Annotation:Gilderoy (4): Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''GILDEROY [4]'''. American, Reel. A Minor. Standard tuning (fiddle). A...") |
No edit summary |
||
| (4 intermediate revisions by 3 users not shown) | |||
| Line 1: | Line 1: | ||
---------- | |||
---- | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Gilderoy_(4) > | |||
'''GILDEROY [4]'''. American, Reel. A Minor. Standard tuning (fiddle). AABB. A version of the Irish tune "[[Take Her Out and Air Her (3)]]" and "[[Touch Me if You Dare (1)]]." Alan Jabbour collected a version from Glen Lynn, Virginia, fiddler Henry Reed, that the latter identified as a "British field march" played by the retreating British at the Battle of New Orleans. | |f_annotation='''GILDEROY [4]'''. American, Reel. A Minor. Standard tuning (fiddle). AABB. A version of the Irish tune "[[Take Her Out and Air Her (3)]]" and "[[Touch Me if You Dare (1)]]." Alan Jabbour collected a version from Glen Lynn, Virginia, fiddler Henry Reed, that the latter identified as a "British field march" played by the retreating British at the Battle of New Orleans. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Ford ('''Traditional Music in America'''), 1940; p. 43. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
------------- | |||
---- | |||
Latest revision as of 14:47, 16 August 2021
X:1 T:Gilderoy [4] M:2/4 L:1/8 R:Reel S:Ford - Traditional Music in America (1940) Z:AK/Fiddler's Companion K:Amin A/B/ | cB/A/ BB/A/ | G/A/B/c/ d/B/G/B/ | cB/A/ BA | E/AB/ AA/B/ | cB/A/ BB/A/ | G/A/B/c/ d/B/G/B/ | gB/A/ BA | E/AB/ A :| |: A/B/c/d/ ee/f/ |g>g BA | a>a cB | E/AB/ A :||
GILDEROY [4]. American, Reel. A Minor. Standard tuning (fiddle). AABB. A version of the Irish tune "Take Her Out and Air Her (3)" and "Touch Me if You Dare (1)." Alan Jabbour collected a version from Glen Lynn, Virginia, fiddler Henry Reed, that the latter identified as a "British field march" played by the retreating British at the Battle of New Orleans.
