Annotation:Sly Patrick: Difference between revisions

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|f_annotation='''SLY PATRICK''' (Padraic Glic). AKA and see "[[Has Sorrow Thy Young Days Shaded? (1)]]." Irish, Air (6/8 time, "tenderly"). B Flat Major (Hughes): D Major (Clinton): G Major (Haverty, O’Flannagan, O’Neill). Standard tuning (fiddle). AB. In the early 19th century Thomas Moore used the melody for his song “Has Sorrow Thy Young Days Shaded.”  
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|f_printed_sources=Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 10, p. 5. William Forde ('''300 National Melodies of the British Isles'''), c. 1841; p. 6, No. 18. P.M. Haverty ('''One Hundred Irish Airs vol. 3'''), 1859; No. 242, p. 118. Hughes ('''Gems from the Emerald Isles'''), London, 1867; No. 95, p. 22. O’Flannagan ('''The Hibernia Collection'''), Boston, 1860; p. 25. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 85, p. 15.
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'''SLY PATRICK''' (Padraic Glic). AKA and see "Has Sorrow Thy Young Days Shaded? [1]." Irish, Air (6/8 time, "tenderly"). B Flat Major (Hughes): D Major (Clinton): G Major (Haverty, O’Flannagan, O’Neill). Standard tuning (fiddle). AB. Thomas Moore used the melody for his “Has Sorrow Thy Young Days Shaded.”  
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<p><font face="sans-serif" size="3"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: -
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<font color=red>''Printed sources''</font> : - Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 10, p. 5. P.M. Haverty ('''One Hundred Irish Airs vol. 3'''), 1859; No. 242, p. 118. Hughes ('''Gems from the Emerald Isles'''), London, 1867; No. 95, p. 22. O’Flannagan ('''The Hibernia Collection'''), Boston, 1860; p. 25. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 85, p. 15.{{break|2}}
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Latest revision as of 03:32, 18 September 2020



Back to Sly Patrick


X:1 T:Sly Patrick M:6/8 L:1/8 R:Air or Jig B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 10, p. 5) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:D (d/e/)|(f>e).d (ed).B|(A3 B2).d|(d>e).f (ag).f|(f3 e2)(d/e/)| (f>e).d (ed).B|(A3 B2)d|(d>e).f {f}(e2d)|(d3 d2):| |:f|(f>g).a .a.b.c'|(d'3 c'2).b|(ba).f (f>e).d|{^d}(e3 e2) (=d/e/)| (f>e).d (ed).B|(A3 B2)d|.d>.e(.f {f}e2)d|d3-d2:|]



SLY PATRICK (Padraic Glic). AKA and see "Has Sorrow Thy Young Days Shaded? (1)." Irish, Air (6/8 time, "tenderly"). B Flat Major (Hughes): D Major (Clinton): G Major (Haverty, O’Flannagan, O’Neill). Standard tuning (fiddle). AB. In the early 19th century Thomas Moore used the melody for his song “Has Sorrow Thy Young Days Shaded.”


Additional notes



Printed sources : - Clinton (Gems of Ireland: 200 Airs), 1841; No. 10, p. 5. William Forde (300 National Melodies of the British Isles), c. 1841; p. 6, No. 18. P.M. Haverty (One Hundred Irish Airs vol. 3), 1859; No. 242, p. 118. Hughes (Gems from the Emerald Isles), London, 1867; No. 95, p. 22. O’Flannagan (The Hibernia Collection), Boston, 1860; p. 25. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 85, p. 15.






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