Gilderoy (1): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Gilderoy (1)
|f_tune_title=Gilderoy (1)
|f_country=Scotland
|f_aka=Gilder Roy, Guilderoy
|f_genre=Scottish
|f_country=Scotland, United States
|f_genre=Contra, Scottish
|f_rhythm=Air/Lament/Listening Piece, Hornpipe/Clog, Reel (single/double)
|f_rhythm=Air/Lament/Listening Piece, Hornpipe/Clog, Reel (single/double)
|f_time_signature=4/4, 2/2
|f_time_signature=4/4, 2/2
Line 8: Line 9:
|f_accidental=NONE
|f_accidental=NONE
|f_mode=Aeolian (minor)
|f_mode=Aeolian (minor)
|f_structure=AABB
|f_structure=AABB, AABBCCDD
|f_book_title=Scots Tunes Book 3
|f_book_title=Musick for Allan Ramsey's Collection of Scots Songs
|f_collector=William McGibbon,
|f_collector=Alexander Stuart
|f_year=1762
|f_year=c. 1724
|f_page=p. 70
|f_page=pp. 94-95
|f_theme_code_index=113b3b 5543b
|f_theme_code_index=113b3b 5543b
|f_score=1
}}
}}
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
}}
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<div class="noprint">
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<pre>
<section begin=abc />
X:1
T:Gilder Roy
T:Gilderoy [1]
M:C
L:1/8
B:Alexander Stuart – “Musick for Allan Ramsay’s Collection part 4”
B:(Edinburgh, c. 1724, pp. 94-95)
F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3034
Z:AK/Fiddler’s Companion
K:Amin
V:1
E|A3B (cB)(cd)|e2 dc d2 cd|e2 G2 (cA)(GE)|G3A G2 cB|
(A^G)(AB)|(cB)(cd)|e2 dc d2f2|e2 (dc/B/) c2 B>A|A4 A2:|
|:ef|g3a (gf)(ed)|(fe)dc d2 cd|e2G2 (cA)(GE)|G3A G2 ef|
g3a (gf)(ed)|(fe)(dc) d2 f2|e2 (dc/B/) (cd) B>A|A4 A2:||
V:2 clef = bass
z|A,2E,2A,,2 A,B,|C2 B,A, B,2E,2|C,2E,2A,2C,2|G,2D,2G,,2 z2|
A,,2E,2A,2E,2|C,2B,,A,, B,,2D,2|C,2D,2E,2E,,2|A,2E,2A,,2:|
|:z2|C,2F,2E,2A,2|D,C,B,,A,, G,,2E,2|C,2E,2A,,2C,2|G,,2D,2G,2z2|
C,2F,2 E,D,C,B,,|D,C,B,,A,, G,,2D,2|C,2D,2E,2E,,2|A,,2 C,E, A,2:|
<section end=abc />
<section begin=X1 />
X:1
T:Gilderoy [1]
M:C
L:1/8
R:Air
B: William Thomson - Orpheus Caledonius, vol. II (1733, No. 47, p. 193)
B: https://digital.nls.uk/special-collections-of-printed-music/archive/91482038
N:Thomson (c. 1695-1753) was a Scottish singer and folk song collector
N:who lived in London for most of his adult career.
Z:AK/Fiddler’s Companion
P:Vocal setting:
K:Amin
