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{{Abctune
{{Abctune
|f_tune_title=Woman of the House (1)
|f_tune_title=Woman of the House (1)
|f_aka=Bean an Tigh ar Lár Agam, Bana thee arlar agam, Bean a’ Tigh Faoi Chlair, Woman of the House in the Closed Coffin (The)
|f_aka=Bean an Tigh ar Lár Agam, Bana thee arlar agam, Cows are a Milking (The), Old Woman of the House (The),
|f_country=Ireland
|f_country=Ireland
|f_genre=Irish
|f_genre=Irish
|f_rhythm=Reel (single/double)
|f_rhythm=Reel (single/double)
|f_time_signature=2/2, 4/4
|f_time_signature=4/4, 2/2
|f_key=D
|f_key=D
|f_accidental=2 sharps
|f_accidental=2 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AB
|f_structure=AB
|f_book_title=Ceol Rince na hÉireann vol. 1
|f_book_title=Music of Ireland: 1850 Melodies
|f_collector=Brendan Breathnach
|f_collector=Francis O'Neill
|f_year=1963
|f_year=1903
|f_page=No. 86, p. 38
|f_page=No. 1300, p. 244
|f_theme_code_index=5L333 1365
|f_theme_code_index=5L333 1365
|f_score=1
|f_player=John McKenna
|f_player=John McKenna
|f_album=Lady of the House/Fire away You Devil You
|f_label=Gennett 5549 (78 RPM)
|f_recording_date=1924
|f_recording_date=1924
|f_media=[[File:Leo Rowsome - Boy in the Boat The Old Woman of the House.mp3|thumb|Leo Rowsome - Boy in the Boat The Old Woman of the House]]
}}
}}
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image_alt=Traditional universal music
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<section begin=abc />
<section begin=abc />
X:1
X:1
T:Bana thee arlar agam
T:Bana Thee Alauragum
T:Bean an Tigh ar Lár Agam
T:Bean an Tigh ar Lár agam
T:Woman of the House [1]
T:Woman of the House [1]
M:C
M:C
L:1/8
L:1/8
S:Stephen Grier music manuscript collection (c. 1883, Gortletteragh, County Leitrim)
R:Reel
B:Stephen Grier music manuscript collection (Book 2, c. 1883, No. 236, p. 50)
B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=49&z=-101.2125%2C301.2782%2C3727.7609%2C1510.6131
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:D
K:D
DEFD GFED|D2 dB ABAF|DEFD GFGA|BE ED/E/ BE E2|
DEFD GFED|D2 dB ABAF|DEFD GFGA |BE ED/E/ BE E2|
DEFD GFED|D2 dB ABAF||DEFD GFED|AD DE/D/ AD D2||
DEFD GFED|D2 dB ABAF|DEFD GFED|AD DE/D/ AD D2||
c2 cA B2 BG|A2 AB AGFE|D2 Bd cBAG|BE ED/E/ BE E2|
c2 cA B2 BG|A2 AB AGFE|D2 Bd cBAG|BE ED/E/ BE E2|
c2 cA B2 BG|ABAB AGFE|DEFD GFED|AD DE/D/ AD D2|
c2 cA B2 BG|ABAB AGFE|DEFD GFED|AD DE/D/ AD D2|
c2 cA B2 BG|A2 AB AGFE|D2 Bd cBAG|BE ED/E/ BE E2|
