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{{Abctune
{{Abctune
|f_tune_title=Salamanca (1)
|f_tune_title=Salamanca (1)
|f_aka=Salamanca Reel (1), Boyle's Reel, Coronation Reel, Maigue's Tide, Salamander, Tartan Plaid (The), Wild Salamanca (The)
|f_aka=Boyle's Reel, Coronation Reel, Dublin Lasses (5), Maigue's Tide, Salamanca Reel (1), Salamanco, Salamander, Tartan Plaid (The), Wild Salamanca (The)
|f_country=Ireland
|f_country=Ireland
|f_genre=Irish
|f_genre=Irish
Line 15: Line 15:
|f_page=No. 89
|f_page=No. 89
|f_theme_code_index=5353 573H7
|f_theme_code_index=5353 573H7
|f_pdf_score=[[File:Salamanca.pdf|thumb|left|200px|page=1]]
|f_score=1
|f_score=1
|f_player=Frank Lee's Tara Ceilidh Band
|f_album=The Salamanca Reel
|f_label=Regal Zonophone MR 1106 (78 RPM)
|f_recording_date=1933
|f_media={{FeaturedTunes  |f_track=Reel - The Salamanca.mp3 |f_artwork=The battle of Salamanca.jpg |f_tune_name= Salamanca |f_played_by=Fionnlagh Ballantine |f_notes= Wellington at the Battle of Salamanca - July 1812 |f_source=[https://soundcloud.com/trad-tune-collection/reel-the-salamanca Soundcloud] |f_pix=220  |f_picpix=80  |f_piclink=Salamanca_(1) }}
}}
}}
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image_alt=Traditional universal music
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<section begin=abc />
<section begin=abc />
X:1
X:1
T:Salamanca Reel
T:Salamanca Reel [1]
M:2/4
M:2/4
L:1/8
L:1/8
Line 32: Line 49:
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:D
K:D
d/>B/|A/D/ (3F/E/D/ A/D/ (3F/E/D/| A/d/c/d/ f/e/d/c/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|
d/>B/|A/D/ (3F/E/D/ A/D/ (3F/E/D/| A/d/c/d/ f/e/d/c/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|(B/e/)e/d/ (c/e/)e/g/|
(B/e/)e/d/ (c/e/)e/g/|f/B/ (3d/c/B/ b/B/ (3d/c/B/|f/e/d/c/ d/b/a/g/|f/(g/e/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):|
f/B/ (3d/c/B/ b/B/ (3d/c/B/|f/e/d/c/ d/b/a/g/|f/(g/e/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):|
|:(f/g/)|a/(f/d/)(f/ b/)(g/e/)(g/|f/)(g/e/)(c/ d/)(c/B/)(A/|B/)(d/c/)(e/ d/)(f/e/)(g/|f/)(a/^g/)b/ a(3A/B/c/|
|:(f/g/)|a/(f/d/)(f/ b/)(g/e/)(g/|f/)(g/e/)(c/ d/)(c/B/)(A/|B/)(d/c/)(e/ d/)(f/e/)(g/|f/)(a/^g/)b/ a(3A/B/c/|
d/(e/f/)(g/ a/)(f/b/)(g/|f/)(e/d/)(c/ d/)(b/a/)(g/|f/)(e/d/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):|]
d/(e/f/)(g/ a/)(f/b/)(g/|f/)(e/d/)(c/ d/)(b/a/)(g/|f/)(e/d/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):|]
<section end=abc />
<section end=abc />
<section begin=X1 />
<section begin=X1 />
X:1
T:Salamanca Reel [1]
M:C
L:1/8
R:Reel
B:James Goodman music manuscript collection (County Cork, mid-19th century, Book 2, p. 180)
N:Goodman had the tune from a ms. lent to him by a pipe maker named Doogan.
F: http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=183&z=879.993%2C1342.8005%2C7429.8284%2C2584.8765
F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie
Z:AK/Fiddler’s Companion
K:D
dB|AGFG AGFG|ABde fedc|BE E2 BE {F}D2|Beed cdeg|
fd {e}d2 fd {e}d2|cdef gaag|fgef dBAG|FGEF D2||
fg|afdf bgeg|fgef dcBA|BcdB cdeg|agfg a2 fg|
afdf bfed|cdef gbag|fgef dBAG|FGEF D2||
<section end=X1 />
<section begin=X2 />
X:1
T:Salamnche Reel 
T:Salamanca Reel [1], The
M:C|
L:1/8
R:Reel
B:Finnegan/Curtin Manuscript  (Sliabh Luachra, Co. Cork, mid-19th century, No. 66, p. 26)
B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript
N:The ms. predates the introduction of quadrille-based polkas and slides that
