Annotation:Wood's Hornpipe: Difference between revisions

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|f_annotation='''WOOD'S HORNPIPE'''. AKA and see "[[Diable Hornpipe (Le)]]." English, Scottish; Hornpipe (whole time). G Major (Aird): A Major (Blackman, Howe, Laybourn, Wilson). Standard tuning (fiddle). AABB (Blackman, Howe): AA'BB'. The melody also appears under the “Wood’s Hornpipe” title in the 1840 music manuscript collection of multi-instrumentalist John Rook, Wigton, Cumbria, and in several other English musicians' manuscript collections of the first half of the 19th century. It is nearly identical to the version printed in Kerr, save that the last measure of the ‘A’ part in the ms. goes
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|f_printed_sources=Aird  ('''Aird's 6th and Last Volume of Scotch, English, Irish and Foreign Airs''') 1803; No. 67, p. 26. Blackman ('''A Selection of the most favorite Hornpipes for the Violin'''), c. 1810-22; No. 5.  Elias Howe ('''Musician’s Omnibus No. 6'''), Boston, 1880-1882; p. 600.  Kerr ('''Merry Melodies, vol. 2'''), c. 1880’s; No. 356, p. 39. Laybourn ('''Köhler’s Violin Repository vol. 2'''), 1881-1885; p. 157. Wilson ('''Companion to the Ball Room'''), 1816; p. 140.
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'''WOOD'S HORNPIPE'''. AKA and see “[[Morpeth Rant (1)]].” English, Scottish; Hornpipe (whole time). G Major (Aird): A Major (Laybourn, Wilson). Standard tuning (fiddle). AA'BB'. The tune is better known as “Morpeth Rant” from its long association with the dance called the Morpeth Rant, name for a small town in Northumberland. It is often claimed as a Northumbrian tune, although it has been collected in tradition throughout England and Wales. The melody also appears under the “Wood’s Hornpipe” title in the 1840 music manuscript collection of multi-instrumentalist John Rook, Wigton, Cumbria. It is nearly identical to the version printed in Kerr, save that the last measure of the ‘A’ part in the ms. goes |FGAB A4:|.
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<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: -
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<font color=red>''Printed sources''</font> : -  Aird  ('''Aird's 6th and Last Volume of Scotch, English, Irish and Foreign Airs''') 1803; No. 67, p. 26. Kerr ('''Merry Melodies, vol. 2'''), c. 1880’s; No. 356, p. 39. Laybourn ('''Köhler’s Violin Repository vol. 2'''), 1881-1885; p. 157. Wilson ('''Companion to the Ball Room'''), 1816; p. 140.  
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<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
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Latest revision as of 02:54, 13 December 2022


Back to Wood's Hornpipe

X:1 T:Wood's Hornpipe M:C L:1/8 R:Hornpipe B:James Aird – Aird's 6th and Last Volume of Scotch, English, Irish and Foreign Airs (1803; No. 67, p. 26) Z:AK/Fiddler's Companion K:G DE/F/|G2G2G2 Bc|dBdg dBAG|edcB cBAG|FGAB A2 DE/F/| G2G2G2 Bc|dBdg dBAG|edcB cBAG|FGAB A2:| |:Bc|dBdg dBdg|eceg eceg|edcB cBAG|FGAB A2 Bc| dBdg dBdg|eceg eceg|gfed cBAG|D2G2G2:|]


WOOD'S HORNPIPE. AKA and see "Diable Hornpipe (Le)." English, Scottish; Hornpipe (whole time). G Major (Aird): A Major (Blackman, Howe, Laybourn, Wilson). Standard tuning (fiddle). AABB (Blackman, Howe): AA'BB'. The melody also appears under the “Wood’s Hornpipe” title in the 1840 music manuscript collection of multi-instrumentalist John Rook, Wigton, Cumbria, and in several other English musicians' manuscript collections of the first half of the 19th century. It is nearly identical to the version printed in Kerr, save that the last measure of the ‘A’ part in the ms. goes


Additional notes



Printed sources : - Aird (Aird's 6th and Last Volume of Scotch, English, Irish and Foreign Airs) 1803; No. 67, p. 26. Blackman (A Selection of the most favorite Hornpipes for the Violin), c. 1810-22; No. 5. Elias Howe (Musician’s Omnibus No. 6), Boston, 1880-1882; p. 600. Kerr (Merry Melodies, vol. 2), c. 1880’s; No. 356, p. 39. Laybourn (Köhler’s Violin Repository vol. 2), 1881-1885; p. 157. Wilson (Companion to the Ball Room), 1816; p. 140.





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