Scotch March (3): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Scotch March (3)
|f_tune_title=Scotch March (3)
|f_aka=Brooks' Favorite Scotch March, Favorite Scotch March, Governor Brooks' Favorite Scotch March, Lord Loughlinbar's March
|f_country=Scotland
|f_country=Scotland
|f_genre=Scottish
|f_genre=Scottish
|f_rhythm=March/Marche
|f_rhythm=March/Marche
|f_time_signature=4/4
|f_time_signature=4/4
|f_key=D
|f_key=F
|f_accidental=2 sharps
|f_accidental=1 flat
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABBCDCD
|f_history=USA(New England)
|f_book_title=Hamilton's Universal Tune Book vol. 1
|f_structure=AABBCDCD, AABBCCDDAABB
|f_collector=James Manson
|f_book_title=Second Part of the Musician's Companion
|f_year=1844
|f_collector=Elias Howe
|f_page=No. 1, p. 142
|f_year=1843
|f_theme_code_index=13
|f_page=p. 18
|f_theme_code_index=1151H 5551H
|f_score=1
}}
}}
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image_alt=Traditional universal music
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<section begin=abc />
X: 1
X:1
T: SCOTCH MARCH [3]
T:Favorite Scotch March
%R: march, strathspey
T:Scotch March [3]
B: W. Hamilton "Universal Tune-Book" Vol. 1 Glasgow 1844 p.142 #1
M:C
S: http://imslp.org/wiki/Hamilton's_Universal_Tune-Book_(Various)
L:1/8
Z: 2016 John Chambers <jc:trillian.mit.edu>
R:March
N: The rthyms of the strains' endings are mostly wrong; not fixed.
B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 18)
N: Note the repeat pattern: 11223434.
Z:AK/Fiddler’s Companion
M: C % Actually, there's no time signature given.
K:F
L: 1/16
V:1
F:http://www.john-chambers.us/~jc/music/book/Hamilton/HUTB1-1844-V1.abc  
C2|F3A c>A f>d|c3A c>A f>d|c>d f>g a2 g>f|d2 d>d cBAG|
K: D
F3A c>A f>d|c3A c>A f>d|c>a g>f d>c d>e|f2 f>f f2:|
%%slurgraces yes
|:f>g|f>a gf d3e|f>e f>g f>a F>G|A<c a>g fdcA|G2 G>G G2 c/B/A/G/|
%%graceslurs yes
F3A c>A f>d|c3A c>c f>d|c>a g>f d>c d>e|f2 f>f f2!fine!:|
% - - - - - - - - - - - - - - - - - - - - - - - - -
F>G|A2 B>c d2 f>d|c>A G>B A2 A>G|F2 F>G A2 c>A|G>F G>A G2 G>B|
|:\
c>f a>g f2 A>B|c>f a>g f2 g>a|b>g a>f c>a g>f|g2 g>g g2:|
D6 F2 A3Fd3B | A6 B2 A3F d3B |\
|:b>c'|b.a.g.f. f.e.d.c|cdfc d2 c'>c'|c'2 b/a/g/f/ aac'a|g>f g>a g2 FG|
A3Bd3e (f4 e2d2) | {c}B4 B4 (AB).A.G (FG).F.E |
A2 A>B c2 f>d|c>A G>B A2 A>B|c/d/e/f/ e/f/g/a/ g/e/f/d/ c/A/B/G/|F2 f>f f2!D.C.!:|]