c2 cA B2 BG|A2 AB AGFE|D2 Bd cBAG|BE ED/E/ BE E2|
dcBd cBAc|BAGB AGFE|DEFD GFED|AD DE/D/ AD D2||  
dcBd cBAc|BAGB AGFE|DEFD GFED|AD DE/D/ AD D2||
<section end=abc />
<section end=abc />
<section begin=X1 />
X:1
T:Woman of the House [1]
T:Bean a tig air lar
M:C|
L:1/8
R:Reel
B:O'Neill - Music of Ireland (1903, No. 1300, p. 244)
Z:AK/Fiddler's Companion
K:G
G>(B {c}(3BAB) cBAB|GBdg e2d2|G>(B {c}(3BAB) cBAB|e>A (3AGA e>A (3AGA|
G>(B {c}(3BAB) cBAB|GBdg e2d2|G2 (BG) A2 (GA)|BcAc BG G2||
f2 fd e2 ed|gfge dBGB|f2 fd e2 ed|eA (3AAA e>A (3AAA|
f2 fd e2 ed|gfge dBGB|G2 (BG) A2 (GA)|BcAc (BG) G2|
f2 fd e2 ed]gfge dBGB}f2 fd e2 ed|eA (3AAA eA (3AAA|
gaba gfed|efge dBAB|G2 (BG) A2 (GA)|BcAc (BG) G2||
<section end=X1 />
<section begin=X2 />
X:1
T:Woman of the House [1]
S:John McKenna (1924)
M:4/4
Z:Transcribed by Frank Claudy
L:1/8
K:D
GABd efdB|GFGB ABga|1 bgag efge:|2 bgag ef g2||
~g3 f (3ege dg|efgf edBd| G2 e|:dB~B2 Bz BA|GABd efdB|
eA~A2 Az Bc|dgbg ageg|dB~B2 B=cBA|~g3 f eBdg|
faag faaf|gabg eBdg|efgf edBd|G3 B ABga|1 bgag efgz:|2 bgag efge||
<section end=X2 />
<section begin=X3 />
X:1
T:Woman of the House
S:Michale Coleman, 1927
M:4/4
L:1/8
R:Reel
F:https://journals.openedition.org/etudesirlandaises/15146
Z:Transcribed by Kate Beven-Baker, 2022.
K:G
K:G
[F4B4] B/B/B {Bc}BA|GA(Bd e)(Bd)B|(AE-~E2) (A2 Bd|e)(B~B2) e(B d2)|~B4 (~B3A)|GA(Bd e)(BdB)|GABG (3ABA GA|
(BG)A(G EG)GB||((3dcB (3cBA) BBA|G2 ((3Bcd e)(^cd)B|(AB)^GB (AB=c)d |eB-~B2 e(Bd)c|~[D4B4] (~B3A)|GA(Bd e)(BdB)|
GABG (3ABA GA|(BG)A(G EG)[G,2G2]||(f/a/f/e/ f)d e(dBd)|e(dg)e (dA)Bd|(f/a/f/e/ f)d e(dBd)|
e(a{b}a^g) (a/b/a/g/ a)b|(f/a/f/e/ f)d e(dBd)|(g/a/g/f/ g)e (dc)BA|GABG (3ABA GA|(BG)A(G EG) G2||
(f/a/f/e/ f)d e(dB)d|e(dg)e (dA)Bd|(f/a/f/e/ f)d e(dB)(d|ea{b}a^g) (a/b/a/g/ a)b|(f/a/f/e/ f)d e(dBd)|(g/a/g/f/ g)e (dc)BA|
GABG (3ABA (GA)|(BG)A(G EG)GE||D(B ~[D2B2]) ~[D3B3]A|GA(Bd e)(Bd)B|((3ABA) ^GB (A2B)d|eB-~B2 e(Bdc)|~(B3c) ~(B3A)|
GA(Bd e)(Bd)B|GABG (3ABA GB|((3BdB) A(G EG)GB|((3dcB (3cBA) Bc(BA)|GA ((3Bcd g)(^cd)B|AE-~E2 (A2Bd|e)B-~B2 gB-~B2|
([D/B/][D/d/][D/B/][D/A/][D2B2]) ([D/B/][D/d/][D/B/][D/A/][DB][DA])|GA(Bd e)(Bd)B|GABG (3ABA GA|(BG)A(G EG)G2||(f/a/f/e/ f)d e(dB)d|e(dg)e (dA)Bd|
(f/a/f/e/ f)d e(dB)(d|e)(a{b}a^g) (a/b/a/g/ ab)|(f/a/f/e/ f)d e(dBd)|(g/a/g/f/ g)e (dc)BA|GABG (3ABA GA|
(BG)A(G EG)G2||(f/a/f/e/ f)d e(dB)d|e(dg)e (dA)Bd|(f/a/f/e/ f)d e(dB)(d|e)(a{b}a^g) (a/b/a/g/ a)b|(f/a/f/e/ f)d e(dB)d|
