Black Dance (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Black Dance (The) | |f_tune_title=Black Dance (The) | ||
|f_aka=Black's Dance | |||
|f_country=England, Scotland | |f_country=England, Scotland | ||
|f_genre=English, Scottish | |f_genre=English, Scottish | ||
Line 8: | Line 9: | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=One part | |f_structure=One part, ABB, AABB | ||
|f_book_title=Compleat Collection of 200 Favourite Country Dances vol. 3 | |f_book_title=Compleat Collection of 200 Favourite Country Dances vol. 3 | ||
|f_collector=Charles and Samuel Thompson, | |f_collector=Charles and Samuel Thompson, | ||
Line 14: | Line 15: | ||
|f_page=No. 40 | |f_page=No. 40 | ||
|f_theme_code_index=1253 1253 | |f_theme_code_index=1253 1253 | ||
|f_player=Jimmy Shand | |f_score=1 | ||
|f_player=Jimmy Shand | |||
|f_album=Legendary (The) | |f_album=Legendary (The) | ||
|f_label=CDSL8284 | |f_label=CDSL8284 | ||
}} | }} | ||
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations | |||
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|image_alt=Traditional universal music | |||
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---- | ---- | ||
< | <section begin=abc /> | ||
X:3 | X:3 | ||
T:Black Dance, The | T:Black Dance, The | ||
M:2/4 | M:2/4 | ||
Line 34: | Line 51: | ||
gg g(f/e/)|dd d(c/B/)|G(A/B/) c(B/A/)|GG G(e/f/)| | gg g(f/e/)|dd d(c/B/)|G(A/B/) c(B/A/)|GG G(e/f/)| | ||
gg g(f/e/)|dd d(c/B/)|G(A/B/) c(B/A/)|GGG|| | gg g(f/e/)|dd d(c/B/)|G(A/B/) c(B/A/)|GGG|| | ||
</ | <section end=abc /> | ||
< | <section begin=X3 /> | ||
X:1 | X:1 | ||
T:Black Dance | T:Black Dance | ||
M:2/4 | M:2/4 | ||
Line 48: | Line 64: | ||
gg {a}gf/e/|dd dc/B/|AA/B/ {d}cB/A/|GG Ge/f/| | gg {a}gf/e/|dd dc/B/|AA/B/ {d}cB/A/|GG Ge/f/| | ||
gg gf/e/|dd dc/B/|AA/B/ {d}cB/A/|GGG:|] | gg gf/e/|dd dc/B/|AA/B/ {d}cB/A/|GGG:|] | ||
</ | <section end=X3 /> | ||
< | <section begin=X6 /> | ||
X:1 | X:1 | ||
T:Black Dance | T:Black Dance | ||
M:2/4 | M:2/4 | ||
Line 62: | Line 77: | ||
GG A/B/c/A/|d/e/d/c/ Bd|GG A/B/c/A/|d/e/d/c/ B|| | GG A/B/c/A/|d/e/d/c/ Bd|GG A/B/c/A/|d/e/d/c/ B|| | ||
e/f/|gg gf/e/|dd dc/B/|GA/B/ cB/A/|GG G|| | e/f/|gg gf/e/|dd dc/B/|GA/B/ cB/A/|GG G|| | ||
</ | <section end=X6 /> | ||
< | <section begin=X9 /> | ||
X:1 | X:1 | ||
T:Black Dance, The | T:Black Dance, The | ||
M:2/4 | M:2/4 | ||
Line 76: | Line 90: | ||
d/B/|GG A/B/c/A/|(d/e/).d/.c/ Bd/B/|GG A/B/c/A/|(d/e/).d/.c/ B:| | d/B/|GG A/B/c/A/|(d/e/).d/.c/ Bd/B/|GG A/B/c/A/|(d/e/).d/.c/ B:| | ||
|:e/f/|gg {a}g(f/e/)|dd {e}d(c/B/)|GA/B/ {d}c(B/A/)|GGG:|] | |:e/f/|gg {a}g(f/e/)|dd {e}d(c/B/)|GA/B/ {d}c(B/A/)|GGG:|] | ||
</ | <section end=X9 /> | ||
