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[[{{BASEPAGENAME}}|Tune properties and standard notation]]
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|f_annotation='''GABERLUNZIE(-MAN), THE'''. Scottish, Reel. D Dorian. Standard tuning (fiddle). AABB'. There are 3/4 and 4/4 versions. A gaberlunzie was a beggar licensed to operate within the bounds of a particular parish, and could be identified by their custom of wearing a blue gown as well as a small stamp made of lead.
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|f_printed_sources=Kerr ('''Merry Melodies, vol. 3'''), c. 1880's; No. 170, p. 20.
'''GABERLUNZIE(-MAN), THE'''. Scottish, Reel. D Dorian. Standard tuning (fiddle). AABB'. There are 3/4 and 4/4 versions. A gaberlunzie was a beggar licensed to operate within the bounds of a particular parish, and could be identified by their custom of wearing a blue gown as well as a small stamp made of lead. It has long been suggested that King James V of Scotland composed the air, albeit without firm evidence. The second strain resembles the first of "[[Johnny Cope]]" and the second of "[[Tennessee Wagoner]]." Bayard (1981, '''Dance to the Fiddle''', p. 138) identifies the tune-section as "amounting to a floating formulaic passage" used to construct composite tunes when combined with strains from other tunes.  
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''Source for notated version'':
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''Printed sources'': Kerr ('''Merry Melodies'''), vol. 3; No. 170, p. 20.
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''Recorded sources'': <font color=teal></font>
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[[{{BASEPAGENAME}}|Tune properties and standard notation]]

Latest revision as of 21:47, 4 March 2021



X:1 T:Gaberlunzie, The M:C L:1/8 R:Reel S:Kerr - Merry Melodies, vol. 3, No. 170 (c. 1880's) Z:AK/Fiddler's Companion K:Dmin A|d^cde f2 (ed)|^c=Bcd eAAc|d^cde fefg|abag fdd:| |:e|fefg a2 (gf)|edef gcce|fefg abag|fde^c dDDe| fefg a2 (gf)|edef gcce|d^cde fefg|abag fdd||



GABERLUNZIE(-MAN), THE. Scottish, Reel. D Dorian. Standard tuning (fiddle). AABB'. There are 3/4 and 4/4 versions. A gaberlunzie was a beggar licensed to operate within the bounds of a particular parish, and could be identified by their custom of wearing a blue gown as well as a small stamp made of lead.


Additional notes



Printed sources : - Kerr (Merry Melodies, vol. 3), c. 1880's; No. 170, p. 20.






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