(g/a/g/f/ g)e d(cBA)|GABG (3ABA GA|(BG)A(G EG)GE||D(G ~[D2B2]) ([D/B/][D/d/][D/B/][D/A/][DB])A|GA(Bd e)(Bd)B|(AE {G}(3EDE) (A2 Bd|
e)(B {d}(3BAB) e(Bdc)| ([D/B/][D/d/][D/B/][D/A/][D2B2]) ([D/B/][D/d/][D/B/][D/A/][DB][DA])|GA ((3Bcd e)(^cdB)|GABG (3ABA GA|(BG)A(G EG)GB|
((3dcB (3cBA) BcBA|GA ((3Bcd e)(^cd)B|(AB)^GB (AB)=cd|e(B {d}(3BAB) e(B {d}(3BAB)| ([D/B/][D/d/][D/B/][D/A/][D2B2]) ([D/B/][D/d/][D/B/][D/A/][DB][DA])|GA ((3B^de) 3(cd)B|
GABG (3ABA GA|(BG)A(G EG)[G,2G2]||(f/a/f/e/ f)d e(dB)d|e(dg)e (dA)Bd|(f/a/f/e/ f)d e(dB)(d|
e)(a{b}a^g) (a/b/a/g/ ab)|(f/a/f/e/ f)d e(dBd)|(g/a/g/f/ g)e (dc)BA|GABG (3ABA GA|(BG)A(G EG)!fermata![G,2G2]||
<section end=X3 />
<section begin=X6 />
X:2
T:Woman of the House [1]
M:C|
L:1/8
R:Reel
S:O’Malley Collection
Z:AK/Fiddler’s Companion
K:G
DB{c}B^A B2 {c}B=A | GA (3Bcd eBdB | AGEG A2 (3Bcd | eB~B2 gB~B2 |
GB{c}B^A B2 B=A | GABd (3efe dB | GB~B2 A2 GA | BGAG EG G2 :|
|: f2 {g}fd edBd | edgd edBd | f2 {g}fd ed (3Bcd | ea~a2 ea{b}ag |
f2 df edBd | gage d2 BA | GABG (3ABA GA | BGAG EG G2 :|]
<section end=X6 />
<section begin=X11 />
X:1
T:Woman of the House
S:Jean Carignan (Montreal)
M:4/4
L:1/8
R:Reel
F: https://journals.openedition.org/etudesirlandaises/15146
Z:Transcribed by Kate Beven-Baker, 2022.
K:G
{fa}f3d edBd|edge dABd|(f/a/f/e/ f)d e(dB)d|(ea{b}a^g) (a/b/a/g/ a2)|(f/a/f/e/ fa) ed Bd|(g/a/g/f/ g)e d(c B2)|
GABG- A2 GA|B(GAF) (DG) G2||{fa}f3d e(dBd)|edge d(ABd)|f3d e(dBd)|(ea{b}a^g) (a/b/a/g/ ab)|
{fa}f/a/f- fd e(dBd)|(g/a/g/f/ g)e d(cB2)|GABG A(GED)|BFAF (DG G2-|[G,2G2]) (3cBA- B2 BA|GA(Bd e)(BdB)|A2 (3ABG- A2 Bd|
eB- ~B2 g(Bd2)|[D4B4] ([D2B2]{c}B)A|GABd fBdB|GABG A2 (GA)|BG(AF) D2G2||[D2A2] (3cBA B2 ((3cBA)|GABd eBdB|
(3ABA G.B- A2 ((3Bcd|eB-~B2) g(Bd2)|[D4B4]([D2B2] (3cBA)|GABd eBdB|GABG AAGA|B(GAF) (DG-[G,2G2]||f3) d e(dBd)|
E(dge) dABd|f3 d e(dBd)|e(a{b}a^g) (a/b/a/g/ a2)|(f/a/f/e/ f2) edBd|(g/a/g/f/ g)e dcBA|GA(BG (3A)BA GA|
((BF)(AF) D2G2)||{fa}f3 d e(dBd)|edge dABd|(f/a/f/e/ fd e)(d {e}(3d^cd)|(ea{b}a^g) (a/b/a/g/ ab)|(f/a/f/e/ f)d e(dBd)|
(g/a/g/f/ g)e dcBA|GA(BG (3A)BA GA|((BG)(AF) (DG- G2))||"[A2]"([D2A2]  (3c)B(A B2) (3cBA|GABd eB(dB (3A)BA (GB) A2- (3Bcd|(eB-~B2) g(B d2)|
[G,4D4B4] ([D2B2] {c}[DB][DA])|GABd eBdB|(GABG A2)(GA)|(BG)(A-F D2) G2||([D2A2] (3c)B(A [D2B2]) (3cBA|GABd eBdB|
(3ABA G-B A2 (3Bcd|eB-~B2|g(B d2)|[D4B4] (B3A)|GABd eBdA|GABG A2 G(A|B)(GA)D z2 [D2A2]|([D6B6g6]D2)||
<section end=X11 />
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]

