Cock Up Your Beaver: Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
 
(11 intermediate revisions by 3 users not shown)
Line 1: Line 1:
{{Abctune
{{Abctune
|f_tune_title=Cock Up Your Beaver
|f_tune_title=Cock Up Your Beaver
|f_aka=Cock Up Thy Beaver, Watty's Away
|f_aka=Cock Up Thy Beaver, Johnny Cock Thy Beaver, Watty's Away
|f_country=England, Scotland
|f_country=England, Scotland
|f_genre=English, Northumbrian/Borders, Scottish
|f_genre=English, Northumbrian/Borders, Scottish
Line 16: Line 16:
|f_theme_code_index=5324 5313
|f_theme_code_index=5324 5313
}}
}}
<p><font face="garamond, serif" size="4">
<font face="sans-serif" size="4">
'''COCK UP THY/YOUR BEAVER'''. AKA - "[[Johnny Cock the Beaver]]," "[[Watty's Away]]." English, Scottish; Jig (6/8 or 6/4 time). England, Northumberland. C Major (Seatle/Vickers): G Major (Howe, Kennedy, McGibbon). Standard tuning (fiddle). AB (Howe): AABB (Kennedy): AABBCC (Seattle/Vickers): AABBCCDD (McGibbon). The title refers to a beaver top-hat, popular in the late 18th and early 19th century among fashionable men; to 'cock up' in this sense would be either to wear it at a rakish angle, to tip it or to brush it so as to make it more presentable. A long variation set is found in Playford's '''Division Violin''' of 1684. Other versions (mentioned by Margaret Gilmore in her "Concordances" to Playford's volume) are "The Horse-race" and "Newmarkett", although it has little immediately apparant resemblance to the northern English tune called "Newmarket Races." Piper Matt Seattle performed a musical analysis and found that the underlying harmony from the Playford tune and finds it is the same with the Northumbrian "Newmarket Races", only displaced. He concludes that the melodies became separated at an early date and developed independently (noting that Bewick's, Vickers and William Dixon's versions seem to represent a Border piping tradition applied to the melody). The tune appears the Henry Atkinson manuscript of Morpeth (1694, as "Cock Up Thy Beaver, Jem!"), in the 1768 '''Gillespie Manuscript of Perth'''. The name of the melody is among those in Henry Robson's list of popular Northumbrian song and dance tunes, which he published c. 1800. The title itself comes from a song, old in Robert Burns' day, which he modified slightly and printed in his '''Scots Musical Museum'''. It goes:
<div class="noprint">
<blockquote>
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
''When first my brave Johnnie lad''<br>
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
''Come to this town,''<br>
</div>
''He had a blue bonnet''<br>
</font>
''That wanted the crown;'<br>
<font face="sans-serif" size="2">
''But now he has gotten ''<br>
----
''A hat and a feather,--''<br>
<section begin=abc />
''Hey, brave Johnnie lad,''<br>
X:5
''Cock up your beaver!''<br>
T:Cock up your Beaver
<br>
M:6/4
''Cock up your beaver,''<br>
''And cock it fu' sprush,''<br>
''We'll over the border''<br>
''And gie them a brush;''<br>
''There's somebody there''<br>
''We'll teach better behaviour-''<br>
''Hey, brave Johnnie lad,''<br>
''Cock up your beaver!''<br>
</blockquote>
''Printed sources:'' '''Complete Collection of Carolan's Irish Tunes''', 1984; No. 204, p. 137 (variations by Turlough O'Carolan). Howe ('''1000 Jigs and Reels'''), c. 1867; p. 124. Kennedy ('''Jigs & Quicksteps, Trips & Humours'''), 1997; No. 89, p. 22. McGibbon ('''Scots Tunes''', book II), c. 1746; p. 49. Riddell ('''Collection of Scotch Galwegian Border Tunes'''), 1794; pp. 4-5. Seattle ('''William Vickers'''), 1987, Part 3; No. 455. Thompson ('''Compleat Collection of 200 Favourite Country Dances''', vol. 2), 1765; No. 179.
<br>
<br>
''Recorded source:''  Maggie's Music MMCD216, Hesperus - "Early American Roots" (1997).
<br>
<pre>
X:1
T:Cock Up Your Beaver
M:6/8
L:1/8
L:1/8
R:Jig
R:Air
S:Howe - 1000 Jigs and Reels (c. 1867)
Q:"Brisk"
Z:AK/Fiddler's Companion
S:McGibbon - Scots Tunes, book II, p. 49 (c. 1746)
K:G
g | d2G B>AG | A>BA c2e | d2G (B>AB) | Ggd B>cd | c/B/c/d/e/f/ gdB | A3 c2 e |
d2 c BcA | Ggd B2 || d | Ggd (B/c/d)B | AaA c2A |Ggd (B/c/d)B |Ggd B/A/B/c/d/B/|
c/B/c/d/e/f/ g/f/e/d/c/B/ | AaA c>de/f/ | g(a/g/).f/.e/ d(B/c/.d).B | Ggd B2 ||
</pre>
 