N:now characterize the music of Sliabh Luachra region, thought to have been
N:introduced in the latter 19th century.
S:Breandán Breathnach (1912-85) obtained the ms. from  E. Finnegan, who had it
S:from D. Curtin of Stagmount, Rockchapel, Co Cork.
Z:AK/Fiddler’s Companion
K:D
dB|ADFD ADFD|ABde fedc|BE E2 BE E2|cdec d2 eg|
fd d2 fdd2|cdec d2 eg|fgef dBAG|FGEF D2:|
|:(fg)|afdf b2 af|gfge dcBA|BABc defg|a2 aa a2 fg|
a2 fa g2 eg|fdec dcBA|fgef dBAG|FGEF D2:|]
<section end=X2 />
<section begin=X3 />
X:1
T:Dublin Lasses [5], The, or
T:Salamanca Reel [1]
M:C
L:1/8
R:Reel
S:Philip Carolan music manuscript collection 
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p. 125.  Carolan ms. 2, No. 56.
K:D
(dB)|AD (F/E/D) AD (F/E/D)|(Adcd) (BA).G.F|BE (G/F/E) BE (G/F/E)|(cd)ed ceag|
fc (d/c/B) fB (d/c/B)|(Ad)cd (df)eg|(fa)ec (dc).B.A|(FG).EF D2:|
|:(fg)|(af)df (bg)ed|(cd).ec (dc)B.A|.G.A.B.c .d.e.f.g|(bg).a.f a2 (fg)|
(ab)af (ga)ge|(f>a)ec (df)ag|(fd)ec (dA).B.G|.FGEF D2:|]
<section end=X3 />
<section begin=X4 />
X:1
T:Salamanco
T:Salamanca [1]
M:2/4
L:1/8
R:Reel
C:T.G. Scott
N:Howe credited the tune to Scott, but it predates him.
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 636)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:D
(d/B/)|A/D/ (3F/E/D/ A/D/ (3F/E/D/|A/d/c/d/ f/d/c/d/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|E/e/e/d/ c/d/e/g/|
f/d/ (3d/e/d/ f/d/ (3d/e/d/|B/d/c/e/ d/f/a/g/|f/d/e/c/ d/A/B/G/|F/D/E/F/ D:|
|:f/g/|a/f/d/f/ b/g/e/g/|f/d/e/c/ d/c/B/A/|B/d/c/e/ d/f/e/g/|f/a/g/b/ a(f/g/)|
a/b/a/f/ g/b/g/e/|f/d/e/d/ c/e/a/g/|f/d/e/c/ d/A/B/G/|F/D/E/F/ D:|]
<section end=X4 />
<section begin=X8 />
X:1
X:1
T:Salamanca [1]
T:Salamanca [1]
Line 50: Line 142:
|:fg|afdf bgec|dfeg fedc|Bdce defg|a2 (3ba^g afdf|
|:fg|afdf bgec|dfeg fedc|Bdce defg|a2 (3ba^g afdf|
abaf gage|fdec dfag|fdec dBAG|FGEF D2:|
abaf gage|fdec dfag|fdec dBAG|FGEF D2:|
<section end=X1 />
<section end=X8 />
<section begin=X2 />
<section begin=X11 />
X:1
X:1
T:Salamanca [1]
T:Salamanca [1]
Line 64: Line 156:
(fg)|afdf bgec|dcde fdcA|Bddc def^g|a2^g2a2 (3ABc|  
(fg)|afdf bgec|dcde fdcA|Bddc def^g|a2^g2a2 (3ABc|  
defg afdf|bged cdeg|fedc edcB|AGFE D2||
defg afdf|bged cdeg|fedc edcB|AGFE D2||
<section end=X2 />
<section end=X1 />
<section begin=X3 />
<section begin=X15 />
X:1
X:1
T:The Salamanca Reel
T:The Salamanca Reel
Line 78: Line 170:
(fg)|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2 fg|
(fg)|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2 fg|
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2|]
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2|]
<section end=X3 />
<section end=X15 />
<section begin=X4 />
<section begin=X17 />
X:1
X:1
T:Salamanca Reel, The
T:Salamanca Reel, The
Line 94: Line 186:
afdf ecAc|Bcdf ecBA|Bdce dfeg|fbag a2 ag|
afdf ecAc|Bcdf ecBA|Bdce dfeg|fbag a2 ag|
fgaf gfed|Bdcf ecdB|(3cBA ec BGdB|AGFE D2||
fgaf gfed|Bdcf ecdB|(3cBA ec BGdB|AGFE D2||
<section end=X4 />
<section end=X17 />
<section begin=X5 />
<section begin=X20 />
X:2
X:2
T:Salamanca Reel, The
T:Salamanca Reel, The
Line 110: Line 202:
|: afdg bgeg|fdec dcBc|Addc defg|(3aba gb a2fg|
|: afdg bgeg|fdec dcBc|Addc defg|(3aba gb a2fg|
~a3f ~g3e|~f3e dfag|fdec dBAG|1 FGEF D2fg:|2 FGEF D2dB||
~a3f ~g3e|~f3e dfag|fdec dBAG|1 FGEF D2fg:|2 FGEF D2dB||
<section end=X5 />
<section end=X20 />
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__NOTITLE__
__NOTITLE__