A^GA B cB c d |{cd}e2 dc d2 cd|{cd}e2G2 cA GE|G6 cB|
A^G AB cB cd|e2 dc d2e2|c2 BA AG EG|A6||
ef|g3a g2 fe|fe dc d2 cd|{cd}e2G2 {AB}c2 GE|G6 cB|
A^G AB cB cd|e2 dc d2e2|c2 BA AG EG |A6||
<section end=X1 />
<section begin=X1a />
X:1
T:Giolla ruaidh
T:Gilderoy [1]
M:C
L:1/8
B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The
B:McFarlane Manuscript (c. 1741, No. 226, p. 273)
F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/giolla.pdf
N:The Society of Antiquaries of Scotland
K:Amin
E2|A2 AB c2 cd|(c/d/e) (dc) d2 (cd)|(c/d/e)G TG3E|G3e Td3c|
A3^G ABcd|e2 (dc) d2 =(gf)|edce dcBc|{B}A4 A2:|
|:ef|{ef}g3 a gage|fedc d2 (cd)|(c/d/e) G2 GAGE|GEGA Gedc|
A_BAG ABcd|edec da=gf|edce dcBc|{B}A4 A2:|]
<section end=X1a />
<section begin=X3 />
X:1
X:1
T:Gilderoy [1]
T:Gilderoy [1]
M:C|
M:C
L:1/8
Q:"Slow"
R:Air
B: Robert Bremner – Collection of Airs and Marches for Two Violins or German Flutes (c. 1756-61; No. 46, p. 53)
F: https://digital.nls.uk/special-collections-of-printed-music/archive/104412854
Z:AK/Fiddler’s Companion
K:Amin
V:1
E2|A2 A>B c>Bc>d|{cd}e2 dc d2 c>d|{cd}e2 G2 (c<A) (G<E)|G6 (cB)|
(A^G)AB (cBc)d|(e>d)(e>f) e2 (ag)|(fe)(dc) TB3A|A6:|
|:e>f|g>fg>a g2 (fe)|{de}fedc d2 c>d|{ef}g2G2 (3cBA (3GFE|G6 cB|
(A^G)AB (cBc)d|(e>d)(e>f) e2 ag|(fe)(dc) TB3A|A6:|
V:2
z2|z2E2A2 A>B|{AB}c2 BA G2G2|c2E2F2 E[CG]|G6z2|
z2 cB (A^GA)B|(c>B)(c>d) c2 (FE)|D2D2 E2E2|A6:|
|:c>d|e>de>f e2 Tdc|dcBA G2G2|c2E2 F2 E[CG]|G6 z2|
z2 cB (A^GA)B|(c>B)(c>d) c2 FE|D2D2 E2E2|A6:|
<section end=X3 />
<section begin=X6 />
X:1
T:Gilde Roy
T:Gilderoy [1]
M:C
L:1/8
L:1/8
R:Hornpipe
R:Air
B:Oswald – Caledonian Pocket Companion, Book V  (1760, p. 20)
Z:AK/Fiddler’s Companion
K:Amin
K:Amin
E2 | A2 AB cBcd | efec d2 cd | edcB ABcA | B^GEE E2 EG |  
E2|A3B (c>B)(c>d)|{cd}e2 Td>c d2 c>d|{cd}e2 G2 (c<A)(TG>E)|{E}G6 (cB)|
A^GAB cBcd | efec d2 cd | ea^ga edcB | c2A2A2 :|
(A^GAB) (cBcd)|{cd}e2 {e}d>c d2 g>f|(e2 d>)c TB3A|A6:|
|: ef | g2 ga gfef | gfec d2 cd | edcB ABcA | B^GEE E2 EG |  
|:e>f|g3a g2 (fe)|{de}fe{e}dc d2 c>d|{cd}e2G2 (cA/c/) {A}GE|G4 z2 c>B|
A^GAB cBcd | efec d2 cd | ea^ga edcB | c2A2A2 :||
A3B cB (cd/e/)|(g<e) Td>c d2 a>g|{g}fe{e}dc TB3A|A6:|
</pre>
|:E2|(A^GAB) (cBc)d|(ed/e/) (g/e/d/c/) d2 (c>d)|{cd}e2 G>F (E/G/A/B/ c/G/c/E/)|
 