<pre>
X:2
T:Cock up they Beaver
M:6/8
L:1/8
R:Jig
S:William Vickers' music manuscript copybook, pg. 134  (1770)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:C
K:G
g2g afg|cec e2A|g2g ag/f/ a|dfd f2A|g2g ag/f/g|cec efg|
g2  | d4 G2B3AG2 | A3BA2c4e2 | d4G2T(B3AB2) | G2g2d2B3cd2 |
faf ege|ded f2A::gcc ecc|gcc e2A|gcc ecc|dfd e2A|gcc ecc|
e3 def g2d2B2 | A3BA2c4g2 | d4 c2 (BcdcBA) | G2g2d2B4 :|
gcc efg|faf ege|ded f2A::c2c ege|cec e2A|c2c ege|
|: D2 | G2g2d2 (Bcd2)B2 | A2a2A2 Tc4BA | G2g2d2 (Bcd2)B2 | G2g2d2 (BABc)dB |
dfd f2A|c2c ege|cec efg|faf ege|ded f2A||
(cBc)(def) g2G2B2 | A2a2A2 cBcdef | g2(agfe) d2 (Bcd)B | G2g2d2B4 :|
</pre>
|: D2 | G2(Bcd2) d2 (Bcd2) | A2 ABcA Tc4e2 | (dcBAB)G (BAB)cdB | G2g2d2BABcdB |  
 
(cBc)def g2d2B2 | A3BA2 Tc4e2 | dcdedc BcdcBA | G2g2d2B4:|
<pre>
|: D2 | G2g2d2 BABcdB | A2a2A2 Tc4 (BA) | G2g2d2 | BABcdB | G2 (efg)d BABcdB |
cBcdef gfefgB | A2a2A2 cBcdef | gfefge dcBcdB | G2g2d2B4:||
<section end=abc />
<section begin=X2 />
X:3
X:3
T:Johnny cock thy Beaver
T:Johnny cock thy Beaver
Line 80: Line 52:
Z:abc's:AK/Fiddler's Companion  
Z:abc's:AK/Fiddler's Companion  
K:F
K:F
d2|c4F2 A3GF2|G2A2G2 B4d2|c4F2 A3GA2|F2f2c2 A2B2c2|d2c2d2 f2c2A2|
d2|c4F2 A3GF2|G2A2G2 B4d2|c4F2 A3GA2|F2f2c2 A2B2c2|
G2A2G2 B4d2|c4F2 A4G2|(F2f2)c2 A4F2||(F2f2)c2 ABc2A2|(G2g2)d2 B4G2|(F2f2)c2 ABc2A2|
d2c2d2 f2c2A2|G2A2G2 B4d2|c4F2 A4G2|(F2f2)c2 A4F2||
(F2f2)c2 A3Bc2|BA Bcde f3FA2|G2A2G2 B4f2|c4B2 A4G2|(F2f2)c2 A4F2:||
(F2f2)c2 ABc2A2|(G2g2)d2 B4G2|(F2f2)c2 ABc2A2|(F2f2)c2 A3Bc2|
</pre>
BA Bcde f3FA2|G2A2G2 B4f2|c4B2 A4G2|(F2f2)c2 A4F2:||
 
