Carolan's Concerto: Difference between revisions

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|f_page=No. 42, p. 23
|f_page=No. 42, p. 23
|f_theme_code_index=1H1H1H7 5435
|f_theme_code_index=1H1H1H7 5435
|f_score=1
|f_player=Tommy Reck
|f_player=Tommy Reck
|f_album=Carolan’s Concerto
|f_album=Carolan’s Concerto
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|f_recording_date=1957
|f_recording_date=1957
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(BEGB) (AGFE)|(FGAB cdef)|(edcB e2)[G2e2]|[G4e4]z4:|]
(BEGB) (AGFE)|(FGAB cdef)|(edcB e2)[G2e2]|[G4e4]z4:|]
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X:1
T:Carolan’s Concerto
M:2/4
L:1/8
R:Air
B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 46)
Z:AK/Fiddler’s Companion
K:D
(3ABc|dd/d/ dc/B/|A/B/G/A/ FA|EADA|B/c/d/e/ d/c/B/A/|da f/g/a/f/|
e/f/g/f/ f/g/a/f/|g/a/b/g/ f/d/f/a/|g/f/e/d/ d/c/B/A/|B/D/B/D/ g/B/g/B/|
G/B/G/B/ e/f/e/d/|cB/c/ A>G|F/G/A/F/ E/F/G/E/|F/A/F/ G/A/B/G/|
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Latest revision as of 03:20, 31 January 2021


Carolan's Concerto  Click on the tune title to see or modify Carolan's Concerto's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Carolan's Concerto
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 Theme code Index    1H1H1H7 5435
 Also known as    Mrs. Poer, Mrs. Power, Mrs. Power of Coorheen, O'Carolan's Concerto
 Composer/Core Source    Turlough O'Carolan
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABB
 Editor/Compiler    Biography:Edward Bunting
 Book/Manuscript title    Book:General Collection of the Ancient Irish Music
 Tune and/or Page number    No. 42, p. 23
 Year of publication/Date of MS    1796
 Artist    Biography:Tommy Reck
 Title of recording    Carolan’s Concerto
 Record label/Catalogue nr.    Gael-Linn Records CE 3 (78 RPM)
 Year recorded    1957
 Media    
 Score   (1)   




X:1 T:Carolan's Concerto M:C L:1/8 Q:"Allegro" B:Bunting - General Collection of the Ancient Music of Ireland (1796, No. 42) Z:AK/Fiddler's Companion R:Air K:Eb e2e2e2 dc|BcBA .G2.B2|.F2.B2.E2.B2|(cd)(ef) .d2.B2|e2b2 (ga)(bg)| (fg)(af) (ga)b2|(a2c'2) (ga).b2|(agfe d2).B2|.c2 z2 (ca)(ca)|B2 z2(Bg)(Bg)| A2z2 AfAf|{f}(edc>d B2) BA|(GABG) (FGAF)|(GABG) (ABcA)|B2e2 {g}f2 ed| e2E2E2 z2::(BAGF) E2.B2|D2B2C2c2|(d2f2) (ed)(cB)|(c2g2) (fe)(dc)| (Bb)(Bb) (Aa)(Aa)|GgGg FfFf|EeEe defd|BbBb AaAa|GgGg FfFf| e e2d2c2B-|BA2G2F2E|(BEGE) (BEGE)|(cFAF) (cFAF)|(BEGB) (AGFE)| (BEGB) (AGFE)|(FGAB cdef)|(edcB e2)[G2e2]|[G4e4]z4:|]


X:1 T:Carolan’s Concerto M:2/4 L:1/8 R:Air B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 46) Z:AK/Fiddler’s Companion K:D (3ABc|dd/d/ dc/B/|A/B/G/A/ FA|EADA|B/c/d/e/ d/c/B/A/|da f/g/a/f/| e/f/g/f/ f/g/a/f/|g/a/b/g/ f/d/f/a/|g/f/e/d/ d/c/B/A/|B/D/B/D/ g/B/g/B/| G/B/G/B/ e/f/e/d/|cB/c/ A>G|F/G/A/F/ E/F/G/E/|F/A/F/ G/A/B/G/| Bd f/e/d/c/|d3:|db a/g/f/e/|daca|Bg/B/ A/B/c/d/|e/c/B/A/ dd/f/| e/d/c/B/ c/a/a/a/|B/g/g/g/ A/f/f/f/|e/d/c/B/ c/a/a/a/|b/g/b/g/ a/f/a/f/| e/d/c/B/ c/A/B/G/|A/F/G/E/ D/A/F/A/|D/A/F/A/ G/E/B/E/|B/E/B/E/ F/A/d/c/| B/A/G/F/ E/F/G/A/|B/c/d/e/ Ad|fedc|d3||


X:1 T:Carolan’s Concerto M:C L:1/8 R:Air Q:"Vivace" B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 275, p. 137) Z:AK/Fiddler’s Companion K:Eb e2e2e2 dc|BcBA .G2.B2|.F2.B2.E2B2|(cdef) d2B2| e2b2 (gabg)|(fgaf) (gab2)|(a2c'2) (ga).b2|(agfe) d3B| c2 (A,F) (ca)(ca)|(G,E)(G,E) (Bg)(Bg)|(F,D)(F,D) (Af)(Af)|z4 (Af)(Af)|(edcd) B2 (BA)| (GABG) (FGAF)|GABG ABcA|B2e {g}f2 ed|e2E2E2z2|| (BAGF) E2B2|D2B2 C2c2|(d2f2) (edcB)|c2g2 (fe)(dc)|(Bb)(Bb) (Aa)(Aa)| (Gg)(Gg) (Ff)(Ff)|(Ee)(Ee) defd|(Bb)(Bb) (Aa)(Aa)|(Gg)(Gg) (Ff)(Ff)| (eEdE cEBE|.AB,.GB, .FB,.EB,)|(BEGE) (BEGE)|(cFAF) (cFAF)|(BEGB) (AGFE)| (BEGB) (AGFE)|(FGAB cdef|edcB e2) [B2e2]|[B4e4]z4||


X:1 T:Carolan's Concerto M:4/4 L:1/8 R:Air K:D A/B/c|d2dd d2cB|ABGA F2A2|E2A2 D2A2|Bcde dcBA|d2a2 fgaf| efge fgaf|gabg fdfa|gfed dcBA|B/c/d Bd gBgB|A/B/A A/B/A fAfA| G3B efed|c2Bc A3G|FGAF EFGE|FGAF GABG|AFAd fedc|d2dd d:| |:A2|d2b2 agfe|d2a2 c2a2|B2 gB ABcd|ecBA d2 df|edcB ca a2|Bg g2 Af f2| edcB ca a2|bg g2 bgbg|afaf edcB|cABG AFGE|DAFA DAFA| G/F/E BE dEBE|FAdc BAGF|EFGA BcdB|AFAd fedc|d2 dd d2:||