{D}(G3A) G2 (c>B)|A(B/^G/) AB c(d/B/) cd|(e<g) T(d>c) d2 g>f|
<pre>
e(d/e/) {g}f(e/d/) c2 TB>A|A3B A2::(e>f)|(ge) (c'a) {a}g3 (f/e/)|(d/e/g/e/) {e}dc d2 (c>d)|
(e/d/c/e/) (d/c/A/d/) (c/A/G/A/) cE|G3A G2 (c>B)|A(B/^G/) AB c(d/B/) cd|
(ed)ef (ea^g)a|f(e/d/) (e/A/d/B/) c2 T(B>A)|(A3B) A2:|
M:6/8
L:1/8
P:"Jigg - Brisk"
E|AEA ABc|TB3 Eed|cBA fdB|{A}^G3 zzB|
cGc e3|geg c'3|edc GcB|(c3 c2):|
|:(e/f/)|gec a3|fdB g3|ecA fdB|{A}^G3 z zE|
FDF E2a|F3E2e|cBA E2^G|(A3 A2):|]
<section end=X6 />
<section begin=X9 />
X:2
X:2
T:Gilder Roy [1]
T:Gilder Roy
T:Gilderoy [1]
M:C
M:C
L:1/8
L:1/8
R:Air
R:Air
N:"Slow"
Q:"Slow"
S:McGibbon - Scots Tunes, book III, p. 70  (1762)
S:McGibbon - Scots Tunes, book III, p. 70  (1762)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
Line 44: Line 156:
|: (e>f) | (g>f)(g>a) g2 T(f>e) | {d/e/}(fe)(dc) d2 c>d | {c/d/}e2G2 (c/4B/2<A) (G/4F/2<E) | (G4G2) T(cB) |  
|: (e>f) | (g>f)(g>a) g2 T(f>e) | {d/e/}(fe)(dc) d2 c>d | {c/d/}e2G2 (c/4B/2<A) (G/4F/2<E) | (G4G2) T(cB) |  
(A^GA)B (cBc)d | (e>d)(e>f) e2 (ag) | (fe)(dc) TB3A | A6 :||
(A^GA)B (cBc)d | (e>d)(e>f) e2 (ag) | (fe)(dc) TB3A | A6 :||
 