Latest revision as of 03:18, 5 December 2023


Woman of the House (1)  Click on the tune title to see or modify Woman of the House (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Woman of the House (1)
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 Theme code Index    5L333 1365
 Also known as    Bean an Tigh ar Lár Agam, Bana thee arlar agam, Cows are a Milking (The), Old Woman of the House (The)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4, 2/2
 History    
 Structure    AB
 Editor/Compiler    Francis O'Neill
 Book/Manuscript title    Book:Music of Ireland: 1850 Melodies
 Tune and/or Page number    No. 1300, p. 244
 Year of publication/Date of MS    1903
 Artist    Biography:John McKenna
 Title of recording    Lady of the House/Fire away You Devil You
 Record label/Catalogue nr.    Gennett 5549 (78 RPM)
 Year recorded    1924
 Media    
Leo Rowsome - Boy in the Boat The Old Woman of the House
 Score   (1)   



Woman of the House (1): Annotations

X:1 T:Bana Thee Alauragum T:Bean an Tigh ar Lár agam T:Woman of the House [1] M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (Book 2, c. 1883, No. 236, p. 50) B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=49&z=-101.2125%2C301.2782%2C3727.7609%2C1510.6131 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:D DEFD GFED|D2 dB ABAF|DEFD GFGA |BE ED/E/ BE E2| DEFD GFED|D2 dB ABAF|DEFD GFED|AD DE/D/ AD D2|| c2 cA B2 BG|A2 AB AGFE|D2 Bd cBAG|BE ED/E/ BE E2| c2 cA B2 BG|ABAB AGFE|DEFD GFED|AD DE/D/ AD D2| c2 cA B2 BG|A2 AB AGFE|D2 Bd cBAG|BE ED/E/ BE E2| dcBd cBAc|BAGB AGFE|DEFD GFED|AD DE/D/ AD D2||


X:1 T:Woman of the House [1] T:Bean a tig air lar M:C| L:1/8 R:Reel B:O'Neill - Music of Ireland (1903, No. 1300, p. 244) Z:AK/Fiddler's Companion K:G G>(B {c}(3BAB) cBAB|GBdg e2d2|G>(B {c}(3BAB) cBAB|e>A (3AGA e>A (3AGA| G>(B {c}(3BAB) cBAB|GBdg e2d2|G2 (BG) A2 (GA)|BcAc BG G2|| f2 fd e2 ed|gfge dBGB|f2 fd e2 ed|eA (3AAA e>A (3AAA| f2 fd e2 ed|gfge dBGB|G2 (BG) A2 (GA)|BcAc (BG) G2| f2 fd e2 ed]gfge dBGB}f2 fd e2 ed|eA (3AAA eA (3AAA| gaba gfed|efge dBAB|G2 (BG) A2 (GA)|BcAc (BG) G2||