< | <section begin=X12 /> | ||
X:2 | X:2 | ||
T:Black Dance | T:Black Dance | ||
M:2/4 | M:2/4 | ||
Line 90: | Line 103: | ||
gg g(f/e/) | dd d(c/B/) | G(A/B/) c(B/A/) | GG G(e/f/) | | gg g(f/e/) | dd d(c/B/) | G(A/B/) c(B/A/) | GG G(e/f/) | | ||
gg g(f/e/) | dd dc/B/ | G(A/B/) c(B/A/) | GG G :|| | gg g(f/e/) | dd dc/B/ | G(A/B/) c(B/A/) | GG G :|| | ||
</ | <section end=X12 /> | ||
< | <section begin=X15 /> | ||
X:1 | X:1 | ||
T:Black Dance | T:Black Dance | ||
M:2/4 | M:2/4 | ||
Line 103: | Line 115: | ||
d/B/|GG A/B/c/A/|d/e/d/c/ Bd/B/|GG A/B/c/A/|d/e/d/c/ B:| | d/B/|GG A/B/c/A/|d/e/d/c/ Bd/B/|GG A/B/c/A/|d/e/d/c/ B:| | ||
|:(3d/e/f/|gg a/g/f/e/|dd /e/d/c/B/|AB/c/ d/c/B/A/|GGG :|] | |:(3d/e/f/|gg a/g/f/e/|dd /e/d/c/B/|AB/c/ d/c/B/A/|GGG :|] | ||
</ | <section end=X15 /> | ||
< | <section begin=X18 /> | ||
X:1 | X:1 | ||
T:Black Dance, The | T:Black Dance, The | ||
M:2/4 | M:2/4 | ||
Line 116: | Line 127: | ||
d/B/|GG A/B/c/A/|d/e/d/c/ Bd/B/|GG A/B/c/A/|d/c/B/A/ G2:| | d/B/|GG A/B/c/A/|d/e/d/c/ Bd/B/|GG A/B/c/A/|d/c/B/A/ G2:| | ||
|:(3d/e/f/|gggf/e/|dd d/c/B/A/|GA/B/ cB/A/|GGG:|] | |:(3d/e/f/|gggf/e/|dd d/c/B/A/|GA/B/ cB/A/|GGG:|] | ||
</ | <section end=X18 /> | ||
---- | <section begin=X19 /> | ||
=[[ANNOTATION:{{PAGENAME}}| | X:58 | ||
T:Black's Dance. RHu.058, The | |||
< | T:AKA - The Black Dance | ||
B:R.Hughes MS,1823,Whitchurch,Shrops. | |||
A:Whitchurch, Shropshire | |||
Z:Neil Brookes 2006 | |||
M:2/4 | |||
L:1/8 | |||
Q:1/4=100 | |||
R:Country Dance | |||
K:G | |||
D|GG AA|d/e/d/c/ B/c/B/A/|GG AA|d/e/d/c/ B:| | |||
|:d|gg gf/e/|dd dc/B/|cA d/e/d/c/|BGG2:| | |||
<section end=X19 /> | |||
<section begin=X21 /> | |||
X:30 | |||
T:Black Dances. Roose.0030 | |||
B:J.Roose MS, Manchester, 1850 | |||
Z:Village Music Project 2019 Eric Conrad | |||
M:2/4 | |||
Q:1/4=110 | |||
L:1/16 | |||
N:As in MS: The first strain (8 bars) is not repeated. But note that bars 1-4 and bars 5-8 are identical. | |||
N: | |||
N:NB1) As in MS: the notes are on the same beam. | |||
K:G | |||
dB | G2G2 ABcA | dedc B2g2 | G2G2 ABcA | dedc B2dB | | |||
G2G2 ABcA | dedc B2g2 | G2G2 ABcA | dedc B2 || | |||
|: ef | g2g2 {/a}g2fe | d2d2 d2cB | G2Bc dcBA | G2G2 G2ef | | |||
gaba gfed | efgf edcB | cedc BGAF | "_NB1"G2G2G2 :| | |||
<section end=X21 /> | |||
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<section begin=X1 /> | |||
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__NOTITLE__ |
Latest revision as of 22:47, 3 May 2024
X:3 T:Black Dance, The M:2/4 L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 3 (London, 1773) Z:Transcribed and edited by Fynnian Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:G d/B/|GG A/B/c/A/|d/e/d/c/ B(d/B/)|GG A/B/c/A/|d/e/d/c/ B(e/f/)| gg g(f/e/)|dd d(c/B/)|G(A/B/) c(B/A/)|GG G(e/f/)| gg g(f/e/)|dd d(c/B/)|G(A/B/) c(B/A/)|GGG||