<section end=X9 />
</pre>
<section begin=X12 />
----
X:1
[[{{TALKPAGENAME}}|Tune Discussion]]
T:Guilderoy [1]
 
M:C
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
L:1/8
R:March
S:Thomas Nixon Jr./Joseph Long copybook (c. 1776-78)
Z:AK/Fiddler’s Companion
K:Amin
E2|A2 A>B cBcd|e2 dc d2 cd|e2A2 cA G>E|G2G2 G<G cB|
A>G AB cBcd|edef e2 ag|fe dc B2c2|A2 A>A A2:|
|:e/f/|g>f g>a g2 fe|f>e dc d2 (3Bcd|e2A2 cA G>E|G2 G2 G<G cB|
A>G AB cBcd|e>d ef e2 a>g|f>e d>c B2c2|A2 A>A A2:|]
<section end=X12 />
<section begin=X15 />
X:1
T:Gilder Roy [1]
M:C
L:1/8
R:Air
Q:"Slow"
B:Edward Riley - Riley's Flute Melodies vol. 1 (N.Y., 1814; No. 20)
Z:AK/Fiddler's Companion
K:Amin
E2|A2 (A>B) (c>B)(c>d)|{cd}e2 (d>c) d2 (c>d)|e2G2 (c<A) (G<E)|G6 (cB)|
(A^GA).B (cBc).d|e>d e>f e2 (ag)|(fe) (dc) B3A |A6:|
|:(e>f)|(g>f)(g>a) g2 (f>e)|(fe) (dc) d2 (c>d)|{cd}e2 G2 (c/B<A) (G/F<E)|G4-A2 cB|
(A^GA).B (cBc).d|e>d e>f e2 (ag)|(fe)(dc) B3A|A6:|
<section end=X15 />
<section begin=X19 />
X:1
T:Guilderoy [1]
M:C
L:1/8
B:Howe - Musician's Omnibus No. 1 (1862, p. 43)
Z:AK/Fiddler's Companion
K:Amin
E2|A2 AB cBcd|efec d2 cd|edcB ABcA|B^GEE E2 EG|
A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:|
|:e^f|g3a gfe^f|gfec d2 cd|edcB ABcA|B^GEE E2 EG|
A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:|]
<section end=X19 />
<section begin=X20 />
X:1
T:Gilderoy [1]
M:C
L:1/8
R:Reel
S:Philip Carolan music manuscript collection 
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p. 35.  Carolan ms. 1, No. 99.
K:Bm
F|{c}B>^ABc {e}(dcde)|{g}f2 ed {f}e2 d>e|{de}f2A2 (d<B) (A<F)|{B}A6 d>c|
{c}B>^ABc {e}(dcde)|{g}fefg !fermata!f2 !fermata!bg|{a}gfed d2 Tc>d|B6:|
|:(f>g)|a>gab a2 g>f|{a}(gf)ed {f}e2 d>e|{de}f2A2 (d/c/).B (A/G/).F|A6 {e}d>c|
{c}B>^A B>c {e}(d>c d>e)|{g}fefg !fermata!f2 !fermata!b>a|{g}gfed d2 Tc>B|B6:|]
<section end=X20 />
<section begin=X22 />
X:1
T:Guilderoy Reel
T:Gilderoy [1]
M:C
L:1/8
R:Reel
B:Robbins Collection of 200 Jigs, Reels & Country Dances (NY, 1933, No. 131, p. 42)
Z:AK/Fiddler's Companion
K:Amin
E2|A2 AB cBcd|efec .d2 cd|edcB ABcA|B^GE.E .E2 EG|
A^GAB cBcd|efec d2 d|ea^ga edcB|c2A2A2:|
|:e^f|g3a g^fef|g=fec d2 cd|edcB ABcA|B^GE.E E2 EG|
A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:|]
<section end=X22 />
<section begin=X25 />
X:1
T:Gilderoy [1]
M:C|
L:1/8
R:Hornpipe
K:Amin
E2 | A2 AB cBcd | efec d2 cd | edcB ABcA | B^GEE E2 EG |
A^GAB cBcd | efec d2 cd | ea^ga edcB | c2A2A2 :|
|: ef | g2 ga gfef | gfec d2 cd | edcB ABcA | B^GEE E2 EG |
A^GAB cBcd | efec d2 cd | ea^ga edcB | c2A2A2 :||
<section end=X25 />
<section begin=X28 />
X:1
T:Untitled 
T:Red Haired Boy
T:Gilderoy [2]
M:C|
L:1/8
N:An untitled tune from an August 24, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum.  Martin,  a WWI veteran, had a repertory that
N:consisted of Acadian, Irish, American and French-Canadian tunes.
D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506
F:UGA Brown Media Archives: identifier artrosen_0056 (Track 1 -23:56 on the tape)
Z:Transcribed by Andrew Kuntz
K:Amix
EAAA A2cd|eaec ddgf|e2AA d(B{c}B)A|GFEF G2FG|
EAAA ABcd|e(f/g/ f/e/c)  d2cd|"*"ef(g/f/e) faed|cA(B/c/B) A2 A2 :||
a2 ab ageg|bgec d2gf|eAAA d(B{c}B)A|GFEF G(G{A}G/F/G)|
A2 ab ageg|bgec d2gd|ef{a}ge (3fgf ed|1cA(B/c/B) A2 A2 :|2ceB2 A2{B}AA:|
P:B'
eaea a2 eg|bbec d2gf|eAAA  d(B{c}B)A|GFEF G3G||
A2ag a2ea|abec d2cd|ef(g/f/e) faed|cA(B/c/B) A2A2||
P:Substitutions
"*"ef(g/f/e) afed|cABB A2A2||
<section end=X28 />
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<section begin=X1 />
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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__NOTITLE__

Latest revision as of 23:14, 22 April 2024


Gilderoy (1)  Click on the tune title to see or modify Gilderoy (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Gilderoy (1)
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 Theme code Index    113b3b 5543b
 Also known as    Gilder Roy, Guilderoy
 Composer/Core Source    
 Region    Scotland, United States
 Genre/Style    Contra, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Hornpipe/Clog, Reel (single/double)
 Key/Tonic of    A
 Accidental    NONE
 Mode    Aeolian (minor)
 Time signature    4/4, 2/2
 History    
 Structure    AABB, AABBCCDD
 Editor/Compiler    Alexander Stuart
 Book/Manuscript title    Book:Musick for Allan Ramsey's Collection of Scots Songs
 Tune and/or Page number    pp. 94-95
 Year of publication/Date of MS    c. 1724
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Gilderoy (1): Annotations