<section end=X2 />
<pre>
<section begin=X3 />
X:2
T:Cock up they Beaver
M:6/8
L:1/8
R:Jig
S:William Vickers' music manuscript copybook, p. 134  (1770)
Z:AK/Fiddler's Companion
K:C
g2g afg|cec e2A|g2g ag/f/ a|dfd f2A|
g2g ag/f/g|cec efg|faf ege|ded f2A:|
|:gcc ecc|gcc e2A|gcc ecc|dfd e2A|
gcc ecc|gcc efg|faf ege|ded f2A:|
|:c2c ege|cec e2A|c2c ege|dfd f2A|
c2c ege|cec efg|faf ege|ded f2A||
<section end=X3 />
<section begin=X5 />
X:4
X:4
T:Cock up your Beaver
T:Cock up your Beaver
M:6/8
M:6/8
L:1/8
L:1/8
N:”Andante”
Q:"Andante"
B:Rober Riddell – Collection of Scotch Galwegian Border Tunes (1794)
B:Rober Riddell – Collection of Scotch Galwegian Border Tunes (1794)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:F
K:F
d|c2F A>GF|G>AG !trill!B2d|c2F AGA|Ffc ABc|
d|c2F A>GF|G>AG TB2d|c2F AGA|Ffc ABc|
dcd fcA|G>AG !trill!B2d|c2F A2G|Ffc A2|||
dcd fcA|G>AG TB2d|c2F A2G|Ffc A2||
C|Ffc A/B/cA|Ggtd !trill!B2G|Ffc A/B/cA|Ffc ABc|
C|Ffc A/B/cA|Ggtd TB2G|Ffc A/B/cA|Ffc ABc|
B/A/B/c/d/e/ fFA|GAG !trill!B2f|c2B !trill!A2G|Ffc A2||
B/A/B/c/d/e/ fFA|GAG TB2f|c2B TA2G|Ffc A2||
C|cAF cA/B/c/A/|dBG d/c/B/A/G|cAF c/B/A/B/c/A/|c/B/A/B/c/A/ c/B/A/B/c/A/|
C|cAF cA/B/c/A/|dBG d/c/B/A/G|cAF c/B/A/B/c/A/|c/B/A/B/c/A/ c/B/A/B/c/A/|
d/c/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d2f|c>dB/c/ A>BG/A/|Ffc A2||
d/c/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d2f|c>dB/c/ A>BG/A/|Ffc A2||
C|c/B/A/G/F c/B/A/G/F|d/c/B/A/G d/c/B/AG|c/B/A/G/F c/B/A/G/F|c/B/A/B/c/A/ c/B/A/G/A/B/|
C|c/B/A/G/F c/B/A/G/F|d/c/B/A/G d/c/B/AG|c/B/A/G/F c/B/A/G/F|c/B/A/B/c/A/ c/B/A/G/A/B/|
c/d/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/G/ B/A/B/c/d/f/|c/B/c/d/B/c/ A/B/c/A/B/G/|Ffc A3||
c/d/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/G/ B/A/B/c/d/f/|c/B/c/d/B/c/ A/B/c/A/B/G/|Ffc A3||
FFf FFf|GGg !trill!f2g|FFf AAf|fcd c/B/A/B/c/A/|
FFf FFf|GGg Tf2g|FFf AAf|fcd c/B/A/B/c/A/|
B/A/B/c/d/e/ fFA|GgG B/A/B/c/d/e/|fg/f/e/d/ cd/c/B/A/|Ffc A2||
B/A/B/c/d/e/ fFA|GgG B/A/B/c/d/e/|fg/f/e/d/ cd/c/B/A/|Ffc A2||
C|F>GA/B/ cd/c/B/A/|GAG B2D|F>GA/B/ cd/c/B/A/|cd/c/B/A/ cd/c/B/A/|
C|F>GA/B/ cd/c/B/A/|GAG B2D|F>GA/B/ cd/c/B/A/|cd/c/B/A/ cd/c/B/A/|
Fg/f/e/d/ cd/c/B/A/|GBG B2d|{d}c2B {B}!trill!A2G|Ffc A2||
Fg/f/e/d/ cd/c/B/A/|GBG B2d|{d}c2B {B}TA2G|Ffc A2||
C|F/E/F/G/A/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d/c/B/c/d/B/|F/E/F/G/A/B/ c/B/A/B/c/A/|c/B/A/B/c/A/ c/B/A/B/c/A/|
C|F/E/F/G/A/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d/c/B/c/d/B/|F/E/F/G/A/B/ c/B/A/B/c/A/|c/B/A/B/c/A/ c/B/A/B/c/A/|
d/c/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d/c/B/c/d/f/|c/B/c/d/B/c/ A/B/c/A/B/G/|Ffc A2||
d/c/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d/c/B/c/d/f/|c/B/c/d/B/c/ A/B/c/A/B/G/|Ffc A2||
“Very Plaintive”
"Very Plaintive"C|F3 A3|G>AG B2D|TF3 A3|Ffc ABc|
C|F3 A3|G>AG B2D|!trill!F3 A3|Ffc ABc|
dcd fcA|G>AG B2D|F3 A3|Ffc A2||
dcd fcA|G>AG B2D|F3 A3|Ffc A2||
(3c/d/e/|.f/.e/.d/.c/.B/.A/ .d./c/.B/.A/.G/.F/|!trill!G>AG B2 (3c/d/e/|.f/.e/.d/.c/.B/.A/ .d./c/.B/.A/.G/.F/|(C/F/)(A/F/)(c/F/) (d/c/).B/.A/.G/.F/|
(3c/d/e/|.f/.e/.d/.c/.B/.A/ .d./c/.B/.A/.G/.F/|TG>AG B2 (3c/d/e/|.f/.e/.d/.c/.B/.A/ .d./c/.B/.A/.G/.F/|(C/F/)(A/F/)(c/F/) (d/c/).B/.A/.G/.F/|
!trill!(B/>A/B/).c/.d/.B/ .A/.f/.e/.f/.a/.f/|(G/>F/G/).A/.B/.c/ !trill!d/>^c/d/).e/.=f/.d/|.c/.a/.b/.g/.a/.f/ .f/.e/.d/.c/.f/.A/|F>GF A2||
T(B/>A/B/).c/.d/.B/ .A/.f/.e/.f/.a/.f/|(G/>F/G/).A/.B/.c/ T(d/>^c/d/).e/.=f/.d/|.c/.a/.b/.g/.a/.f/ .f/.e/.d/.c/.f/.A/|F>GF A2||
</pre>
<section end=X5 />
 