X:1
T:Black Dance
M:2/4
L:1/8
R:Country Dance Tune
B:Straight and Skillern – Two Hundred and Four Favourite Country Dances, vol. 1 (c. 1775, No. 36, p. 18)
Z:AK/Fiddler’s Companion
K:G
d/B/|GG A/B/c/A/|d/e/d/c/ Bd/B/|GG A/B/c/A/|d/e/d/c/ Be/f/|
gg {a}gf/e/|dd dc/B/|AA/B/ {d}cB/A/|GG Ge/f/|
gg gf/e/|dd dc/B/|AA/B/ {d}cB/A/|GGG:|]
X:1
T:Black Dance
M:2/4
L:1/8
R:Scots Measure
B:McGlashan - Collection of Scots Measures (177?, p. 1)
Z:AK/Fiddler's Companion
K:G
GG A/B/c/A/|d/e/d/c/ Bd|GG A/B/c/A/|d/e/d/c/ Bd|
GG A/B/c/A/|d/e/d/c/ Bd|GG A/B/c/A/|d/e/d/c/ B||
e/f/|gg gf/e/|dd dc/B/|GA/B/ cB/A/|GG G||
X:1
T:Black Dance, The
M:2/4
L:1/8
R:Country Dance
B:Robert Ross – Choice Collection of Scots Reels or Country Dances
B:& Strathspeys (Edinburgh, 1780, p. 29)
Z:AK/Fiddler’s Companion
K:G
d/B/|GG A/B/c/A/|(d/e/).d/.c/ Bd/B/|GG A/B/c/A/|(d/e/).d/.c/ B:|
|:e/f/|gg {a}g(f/e/)|dd {e}d(c/B/)|GA/B/ {d}c(B/A/)|GGG:|]
X:2
T:Black Dance
M:2/4
L:1/8
R:Reel
S:Henry Livingston's manuscript copybook, late 18th century
Z:AK/Fiddler's Companion
K:G
(d/B/) | GG A/B/c/A/ | d/e/d/c/ B(d/B/) | GG A/B/c/A/ | d/e/d/c/ B(e/f/) |
gg g(f/e/) | dd d(c/B/) | G(A/B/) c(B/A/) | GG G(e/f/) |
gg g(f/e/) | dd dc/B/ | G(A/B/) c(B/A/) | GG G :||
X:1
T:Black Dance
M:2/4
L:1/8
R:Country Dance
S:John Sutherland manuscript collection, “Music for the Bagpipe” (late 18th century)
Z:AK/Fiddler’s Companion
K:G
d/B/|GG A/B/c/A/|d/e/d/c/ Bd/B/|GG A/B/c/A/|d/e/d/c/ B:|
|:(3d/e/f/|gg a/g/f/e/|dd /e/d/c/B/|AB/c/ d/c/B/A/|GGG :|]
X:1
T:Black Dance, The
M:2/4
L:1/8
R:Country Dance Tune
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 52, p. 18)
Z:AK/Fiddler’s Companion
K:G
d/B/|GG A/B/c/A/|d/e/d/c/ Bd/B/|GG A/B/c/A/|d/c/B/A/ G2:|
|:(3d/e/f/|gggf/e/|dd d/c/B/A/|GA/B/ cB/A/|GGG:|]
X:58
T:Black's Dance. RHu.058, The
T:AKA - The Black Dance
B:R.Hughes MS,1823,Whitchurch,Shrops.
A:Whitchurch, Shropshire
Z:Neil Brookes 2006
M:2/4
L:1/8
Q:1/4=100
R:Country Dance
K:G
D|GG AA|d/e/d/c/ B/c/B/A/|GG AA|d/e/d/c/ B:|
|:d|gg gf/e/|dd dc/B/|cA d/e/d/c/|BGG2:|
X:30
T:Black Dances. Roose.0030
B:J.Roose MS, Manchester, 1850
Z:Village Music Project 2019 Eric Conrad
M:2/4
Q:1/4=110
L:1/16
N:As in MS: The first strain (8 bars) is not repeated. But note that bars 1-4 and bars 5-8 are identical.
N:
N:NB1) As in MS: the notes are on the same beam.
K:G
dB | G2G2 ABcA | dedc B2g2 | G2G2 ABcA | dedc B2dB |
G2G2 ABcA | dedc B2g2 | G2G2 ABcA | dedc B2 ||
|: ef | g2g2 {/a}g2fe | d2d2 d2cB | G2Bc dcBA | G2G2 G2ef |
gaba gfed | efgf edcB | cedc BGAF | "_NB1"G2G2G2 :|