County Cork, mid-19th century, Book 2, p. 180) | |||
N:Goodman had the tune from a ms. lent to him by a pipe maker named Doogan. | |||
F: http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=183&z=879.993%2C1342.8005%2C7429.8284%2C2584.8765 | |||
F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
dB|AGFG AGFG|ABde fedc|BE E2 BE {F}D2|Beed cdeg| | |||
fd {e}d2 fd {e}d2|cdef gaag|fgef dBAG|FGEF D2|| | |||
fg|afdf bgeg|fgef dcBA|BcdB cdeg|agfg a2 fg| | |||
afdf bfed|cdef gbag|fgef dBAG|FGEF D2|| | |||
<section end=X1 /> | |||
<section begin=X2 /> | |||
X:1 | |||
T:Salamnche Reel | |||
T:Salamanca Reel [1], The | |||
M:C| | |||
L:1/8 | |||
R:Reel | |||
B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 66, p. 26) | |||
B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript | |||
N:The ms. predates the introduction of quadrille-based polkas and slides that | |||
N:now characterize the music of Sliabh Luachra region, thought to have been | |||
N:introduced in the latter 19th century. | |||
S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it | |||
S:from D. Curtin of Stagmount, Rockchapel, Co Cork. | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
dB|ADFD ADFD|ABde fedc|BE E2 BE E2|cdec d2 eg| | |||
fd d2 fdd2|cdec d2 eg|fgef dBAG|FGEF D2:| | |||
|:(fg)|afdf b2 af|gfge dcBA|BABc defg|a2 aa a2 fg| | |||
a2 fa g2 eg|fdec dcBA|fgef dBAG|FGEF D2:|] | |||
<section end=X2 /> | |||
<section begin=X3 /> | |||
X:1 | |||
T:Dublin Lasses [5], The, or | |||
T:Salamanca Reel [1] | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
S:Philip Carolan music manuscript collection | |||
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate | |||
N:farmer and fiddler who compiled his ms. probably during 1863-1873. | |||
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of | |||
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, | |||
S:2007, p. 125. Carolan ms. 2, No. 56. | |||
K:D | |||
(dB)|AD (F/E/D) AD (F/E/D)|(Adcd) (BA).G.F|BE (G/F/E) BE (G/F/E)|(cd)ed ceag| | |||
fc (d/c/B) fB (d/c/B)|(Ad)cd (df)eg|(fa)ec (dc).B.A|(FG).EF D2:| | |||
|:(fg)|(af)df (bg)ed|(cd).ec (dc)B.A|.G.A.B.c .d.e.f.g|(bg).a.f a2 (fg)| | |||
(ab)af (ga)ge|(f>a)ec (df)ag|(fd)ec (dA).B.G|.FGEF D2:|] | |||
<section end=X3 /> | |||
<section begin=X4 /> | |||
X:1 | |||
T:Salamanco | |||
T:Salamanca [1] | T:Salamanca [1] | ||
M: | M:2/4 | ||
L:1/8 | L:1/8 | ||
R:Reel | R:Reel | ||
B: | C:T.G. Scott | ||
Z:AK/ | N:Howe credited the tune to Scott, but it predates him. | ||
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 636) | |||
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf | |||
Z:AK/Fiddler’s Companion | |||
K:D | K:D | ||
(d/B/)|A/D/ (3F/E/D/ A/D/ (3F/E/D/|A/d/c/d/ f/d/c/d/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|E/e/e/d/ c/d/e/g/| | |||
f/d/ (3d/e/d/ f/d/ (3d/e/d/|B/d/c/e/ d/f/a/g/|f/d/e/c/ d/A/B/G/|F/D/E/F/ D:| | |||
|: | |:f/g/|a/f/d/f/ b/g/e/g/|f/d/e/c/ d/c/B/A/|B/d/c/e/ d/f/e/g/|f/a/g/b/ a(f/g/)| | ||
a/b/a/f/ g/b/g/e/|f/d/e/d/ c/e/a/g/|f/d/e/c/ d/A/B/G/|F/D/E/F/ D:|] | |||
</ | <section end=X4 /> | ||
< | <section begin=X8 /> | ||
X:1 | X:1 | ||
T:Salamanca [1] | T:Salamanca [1] | ||
M:C| | M:C| | ||
Line 49: | Line 142: | ||
|:fg|afdf bgec|dfeg fedc|Bdce defg|a2 (3ba^g afdf| | |:fg|afdf bgec|dfeg fedc|Bdce defg|a2 (3ba^g afdf| | ||
abaf gage|fdec dfag|fdec dBAG|FGEF D2:| | abaf gage|fdec dfag|fdec dBAG|FGEF D2:| | ||
</ | <section end=X8 /> | ||
< | <section begin=X11 /> | ||
X:1 | |||
T:Salamanca [1] | |||
M:C| | |||
L:1/8 | |||
R:Reel | |||
B:Kerr - Merry Melodies vol. 4 (c. 1880's, No. 49, p. 8) | |||