Latest revision as of 03:03, 1 February 2024


Salamanca (1)  Click on the tune title to see or modify Salamanca (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Salamanca (1)
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 Theme code Index    5353 573H7
 Also known as    Boyle's Reel, Coronation Reel, Dublin Lasses (5), Maigue's Tide, Salamanca Reel (1), Salamanco, Salamander, Tartan Plaid (The), Wild Salamanca (The)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/2
 History    
 Structure    AB
 Editor/Compiler    R.M. Levey
 Book/Manuscript title    Book:First Collection of the Dance Music of Ireland
 Tune and/or Page number    No. 89
 Year of publication/Date of MS    1858
 Artist    Biography:Frank Lee's Tara Ceilidh Band
 Title of recording    The Salamanca Reel
 Record label/Catalogue nr.    Regal Zonophone MR 1106 (78 RPM)
 Year recorded    1933
 Media    
Salamanca

Played by: Fionnlagh Ballantine
Source: Soundcloud
Image: Wellington at the Battle of Salamanca - July 1812
 Score   (1)   




Salamanca (1)

X:1 T:Salamanca Reel [1] M:2/4 L:1/8 R:Reel and Hornpipe B:R.M. Levey – First Collection of the Dance Music of Ireland (1858, No. 54, p. 22) Z:AK/Fiddler’s Companion K:D d/>B/|A/D/ (3F/E/D/ A/D/ (3F/E/D/| A/d/c/d/ f/e/d/c/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|(B/e/)e/d/ (c/e/)e/g/| f/B/ (3d/c/B/ b/B/ (3d/c/B/|f/e/d/c/ d/b/a/g/|f/(g/e/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):| |:(f/g/)|a/(f/d/)(f/ b/)(g/e/)(g/|f/)(g/e/)(c/ d/)(c/B/)(A/|B/)(d/c/)(e/ d/)(f/e/)(g/|f/)(a/^g/)b/ a(3A/B/c/| d/(e/f/)(g/ a/)(f/b/)(g/|f/)(e/d/)(c/ d/)(b/a/)(g/|f/)(e/d/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):|]


X:1 T:Salamanca Reel [1] M:C L:1/8 R:Reel B:James Goodman music manuscript collection (County Cork, mid-19th century, Book 2, p. 180) N:Goodman had the tune from a ms. lent to him by a pipe maker named Doogan. F: http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=183&z=879.993%2C1342.8005%2C7429.8284%2C2584.8765 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:D dB|AGFG AGFG|ABde fedc|BE E2 BE {F}D2|Beed cdeg| fd {e}d2 fd {e}d2|cdef gaag|fgef dBAG|FGEF D2|| fg|afdf bgeg|fgef dcBA|BcdB cdeg|agfg a2 fg| afdf bfed|cdef gbag|fgef dBAG|FGEF D2||


X:1 T:Salamnche Reel T:Salamanca Reel [1], The M:C| L:1/8 R:Reel B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 66, p. 26) B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript N:The ms. predates the introduction of quadrille-based polkas and slides that N:now characterize the music of Sliabh Luachra region, thought to have been N:introduced in the latter 19th century. S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it S:from D. Curtin of Stagmount, Rockchapel, Co Cork. Z:AK/Fiddler’s Companion K:D dB|ADFD ADFD|ABde fedc|BE E2 BE E2|cdec d2 eg| fd d2 fdd2|cdec d2 eg|fgef dBAG|FGEF D2:| |:(fg)|afdf b2 af|gfge dcBA|BABc defg|a2 aa a2 fg| a2 fa g2 eg|fdec dcBA|fgef dBAG|FGEF D2:|]