D6 F2 A3Fd3B | A4 A2(cB) A3Fd3B |\
V:2
Af3e3d {c}B3AB3c | d4 d3d d4 :|
z2|C3F A>F d>B|A3F A>F d>B|A>B A>B c2 B>A|B2 B>B AGFE|
|: (d2e2) |\
C3F A>F d>B|A3F A>F d>B|A>f B>A B>A G>B|A2 A>A A2:|
f4 e3d B3AB3c | d4 (dcde) f4 (D2E2) |\
|:A>B|A>c BA B3G|A>G A>B A>c C>E|F<A f>e dBAF|E2 E>E E2 z2|
F3A f3e dB3A3F | E4 E3E (EAcB) (AGF)E |
C3F A>F d>B|A3F A>A d>B|A>f e>d B>A B>c|A2 A>A A2:|]
D6 F2 A3Fd3B |A6 B2 A3Fd3B |\
z2|F2 G>A B2 d>B|A>F E>G F2 F>E|D2 D>E F2 A>F|E>D E>F E2 E>G|
Af3e3d {c}B3AB3c | d4 d3d d4 :|
A>c f>e c2 F>G|A>c f>e d2 e>f|g>e f>d A>f e>d|[c2e2][ce]>[ce] [c2e2]:|
|: (D3E) |\
g>a|gfed dcBA|ABdA B2 a>a|a2 a/f/e/d/ ffaf|e>d e>f e2 CE|  
F6 G2 A3Ad3B | AF3E3G F4 F3E |\
F2 F>G A2 d>B|A>F E>G F2 F>G|A/B/c/d/ c/d/e/f/ e/c/d/B/ A/F/G/E/|[F2A2]A>A A2!D.C.!:|]
D4 D3E (FAdc) (BAGF) | E3DE3F E4(F2G2) |
Ad3f3e d4 F3G | Ad3f3e d4 e3f |\
g3ef3d (A2f2).e2.d2 | e4 e3e e4 |]
e3f |\
g2f2e2d2 d2c2B2A2 | Bcdc edcB A4 a3a |\
a2(ba) (gf)(ed) f3da3f | e3d e2(gf) e4 D3E |
F6 G2 A3Ad3B | A3FE3G F4 (F2G2) |\
(AB).c.d (cd).e.f (ec)(dB) (AF)(GE) | D2(EF) (GABc) d4 :|
% - - - - - - - - - - - - - - - - - - - - - - - - -
<section end=abc />
<section end=abc />
<section begin=X1 />
X:1
T:Scotch March [3]
M:C
L:1/8
B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 142)
Z:AK/Fiddler’s Companion
K:D
D3F A>Fd>B|A3B A>Fd>B|A>Bd>e (f2 ed)|{c}B2 B2 (B/A/).A/.G/ (F/G/).F/.E/|
D3F A>Fd>B|A2 A(c/B/) A>Fd>B|A<fe>d {c}B>AB>c|d2 d>d d2:|
|:(de)|f2 e>d B>AB>c|d2 (d/c/d/e/) f2 (DE)|F>A f>e d<BA>F|E2 E>E (E/A/c/B/) (A/G/F/E)|
D3F A>Fd>B|A3B A>Fd>B|A<fe>d {c}B>AB>c|d2 d>d d2:|
|:(D>E)|F3G A>Ad>B|A<FE>G F2 F>E|D2 D>E (F/A/d/c/) (B/A/G/F/)|E>DE>F E2 (FG)|
A<df>e d2 F>G|A>df>e d2 e>f|g>ef>d (Af).e.d|e>e e2||
e>f|gfed dcBA|B/c/d/c/ e/d/c/B/ A2 a>a|a(b/a/) (g/f/)(e/d/) f>da>f|e>d e(g/f/) e2 D>E|
F3G A>Ad>B|A>FE>G F2 (FG)|(A/B/).c/.d/ (c/d/).e/.f/ (e/c/)(d/B/) (A/F/)(G/E/)|D(E/F/) (G/A/B/c/) d2:|]
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Latest revision as of 18:23, 30 June 2022


Scotch March (3)  Click on the tune title to see or modify Scotch March (3)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Scotch March (3)
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 Theme code Index    1151H 5551H
 Also known as    Brooks' Favorite Scotch March, Favorite Scotch March, Governor Brooks' Favorite Scotch March, Lord Loughlinbar's March