Z:AK/Fiddler's Companion | |||
K:D | |||
(dB)|AD (3FED A2 (3FED|D(dcd) f(dcd)|}BE (3GFE BE (3GFE|Eeed cdeg| | |||
fddf gfed|(3cBA Bc d2 ag|fdec dABG|(3FGF (3EFE D2|| | |||
(fg)|afdf bgec|dcde fdcA|Bddc def^g|a2^g2a2 (3ABc| | |||
defg afdf|bged cdeg|fedc edcB|AGFE D2|| | |||
<section end=X1 /> | |||
<section begin=X15 /> | |||
X:1 | X:1 | ||
T:The Salamanca Reel | T:The Salamanca Reel | ||
T:Salamanca [1] | T:Salamanca [1] | ||
Line 64: | Line 170: | ||
(fg)|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2 fg| | (fg)|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2 fg| | ||
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2|] | abaf gfeg|fdec dfag|fdec dBAG|FGEF D2|] | ||
</ | <section end=X15 /> | ||
< | <section begin=X17 /> | ||
X:1 | X:1 | ||
T:Salamanca Reel, The | T:Salamanca Reel, The | ||
N:Salamanca [1] | N:Salamanca [1] | ||
Line 81: | Line 186: | ||
afdf ecAc|Bcdf ecBA|Bdce dfeg|fbag a2 ag| | afdf ecAc|Bcdf ecBA|Bdce dfeg|fbag a2 ag| | ||
fgaf gfed|Bdcf ecdB|(3cBA ec BGdB|AGFE D2|| | fgaf gfed|Bdcf ecdB|(3cBA ec BGdB|AGFE D2|| | ||
</ | <section end=X17 /> | ||
< | <section begin=X20 /> | ||
X:2 | X:2 | ||
T:Salamanca Reel, The | T:Salamanca Reel, The | ||
N:Salamanca [1] | N:Salamanca [1] | ||
Line 98: | Line 202: | ||
|: afdg bgeg|fdec dcBc|Addc defg|(3aba gb a2fg| | |: afdg bgeg|fdec dcBc|Addc defg|(3aba gb a2fg| | ||
~a3f ~g3e|~f3e dfag|fdec dBAG|1 FGEF D2fg:|2 FGEF D2dB|| | ~a3f ~g3e|~f3e dfag|fdec dBAG|1 FGEF D2fg:|2 FGEF D2dB|| | ||
</ | <section end=X20 /> | ||
---- | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
= | <section begin=X1 /> | ||
<section end=X1 /> | |||
<div class="noprint"> | |||
{{font|text={{#formredlink:target=Annotation:{{PAGENAMEE}}|form=TuneAnnotation|link text={{PAGENAME}}: Annotation}}|font=sans-serif|size=18px}} | |||
</div> | |||
__NOTITLE__ |
Latest revision as of 03:03, 1 February 2024
X:1 T:Salamanca Reel [1] M:2/4 L:1/8 R:Reel and Hornpipe B:R.M. Levey – First Collection of the Dance Music of Ireland (1858, No. 54, p. 22) Z:AK/Fiddler’s Companion K:D d/>B/|A/D/ (3F/E/D/ A/D/ (3F/E/D/| A/d/c/d/ f/e/d/c/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|(B/e/)e/d/ (c/e/)e/g/| f/B/ (3d/c/B/ b/B/ (3d/c/B/|f/e/d/c/ d/b/a/g/|f/(g/e/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):| |:(f/g/)|a/(f/d/)(f/ b/)(g/e/)(g/|f/)(g/e/)(c/ d/)(c/B/)(A/|B/)(d/c/)(e/ d/)(f/e/)(g/|f/)(a/^g/)b/ a(3A/B/c/| d/(e/f/)(g/ a/)(f/b/)(g/|f/)(e/d/)(c/ d/)(b/a/)(g/|f/)(e/d/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):|]
X:1
T:Salamanca Reel [1]
M:C
L:1/8
R:Reel
B:James Goodman music manuscript collection (County Cork, mid-19th century, Book 2, p. 180)
N:Goodman had the tune from a ms. lent to him by a pipe maker named Doogan.
F: http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=183&z=879.993%2C1342.8005%2C7429.8284%2C2584.8765
F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie
Z:AK/Fiddler’s Companion
K:D
dB|AGFG AGFG|ABde fedc|BE E2 BE {F}D2|Beed cdeg|
fd {e}d2 fd {e}d2|cdef gaag|fgef dBAG|FGEF D2||
fg|afdf bgeg|fgef dcBA|BcdB cdeg|agfg a2 fg|
afdf bfed|cdef gbag|fgef dBAG|FGEF D2||
X:1
T:Salamnche Reel
T:Salamanca Reel [1], The
M:C|
L:1/8
R:Reel
B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 66, p. 26)
B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript
N:The ms. predates the introduction of quadrille-based polkas and slides that
N:now characterize the music of Sliabh Luachra region, thought to have been
N:introduced in the latter 19th century.
S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it
S:from D. Curtin of Stagmount, Rockchapel, Co Cork.