X:1 T:Dublin Lasses [5], The, or T:Salamanca Reel [1] M:C L:1/8 R:Reel S:Philip Carolan music manuscript collection N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate N:farmer and fiddler who compiled his ms. probably during 1863-1873. S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, S:2007, p. 125. Carolan ms. 2, No. 56. K:D (dB)|AD (F/E/D) AD (F/E/D)|(Adcd) (BA).G.F|BE (G/F/E) BE (G/F/E)|(cd)ed ceag| fc (d/c/B) fB (d/c/B)|(Ad)cd (df)eg|(fa)ec (dc).B.A|(FG).EF D2:| |:(fg)|(af)df (bg)ed|(cd).ec (dc)B.A|.G.A.B.c .d.e.f.g|(bg).a.f a2 (fg)| (ab)af (ga)ge|(f>a)ec (df)ag|(fd)ec (dA).B.G|.FGEF D2:|]


X:1 T:Salamanco T:Salamanca [1] M:2/4 L:1/8 R:Reel C:T.G. Scott N:Howe credited the tune to Scott, but it predates him. B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 636) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:D (d/B/)|A/D/ (3F/E/D/ A/D/ (3F/E/D/|A/d/c/d/ f/d/c/d/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|E/e/e/d/ c/d/e/g/| f/d/ (3d/e/d/ f/d/ (3d/e/d/|B/d/c/e/ d/f/a/g/|f/d/e/c/ d/A/B/G/|F/D/E/F/ D:| |:f/g/|a/f/d/f/ b/g/e/g/|f/d/e/c/ d/c/B/A/|B/d/c/e/ d/f/e/g/|f/a/g/b/ a(f/g/)| a/b/a/f/ g/b/g/e/|f/d/e/d/ c/e/a/g/|f/d/e/c/ d/A/B/G/|F/D/E/F/ D:|]


X:1 T:Salamanca [1] M:C| L:1/8 R:Reel B:Ryan's Mammoth Collection (1883) Z:AK/Fiddler's Companion K:D dB|.A.D (3FED .A.D (3FED|Adcd fdcd|BE E2 BE E2|gfed ceag| fB B2 bB B2|Adce dfag|fdec dBAG|FAEA D2:| |:fg|afdf bgec|dfeg fedc|Bdce defg|a2 (3ba^g afdf| abaf gage|fdec dfag|fdec dBAG|FGEF D2:|


X:1 T:Salamanca [1] M:C| L:1/8 R:Reel B:Kerr - Merry Melodies vol. 4 (c. 1880's, No. 49, p. 8) Z:AK/Fiddler's Companion K:D (dB)|AD (3FED A2 (3FED|D(dcd) f(dcd)|}BE (3GFE BE (3GFE|Eeed cdeg| fddf gfed|(3cBA Bc d2 ag|fdec dABG|(3FGF (3EFE D2|| (fg)|afdf bgec|dcde fdcA|Bddc def^g|a2^g2a2 (3ABc| defg afdf|bged cdeg|fedc edcB|AGFE D2||


X:1 T:The Salamanca Reel T:Salamanca [1] M:C| L:1/8 B:O'Neill's Music of Ireland. 1850 Melodies, 1903, p. 252, no. 1348 Z:François-Emmanuel de Wasseige K:D dB|A>D (3FED A>D (3FED|Adcd fdcd|B>E (3GFE B>E (3GFE|Beed cdeg| fddg fdcA|Bdce dfag|fdec dBAG|FGEF D2|| (fg)|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2 fg| abaf gfeg|fdec dfag|fdec dBAG|FGEF D2|]


X:1 T:Salamanca Reel, The N:Salamanca [1] M:C L:1/8 R:Reel S:Rev. Luke Donnellan – “Oriel Songs and Dances", S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 40) Z:AK/Fiddler’s Companion K:D (3ABc|dD (3FED AD (3FED|FAdF AdFd|BE (3GFE BE (3GFE|Beed cAAg| fAdA fAdA|Bdce dfeg|fdec dBAG|FGEF D2 fg|| afdf ecAc|Bcdf ecBA|Bdce dfeg|fbag a2 ag| fgaf gfed|Bdcf ecdB|(3cBA ec BGdB|AGFE D2||


X:2 T:Salamanca Reel, The N:Salamanca [1] R:Reel D:Bothy Band 1975 Z:id:hn-reel-73 Z:transcribed by henrik.norbeck@mailbox.swipnet.se M:C| L:1/8 K:D AD (3FED AD (3FED|Adcd fdcd|BE~E2 BE~E2|Beed cdeg| fB~B2 fB~B2|fgfe dfag|fdec dBAG|1 FGEF D2dB:|2 FGEF D2fg|| |: afdg bgeg|fdec dcBc|Addc defg|(3aba gb a2fg| ~a3f ~g3e|~f3e dfag|fdec dBAG|1 FGEF D2fg:|2 FGEF D2dB||


Salamanca (1)

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