X:1 T:Woman of the House [1] S:John McKenna (1924) M:4/4 Z:Transcribed by Frank Claudy L:1/8 K:D GABd efdB|GFGB ABga|1 bgag efge:|2 bgag ef g2|| ~g3 f (3ege dg|efgf edBd| G2 e|:dB~B2 Bz BA|GABd efdB| eA~A2 Az Bc|dgbg ageg|dB~B2 B=cBA|~g3 f eBdg| faag faaf|gabg eBdg|efgf edBd|G3 B ABga|1 bgag efgz:|2 bgag efge||


X:1 T:Woman of the House S:Michale Coleman, 1927 M:4/4 L:1/8 R:Reel F:https://journals.openedition.org/etudesirlandaises/15146 Z:Transcribed by Kate Beven-Baker, 2022. K:G K:G [F4B4] B/B/B {Bc}BA|GA(Bd e)(Bd)B|(AE-~E2) (A2 Bd|e)(B~B2) e(B d2)|~B4 (~B3A)|GA(Bd e)(BdB)|GABG (3ABA GA| (BG)A(G EG)GB||((3dcB (3cBA) BBA|G2 ((3Bcd e)(^cd)B|(AB)^GB (AB=c)d |eB-~B2 e(Bd)c|~[D4B4] (~B3A)|GA(Bd e)(BdB)| GABG (3ABA GA|(BG)A(G EG)[G,2G2]||(f/a/f/e/ f)d e(dBd)|e(dg)e (dA)Bd|(f/a/f/e/ f)d e(dBd)| e(a{b}a^g) (a/b/a/g/ a)b|(f/a/f/e/ f)d e(dBd)|(g/a/g/f/ g)e (dc)BA|GABG (3ABA GA|(BG)A(G EG) G2|| (f/a/f/e/ f)d e(dB)d|e(dg)e (dA)Bd|(f/a/f/e/ f)d e(dB)(d|ea{b}a^g) (a/b/a/g/ a)b|(f/a/f/e/ f)d e(dBd)|(g/a/g/f/ g)e (dc)BA| GABG (3ABA (GA)|(BG)A(G EG)GE||D(B ~[D2B2]) ~[D3B3]A|GA(Bd e)(Bd)B|((3ABA) ^GB (A2B)d|eB-~B2 e(Bdc)|~(B3c) ~(B3A)| GA(Bd e)(Bd)B|GABG (3ABA GB|((3BdB) A(G EG)GB|((3dcB (3cBA) Bc(BA)|GA ((3Bcd g)(^cd)B|AE-~E2 (A2Bd|e)B-~B2 gB-~B2| ([D/B/][D/d/][D/B/][D/A/][D2B2]) ([D/B/][D/d/][D/B/][D/A/][DB][DA])|GA(Bd e)(Bd)B|GABG (3ABA GA|(BG)A(G EG)G2||(f/a/f/e/ f)d e(dB)d|e(dg)e (dA)Bd| (f/a/f/e/ f)d e(dB)(d|e)(a{b}a^g) (a/b/a/g/ ab)|(f/a/f/e/ f)d e(dBd)|(g/a/g/f/ g)e (dc)BA|GABG (3ABA GA| (BG)A(G EG)G2||(f/a/f/e/ f)d e(dB)d|e(dg)e (dA)Bd|(f/a/f/e/ f)d e(dB)(d|e)(a{b}a^g) (a/b/a/g/ a)b|(f/a/f/e/ f)d e(dB)d| (g/a/g/f/ g)e d(cBA)|GABG (3ABA GA|(BG)A(G EG)GE||D(G ~[D2B2]) ([D/B/][D/d/][D/B/][D/A/][DB])A|GA(Bd e)(Bd)B|(AE {G}(3EDE) (A2 Bd| e)(B {d}(3BAB) e(Bdc)| ([D/B/][D/d/][D/B/][D/A/][D2B2]) ([D/B/][D/d/][D/B/][D/A/][DB][DA])|GA ((3Bcd e)(^cdB)|GABG (3ABA GA|(BG)A(G EG)GB| ((3dcB (3cBA) BcBA|GA ((3Bcd e)(^cd)B|(AB)^GB (AB)=cd|e(B {d}(3BAB) e(B {d}(3BAB)| ([D/B/][D/d/][D/B/][D/A/][D2B2]) ([D/B/][D/d/][D/B/][D/A/][DB][DA])|GA ((3B^de) 3(cd)B| GABG (3ABA GA|(BG)A(G EG)[G,2G2]||(f/a/f/e/ f)d e(dB)d|e(dg)e (dA)Bd|(f/a/f/e/ f)d e(dB)(d| e)(a{b}a^g) (a/b/a/g/ ab)|(f/a/f/e/ f)d e(dBd)|(g/a/g/f/ g)e (dc)BA|GABG (3ABA GA|(BG)A(G EG)!fermata![G,2G2]||


