Annotation:Blackberry Blossom (1): Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Blackberry_Blossom_(1) > | |||
|f_annotation='''BLACKBERRY BLOSSOM/BLOSSUM [1]''' (Blat na smeur). AKA and see "[[Bone in the Cupboard]]," "[[Maud Millar (2)]]/[[Maude Millar (2)]]," "[[Strawberry Beds (1) (The)]]," "[[Strawberry Blossom (3)]]." Irish (originally), Canadian, American; Reel. USA, southwestern Pa. Canada, Prince Edward Island. G Major (Harding, Kennedy, Kerr, O'Neill, Perlman, Sullivan): E Flat Major (Stanford/Petrie). Standard tuning (fiddle). AB (Miller, Perlman, Stanford/Petrie, Sullivan): AAB (Hardings, Kennedy, Kerr, O'Neill): AA'B (Prior). "[[Magic Slipper (1) (The)]]" is a very similar tune. The melody is familiar to Irish tradition, from at least the year 1850, if not earlier, according to Samuel Bayard ('''Dance to the Fiddle''', 1981). He probably was unaware of the mid-19th century music manuscripts of County Cork cleric and uilleann piper Canon [[biography:James Goodman]] that contain "Blackberry Blossom [1]" (vol. 3, p. 111), which provides strong support for his contention. The title "Blackberry Blossom" appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997). | |||
<br> | <br> | ||
<br> | <br> | ||
See also fiddler Erskine Morris's (1913-1997) version as "[[Bone in the Cupboard]]". Morris was originally from the historically anglo-francophone community of Douglastown, Gaspé, Québec. | |||
<br> | <br> | ||
<br> | <br> | ||
The reel was recorded in the 78 RPM era in New York by County Sligo fiddler James Morrison, and it can be heard as the second tune in Brooklyn accordion player John J. Kimmel's "Stack of Barley Medley" (1916). | |||
|f_source_for_notated_version=Planxty [Sullivan]; Shape (Greene County, Pa.; elderly when collected in 1930's) [Bayard]; Sterling Baker (b. Mid-1940's, Montague, North-East Kings County, Prince Edward Island) [Perlman]; Kerry fiddler Paddy Cronin [Miller]; Rev. Luke Donnellan's music manuscript collection (c. 1909, Oriel region, south Ulster) [O'Connor]. | |||
|f_printed_sources=Bayard ('''Dance to the Fiddle'''), 1981; No. 97, p. 57. | |||
Cole ('''1000 Fiddle Tunes'''), 1940; p. 8. | Cole ('''1000 Fiddle Tunes'''), 1940; p. 8. | ||
Cotter ('''Traditional Irish Tin Whistle Tutor'''), 1989; p. 76. | Cotter ('''Traditional Irish Tin Whistle Tutor'''), 1989; p. 76. | ||
Giblin ('''Collection of Traditional Irish Dance Music'''), 1928; 14. | Giblin ('''Collection of Traditional Irish Dance Music'''), 1928; 14. | ||
'''Harding's Original Collection'''; No. 75. | '''Harding's Original Collection'''; No. 75. | ||
Elias Howe ('''Musician’s Omnibus Nos. 6 & 7'''), Boston, 1880-1882; p. 637. | |||
Kennedy ('''Fiddler's Tune-Book: Reels & Rants, Flings & Fancies'''), 1997; No. 6, p. 4. | Kennedy ('''Fiddler's Tune-Book: Reels & Rants, Flings & Fancies'''), 1997; No. 6, p. 4. | ||
Kerr ('''Merry Melodies, vol. 1'''), c. 1880; p. 34 (appears as "The Strawberry Beds"). | Kerr ('''Merry Melodies, vol. 1'''), c. 1880; p. 34 (appears as "The Strawberry Beds"). | ||
McDermott ('''Allan's Irish Fiddler'''), c. 1920's; No. 71, p. 18. | McDermott ('''Allan's Irish Fiddler'''), c. 1920's; No. 71, p. 18. | ||
Miller ('''Fiddler's Throne'''), 2004; No. 124, p. 83. | Miller ('''Fiddler's Throne'''), 2004; No. 124, p. 83. | ||
O'Connor ('''The Rose in the Gap'''), 2018; No. 164, p. 89. | |||
O'Neill (Krassen), 1976; p. 113. | O'Neill (Krassen), 1976; p. 113. | ||
O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1295, p. 243. | O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1295, p. 243. | ||
O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 560, p. 104. | O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 560, p. 104. | ||
Perlman ('''The Fiddle Music of Prince Edward Island'''), 1996; p. 62. | Perlman ('''The Fiddle Music of Prince Edward Island'''), 1996; p. 62. | ||
Prior ('''Fionn Seisiún 3'''), 2007; p. 16. | |||