Z:AK/Fiddler’s Companion
K:D
dB|ADFD ADFD|ABde fedc|BE E2 BE E2|cdec d2 eg|
fd d2 fdd2|cdec d2 eg|fgef dBAG|FGEF D2:|
|:(fg)|afdf b2 af|gfge dcBA|BABc defg|a2 aa a2 fg|
a2 fa g2 eg|fdec dcBA|fgef dBAG|FGEF D2:|]
X:1
T:Dublin Lasses [5], The, or
T:Salamanca Reel [1]
M:C
L:1/8
R:Reel
S:Philip Carolan music manuscript collection
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p. 125. Carolan ms. 2, No. 56.
K:D
(dB)|AD (F/E/D) AD (F/E/D)|(Adcd) (BA).G.F|BE (G/F/E) BE (G/F/E)|(cd)ed ceag|
fc (d/c/B) fB (d/c/B)|(Ad)cd (df)eg|(fa)ec (dc).B.A|(FG).EF D2:|
|:(fg)|(af)df (bg)ed|(cd).ec (dc)B.A|.G.A.B.c .d.e.f.g|(bg).a.f a2 (fg)|
(ab)af (ga)ge|(f>a)ec (df)ag|(fd)ec (dA).B.G|.FGEF D2:|]
X:1
T:Salamanco
T:Salamanca [1]
M:2/4
L:1/8
R:Reel
C:T.G. Scott
N:Howe credited the tune to Scott, but it predates him.
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 636)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:D
(d/B/)|A/D/ (3F/E/D/ A/D/ (3F/E/D/|A/d/c/d/ f/d/c/d/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|E/e/e/d/ c/d/e/g/|
f/d/ (3d/e/d/ f/d/ (3d/e/d/|B/d/c/e/ d/f/a/g/|f/d/e/c/ d/A/B/G/|F/D/E/F/ D:|
|:f/g/|a/f/d/f/ b/g/e/g/|f/d/e/c/ d/c/B/A/|B/d/c/e/ d/f/e/g/|f/a/g/b/ a(f/g/)|
a/b/a/f/ g/b/g/e/|f/d/e/d/ c/e/a/g/|f/d/e/c/ d/A/B/G/|F/D/E/F/ D:|]
X:1
T:Salamanca [1]
M:C|
L:1/8
R:Reel
B:Ryan's Mammoth Collection (1883)
Z:AK/Fiddler's Companion
K:D
dB|.A.D (3FED .A.D (3FED|Adcd fdcd|BE E2 BE E2|gfed ceag|
fB B2 bB B2|Adce dfag|fdec dBAG|FAEA D2:|
|:fg|afdf bgec|dfeg fedc|Bdce defg|a2 (3ba^g afdf|
abaf gage|fdec dfag|fdec dBAG|FGEF D2:|
X:1
T:Salamanca [1]
M:C|
L:1/8
R:Reel
B:Kerr - Merry Melodies vol. 4 (c. 1880's, No. 49, p. 8)
Z:AK/Fiddler's Companion
K:D
(dB)|AD (3FED A2 (3FED|D(dcd) f(dcd)|}BE (3GFE BE (3GFE|Eeed cdeg|
fddf gfed|(3cBA Bc d2 ag|fdec dABG|(3FGF (3EFE D2||
(fg)|afdf bgec|dcde fdcA|Bddc def^g|a2^g2a2 (3ABc|
defg afdf|bged cdeg|fedc edcB|AGFE D2||
X:1
T:The Salamanca Reel
T:Salamanca [1]
M:C|
L:1/8
B:O'Neill's Music of Ireland. 1850 Melodies, 1903, p. 252, no. 1348
Z:François-Emmanuel de Wasseige
K:D
dB|A>D (3FED A>D (3FED|Adcd fdcd|B>E (3GFE B>E (3GFE|Beed cdeg|
fddg fdcA|Bdce dfag|fdec dBAG|FGEF D2||
(fg)|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2 fg|
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2|]
X:1
T:Salamanca Reel, The
N:Salamanca [1]
M:C
L:1/8
R:Reel
S:Rev. Luke Donnellan – “Oriel Songs and Dances",
S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 40)
Z:AK/Fiddler’s Companion
K:D
(3ABc|dD (3FED AD (3FED|FAdF AdFd|BE (3GFE BE (3GFE|Beed cAAg|
fAdA fAdA|Bdce dfeg|fdec dBAG|FGEF D2 fg||
afdf ecAc|Bcdf ecBA|Bdce dfeg|fbag a2 ag|
fgaf gfed|Bdcf ecdB|(3cBA ec BGdB|AGFE D2||
X:2
T:Salamanca Reel, The
N:Salamanca [1]
R:Reel
D:Bothy Band 1975
Z:id:hn-reel-73
Z:transcribed by henrik.norbeck@mailbox.swipnet.se
M:C|
L:1/8
K:D
AD (3FED AD (3FED|Adcd fdcd|BE~E2 BE~E2|Beed cdeg|
fB~B2 fB~B2|fgfe dfag|fdec dBAG|1 FGEF D2dB:|2 FGEF D2fg||
|: afdg bgeg|fdec dcBc|Addc defg|(3aba gb a2fg|
~a3f ~g3e|~f3e dfag|fdec dBAG|1 FGEF D2fg:|2 FGEF D2dB||