Annotation:Protestant Boys (The): Difference between revisions

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=='''Back to [[{{BASEPAGENAME}}]]'''==
{{TuneAnnotation
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|f_annotation='''PROTESTANT BOYS.''' AKA and see "[[Lillibulero]]," "[[Lilly Bullery]]," "[[Bumpers are Flowing]]," "[[Orange and Green Will Carry the Day]]." Irish (originally), American; Jig or Air (6/8 time, "with spirit"). G Major (Bayard, Jarman, O'Neill): D Major (Bayard, Levey): A Major (Gunn, Kerr). Standard tuning (fiddle). AB (most versions): AABB (Gunn, Kerr/vol. 4). The tune, originally called "[[Lillibulero]]," was associated by the Irish with the conquering English of William of Orange, and was subsequently adopted by the Protestant Scots-Irish as a kind of patriotic anthem. Chappell and Simpson cite several 17th century broadsides of an anti-Catholic nature that could have been sung to the tune, all of which feature the phrase "Protestant Boys" prominently and recurrently. On the strength of this Bayard (1981) dates the version of this tune married to the title above from the late 1680's on.  
<p><font face="garamond, serif" size="4">
<br /><br />Since the 19th century, the melody has been closely linked with a popular Orange song that begins:
'''PROTESTANT BOYS.''' AKA and see "[[Lillibulero]]," "[[Lilly Bullery]]," "[[Bumpers are Flowing]]," "[[Orange and Green Will Carry the Day]]." Irish (originally), American; Jig or Air (6/8 time, "with spirit"). G Major (Bayard, Jarman, O'Neill): D Major (Bayard, Levey): A Major (Gunn, Kerr). Standard tuning (fiddle). AB (most versions): AABB (Gunn, Kerr/vol. 4). The tune, originally "[[Lillibulero]]," was associated by the Irish with the conquering English of William of Orange, and was subsequently adopted by the Protestant Scots-Irish as a kind of patriotic anthem. Chappell and Simpson cite several 17th century broadsides of an anti-Catholic nature that could have been sung to the tune, all of which feature the phrase "Protestant Boys" prominently and recurrently. On the strength of this Bayard (1981) dates the version of this tune married to the title above from the late 1680's on.  
<br>
<br>Since the 19th century, the melody has been closely linked with a popular Orange song that begins:
<br>
<br>The Protestant Boys are loyal and true
<br>Stout-hearted in battle and stout-handed too
<br>The Protestant Boys are true to the last
<br>And faithful and peaceful when danger has passed
<br>And oh they bear and proudly wear
<br>The colours that floated o'er many a fray
<br>Where cannon were flashing
<br>And sabres were clashing
<br>The Protestant Boys still carried the day.
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
''Source for notated version'': Hiram Horner (fifer from Westmoreland and Fayette Counties, Pa.) [Bayard].
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 445A-B, p. 414. William Gunn ('''The Caledonian Repository of Music Adapted for the Bagpipes'''), Glasgow, 1848; p. 77. Jarman ('''Old Time Fiddlin' Tunes'''); No. or p. 16. Kerr ('''Merry Melodies, vol. 4'''), c. 1880’s; No. 228, p. 25. R.M. Levey ('''First Collection of the Dance Music of Ireland'''), 1858; No. 105, p. 41. O'Neill ('''O’Neill’s Irish Music'''), 1915; No. 45, p. 29. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 19, p. 4.
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
''Recorded sources'': <font color=teal>F&W Records 1; "F&W String Band."</font>
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
See also listing at:<Br>
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/l06.htm#Lil]<br>
</font></p>
<br>
<br>
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=='''Back to [[{{BASEPAGENAME}}]]'''==
 
: <br />''The Protestant Boys are loyal and true''
<br />''Stout-hearted in battle and stout-handed too''
<br />''The Protestant Boys are true to the last''
<br />''And faithful and peaceful when danger has passed''
<br />''And oh they bear and proudly wear''
<br />''The colours that floated o'er many a fray''
<br />''Where cannon were flashing''
<br />''And sabres were clashing''
<br />''The Protestant Boys still carried the day.''
 