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    March/Marche
 Key/Tonic of    F
 Accidental    1 flat
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA(New England)
 Structure    AABBCDCD, AABBCCDDAABB
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:Second Part of the Musician's Companion
 Tune and/or Page number    p. 18
 Year of publication/Date of MS    1843
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Favorite Scotch March T:Scotch March [3] M:C L:1/8 R:March B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 18) Z:AK/Fiddler’s Companion K:F V:1 C2|F3A c>A f>d|c3A c>A f>d|c>d f>g a2 g>f|d2 d>d cBAG| F3A c>A f>d|c3A c>A f>d|c>a g>f d>c d>e|f2 f>f f2:| |:f>g|f>a gf d3e|f>e f>g f>a F>G|A<c a>g fdcA|G2 G>G G2 c/B/A/G/| F3A c>A f>d|c3A c>c f>d|c>a g>f d>c d>e|f2 f>f f2!fine!:| F>G|A2 B>c d2 f>d|c>A G>B A2 A>G|F2 F>G A2 c>A|G>F G>A G2 G>B| c>f a>g f2 A>B|c>f a>g f2 g>a|b>g a>f c>a g>f|g2 g>g g2:| |:b>c'|b.a.g.f. f.e.d.c|cdfc d2 c'>c'|c'2 b/a/g/f/ aac'a|g>f g>a g2 FG| A2 A>B c2 f>d|c>A G>B A2 A>B|c/d/e/f/ e/f/g/a/ g/e/f/d/ c/A/B/G/|F2 f>f f2!D.C.!:|] V:2 z2|C3F A>F d>B|A3F A>F d>B|A>B A>B c2 B>A|B2 B>B AGFE| C3F A>F d>B|A3F A>F d>B|A>f B>A B>A G>B|A2 A>A A2:| |:A>B|A>c BA B3G|A>G A>B A>c C>E|F<A f>e dBAF|E2 E>E E2 z2| C3F A>F d>B|A3F A>A d>B|A>f e>d B>A B>c|A2 A>A A2:|] z2|F2 G>A B2 d>B|A>F E>G F2 F>E|D2 D>E F2 A>F|E>D E>F E2 E>G| A>c f>e c2 F>G|A>c f>e d2 e>f|g>e f>d A>f e>d|[c2e2][ce]>[ce] [c2e2]:| g>a|gfed dcBA|ABdA B2 a>a|a2 a/f/e/d/ ffaf|e>d e>f e2 CE| F2 F>G A2 d>B|A>F E>G F2 F>G|A/B/c/d/ c/d/e/f/ e/c/d/B/ A/F/G/E/|[F2A2]A>A A2!D.C.!:|]


X:1 T:Scotch March [3] M:C L:1/8 B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 142) Z:AK/Fiddler’s Companion K:D D3F A>Fd>B|A3B A>Fd>B|A>Bd>e (f2 ed)|{c}B2 B2 (B/A/).A/.G/ (F/G/).F/.E/| D3F A>Fd>B|A2 A(c/B/) A>Fd>B|A<fe>d {c}B>AB>c|d2 d>d d2:| |:(de)|f2 e>d B>AB>c|d2 (d/c/d/e/) f2 (DE)|F>A f>e d<BA>F|E2 E>E (E/A/c/B/) (A/G/F/E)| D3F A>Fd>B|A3B A>Fd>B|A<fe>d {c}B>AB>c|d2 d>d d2:| |:(D>E)|F3G A>Ad>B|A<FE>G F2 F>E|D2 D>E (F/A/d/c/) (B/A/G/F/)|E>DE>F E2 (FG)| A<df>e d2 F>G|A>df>e d2 e>f|g>ef>d (Af).e.d|e>e e2|| e>f|gfed dcBA|B/c/d/c/ e/d/c/B/ A2 a>a|a(b/a/) (g/f/)(e/d/) f>da>f|e>d e(g/f/) e2 D>E| F3G A>Ad>B|A>FE>G F2 (FG)|(A/B/).c/.d/ (c/d/).e/.f/ (e/c/)(d/B/) (A/F/)(G/E/)|D(E/F/) (G/A/B/c/) d2:|]