<section begin=X6 />
<pre>
X:1
X:5
T:Cock up your Beaver
T:Cock up your Beaver
M:3/4
M:6/4
L:1/8
L:1/8
R:Air
Q:"Not too fast"
N:"Brisk"
O:”Scottish air”
S:McGibbon - Scots Tunes, book II, pg. 49 (c. 1746)
B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 96)
Z:AK/Fiddler's Companion
Z:AK/Fiddler’s Companion  
K:G
K:G
g2  | d4 G2B3AG2 | A3BA2c4e2 | d4G2"tr"(B3AB2) | G2g2d2B3cd2 | e3 def g2d2B2 |
e2|d d3 G2 B3A G2|A3B A2 c4e2|d d3 G3 B2A B2|G3g d2B3c d2|
A3BA2c4g2 | d4 c2 (BcdcBA) | G2g2d2B4 :: D2 | G2g2d2 (Bcd2)B2 | A2a2A2 "tr"c4BA |  
e3d (ef)g2 d2B2|A3B A2 c4e2|d4 c2 B3cA2|G2g2d2 B4d2:|
G2g2d2 (Bcd2)B2 | G2g2d2 (BABc)dB | (cBc)(def) g2G2B2 | A2a2A2 cBcdef | g2(agfe) d2 (Bcd)B |
|:G2g2d2B2d2B2|A3a A2 c4 BA|G2g2d2 B2d2B2|G2g2d2 B4d2|
G2g2d2B4 :: D2 | G2(Bcd2) d2 (Bcd2) | A2 ABcA "tr"c4e2 | (dcBAB)G (BAB)cdB |  
c3d (ef) g2d2B2|A3B A2 c4e2|g3f e2 d2B2d2|e2g2d2 B4 d2:|]
G2g2d2BABcdB | (cBc)def g2d2B2 | A3BA2 "tr"c4e2 | dcdedc BcdcBA | G2g2d2B4 :|  
<section end=X6 />
|: D2 | G2g2d2 BABcdB | A2a2A2 "tr"c4 (BA) | G2g2d2 | BABcdB | G2 (efg)d BABcdB |  
<section begin=X8 />
cBcdef gfefgB | A2a2A2 cBcdef | gfefge dcBcdB | G2g2d2B4 :||
X:1
</pre>
T:Cock Up Your Beaver
</font></p>
M:6/8
 