X:2 T:Woman of the House [1] M:C| L:1/8 R:Reel S:O’Malley Collection Z:AK/Fiddler’s Companion K:G DB{c}B^A B2 {c}B=A | GA (3Bcd eBdB | AGEG A2 (3Bcd | eB~B2 gB~B2 | GB{c}B^A B2 B=A | GABd (3efe dB | GB~B2 A2 GA | BGAG EG G2 :| |: f2 {g}fd edBd | edgd edBd | f2 {g}fd ed (3Bcd | ea~a2 ea{b}ag | f2 df edBd | gage d2 BA | GABG (3ABA GA | BGAG EG G2 :|]


X:1 T:Woman of the House S:Jean Carignan (Montreal) M:4/4 L:1/8 R:Reel F: https://journals.openedition.org/etudesirlandaises/15146 Z:Transcribed by Kate Beven-Baker, 2022. K:G {fa}f3d edBd|edge dABd|(f/a/f/e/ f)d e(dB)d|(ea{b}a^g) (a/b/a/g/ a2)|(f/a/f/e/ fa) ed Bd|(g/a/g/f/ g)e d(c B2)| GABG- A2 GA|B(GAF) (DG) G2||{fa}f3d e(dBd)|edge d(ABd)|f3d e(dBd)|(ea{b}a^g) (a/b/a/g/ ab)| {fa}f/a/f- fd e(dBd)|(g/a/g/f/ g)e d(cB2)|GABG A(GED)|BFAF (DG G2-|[G,2G2]) (3cBA- B2 BA|GA(Bd e)(BdB)|A2 (3ABG- A2 Bd| eB- ~B2 g(Bd2)|[D4B4] ([D2B2]{c}B)A|GABd fBdB|GABG A2 (GA)|BG(AF) D2G2||[D2A2] (3cBA B2 ((3cBA)|GABd eBdB| (3ABA G.B- A2 ((3Bcd|eB-~B2) g(Bd2)|[D4B4]([D2B2] (3cBA)|GABd eBdB|GABG AAGA|B(GAF) (DG-[G,2G2]||f3) d e(dBd)| E(dge) dABd|f3 d e(dBd)|e(a{b}a^g) (a/b/a/g/ a2)|(f/a/f/e/ f2) edBd|(g/a/g/f/ g)e dcBA|GA(BG (3A)BA GA| ((BF)(AF) D2G2)||{fa}f3 d e(dBd)|edge dABd|(f/a/f/e/ fd e)(d {e}(3d^cd)|(ea{b}a^g) (a/b/a/g/ ab)|(f/a/f/e/ f)d e(dBd)| (g/a/g/f/ g)e dcBA|GA(BG (3A)BA GA|((BG)(AF) (DG- G2))||"[A2]"([D2A2] (3c)B(A B2) (3cBA|GABd eB(dB (3A)BA (GB) A2- (3Bcd|(eB-~B2) g(B d2)| [G,4D4B4] ([D2B2] {c}[DB][DA])|GABd eBdB|(GABG A2)(GA)|(BG)(A-F D2) G2||([D2A2] (3c)B(A [D2B2]) (3cBA|GABd eBdB| (3ABA G-B A2 (3Bcd|eB-~B2|g(B d2)|[D4B4] (B3A)|GABd eBdA|GABG A2 G(A|B)(GA)D z2 [D2A2]|([D6B6g6]D2)||


Woman of the House (1): Annotations

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