Annotation:Jim Shanks: Difference between revisions

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'''JIM SHANK(S)'''. AKA - "[[Jimmy Shenk]], "[[Jimmy Shanks]]." Old-Time, Breakdown. A Major. AEae tuning (fiddle). AA'BB'. A southern Kentucky tune in the repertoire of fiddler Bruce Greene, from his field recording of the playing of Tennessee fiddler Sam Dyer. See also the similar tune "[[Henry Richmond]]." Kerry Blech suspects the title may have derived from a mishearing of 'Gin Seng'.  Source Dyer was from Macon County, Tennessee, northeast of Nashville, in the upper Cumberland Plateau on the border with southern Kentucky. Boyd Deering wrote in the
'''JIM SHANK(S)'''. AKA - "[[Jimmy Shenk]], "[[Jimmy Shanks]]." American, Reel (cut time). A Major. AEae tuning (fiddle). AA'BB'. A southern Kentucky tune in the repertoire of fiddler Bruce Greene, from his field recording of the playing of Tennessee fiddler Sam Dyer. See also the similar tune "[[Henry Richmond]]." Kerry Blech suspects the title may have derived from a mishearing of 'Gin Seng'.  Source Dyer was from Macon County, Tennessee, northeast of Nashville, in the upper Cumberland Plateau on the border with southern Kentucky. Boyd Deering wrote in the
'''Macon County Times''' a few years ago: "Sam Dyer was approaching eighty years in 1975 and had played Tennessee fiddle tunes all his life.  He played old tunes like “Jim Shanks,” and Sam played them differently from dad and Harry Flippen and some of the other fiddle players
'''Macon County Times''' a few years ago: "Sam Dyer was approaching eighty years in 1975 and had played Tennessee fiddle tunes all his life.  He played old tunes like “Jim Shanks,” and Sam played them differently from dad and Harry Flippen and some of the other fiddle players
in Macon County, Tennessee. Sam would complain about the Grand Ole Opry and it's commercial leanings. He longed for the old days and was quick to express this sentiment" <ref>quoted by Donald J. Borchelt [http://www.banjr.com/pdf%20files/jim%20shank.pdf]. </ref>
in Macon County, Tennessee. Sam would complain about the Grand Ole Opry and it's commercial leanings. He longed for the old days and was quick to express this sentiment" <ref>quoted by Donald J. Borchelt [http://www.banjr.com/pdf%20files/jim%20shank.pdf]. </ref>
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<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: - Sam Dyer (Macon County, north-central Tennessee) [Milliner & Koken].
<font color=red>''Source for notated version''</font>: - Sam Dyer (Macon County, north-central Tennessee) [Milliner & Koken].
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<font color=red>''Printed sources''</font> : - Milliner & Koken ('''Milliner-Koken Collection of American Fiddle Tunes'''), 2011; p. 335.  
<font color=red>''Printed sources''</font> : - Milliner & Koken ('''Milliner-Koken Collection of American Fiddle Tunes'''), 2011; p. 335.  
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<font color=red>''Recorded sources'': </font> <font color=teal> -New Timey 2003, Ken Bloom and Harry Bollick - "That Banjo from Hell: Fiddle Tunes & Uncivil Songs of Conflict."</font>
<font color=red>''Recorded sources'': </font> <font color=teal> -New Timey 2003, Ken Bloom and Harry Bollick - "That Banjo from Hell: Fiddle Tunes & Uncivil Songs of Conflict."</font>
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See also listing at:<br>
See also listing at:<br>
Hear Sam Dyer play the tune in a 1972 field recording by Bruce Greene at Berea Sound Archies [https://soundarchives.berea.edu/items/show/1196] and Slippery Hill [https://www.slippery-hill.com/recording/jim-shank]<br>
Hear Sam Dyer play the tune in a 1972 field recording by Bruce Greene at Berea Sound Archies [https://soundarchives.berea.edu/items/show/1196] and Slippery Hill [https://www.slippery-hill.com/recording/jim-shank]<br>
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Latest revision as of 15:06, 10 February 2020

Back to Jim Shanks


X:1 T:Jim Shank S:Sam Dyer (Macon County, north-central Tenn.) M:C| L:1/8 R:Reel N:Recorded by Bruce Greene Feb., 1972. F:https://soundarchives.berea.edu/items/show/1196 Z:Transcribed by Andrew Kuntz K:A e3f e2c2|d2f2 B4|e3f e2c2|fefg a2a2| e2ef e2c2|defd B3 B |cBAc BAG2|1A4A4:|2 A4A2|| |:AB|cBAc BAGA|B6 AB|cBAc BAG2|A3B A2AB| cBAc BAGA|B3cB2 AB|cBAc BAG2|A4 A4:|]



JIM SHANK(S). AKA - "Jimmy Shenk, "Jimmy Shanks." American, Reel (cut time). A Major. AEae tuning (fiddle). AA'BB'. A southern Kentucky tune in the repertoire of fiddler Bruce Greene, from his field recording of the playing of Tennessee fiddler Sam Dyer. See also the similar tune "Henry Richmond." Kerry Blech suspects the title may have derived from a mishearing of 'Gin Seng'. Source Dyer was from Macon County, Tennessee, northeast of Nashville, in the upper Cumberland Plateau on the border with southern Kentucky. Boyd Deering wrote in the Macon County Times a few years ago: "Sam Dyer was approaching eighty years in 1975 and had played Tennessee fiddle tunes all his life. He played old tunes like “Jim Shanks,” and Sam played them differently from dad and Harry Flippen and some of the other fiddle players in Macon County, Tennessee. Sam would complain about the Grand Ole Opry and it's commercial leanings. He longed for the old days and was quick to express this sentiment" [1]

Additional notes

Source for notated version: - Sam Dyer (Macon County, north-central Tennessee) [Milliner & Koken].

Printed sources : - Milliner & Koken (Milliner-Koken Collection of American Fiddle Tunes), 2011; p. 335.

Recorded sources: -New Timey 2003, Ken Bloom and Harry Bollick - "That Banjo from Hell: Fiddle Tunes & Uncivil Songs of Conflict."

See also listing at:
Hear Sam Dyer play the tune in a 1972 field recording by Bruce Greene at Berea Sound Archies [1] and Slippery Hill [2]
See Donald Borchelt's banjo tab [3]



Back to Jim Shanks


  1. quoted by Donald J. Borchelt [4].