L:1/8
----
R:Jig
 
S:Howe - 1000 Jigs and Reels (c. 1867)
----
Z:AK/Fiddler's Companion
K:G
g | d2G B>AG | A>BA c2e | d2G (B>AB) | Ggd B>cd |  
c/B/c/d/e/f/ gdB | A3 c2 e | d2 c BcA | Ggd B2 ||  
d | Ggd (B/c/d)B | AaA c2A |Ggd (B/c/d)B |Ggd B/A/B/c/d/B/|  
c/B/c/d/e/f/ g/f/e/d/c/B/ | AaA c>de/f/ | g(a/g/).f/.e/ d(B/c/.d).B | Ggd B2 ||  
<section end=X8 />
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
<section begin=X1 />
<section end=X1 />
</font>
<font face="sans-serif" size="4">
<div class="noprint">
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
</div>
</font>
__NOTITLE__

Latest revision as of 16:01, 28 September 2019


Cock Up Your Beaver  Click on the tune title to see or modify Cock Up Your Beaver's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cock Up Your Beaver
Query the Archive
Query the Archive
 Theme code Index    5324 5313
 Also known as    Cock Up Thy Beaver, Johnny Cock Thy Beaver, Watty's Away
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AABBCCDD
 Editor/Compiler    William McGibbon
 Book/Manuscript title    Book:Scots Tunes Book 3
 Tune and/or Page number    p. 49
 Year of publication/Date of MS    c. 1746
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Cock Up Your Beaver: Annotations

X:5 T:Cock up your Beaver M:6/4 L:1/8 R:Air Q:"Brisk" S:McGibbon - Scots Tunes, book II, p. 49 (c. 1746) Z:AK/Fiddler's Companion K:G g2 | d4 G2B3AG2 | A3BA2c4e2 | d4G2T(B3AB2) | G2g2d2B3cd2 | e3 def g2d2B2 | A3BA2c4g2 | d4 c2 (BcdcBA) | G2g2d2B4 :| |: D2 | G2g2d2 (Bcd2)B2 | A2a2A2 Tc4BA | G2g2d2 (Bcd2)B2 | G2g2d2 (BABc)dB | (cBc)(def) g2G2B2 | A2a2A2 cBcdef | g2(agfe) d2 (Bcd)B | G2g2d2B4 :| |: D2 | G2(Bcd2) d2 (Bcd2) | A2 ABcA Tc4e2 | (dcBAB)G (BAB)cdB | G2g2d2BABcdB | (cBc)def g2d2B2 | A3BA2 Tc4e2 | dcdedc BcdcBA | G2g2d2B4:| |: D2 | G2g2d2 BABcdB | A2a2A2 Tc4 (BA) | G2g2d2 | BABcdB | G2 (efg)d BABcdB | cBcdef gfefgB | A2a2A2 cBcdef | gfefge dcBcdB | G2g2d2B4:||


X:3 T:Johnny cock thy Beaver M:6/4 L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 2 (London, 1765) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:F d2|c4F2 A3GF2|G2A2G2 B4d2|c4F2 A3GA2|F2f2c2 A2B2c2| d2c2d2 f2c2A2|G2A2G2 B4d2|c4F2 A4G2|(F2f2)c2 A4F2|| (F2f2)c2 ABc2A2|(G2g2)d2 B4G2|(F2f2)c2 ABc2A2|(F2f2)c2 A3Bc2| BA Bcde f3FA2|G2A2G2 B4f2|c4B2 A4G2|(F2f2)c2 A4F2:||


X:2 T:Cock up they Beaver M:6/8 L:1/8 R:Jig S:William Vickers' music manuscript copybook, p. 134 (1770) Z:AK/Fiddler's Companion K:C g2g afg|cec e2A|g2g ag/f/ a|dfd f2A| g2g ag/f/g|cec efg|faf ege|ded f2A:| |:gcc ecc|gcc e2A|gcc ecc|dfd e2A| gcc ecc|gcc efg|faf ege|ded f2A:| |:c2c ege|cec e2A|c2c ege|dfd f2A| c2c ege|cec efg|faf ege|ded f2A||


