Annotation:Queen's Polka (1) (The): Difference between revisions

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|f_annotation='''QUEEN'S POLKA [1], THE.''' English, Polka (2/4 time). A Dorian ('A' part), D Major ('B' part), & G Major ('C' part). Standard tuning (fiddle). ABC. A curious tune. The first strain is archaic sounding with a beginning that echoes "[[Queen's Polka (2) (The)]]", although it is not a variant. It is grafted onto the two latter strains that sound like 19th century Victorian melodies.  
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|f_printed_sources= Trim et al ('''The Musical Heritage of Thomas Hardy'''), 1990; No. 70.  
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'''QUEEN'S POLKA [1], THE.''' English, Polka. A Dorian ('A' part), D Major ('B' part), & G Major ('C' part). Standard tuning (fiddle). ABC. A curious tune. The first strain is archaic sounding with a beginning that echoes "[[Queen's Polka (2) (The)]]", although it is not a variant. It is grafted onto the two latter strains that sound like 19th century Victorian melodies.
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<p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: -
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<font color=red>''Printed sources''</font> : - Trim et al ('''The Musical Heritage of Thomas Hardy'''), 1990; No. 70.  
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<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
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Latest revision as of 04:01, 11 August 2023




X:1 T:Queen's Polka [1] M:2/4 L:1/8 K:Ador AA/B/ cA|ed g2|fe/f/ fe|fe B2| AA/B/ cA|ed bg|fe/f/ ed|ed G2|| K:D Ad/A/ fe/d/|dc cB/A/|eA/B/ cd/e/|fc/e/ dA| Ad/c/ de/d/ |BB/^A/ Bc/B/|AA A/^G/A|BA D2|| K:G B2 Ac|d3^c|d/d/^c d/d/g|g2 fz| e2 Ac|e3e|dd/e/ fg/a/|bf gz||



QUEEN'S POLKA [1], THE. English, Polka (2/4 time). A Dorian ('A' part), D Major ('B' part), & G Major ('C' part). Standard tuning (fiddle). ABC. A curious tune. The first strain is archaic sounding with a beginning that echoes "Queen's Polka (2) (The)", although it is not a variant. It is grafted onto the two latter strains that sound like 19th century Victorian melodies.


Additional notes



Printed sources : - Trim et al (The Musical Heritage of Thomas Hardy), 1990; No. 70.






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