Robbins Music Corp. ('''The Robbins collection of 200 jigs, reels and country dances'''), New York, 1933; No. 125, p. 40. | |||
'''Ryan's Mammoth Collection''', 1883; p. 31. | '''Ryan's Mammoth Collection''', 1883; p. 31. | ||
Stanford/Petrie ('''Complete Collection'''), 1905; No. 475, p. 120. | Stanford/Petrie ('''Complete Collection'''), 1905; No. 475, p. 120. | ||
Sullivan ('''Session Tunes, vol. 3'''), No. 52, p. 21. | Sullivan ('''Session Tunes, vol. 3'''), No. 52, p. 21. | ||
|f_recorded_sources=Ainar ANR-001, Todd Denman – "Like Magic" (1995. Appears as "Maude Millar's"). | |||
BM-91, Buddy MacMaster – "Glencoe Hall." | BM-91, Buddy MacMaster – "Glencoe Hall." | ||
Edison 51041 (78 RPM), accordion player John J. Kimmel (appears as one of the tunes in the "Stack of Barley Medley"). | Edison 51041 (78 RPM), accordion player John J. Kimmel (appears as one of the tunes in the "Stack of Barley Medley"). | ||
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Kevin Crawford – "The 'D' flute album." | Kevin Crawford – "The 'D' flute album." | ||
Victor 18193 (78 RPM), John J. Kimmell (1916. 2nd tune in medley). | Victor 18193 (78 RPM), John J. Kimmell (1916. 2nd tune in medley). | ||
|f_see_also_listing=Alan Snyder's Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t2309.html]<br> | |||
Alan Snyder's Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t2309.html]<br> | |||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/b09.htm#Blabl2]<br> | Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/b09.htm#Blabl2]<br> | ||
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/161/]<br> | Alan Ng's Irishtune.info [http://www.irishtune.info/tune/161/]<br> | ||
Hear John J. Kimmel's 1916 recording at the Victor Discography [http://victor.library.ucsb.edu/index.php/matrix/detail/700003285/B-18243-Stack_of_barley_medley] (2nd tune in medley with "Stack of Barley" and "Green Fields of America"). | Hear John J. Kimmel's 1916 recording at the Victor Discography [http://victor.library.ucsb.edu/index.php/matrix/detail/700003285/B-18243-Stack_of_barley_medley] (2nd tune in medley with "Stack of Barley" and "Green Fields of America"). | ||
}} | |||
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Latest revision as of 00:44, 5 December 2023
X:1 T:Blackberry Blossom [1], The M:C L:1/8 R:Reel S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 111. Mid-19th century, County Cork F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:G ge|(dB).B.B BAGA|BABc B2 (ge)|(dB).B.B BAGA|eaab a2 ge:| g2 ga|baaf|g2 ga b2 ge|g2 ga bgaf|eaab a2 ge| g2 ga bgaf|g2 ga b2 ge|(bg)af gfed|eaab a2 ge!D.C.!||
BLACKBERRY BLOSSOM/BLOSSUM [1] (Blat na smeur). AKA and see "Bone in the Cupboard," "Maud Millar (2)/Maude Millar (2)," "Strawberry Beds (1) (The)," "Strawberry Blossom (3)." Irish (originally), Canadian, American; Reel. USA, southwestern Pa. Canada, Prince Edward Island. G Major (Harding, Kennedy, Kerr, O'Neill, Perlman, Sullivan): E Flat Major (Stanford/Petrie). Standard tuning (fiddle). AB (Miller, Perlman, Stanford/Petrie, Sullivan): AAB (Hardings, Kennedy, Kerr, O'Neill): AA'B (Prior). "Magic Slipper (1) (The)" is a very similar tune. The melody is familiar to Irish tradition, from at least the year 1850, if not earlier, according to Samuel Bayard (Dance to the Fiddle, 1981). He probably was unaware of the mid-19th century music manuscripts of County Cork cleric and uilleann piper Canon biography:James Goodman that contain "Blackberry Blossom [1]" (vol. 3, p. 111), which provides strong support for his contention. The title "Blackberry Blossom" appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997).
See also fiddler Erskine Morris's (1913-1997) version as "Bone in the Cupboard". Morris was originally from the historically anglo-francophone community of Douglastown, Gaspé, Québec.
The reel was recorded in the 78 RPM era in New York by County Sligo fiddler James Morrison, and it can be heard as the second tune in Brooklyn accordion player John J. Kimmel's "Stack of Barley Medley" (1916).