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|f_annotation='''TUNBRIDGE BEAUTIES.''' English, Country Dance Tune (cut time). G Minor. Standard tuning (fiddle). AABB. The melody, with directions for a country dance, was printed in London by John Young in all four editions (1710-13, 1714, 1718 and 1728) of his '''Second Volume of the Dancing Master''' [http://www.izaak.unh.edu/nhltmd/indexes/dancingmaster/Dance/Play5626.htm] (1710-1728). It was printed around the time as Young's first edition in rival London music publisher Walsh and Randall’s '''New Country Dancing Master, 2nd Book''' (London, 1710) and in Walsh and Hare’s '''Second Book of the Compleat Country Dancing Master''' (London, 1719, republished in 1735 and 1749).
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Tunbridge Wells, Kent, England, came into being as a spa in the Restoration and enjoyed its heyday as a fashionable resort in the Georgian period under Beau Nash when the Pantiles, and its chalybeate spring, attracted significant numbers of well-to-do visitors who flocked to take the waters. It had a famous promenade, the Royal Walks, paved with Pantiles. There were several 18th century dance melodies that refer to Tunbridge in the title. Tunbridge's popularity as a spa town waned with the advent of sea bathing, although the town remained fashionable.
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<blockquote>[[File:Tunbridgepantiles.jpg|right|500px|thumb|The Pantiles at Tunbridge]]
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''What Belles at Epsom d'ye expect this Year?''<br>
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''Hath Tunbridge Beauties, which you have not here?''<br>
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''Can Bath boast more her Gallaxy divine?''<br>
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''And Shades more glorify'd than ours outshine?''<br>
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''Town against Town, as well she might pretend''<br>
'''TUNBRIDGE BEAUTIES.''' English, Country Dance Tune (cut time). G Minor. Standard tuning (fiddle). AABB. The melody, with directions for a country dance, was printed in London by John Young in all four editions of his '''Second Volume of the Dancing Master''' [http://www.izaak.unh.edu/nhltmd/indexes/dancingmaster/Dance/Play5626.htm] (1710-1728). It was also printed by rival London music publisher John Walsh in his '''Second Book of the Compleat Country Dancing-Master''', editions of 1719 and 1754, and in his '''New Country Dancing Master, 2d Book''' (1710).
''Vainly to vaunt, and impotent commend...'' [from the poem "Richmond Beauties", 1741, by Francis Hawling].
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|f_printed_sources=Barnes ('''English Country Dance Tunes, vol. 2'''), 2005; p. 133.
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|f_recorded_sources=Hobgoblin Records, Boldwood – “Feet Don’t Fail Me Now” (2007).Wealden KH 3 (LP), The Uplanders - "Kentish Hops" (1978). Brown Boots - "First Steps."
X:1
T:Tunbridge Beauties
M:C|
L:1/8
R:Country Dance
B:Young – Second Volume of the Dancing Master, 1st edition (1710, p. 62)
Z:AK/Fiddler's Companion
K:Gmin
g4 d3e|dcBA G2A2|B3B c2d2|e2 dc d2 =e^f|
g4 d3e|dcBA G2A2|B2 (Bc/d/) (cB)(AG)|G8:|
|:b4 f3g|fedc B2d2|e4 c3d|cBAG F2A2|
B2BG c2d2|e2 dc d2 g^f|g2 ga a3g|g8:|]
TUNBRIDGE BEAUTIES. English, Country Dance Tune (cut time). G Minor. Standard tuning (fiddle). AABB. The melody, with directions for a country dance, was printed in London by John Young in all four editions (1710-13, 1714, 1718 and 1728) of his Second Volume of the Dancing Master[1] (1710-1728). It was printed around the time as Young's first edition in rival London music publisher Walsh and Randall’s New Country Dancing Master, 2nd Book (London, 1710) and in Walsh and Hare’s Second Book of the Compleat Country Dancing Master (London, 1719, republished in 1735 and 1749).
Tunbridge Wells, Kent, England, came into being as a spa in the Restoration and enjoyed its heyday as a fashionable resort in the Georgian period under Beau Nash when the Pantiles, and its chalybeate spring, attracted significant numbers of well-to-do visitors who flocked to take the waters. It had a famous promenade, the Royal Walks, paved with Pantiles. There were several 18th century dance melodies that refer to Tunbridge in the title. Tunbridge's popularity as a spa town waned with the advent of sea bathing, although the town remained fashionable.
The Pantiles at Tunbridge
What Belles at Epsom d'ye expect this Year? Hath Tunbridge Beauties, which you have not here? Can Bath boast more her Gallaxy divine? And Shades more glorify'd than ours outshine? Town against Town, as well she might pretend Vainly to vaunt, and impotent commend... [from the poem "Richmond Beauties", 1741, by Francis Hawling].
Additional notes
Printed sources : - Barnes (English Country Dance Tunes, vol. 2), 2005; p. 133.
Recorded sources : - Hobgoblin Records, Boldwood – “Feet Don’t Fail Me Now” (2007).Wealden KH 3 (LP), The Uplanders - "Kentish Hops" (1978). Brown Boots - "First Steps."