X:1 T:Gilder Roy T:Gilderoy [1] M:C L:1/8 B:Alexander Stuart – “Musick for Allan Ramsay’s Collection part 4” B:(Edinburgh, c. 1724, pp. 94-95) F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3034 Z:AK/Fiddler’s Companion K:Amin V:1 E|A3B (cB)(cd)|e2 dc d2 cd|e2 G2 (cA)(GE)|G3A G2 cB| (A^G)(AB)|(cB)(cd)|e2 dc d2f2|e2 (dc/B/) c2 B>A|A4 A2:| |:ef|g3a (gf)(ed)|(fe)dc d2 cd|e2G2 (cA)(GE)|G3A G2 ef| g3a (gf)(ed)|(fe)(dc) d2 f2|e2 (dc/B/) (cd) B>A|A4 A2:|| V:2 clef = bass z|A,2E,2A,,2 A,B,|C2 B,A, B,2E,2|C,2E,2A,2C,2|G,2D,2G,,2 z2| A,,2E,2A,2E,2|C,2B,,A,, B,,2D,2|C,2D,2E,2E,,2|A,2E,2A,,2:| |:z2|C,2F,2E,2A,2|D,C,B,,A,, G,,2E,2|C,2E,2A,,2C,2|G,,2D,2G,2z2| C,2F,2 E,D,C,B,,|D,C,B,,A,, G,,2D,2|C,2D,2E,2E,,2|A,,2 C,E, A,2:|


X:1 T:Gilderoy [1] M:C L:1/8 R:Air B: William Thomson - Orpheus Caledonius, vol. II (1733, No. 47, p. 193) B: https://digital.nls.uk/special-collections-of-printed-music/archive/91482038 N:Thomson (c. 1695-1753) was a Scottish singer and folk song collector N:who lived in London for most of his adult career. Z:AK/Fiddler’s Companion P:Vocal setting: K:Amin A^GA B cB c d |{cd}e2 dc d2 cd|{cd}e2G2 cA GE|G6 cB| A^G AB cB cd|e2 dc d2e2|c2 BA AG EG|A6|| ef|g3a g2 fe|fe dc d2 cd|{cd}e2G2 {AB}c2 GE|G6 cB| A^G AB cB cd|e2 dc d2e2|c2 BA AG EG |A6||


X:1 T:Giolla ruaidh T:Gilderoy [1] M:C L:1/8 B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The B:McFarlane Manuscript (c. 1741, No. 226, p. 273) F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/giolla.pdf N:The Society of Antiquaries of Scotland K:Amin E2|A2 AB c2 cd|(c/d/e) (dc) d2 (cd)|(c/d/e)G TG3E|G3e Td3c| A3^G ABcd|e2 (dc) d2 =(gf)|edce dcBc|{B}A4 A2:| |:ef|{ef}g3 a gage|fedc d2 (cd)|(c/d/e) G2 GAGE|GEGA Gedc| A_BAG ABcd|edec da=gf|edce dcBc|{B}A4 A2:|]


X:1 T:Gilderoy [1] M:C L:1/8 Q:"Slow" R:Air B: Robert Bremner – Collection of Airs and Marches for Two Violins or German Flutes (c. 1756-61; No. 46, p. 53) F: https://digital.nls.uk/special-collections-of-printed-music/archive/104412854 Z:AK/Fiddler’s Companion K:Amin V:1 E2|A2 A>B c>Bc>d|{cd}e2 dc d2 c>d|{cd}e2 G2 (c<A) (G<E)|G6 (cB)| (A^G)AB (cBc)d|(e>d)(e>f) e2 (ag)|(fe)(dc) TB3A|A6:| |:e>f|g>fg>a g2 (fe)|{de}fedc d2 c>d|{ef}g2G2 (3cBA (3GFE|G6 cB| (A^G)AB (cBc)d|(e>d)(e>f) e2 ag|(fe)(dc) TB3A|A6:| V:2 z2|z2E2A2 A>B|{AB}c2 BA G2G2|c2E2F2 E[CG]|G6z2| z2 cB (A^GA)B|(c>B)(c>d) c2 (FE)|D2D2 E2E2|A6:| |:c>d|e>de>f e2 Tdc|dcBA G2G2|c2E2 F2 E[CG]|G6 z2| z2 cB (A^GA)B|(c>B)(c>d) c2 FE|D2D2 E2E2|A6:|