O'Neill printed the tune on the same page with (and just after) "[[Catholic Boys (1)]]."
|f_source_for_notated_version=Hiram Horner (fifer from Westmoreland and Fayette Counties, Pa.) [Bayard].
|f_printed_sources=Bayard ('''Dance to the Fiddle'''), 1981; No. 445A-B, p. 414. William Gunn ('''The Caledonian Repository of Music Adapted for the Bagpipes'''), Glasgow, 1848; p. 77. Jarman ('''Old Time Fiddlin' Tunes'''); No. or p. 16. Kerr ('''Merry Melodies, vol. 4'''), c. 1880’s; No. 228, p. 25. R.M. Levey ('''First Collection of the Dance Music of Ireland'''), 1858; No. 105, p. 41. O'Neill ('''O’Neill’s Irish Music'''), 1915; No. 45, p. 29. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 19, p. 4.
|f_recorded_sources=F&W Records 1; "F&W String Band."
|f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/l06.htm#Lil]<br />
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Protestant_Boys_(The) >
}}
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Latest revision as of 21:54, 13 April 2020



X:1 T:Protestant Boys, The M:6/8 L:1/8 R:Jig Q:"Lively" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 64, p. 32) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:D (d>e).d f2f|(e>f).e g3|(f<a).d (g2f)|(ed).c d3| (d>e).d .f2.f|(e>f).e g3|{fg}a2.d (g2f)|(e>d).c d2z:| |:(d'2a) (b2a)|.a.b=.c' (b2a)|(.a.b.^.c) (.d'.c'.b)|(.a.g.f) .e2z| (b2a).g (fg).a|(ag).f (ef).g|{fg}a2.d (g2f)|(e>d).c .d3:|]



PROTESTANT BOYS. AKA and see "Lillibulero," "Lilly Bullery," "Bumpers are Flowing," "Orange and Green Will Carry the Day." Irish (originally), American; Jig or Air (6/8 time, "with spirit"). G Major (Bayard, Jarman, O'Neill): D Major (Bayard, Levey): A Major (Gunn, Kerr). Standard tuning (fiddle). AB (most versions): AABB (Gunn, Kerr/vol. 4). The tune, originally called "Lillibulero," was associated by the Irish with the conquering English of William of Orange, and was subsequently adopted by the Protestant Scots-Irish as a kind of patriotic anthem. Chappell and Simpson cite several 17th century broadsides of an anti-Catholic nature that could have been sung to the tune, all of which feature the phrase "Protestant Boys" prominently and recurrently. On the strength of this Bayard (1981) dates the version of this tune married to the title above from the late 1680's on.

Since the 19th century, the melody has been closely linked with a popular Orange song that begins:



The Protestant Boys are loyal and true


Stout-hearted in battle and stout-handed too
The Protestant Boys are true to the last
And faithful and peaceful when danger has passed
And oh they bear and proudly wear
The colours that floated o'er many a fray
Where cannon were flashing
And sabres were clashing
The Protestant Boys still carried the day.

O'Neill printed the tune on the same page with (and just after) "Catholic Boys (1)."


Additional notes
Source for notated version : - Hiram Horner (fifer from Westmoreland and Fayette Counties, Pa.) [Bayard].

Printed sources : - Bayard (Dance to the Fiddle), 1981; No. 445A-B, p. 414. William Gunn (The Caledonian Repository of Music Adapted for the Bagpipes), Glasgow, 1848; p. 77. Jarman (Old Time Fiddlin' Tunes); No. or p. 16. Kerr (Merry Melodies, vol. 4), c. 1880’s; No. 228, p. 25. R.M. Levey (First Collection of the Dance Music of Ireland), 1858; No. 105, p. 41. O'Neill (O’Neill’s Irish Music), 1915; No. 45, p. 29. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 19, p. 4.

Recorded sources : - F&W Records 1; "F&W String Band."

See also listing at :
Jane Keefer's Folk Music Index: An Index to Recorded Sources [1]



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