X:4 T:Cock up your Beaver M:6/8 L:1/8 Q:"Andante" B:Rober Riddell – Collection of Scotch Galwegian Border Tunes (1794) Z:AK/Fiddler’s Companion K:F d|c2F A>GF|G>AG TB2d|c2F AGA|Ffc ABc| dcd fcA|G>AG TB2d|c2F A2G|Ffc A2|| C|Ffc A/B/cA|Ggtd TB2G|Ffc A/B/cA|Ffc ABc| B/A/B/c/d/e/ fFA|GAG TB2f|c2B TA2G|Ffc A2|| C|cAF cA/B/c/A/|dBG d/c/B/A/G|cAF c/B/A/B/c/A/|c/B/A/B/c/A/ c/B/A/B/c/A/| d/c/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d2f|c>dB/c/ A>BG/A/|Ffc A2|| C|c/B/A/G/F c/B/A/G/F|d/c/B/A/G d/c/B/AG|c/B/A/G/F c/B/A/G/F|c/B/A/B/c/A/ c/B/A/G/A/B/| c/d/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/G/ B/A/B/c/d/f/|c/B/c/d/B/c/ A/B/c/A/B/G/|Ffc A3|| FFf FFf|GGg Tf2g|FFf AAf|fcd c/B/A/B/c/A/| B/A/B/c/d/e/ fFA|GgG B/A/B/c/d/e/|fg/f/e/d/ cd/c/B/A/|Ffc A2|| C|F>GA/B/ cd/c/B/A/|GAG B2D|F>GA/B/ cd/c/B/A/|cd/c/B/A/ cd/c/B/A/| Fg/f/e/d/ cd/c/B/A/|GBG B2d|{d}c2B {B}TA2G|Ffc A2|| C|F/E/F/G/A/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d/c/B/c/d/B/|F/E/F/G/A/B/ c/B/A/B/c/A/|c/B/A/B/c/A/ c/B/A/B/c/A/| d/c/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d/c/B/c/d/f/|c/B/c/d/B/c/ A/B/c/A/B/G/|Ffc A2|| "Very Plaintive"C|F3 A3|G>AG B2D|TF3 A3|Ffc ABc| dcd fcA|G>AG B2D|F3 A3|Ffc A2|| (3c/d/e/|.f/.e/.d/.c/.B/.A/ .d./c/.B/.A/.G/.F/|TG>AG B2 (3c/d/e/|.f/.e/.d/.c/.B/.A/ .d./c/.B/.A/.G/.F/|(C/F/)(A/F/)(c/F/) (d/c/).B/.A/.G/.F/| T(B/>A/B/).c/.d/.B/ .A/.f/.e/.f/.a/.f/|(G/>F/G/).A/.B/.c/ T(d/>^c/d/).e/.=f/.d/|.c/.a/.b/.g/.a/.f/ .f/.e/.d/.c/.f/.A/|F>GF A2||


X:1 T:Cock up your Beaver M:6/4 L:1/8 Q:"Not too fast" O:”Scottish air” B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 96) Z:AK/Fiddler’s Companion K:G e2|d d3 G2 B3A G2|A3B A2 c4e2|d d3 G3 B2A B2|G3g d2B3c d2| e3d (ef)g2 d2B2|A3B A2 c4e2|d4 c2 B3cA2|G2g2d2 B4d2:| |:G2g2d2B2d2B2|A3a A2 c4 BA|G2g2d2 B2d2B2|G2g2d2 B4d2| c3d (ef) g2d2B2|A3B A2 c4e2|g3f e2 d2B2d2|e2g2d2 B4 d2:|]


X:1 T:Cock Up Your Beaver M:6/8 L:1/8 R:Jig S:Howe - 1000 Jigs and Reels (c. 1867) Z:AK/Fiddler's Companion K:G g | d2G B>AG | A>BA c2e | d2G (B>AB) | Ggd B>cd | c/B/c/d/e/f/ gdB | A3 c2 e | d2 c BcA | Ggd B2 || d | Ggd (B/c/d)B | AaA c2A |Ggd (B/c/d)B |Ggd B/A/B/c/d/B/| c/B/c/d/e/f/ g/f/e/d/c/B/ | AaA c>de/f/ | g(a/g/).f/.e/ d(B/c/.d).B | Ggd B2 ||


Cock Up Your Beaver: Annotations

Retrieved from "https://ttadev.org/w/index.php?title=Cock_Up_Your_Beaver&oldid=389898"