X:1 T:Gilde Roy T:Gilderoy [1] M:C L:1/8 R:Air B:Oswald – Caledonian Pocket Companion, Book V (1760, p. 20) Z:AK/Fiddler’s Companion K:Amin E2|A3B (c>B)(c>d)|{cd}e2 Td>c d2 c>d|{cd}e2 G2 (c<A)(TG>E)|{E}G6 (cB)| (A^GAB) (cBcd)|{cd}e2 {e}d>c d2 g>f|(e2 d>)c TB3A|A6:| |:e>f|g3a g2 (fe)|{de}fe{e}dc d2 c>d|{cd}e2G2 (cA/c/) {A}GE|G4 z2 c>B| A3B cB (cd/e/)|(g<e) Td>c d2 a>g|{g}fe{e}dc TB3A|A6:| |:E2|(A^GAB) (cBc)d|(ed/e/) (g/e/d/c/) d2 (c>d)|{cd}e2 G>F (E/G/A/B/ c/G/c/E/)| {D}(G3A) G2 (c>B)|A(B/^G/) AB c(d/B/) cd|(e<g) T(d>c) d2 g>f| e(d/e/) {g}f(e/d/) c2 TB>A|A3B A2::(e>f)|(ge) (c'a) {a}g3 (f/e/)|(d/e/g/e/) {e}dc d2 (c>d)| (e/d/c/e/) (d/c/A/d/) (c/A/G/A/) cE|G3A G2 (c>B)|A(B/^G/) AB c(d/B/) cd| (ed)ef (ea^g)a|f(e/d/) (e/A/d/B/) c2 T(B>A)|(A3B) A2:| M:6/8 L:1/8 P:"Jigg - Brisk" E|AEA ABc|TB3 Eed|cBA fdB|{A}^G3 zzB| cGc e3|geg c'3|edc GcB|(c3 c2):| |:(e/f/)|gec a3|fdB g3|ecA fdB|{A}^G3 z zE| FDF E2a|F3E2e|cBA E2^G|(A3 A2):|]


X:2 T:Gilder Roy T:Gilderoy [1] M:C L:1/8 R:Air Q:"Slow" S:McGibbon - Scots Tunes, book III, p. 70 (1762) Z:AK/Fiddler's Companion K:Amin E2 | A2 A>B c>Bc>d | {c/d/}e2 T(d>c) (d>e) (c>d) | {c/d/}e2G2 c<AG<E |G6 T(cB)| (A^G)AB (cBc)d | (e>d)(e>f) e2 (ag) | (fe)(dc) TB3A | A6 :| |: (e>f) | (g>f)(g>a) g2 T(f>e) | {d/e/}(fe)(dc) d2 c>d | {c/d/}e2G2 (c/4B/2<A) (G/4F/2<E) | (G4G2) T(cB) | (A^GA)B (cBc)d | (e>d)(e>f) e2 (ag) | (fe)(dc) TB3A | A6 :||


X:1 T:Guilderoy [1] M:C L:1/8 R:March S:Thomas Nixon Jr./Joseph Long copybook (c. 1776-78) Z:AK/Fiddler’s Companion K:Amin E2|A2 A>B cBcd|e2 dc d2 cd|e2A2 cA G>E|G2G2 G<G cB| A>G AB cBcd|edef e2 ag|fe dc B2c2|A2 A>A A2:| |:e/f/|g>f g>a g2 fe|f>e dc d2 (3Bcd|e2A2 cA G>E|G2 G2 G<G cB| A>G AB cBcd|e>d ef e2 a>g|f>e d>c B2c2|A2 A>A A2:|]


X:1 T:Gilder Roy [1] M:C L:1/8 R:Air Q:"Slow" B:Edward Riley - Riley's Flute Melodies vol. 1 (N.Y., 1814; No. 20) Z:AK/Fiddler's Companion K:Amin E2|A2 (A>B) (c>B)(c>d)|{cd}e2 (d>c) d2 (c>d)|e2G2 (c<A) (G<E)|G6 (cB)| (A^GA).B (cBc).d|e>d e>f e2 (ag)|(fe) (dc) B3A |A6:| |:(e>f)|(g>f)(g>a) g2 (f>e)|(fe) (dc) d2 (c>d)|{cd}e2 G2 (c/B<A) (G/F<E)|G4-A2 cB| (A^GA).B (cBc).d|e>d e>f e2 (ag)|(fe)(dc) B3A|A6:|


X:1 T:Guilderoy [1] M:C L:1/8 B:Howe - Musician's Omnibus No. 1 (1862, p. 43) Z:AK/Fiddler's Companion K:Amin E2|A2 AB cBcd|efec d2 cd|edcB ABcA|B^GEE E2 EG| A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:| |:e^f|g3a gfe^f|gfec d2 cd|edcB ABcA|B^GEE E2 EG| A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:|]


X:1 T:Gilderoy [1] M:C L:1/8 R:Reel S:Philip Carolan music manuscript collection N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate N:farmer and fiddler who compiled his ms. probably during 1863-1873. S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, S:2007, p. 35. Carolan ms. 1, No. 99. K:Bm F|{c}B>^ABc {e}(dcde)|{g}f2 ed {f}e2 d>e|{de}f2A2 (d<B) (A<F)|{B}A6 d>c| {c}B>^ABc {e}(dcde)|{g}fefg !fermata!f2 !fermata!bg|{a}gfed d2 Tc>d|B6:| |:(f>g)|a>gab a2 g>f|{a}(gf)ed {f}e2 d>e|{de}f2A2 (d/c/).B (A/G/).F|A6 {e}d>c| {c}B>^A B>c {e}(d>c d>e)|{g}fefg !fermata!f2 !fermata!b>a|{g}gfed d2 Tc>B|B6:|]


X:1 T:Guilderoy Reel T:Gilderoy [1] M:C L:1/8 R:Reel B:Robbins Collection of 200 Jigs, Reels & Country Dances (NY, 1933, No. 131, p. 42) Z:AK/Fiddler's Companion K:Amin E2|A2 AB cBcd|efec .d2 cd|edcB ABcA|B^GE.E .E2 EG| A^GAB cBcd|efec d2 d|ea^ga edcB|c2A2A2:| |:e^f|g3a g^fef|g=fec d2 cd|edcB ABcA|B^GE.E E2 EG| A^GAB cBcd|efec d2 cd|ea^ga edcB|c2A2A2:|]


X:1 T:Gilderoy [1] M:C| L:1/8 R:Hornpipe K:Amin E2 | A2 AB cBcd | efec d2 cd | edcB ABcA | B^GEE E2 EG | A^GAB cBcd | efec d2 cd | ea^ga edcB | c2A2A2 :| |: ef | g2 ga gfef | gfec d2 cd | edcB ABcA | B^GEE E2 EG | A^GAB cBcd | efec d2 cd | ea^ga edcB | c2A2A2 :||


X:1 T:Untitled T:Red Haired Boy T:Gilderoy [2] M:C| L:1/8 N:An untitled tune from an August 24, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that N:consisted of Acadian, Irish, American and French-Canadian tunes. D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506 F:UGA Brown Media Archives: identifier artrosen_0056 (Track 1 -23:56 on the tape) Z:Transcribed by Andrew Kuntz K:Amix EAAA A2cd|eaec ddgf|e2AA d(B{c}B)A|GFEF G2FG| EAAA ABcd|e(f/g/ f/e/c) d2cd|"*"ef(g/f/e) faed|cA(B/c/B) A2 A2 :|| a2 ab ageg|bgec d2gf|eAAA d(B{c}B)A|GFEF G(G{A}G/F/G)| A2 ab ageg|bgec d2gd|ef{a}ge (3fgf ed|1cA(B/c/B) A2 A2 :|2ceB2 A2{B}AA:| P:B' eaea a2 eg|bbec d2gf|eAAA d(B{c}B)A|GFEF G3G|| A2ag a2ea|abec d2cd|ef(g/f/e) faed|cA(B/c/B) A2A2|| P:Substitutions "*"ef(g/f/e) afed|cABB A2A2||


Gilderoy (1): Annotations

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